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FLEURSDUMAL POETRY LIBRARY – classic, modern, experimental & visual & sound poetry, poetry in translation, city poets, poetry archive, pre-raphaelites, editor’s choice, etc.

· Herman Melville: Gettysburg (Poem) · Jean-Joseph Rabearivelo: Lire · Else Lasker-Schüler: George Grosz · Sonnet L (In every breast Affection fires) by Anna Seward · The Selected Poetry of Pier Paolo Pasolini · Digby Mackworth Dolben: Enough · Emilienne d’Alençon: Elégie · The Beautiful Poetry of Donald Trump by Rob Sears · August Stramm: Abendgang · Emily Dickinson: Parting (Poem) · Jakob van Hoddis: Der Visionarr · Jean-Louis Cabanès et Pierre Dufief biographie: Les Frères Goncourt

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Herman Melville: Gettysburg (Poem)

 

Gettysburg

O Pride of the days in prime of the months
Now trebled in great renown,
When before the ark of our holy cause
Fell Dagon down-
Dagon foredoomed, who, armed and targed,
Never his impious heart enlarged
Beyond that hour; God walled his power,
And there the last invader charged.

He charged, and in that charge condensed
His all of hate and all of fire;
He sought to blast us in his scorn,
And wither us in his ire.
Before him went the shriek of shells-
Aerial screamings, taunts and yells;
Then the three waves in flashed advance
Surged, but were met, and back they set:
Pride was repelled by sterner pride,
And Right is a strong-hold yet.

Before our lines it seemed a beach
Which wild September gales have strown
With havoc on wreck, and dashed therewith
Pale crews unknown-
Men, arms, and steeds. The evening sun
Died on the face of each lifeless one,
And died along the winding marge of fight
And searching-parties lone.

Sloped on the hill the mounds were green,
Our centre held that place of graves,
And some still hold it in their swoon,
And over these a glory waves.
The warrior-monument, crashed in fight,
Shall soar transfigured in loftier light,
A meaning ampler bear;
Soldier and priest with hymn and prayer
Have laid the stone, and every bone
Shall rest in honor there.

Herman Melville
(1819 – 1891)
Gettysburg

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More in: Archive M-N, Archive M-N, Herman Melville, WAR & PEACE


Jean-Joseph Rabearivelo: Lire

 

Lire

Ne faites pas de bruit, ne parlez pas:
vont explorer une forêt les yeux, le cœur,
l’esprit, les songes…

Forêt secrète bien que palpable:
forêt.

Forêt bruissant de silence,
Forêt où s’est évadé l’oiseau à prendre au piège,
l’oiseau à prendre au piège qu’on fera chanter
ou qu’on fera pleurer.

À qui l’on fera chanter, à qui l’on fera pleurer
le lieu de son éclosion.

Forêt. Oiseau.
Forêt secrète, oiseau caché
dans vos mains.

Jean-Joseph Rabearivelo
(1901? 1903? – 1937)
Lire (poème)

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More in: Archive Q-R, Archive Q-R, Jean-Joseph Rabearivelo


Else Lasker-Schüler: George Grosz

George Grosz

Manchmal spielen bunte Tränen
In seinen äschernen Augen.

Aber immer begegnen ihm Totenwagen,
Die verscheuchen seine Libellen.

Er ist aberglaubig–
–Ward unter einem großen Stern geboren–

Seine Schrift regnet,
Seine Zeichnung: Trüber Buchstabe.

Wie lange im Fluß gelegen,
Blähen seine Menschen sich auf.

Mysteriöse Verlorene mit Quappenmmäulern
Und verfaulten Seelen.

Fünf träumende Totenfahrer
Sind seine silbernen Finger.

Aber nirgendwo ein Licht im verirrten Märchen
Und doch ist er ein Kind,

Der Held aus dem Lederstrumpf
Mit dem Indianerstamm auf Duzfuß.

Sonst haßt er alle Menschen,
Sie bringen ihm Unglück.

Aber Georg Grosz liebt sein Mißgeschick
Wie einen anhänglichen Feind.

Und seine Traurigkeit ist dionysisch,
Schwarzer Champagner seine Klage.

Er ist ein Meer mit verhängtem Mond,
Sein Gott ist nur scheintot.

Else Lasker-Schüler
(1869 – 1945)
George Grosz
aus: Die Kuppel. Paul Cassirer, Berlin 1920

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More in: Archive K-L, Archive K-L, Expressionism, Expressionisme, FDM in Berlin, Lasker-Schüler, Else


Sonnet L (In every breast Affection fires) by Anna Seward

Sonnet L

In every breast Affection fires, there dwells
A secret consciousness to what degree
They are themselves belov’d. – We hourly see
Th’ involuntary proof, that either quells,
Or ought to quell false hopes, – or sets us free
From pain’d distrust; – but, O, the misery!
Weak Self-Delusion timidly repels
The lights obtrusive – shrinks from all that tells
Unwelcome truths, and vainly seeks repose
For startled Fondness, in the opiate balm,
Of kind profession, tho’, perchance, it flows
To hush Complaint – O! in Belief’s clear calm,
Or ‘mid the lurid clouds of Doubt, we find
LOVE rise the Sun, or Comet of the Mind.

Anna Seward
(1742-1809)
Sonnet L.
(In every breast Affection fires)

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More in: #Editors Choice Archiv, Archive S-T, Archive S-T


The Selected Poetry of Pier Paolo Pasolini

Most people outside Italy know Pier Paolo Pasolini for his films, many of which began as literary works—Arabian Nights, The Gospel According to Matthew, The Decameron, and The Canterbury Tales among them.

What most people are not aware of is that he was primarily a poet, publishing nineteen books of poems during his lifetime, as well as a visual artist, novelist, playwright, and journalist. Half a dozen of these books have been excerpted and published in English over the years, but even if one were to read all of those, the wide range of poetic styles and subjects that occupied Pasolini during his lifetime would still elude the English-language reader.

For the first time, Anglophones will now be able to discover the many facets of this singular poet. Avoiding the tactics of the slim, idiosyncratic, and aesthetically or politically motivated volumes currently available in English, Stephen Sartarelli has chosen poems from every period of Pasolini’s poetic oeuvre. In doing so, he gives English-language readers a more complete picture of the poet, whose verse ranged from short lyrics to longer poems and extended sequences, and whose themes ran not only to the moral, spiritual, and social spheres but also to the aesthetic and sexual, for which he is most known in the United States today. This volume shows how central poetry was to Pasolini, no matter what else he was doing in his creative life, and how poetry informed all of his work from the visual arts to his political essays to his films. Pier Paolo Pasolini was “a poet of the cinema,” as James Ivory says in the book’s foreword, who “left a trove of words on paper that can live on as the fast-deteriorating images he created on celluloid cannot.”

Pier Paolo Pasolini (1922–75) was an Italian film director, writer, and intellectual. This generous selection of poems will be welcomed by poetry lovers and film buffs alike and will be an event in American letters.

The Selected Poetry of Pier Paolo Pasolini
A Bilingual Edition
Edited and Translated by Stephen Sartarelli
With a Foreword by James Ivory
Format Paperback
512 pages
Dimensions 152.4 x 226.06 x 33.02mm
Publisher The University of Chicago Press
Language English
Edition Bilingual edition
ISBN10 022632544X
ISBN13 9780226325446
2015
Paper $25.00

Susan Stewart | The Nation: “An accused blasphemer deeply devoted to Franciscan Catholicism, a Gramscian communist permanently expelled from the party, an avowed homosexual dedicated to the consensual sexual freedom of everyone, a champion of the local on a global scale, a neorealist of the imagination, and a radically innovative poet alienated from the existing practices of the avant-garde: Pasolini is not so much a figure of contradictions as he is a force against the incoherence hiding in every hypocrisy.”

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More in: - Book News, Archive O-P, Archive O-P, AUDIO, CINEMA, RADIO & TV, Pier Paolo Pasolini


Digby Mackworth Dolben: Enough

 

Enough

When all my words were said,
When all my songs were sung,
I thought to pass among
The unforgotten dead,

A Queen of ruth to reign
With her, who gathereth tears
From all the lands and years,
The Lesbian maid of pain;

That lovers, when they wove
The double myrtle-wreath,
Should sigh with mingled breath
Beneath the wings of Love:

‘How piteous were her wrongs,
Her words were falling dew,
All pleasant verse she knew,
But not the Song of songs.’

Yet now, O Love, that you
Have kissed my forehead, I
Have sung indeed, can die,
And be forgotten too.

Digby Mackworth Dolben
(1848 – 1867)
Enough

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More in: Archive C-D, Archive C-D, Digby Mackworth Dolben


Emilienne d’Alençon: Elégie

 

 Elégie

L’allée est ténébreuse, et le ciel est mystique;
L’Aphrodita de marbre étend son beau corps nu,
Le gazon est humide et luisant, il a plu…
Sur le gravier s’allonge une ombre fantastique.

L’amour a, par moments, besoin de s’exiler;
Et c’est pourquoi, ce soir, plaisir ou délivrance,
Nous allons à pas lents, baignés dans du silence,
Rechercher la tendresse au jardin isolé.

Douceur de vivre à deux, un soir de lassitude!
O vivre près de toi! bonheur sans lendemain!
Tu m’aimes aujourd’hui – m’aimeras-tu demain?
Et mon soupir a, seul, troublé la solitude.

Cependant on perçoit un long pas, qui nous suit,
Propice à conserver l’illusison divine,
Un pas léger, un as flottant, que l’on devine:
C’est l’ombre de l’amour, dans l’ombre de la nuit.

Emilienne d’Alençon
(1869-1946)
Elégie

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More in: Archive A-B, Archive A-B, d'Alençon, Émilienne


The Beautiful Poetry of Donald Trump by Rob Sears

Does a poet’s heart beat under Donald Trump’s brash exterior? This bestseller rearranges his quotes and tweets into hilarious poetry. It’s a new word order and a perfect stocking filler.

What if there’s a hidden dimension to Donald Trump; a sensitive, poetic side? Driven by this question, Rob Sears began combing Trump’s words for signs of poetry.

What he found was a revelation. By simply taking the 45th President of the United States’ tweets and transcripts, cutting them up and reordering them, Sears unearthed a trove of beautiful verse that was just waiting to be discovered.

This groundbreaking collection gives readers a glimpse of Trump’s innermost thoughts and feelings on everything from the nature of truth, to what he hates about Lord Sugar. And it will reveal a hitherto hidden Donald, who may surprise and delight both students and critics alike.

Now with seventeen all-new poems! As we lurch deeper into the Trump presidency, this timely publication also includes Sears’ scholarly footnotes and introduction, in which he excavates new critical angles and insights into the President’s poetry which the casual reader might initially overlook.

“I’m very highly educated.
I know words,
I know the best words”

– Donald Trump,
Campaign Rally, 30 Dec 2015

Rob Sears is a creative director at McCann Erickson advertising agency, has written comedy and fiction for McSweeney’s and (with his brother) wrote a sitcom for Audible starring Kevin Eldon, Felicity Montagu and Mitch Benn. He lives in Finsbury Park with his wife.

The Beautiful Poetry of Donald Trump
by Robert Sears (Author)
Subtitel: Newly Updated Edition
Including 12 Recently Discovered Poems
Hardcover: 144 pages
Publisher: Canongate Books Ltd; Main edition
August 31, 2017
Language: English
ISBN-10: 9781786892270
ISBN-13: 978-1786892270
ASIN: 1786892278
Product Dimensions: 14.4 x 1.8 x 22 cm
NUR code 754
$12.99

# new books
The Beautiful Poetry
of Donald Trump

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More in: #Editors Choice Archiv, - Book News, Archive S-T, Archive S-T, Art & Literature News, Invisible poetry, The talk of the town


August Stramm: Abendgang

 

Abendgang

Durch schmiege Nacht
Schweigt unser Schritt dahin
Die Hände bangen blaß um krampfes Grauen
Der Schein sticht scharf in Schatten unser Haupt
In Schatten
Uns!
Hoch flimmt der Stern
Die Pappel hängt herauf
Und
Hebt die Erde nach
Die schlafe Erde armt den nackten Himmel
Du schaust und schauerst
Deine Lippen dünsten
Der Himmel küßt
Und
Uns gebärt der Kuß!

August Stramm
(1874-1915)
Abendgang

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More in: Archive S-T, Archive S-T, Stramm, August, Stramm, August, WAR & PEACE


Emily Dickinson: Parting (Poem)

   

Parting

My life closed twice before its close;
It yet remains to see
If Immortality unveil
A third event to me,

So huge, so hopeless to conceive,
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.

Emily Dickinson
(1830-1886)
Parting

 

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More in: Archive C-D, Archive C-D, Dickinson, Emily


Jakob van Hoddis: Der Visionarr

 

Der Visionarr

Lampe blöck nicht.
Aus der Wand fuhr ein dünner Frauenarm.
Er war bleich und blau geädert.
Die Finger waren mit kostbaren Ringen bepatzt.
Als ich die Hand küßte, erschrak ich:
Sie war lebendig und warm.
Das Gesicht wurde mir zerkratzt.
Ich nahm ein Küchenmesser und zerschnitt ein paar Adern.
Eine große Katze leckte zierlich das Blut vom Boden auf.
Ein Mann indes kroch mit gesträubten Haaren
einen schräg an die Wand gelegten Besenstiel hinauf.

Jakob van Hoddis
(1887 – 1942)
Der Visionarr (Gedicht)

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More in: Archive G-H, Archive G-H, Hoddis, Jakob van


Jean-Louis Cabanès et Pierre Dufief biographie: Les Frères Goncourt

Les Goncourt furent à la fois acteurs et mordants spectateurs d’un demi-siècle de vie littéraire et artistique. Écrivains, critiques, collectionneurs, ils marquèrent profondément leur temps. Cette biographie, rédigée par les deux plus grands spécialistes des Goncourt et appelée à faire date, renoue les fils de cette intense vie à deux.

Le nom de Goncourt connaît la célébrité grâce au plus fameux des prix littéraires, mais il mérite aussi de survivre car il fut porté par deux frères, hommes de lettres novateurs, irremplaçables témoins de leur temps.

Leur double biographie ressuscite un demi-siècle de vie littéraire et artistique, où l’on croise Gautier et Flaubert, où l’on côtoie Renan, Taine, Berthelot, Daudet, Zola. Collectionneurs impénitents, esthètes dolents et élitistes, Jules et Edmond de Goncourt ont transformé leur vie et celle de leurs proches en pages d’écriture. Leur Journal, leurs romans, qui ont initié le naturalisme et la littérature fin de siècle, la création de l’académie des Goncourt, tout témoigne de leur aspiration à la survie littéraire. Leurs engagements avant-gardistes s’associent paradoxalement à un conservatisme politique qui n’exclut ni la misogynie ni l’antisémitisme.

Fondée sur des archives familiales, sur des correspondances largement inédites et sur le dépouillement de la presse de la seconde moitié du xixe siècle, cette biographie magistrale s’attache à l’œuvre littéraire et historique aujourd’hui méconnue, elle renoue les fils d’une intense vie à deux, en pénétrant dans l’intimité affective d’une gémellité fusionnelle.

Jean-Louis Cabanès, professeur émérite à l’université de Paris-Nanterre, spécialiste du roman au xixe siècle et des rapports qu’entretiennent écrits littéraires et textes médicaux, est l’auteur de nombreux ouvrages. Il dirige un collectif chargé d’établir une édition critique du Journal des Goncourt.

Pierre Dufief, professeur émérite à l’université de Paris-Nanterre, a travaillé sur le roman (1850-1914) ainsi que sur les écritures personnelles (Les Écritures de l’intime, Bréal, 2001). Président de la Société des amis des frères Goncourt, il édite la correspondance des deux frères.

Les Frères Goncourt
Jean-Louis Cabanès et Pierre Dufief
Parution: 11/03/2020
Pages: 800
Format: 155 x 235 mm
Collection: Histoire Fayard
EAN: 9782213685960
Prix: € 35.00

Les Frères Goncourt de Jean-Louis Cabanès et Pierre Dufief a reçu la Mention spéciale du Prix Goncourt de la biographie.

# new books
Les Frères Goncourt
Jean-Louis Cabanès & Pierre Dufief

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More in: #Biography Archives, - Book News, Archive G-H, Archive G-H, Awards & Prizes, Histoire de France, Jules et Edmond de Goncourt, Libraries in Literature


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