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Was one who certainly was one really being living, was this one a complete one, did that one completely have it to do very well something that that one certainly would be doing if that one could be doing something.
Yes that one was in a way a complete one, certainly he was one completely listening. Was that one one completely listening, was that one completely listening and certainly it was a pleasant thing if this one was one completely listening and certainly this one was completely listening and certainly it was a pleasant thing having this one listening and certainly if this one were one being one really completely listening it would then certainly be a completely pleasant thing.
Was this one a complete one? Certainly this one was one being living. This one was one certainly going to be quite beautifully doing something if this one really did this thing and certainly this one would be sometime doing this completely beautiful thing if this one is really a complete one.
This one certainly is not one who is weakening, who is not continuing well in working. This one certainly is not at all a weak one, that is certain. This one is certainly feeling, in being one being living. This one is certainly an honest one and it is certainly a pleasant thing to have this one listening. Certainly this one does not do very much talking. Certainly this one is liking very well to be knowing what any one doing anything is doing, in what way any one doing anything is doing that thing. This one is one certainly loving, doing a good deal of loving, certainly this one has been completely excited by such a thing, certainly this one had been completely dreaming about such a thing. Certainly this one is one who would be very pleasant to very many in loving.
This one is perhaps one who is perhaps to be sometime a complete one. This one is perhaps one who is perhaps not to be ever a complete one. This one certainly was often listening and this was then certainly a very pleasant thing. This one was perhaps one completely listening, certainly this one was one who was listening and it was then a very pleasant thing, certainly if this one were one completely listening it would be then a completely pleasant thing.
This one certainly would be doing a very beautiful thing if this one did do that beautiful thing. This one would certainly be steadily working to be doing that beautiful thing. This one would certainly not be slackening, not be stopping going on working, not be weakening in working, in making that beautiful thing. This one would be making that beautiful thing. If this one were making that beautiful thing it would be a very satisfying thing. This one would certainly be one completely making a beautiful thing if this one did make a beautiful thing. This one was not a weak man, this man was not an unsteady man, this man was not an aspiring man, this man was one certainly going to be making a beautiful thing if he did make a beautiful thing. This one certainly was listening and this was a very pleasant thing, this one was certainly one going to be doing a beautiful thing if this one is one who is a complete one.
This one is certainly one to be doing a beautiful thing if this one is going to be doing that thing. It is not disturbing to be wondering about this one going to be doing the beautiful thing, not really disturbing to that one, not really disturbing to any one. This one is steadily working. This one is listening and that is a pleasant thing. If this one were complete in listening that would be a completely pleasant thing. This one certainly is one steadily working to be doing a beautiful thing, this one certainly will be doing a beautiful thing if this one does that beautiful thing. This one is very nearly completely needing to be knowing what any one is doing who is doing something, how any one who is doing something is doing that thing. Certainly if this one is one really completely listening and certainly perhaps this one is one completely listening then that is a completely pleasant thing.
Stein, Gertrude
(1874-1946)
Roche
fleursdumal.nl magazine
More in: Archive S-T, Archive S-T, Gertrude Stein, Stein, Gertrude
They asked me what I thought of the atomic bomb. I said I had not been able to take any interest in it.
I like to read detective and mystery stories. I never get enough of them but whenever one of them is or was about death rays and atomic bombs I never could read them.
What is the use, if they are really as destructive as all that there is nothing left and if there is nothing there nobody to be interested and nothing to be interested about. If they are not as destructive as all that then they are just a little more or less destructive than other things and that means that in spite of all destruction there are always lots left on this earth to be interested or to be willing and the thing that destroys is just one of the things that concerns the people inventing it or the people starting it off, but really nobody else can do anything about it so you have to just live along like always, so you see the atomic [bomb] is not at all interesting, not any more interesting than any other machine, and machines are only interesting in being invented or in what they do, so why be interested.
I never could take any interest in the atomic bomb, I just couldn’t any more than in everybody’s secret weapon. That it has to be secret makes it dull and meaningless. Sure it will destroy a lot and kill a lot, but it’s the living that are interesting not the way of killing them, because if there were not a lot left living how could there be any interest in destruction.
Alright, that is the way I feel about it. They think they are interested about the atomic bomb but they really are not not any more than I am. Really not. They may be a little scared, I am not so scared, there is so much to be scared of so what is the use of bothering to be scared, and if you are not scared the atomic bomb is not interesting.
Everybody gets so much information all day long that they lose their common sense. They listen so much that they forget to be natural. This is a nice story.
Gertrude Stein, 1946
(First published in Yale Poetry Review, December 1947)
Stein, Gertrude
(1874-1946)
Reflection on the Atomic Bomb
fleursdumal.nl magazine
More in: Archive S-T, Archive S-T, Gertrude Stein, Stein, Gertrude, WAR & PEACE
“I am the man,” wrote Artaud, “who has best charted his inmost self.” Antonin Artaud was a great poet who, like Poe, Holderlin, and Nerval, wanted to live in the infinite and asked that the human spirit burn in absolute freedom.
To society, he was a madman. Artaud, however, was not insane, but in luciferian pursuit of what society keeps hidden. The man who wrote Van Gogh the Man Suicided by Society raged against the insanity of social institutions with insight that proves more prescient with every passing year. Today, as Artaud’s vatic thunder still crashes above the “larval confusion” he despised, what is most striking in his writings is an extravagant lucidity.
This collection gives us quintessential Artaud on the occult, magic, the theater, mind and body, the cosmos, rebellion, and revolution in its deepest sense.
Title Artaud Anthology
Author Antonin Artaud
Edited by Jack Hirschman
Publisher City Lights Publishers
Format: Paperback
Nb of pages 256 p.
First published 1963
ISBN-10 0872860000
ISBN-13 9780872860001
$15.95
# new books
Antonin Artaud
fleursdumal.nl magazine
More in: #Biography Archives, - Book Lovers, Antonin Artaud, Archive A-B, Archive A-B, Art & Literature News, Artaud, Antonin, AUDIO, CINEMA, RADIO & TV, Psychiatric hospitals, THEATRE
Sinds de vertaling van Marko Fondse van Majakovski’s werken uitkwam, vijfentwintig jaar geleden, is diens poëzie niet meer weg te denken uit de Nederlandse boekhandel. De ongeëvenaarde lenigheid van de taal die Fondse wist aan te boren zette de dichter hier voorgoed op de kaart.
Met de ge-update versie van de poëzie van Majakovski zijn zijn beroemde poèma’s en andere gedichten nu weer beschikbaar. Het bekende Een wolk in broek en Mens, die dateren van voor de revolutie van 1917, laten de gepassioneerde (liefdes)dichter in optima forma zien. De grote gedichten Ik heb lief en Daarover, van na de revolutie, zijn twee positieve uitzonderingen op de socialistische poëzie waaraan Majakovski zijn dichterschap ten slotte offerde: daarin keert de bravoure van zijn vroege lyriek even terug.
Deze uitgave van Majakovski’s poëzie is voor de gelegenheid aangevuld met een grote hoeveelheid gedichten uit zijn enorme oeuvre. Vele daarvan verschenen niet eerder in Nederlandse vertaling. De herziening en uitbreiding zijn in handen van Majakovski-vertaler Yolanda Bloemen.
Alles waarvoor de dichter Vladimir Majakovski (1893–1930) hartstochtelijk leefde en werkte, de revolutie en de opbouw van het socialisme, is een eeuw na zijn geboorte grondig in diskrediet geraakt en ineengestort. Naar Majakovski’s socialistische poëzie kijkt bijna geen mens meer om. Wel wordt zijn voorrevolutionaire werk nog gelezen: de gedichten van Een wolk in broek tot en met Mens, een ding, met hun unieke mixtuur van lyrische, epische en dramatische kwaliteiten. Na 1917 wist Majakovski zich nog twee maal van zijn socialistische preoccupaties los te maken in de twee grote poëma’s Ik heb lief en Daarover (1921-1923).
Auteur: Vladimir Majakovski
Titel: Verzamelde gedichten
Vertalingen: Marko Fondse, Yolanda Bloemen e.a.
Taal: Nederlands
Uitgever: Uitgeverij van Oorschot
Bindwijze: Paperback
Verschijningsdatum: september 2018
Druk: 1e druk
Afmetingen: 21 x 13 x 2,9 cm
Aantal pagina’s: 480
ISBN-13 9789028280915
ISBN-10 902828091X
€ 29,99
# new poetry translations
Vladimir Majakovski
fleursdumal.nl magazine
More in: - Book Lovers, - Book News, Archive M-N, Archive M-N, Art & Literature News, Constructivism, Constuctivisme, Majakovsky, Vladimir, TRANSLATION ARCHIVE
1 Stern und 7 kazamogipuffel
1 Stern und 7 kazamogipuffel
macht 13 zakopaddogei
zubtrahiere 5 franschöse Männlin
macht 1 Libanotterbett
nehme 3 Quentlin Klotzpulfer
legs in himmelsdeifelsnamen
dabei, wirst sehen wohinst
kommst wnr bällt wnr heult
wnr pfaucht wnre Daugen däht
Hugo Ball
(1886-1927)
gedicht
fleursdumal.nl magazine
More in: Archive A-B, Ball, Hugo, Dada, DADA, Dadaïsme
Op zaterdag 6 oktober organiseert Museum Dr8888 (Drachten) het Dada Poëziebal in Schouwburg De Lawei.
Vanaf 19.30 uur presenteert het museum in de Kleine Zaal een verrassend en onvoorspelbaar programma met poëzie, performances, muziek, beeld en dans.
Optredens worden verzorgd door o.a. K. Schippers, Astrid Lampe, Nyk de Vries, Jan Ketelaar, Meindert Talma en Andries de Jong. Het Poëziebal is onderdeel van het buitenprogramma van Museum Dr8888 en vindt plaats in het kader van Leeuwarden-Friesland 2018.
De avond wordt een beleving op zich en laat zich het best omschrijven als extravagant, intiem, verrassend en een tikkeltje rebels. Het Dada Poëziebal begint om 19.30 uur en vindt plaats in de Kleine Zaal van De Lawei. Het wordt een avondvullend programma met een divers palet aan multidisciplinaire performances waarin tegelijkertijd en op meerdere plekken tegelijk wordt geprogrammeerd. Optredens worden verzorgd door K. Schippers, Astrid Lampe, Jan Ketelaar, Alison Isadora, Jaap Blonk, Tim Schouten, Felicity Provan en Laura Polence, studenten Beeld en Taal van de Gerrit Rietveld Academie, Meindert Talma, Tijdelijke Toon, Bram Zielman, Andries de Jong, Leendert Vooijce, Nyk de Vries, Redactielokaal met Jamila Faber en Arjan Hut, Natasja Hoekstra en dansers en Willie Darktrousers.
Presentator van de avond: Karel Hermans. Regie van de avond is in handen van Janneke de Haan i.s.m. Sanne van Balen.
# Kaarten zijn verkrijgbaar via: www.lawei.nl
Dada Poëziebal met o.a. Jan Ketelaar, K. Schippers en Astrid Lampe in Schouwburg De Lawei in Drachten op zaterdag 6 oktober 2018
more dada
fleursdumal.nl magazine
More in: Antony Kok, Art & Literature News, Dada, DADA, Dadaïsme, De Stijl, Doesburg, Theo van, Evert en Thijs Rinsema, K. Schippers, Kok, Antony, Kurt Schwitters, Kurt Schwitters, Performing arts, Schippers, K., Schwitters, Kurt, THEATRE, Theo van Doesburg, Tzara, Tristan, Visual & Concrete Poetry, Werkman, Hendrik Nicolaas
Pablo Picasso and Gertrude Stein. Few can be said to have had as broad an impact on European art in the twentieth century as these two cultural giants.
Pablo Picasso, a pioneering visual artist, created a prolific and widely influential body of work.
Gertrude Stein, an intellectual tastemaker, hosted the leading salon for artists and writers between the wars in her Paris apartment, welcoming Henri Matisse, Ernest Hemingway, and Ezra Pound to weekly events at her home to discuss art and literature.
It comes as no surprise, then, that Picasso and Stein were fast friends and frequent confidantes. Through Picasso and Stein’s casual notes and reflective letters, this volume of correspondence between the two captures Paris both in the golden age of the early twentieth century and in one of its darkest hours, the Nazi occupation through mentions of dinner parties, lovers, work, and the crises of the two world wars. Illustrated with photographs and postcards, as well as drawings and paintings by Picasso, this collection captures an exhilarating period in European culture through the minds of two artistic greats.
Correspondence
Pablo Picasso and Gertrude Stein
Paper $27.50
ISBN: 9780857425850
Published September 2018
Cloth $29.95
ISBN: 9781905422913
Published November 2008
Distributed for Seagull Books
Edited by Laurence Madeline.
Translated by Lorna Scott Fox.
390 pages
Biography and Letters
Illustrations
new books
Pablo Picasso and Gertrude Stein
fleursdumal.nl magazine
More in: - Book News, - Bookstores, Archive O-P, Archive S-T, Art & Literature News, Gertrude Stein, Pablo Picasso, Stein, Gertrude
Susie Asado
Sweet sweet sweet sweet sweet tea.
Susie Asado.
Sweet sweet sweet sweet sweet tea.
Susie Asado.
Susie Asado which is a told tray sure.
A lean on the shoe this means slips slips hers.
When the ancient light grey is clean it is yellow, it is a silver seller.
This is a please this is a please there are the saids to jelly. These are the wets these say the sets to leave a crown to Incy.
Incy is short for incubus.
A pot. A pot is a beginning of a rare bit of trees. Trees tremble, the old vats are in bobbles, bobbles which shade and shove and render clean, render clean must.
Drink pups.
Drink pups drink pups lease a sash hold, see it shine and a bobolink has pins. It shows a nail.
What is a nail. A nail is unison.
Sweet sweet sweet sweet sweet tea.
Stein, Gertrude
(1874-1946)
Susie Asado
fleursdumal.nl magazine
More in: Archive S-T, Archive S-T, Gertrude Stein, Stein, Gertrude
Dieser Bestseller aus dem Jahr 1931 führt den Leser mitten hinein in die pulsierende Metropole Berlin auf dem Höhepunkt der »Goldenen Zwanziger«.
Folgen Sie dem Autor bei seinen Ausflügen zu den Hotspots des damaligen Nachtlebens – in sagenumwobene Varietés und Tanzpaläste, in Vergnügungsparks und Kaffeehäuser, in angesagte Bars und Schwulenkneipen, aber auch an die Orte der Prostitution und des Verbrechens.
Erweitere Neuausgabe des Klassikers – mit Glossar, Register und vielen historischen Fotos.
»Wer Erlebnisse sucht, Abenteuer verlangt, Sensationen sich erhofft, der wird im Schatten gehen müssen.« Curt Moreck
Curt Moreck, 1888 als Konrad Haemmerling in Köln geboren, war ein Schriftsteller und Journalist, der in den 1920er Jahren seinen Schwerpunkt auf Kultur- und Sittengeschichte legte. Während der Zeit des Nationalsozialismus war das Werk Curt Morecks verboten, nach 1945 konnte er nicht mehr an seine früheren Erfolge anknüpfen. Er starb 1957 in Berlin.
Das deutsche Babylon 1931
Curt Moreck
Ein Führer durch das lasterhafte Berlin
30 Schwarz-Weiß- Abbildungen – 2 Ktn
EAN: 9783898091497
ISBN: 389809149X
Libri: 4858158
Bebra Verlag
März 2018
208 Seiten
gebunden
€22,00
new books
fleursdumal.nl magazine
More in: - Book Lovers, - Book Stories, Archive M-N, Art & Literature News, Berber, Anita, FDM in Berlin
Be Not Sad
Be not sad because all men
Prefer a lying clamour before you:
Sweetheart, be at peace again — –
Can they dishonour you?
They are sadder than all tears;
Their lives ascend as a continual sigh.
Proudly answer to their tears:
As they deny, deny.
James Joyce
(1882-1941)
Be Not Sad
fleursdumal.nl magazine
More in: Archive I-J, Archive I-J, Joyce, James, Joyce, James
In deze grote overzichtstentoonstelling maken we kennis met het spannende culturele klimaat in Groningen aan het begin van de 20ste eeuw: de periode waarbinnen De Ploeg is ontstaan.
Het museum laat ruim honderd werken zien, waaronder schilderijen, tekeningen, drukwerk en grafiek van Ploegleden zoals Jan Wiegers, Johan Dijkstra en Jan Altink. In contrast met werk van coryfeeën zoals Jozef Israëls, H.W. Mesdag, Otto Eerelman en tijdgenoten. Het toont hoe de ‘jonge wilden’ zich losmaakten van de toenmalige gevestigde orde. Daarnaast is er aandacht voor het werk van Ernst Ludwig Kirchner en Vincent van Gogh, die beiden van groot belang zijn geweest voor de schilderkunstige ontwikkeling binnen De Ploeg.
Avant-garde in Groningen. De Ploeg 1918-1928
100 jaar De Ploeg
Nog t/m 04 november 2018
Groninger museum, Museumeiland 1, 9711 ME Groningen
http://www.groningermuseum.nl
Het ontstaan van De Ploeg in 1918
Kunstkring De Ploeg ontstond in juni 1918 als reactie op de “Tentoonstelling van werk van Groningsche Kunstenaars” in het Kunstlievend Genootschap Pictura. Hierbij was een groot aantal jonge kunstenaars niet uitgenodigd. Voor schilders zoals Jan Wiegers, Jan Altink en Johan Dijkstra was het duidelijk dat de negentiende-eeuwse schilderkunstige idealen afgeschud moesten worden. Zij zochten aansluiting bij meer contemporaine ontwikkelingen in de beeldende kunst. Het toeval zou hen daarbij een handje helpen. Jan Wiegers die gedurende een gezondheidskuur in Davos (1920-1921) in Zwitserland bevriend was geraakt met Ernst Ludwig Kirchner, introduceerde in Groningen een schilderkunst, die verwant is aan het Duitse expressionisme.
Publicatie bij de tentoonstelling
Bij de tentoonstelling is het boek Avant- garde in Groningen. De Ploeg 1918-1928 verschenen, waarin niet alleen het ontstaan maar ook de voorgeschiedenis van De Ploeg aan bod komt.
De publicatie komt tot stand vanuit een samenwerking van het Groninger Museum met de Stichting 100 jaar De Ploeg en WBOOKS. Het boek verscheen tijdens de Boekenweek in maart 2018.
Avant-garde in Groningen- De Ploeg 1918-1928
Auteurs: Anneke de Vries, Doeke Sijens, Egge Knol, Han Steenbruggen, Henk van Os, Jikke van der Spek, Kees van der Ploeg, Mariëtta Jansen, Mieke van der Wal, Peter Vroege
€ 29,95
ISBN 9789462582484
Aantal pagina’s 272
Illustraties ca 350 afbeeldingen
Formaat 24,5 x 31 cm
Uitvoering Gebonden
Taal Nederlands
2018
Uitg. W-Books
In samenwerking met Groninger Museum & Stichting 100 jaar De Ploeg
new books
fleursdumal.nl magazine
More in: - Book News, - Book Stories, Archive U-V, Art & Literature News, De Ploeg, Hendrik Nicolaas Werkman, Werkman, Hendrik Nicolaas
The Twilight Turns
The twilight turns from amethyst
To deep and deeper blue,
The lamp fills with a pale green glow
The trees of the avenue.
The old piano plays an air,
Sedate and slow and gay;
She bends upon the yellow keys,
Her head inclines this way.
Shy thought and grave wide eyes and hands
That wander as they list — –
The twilight turns to darker blue
With lights of amethyst.
James Joyce
(1882-1941)
The Twilight Turns
fleursdumal.nl magazine
More in: Archive I-J, Archive I-J, Joyce, James, Joyce, James
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