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Archive C-D

· Death be Not Proud, Poem by John Donne · Sweetest Love, I do Not Go: Poem by John Donne · The Broken Heart: Poem by John Donne · Alice De Chambrier: La Pendule Arrêtée · Tishani Doshi: Everything Begins Elsewhere · Larry Starr: Listening to Bob Dylan. Experiencing and re-experiencing Dylan’s music · Alessandro Barbero: Dante · Tishani Doshi: A God at the Door · Four Quartets: Poetry in the Pandemic by Kristina Marie Darling & Jeffrey Levine · Alice De Chambrier: Évolutions · Violet Bent Backwards over the Grass by Lana Del Rey · Maxime Garcia Diaz: Het is warm in de hivemind (Poëzie)

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Death be Not Proud, Poem by John Donne

 

Death be Not Proud

Death be not proud, though some have called thee
Mighty and dreadfull, for, thou art not soe,
For, those, whom thou think’st, thou dost overthrow,
Die not, poore death, nor yet canst thou kill mee.
From rest and sleepe, which but thy pictures bee,
Much pleasure, then from thee, much more must flow,
And soonest our best men with thee doe goe,
Rest of their bones, and soules deliverie.
Thou art slave to Fate, Chance, kings, and desperate men,
And dost with poyson, warre, and sicknesse dwell,
And poppie, or charmes can make us sleepe as well,
And better then thy stroake; why swell’st thou then?
One short sleepe past, wee wake eternally,
And death shall be no more; death, thou shalt die.

John Donne
(1572 – 1631)
Death be Not Proud
(±1618)

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More in: Archive C-D, Archive C-D, Donne, John


Sweetest Love, I do Not Go: Poem by John Donne

  

Sweetest Love, I do Not Go

Sweetest love, I do not go,
For weariness of thee,
Nor in hope the world can show
A fitter love for me;
But since that I
At the last must part, ’tis best,
Thus to use myself in jest
By feigned deaths to die.

Yesternight the sun went hence,
And yet is here to-day;
He hath no desire nor sense,
Nor half so short a way;
Then fear not me,
But believe that I shall make
Speedier journeys, since I take
More wings and spurs than he.

O how feeble is man’s power,
That if good fortune fall,
Cannot add another hour,
Nor a lost hour recall;
But come bad chance,
And we join to it our strength,
And we teach it art and length,
Itself o’er us to advance.

When thou sigh’st, thou sigh’st not wind,
But sigh’st my soul away;
When thou weep’st, unkindly kind,
My life’s blood doth decay.
It cannot be
That thou lovest me as thou say’st,
If in thine my life thou waste,
That art the best of me.

Let not thy divining heart
Forethink me any ill;
Destiny may take thy part,
And may thy fears fulfil.
But think that we
Are but turn’d aside to sleep.
They who one another keep
Alive, ne’er parted be.

John Donne
(1572 – 1631)
Sweetest Love, I do Not Go

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The Broken Heart: Poem by John Donne

 

The Broken Heart

He is stark mad, whoever says,
That he hath been in love an hour,
Yet not that love so soon decays,
But that it can ten in less space devour;
Who will believe me, if I swear
That I have had the plague a year?
Who would not laugh at me, if I should say
I saw a flash of powder burn a day?

Ah, what a trifle is a heart,
If once into love’s hands it come!
All other griefs allow a part
To other griefs, and ask themselves but some;
They come to us, but us love draws;
He swallows us and never chaws;
By him, as by chain’d shot, whole ranks do die;
He is the tyrant pike, our hearts the fry.

If ’twere not so, what did become
Of my heart when I first saw thee?
I brought a heart into the room,
But from the room I carried none with me.
If it had gone to thee, I know
Mine would have taught thine heart to show
More pity unto me ; but Love, alas!
At one first blow did shiver it as glass.

Yet nothing can to nothing fall,
Nor any place be empty quite;
Therefore I think my breast hath all
Those pieces still, though they be not unite;
And now, as broken glasses show
A hundred lesser faces, so
My rags of heart can like, wish, and adore,
But after one such love, can love no more.

John Donne
(1572 – 1631)
The Broken Heart

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More in: Archive C-D, Archive C-D, Donne, John


Alice De Chambrier: La Pendule Arrêtée

 

La Pendule Arrêtée

C’est une chambre peinte à fresque
Avec de hauts murs lambrissés;
Lorsque l’on entre, on croirait presque
Rentrer dans les siècles passés.

On éprouve une gêne étrange
Dans cet endroit silencieux:
Il semble que l’on y dérange
Un rendez-vous mystérieux.

Je ne sais point pour quelle cause
L’appartement fut délaissé;
La fenêtre en est toujours close,
Sous le grand store bien baissé.

Il s’y passa, l’on peut le croire,
Autrefois des faits importants,
Mais nul ne connaît plus l’histoire
Que recouvre la nuit du temps.

On y voit sur la cheminée,
Entre deux flambeaux vermoulus,
Une pendule très ornée
Qui depuis longtemps ne va plus.

Il s’est enfui bien des années
Tandis qu’inactive elle dort,
Ses aiguilles comme enchaînées
Par le silence de la mort.

Que fut l’heure mystérieuse
Dont elles ne sauraient bouger?
Quelle est la main triste ou joyeuse,
Qui retint le battant léger?

C’est un secret et je l’ignore,
Un secret que l’oubli scella…
Les meubles seuls pourraient encore
Raconter cette histoire-là;

Car dans la vieille et triste chambre
Tout parle encor du temps ancien,
Même le léger parfum d’ambre
Qui vous saisit lorsqu’on y vient.

Les ans, dans leur marche sévère.
Ont fui, par les jours emportés,
Mais la pendule solitaire
Ne les a pas même comptés.

Il n’est plus qu’une heure pour elle,
Heure égale à l’éternité,
Et cette heure unique c’est celle
Où son battant fut arrêté.

Ainsi parfois sur cette terre
Où nous avons été placés,
Nous rencontrons, triste mystère,
Des cœurs vivant aux jours passés.

Comme la pendule fidèle
Dans la salle aux lambris doré,
Ils se sont de l’heure actuelle
Volontairement séparés.

Pour eux aussi, toute la vie,
L’instant présent et l’avenir,
Est dans une heure évanouie
Qui ne doit jamais revenir…

Le temps a beau marcher sans trêve,
Ils ne l’entendent pas couler,
Et trop absorbés par leur rêve,
Ils ne peuvent s’en éveiller.

Qu’importe si les jours s’amassent,
Qu’il soit le matin ou le soir,
Que les ans s’arrêtent ou passent,
Ils ne veulent pas le savoir.

Désormais, leur être demeure
Sur le même point arrêté;
Ils ne connaissent plus qu’une heure,
Et c’est pour eux l’éternité.

4 février 1881

Alice De Chambrier
(1861-1882)
La PenduleArrêtée

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Tishani Doshi: Everything Begins Elsewhere

In her first poetry collection since the award-winning Countries of the Body, Tishani Doshi returns to the body as a central theme, but extends beyond the corporeal to challenge the more metaphysical borders of space and time.

These poems are powerful meditations born on the joineries of life and death, union and separation, memory and dream, where lovers speak to each other across the centuries, and daughters wander into their mothers’ childhoods.

As much about loss as they are about reclamation, Doshi’s poems guide us through an ‘underworld of longing and deliverance’, making the exhilarating claim that through the act of vanishing, we may be shaped into existence again.

Everything Begins Elsewhere was followed by two further collections, Girls Are Coming Out of the Woods in 2018, and A God at the Door in 2021.

These poems move in different directions, as true poetry should. We hear in them joy and sadness, praise and lament, love and disenchantment – simultaneously. Tishani Doshi speaks courageously about herself, about her choices, about the growing shadows. It’s a beautiful book’ – Adam Zagajewski

Tishani Doshi is an award-winning poet and dancer of Welsh-Gujarati descent. She was born in Madras, India, in 1975. She received her masters in writing from the Johns Hopkins University in America and worked in London in advertising before returning to India in 2001 to work with the choreographer Chandralekha, with whom she performed on many international stages. An avid traveller, she has been trekking in the Ethiopian Bale Mountains, visited Antarctica with a group of high-school students, and documented the largest transgender gathering in Koovakam. She has written about her travels in newspapers such as the Guardian, International Herald Tribune, The Hindu and the Financial Times.

She won an Eric Gregory Award for her poetry in 2001. In 2006, she won the All-India Poetry Competition, and her debut collection, Countries of the Body (Aark Arts), won the Forward Prize for Best First Collection. Her first novel, The Pleasure Seekers (Bloomsbury, 2010), was longlisted for the Orange Prize and shortlisted for the Hindu Fiction Award, and has been translated into several languages. Her second poetry collection, Everything Begins Elsewhere, was published by Bloodaxe Books in 2012. Fountainville: new stories from the Mabinogion was published by Seren in 2013. Her third collection, Girls Are Coming Out of the Woods (Bloodaxe Books, 2018), is a Poetry Book Society Recommendation and was shortlisted for the Ted Hughes Award for New Work in Poetry 2018 in the UK, and for the poetry category of the 2019 Firecracker Awards in the US. Her second novel, Small Days and Nights (Bloomsbury, 2019), was shortlisted for the RSL Ondaatje Prize. Her fourth poetry collection, A God at the Door (Bloodaxe Books, 2021), was shortlisted for the 2021 Forward Prize for Best Collection.

Tishani Doshi lives on a beach between two fishing villages in Tamil Nadu with her husband and dogs. She is currently Visiting Associate Professor of Practice, Literature and Creative Writing at New York University, Abu Dhabi. For more information, see her website www.tishanidoshi.com.

# more poetry
Tishani Doshi
Everything Begins Elsewhere
2012
Paperback
Pages: 72
ISBN: 9781852249366
Bloodaxe Books Ltd
£10.99

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Larry Starr: Listening to Bob Dylan. Experiencing and re-experiencing Dylan’s music

Venerated for his lyrics, Bob Dylan in fact is a songwriting musician with a unique mastery of merging his words with music and performance.

Larry Starr cuts through pretention and myth to provide a refreshingly holistic appreciation of Dylan’s music. Ranging from celebrated classics to less familiar compositions, Starr invites readers to reinvigorate their listening experiences by sharing his own—sometimes approaching a song from a fresh perspective, sometimes reeling in surprise at discoveries found in well-known favorites. Starr breaks down often-overlooked aspects of the works, from Dylan’s many vocal styles to his evocative harmonica playing to his choices as a composer. The result is a guide that allows listeners to follow their own passionate love of music into hearing these songs—and personal favorites—in new ways.

Reader-friendly and revealing, Listening to Bob Dylan encourages hardcore fans and Dylan-curious seekers alike to rediscover the music legend.

Larry Starr is emeritus professor of music history at the University of Washington. He is the author of George Gershwin and coauthor of American Popular Music: From Minstrelsy to MP3, sixth edition.

# non fiction: music
Listening to Bob Dylan
Author: Larry Starr
Experiencing and re-experiencing Dylan’s music
Pages: 160 pages
Dimensions: 6 x 9 in
Paperback – $19.95
978-0-252-08602-1
Publication Date: 10/12/2021
Series: Music in American Life
University of Illinois Press
2021

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More in: # Music Archive, Archive C-D, Archive C-D, Archive S-T, AUDIO, CINEMA, RADIO & TV, Bob Dylan, Dylan, Bob, NONFICTION: ESSAYS & STORIES


Alessandro Barbero: Dante

Vanwege de roem die hem al bij leven ten deel viel, weten we over Dante Alighieri (ca. 1265 – 1321) meer dan over de meeste van zijn tijdgenoten.

We volgen de later wereldberoemde dichter vanaf zijn adolescentie: als de zoon van een woekeraar, die ervan droomt tot de wereld van edelen en schrijvers te behoren. We zien hem in de donkere wandelgangen van de corrupte politiek en tijdens zijn ballingschap, waarin hij de verscheidenheid van veertiende-eeuws Italië ontdekt.

Historicus Alessandro Barbero plaatst de schepper van De goddelijke komedie in zijn tijd, cultuur en maatschappelijke context. Dante is daarmee niet alleen een portret van een dichter; het boek biedt een volledig beeld van een man die vat probeert te krijgen op macht, geld, oorlog, familie, vriendschap en liefde.

Alessandro Barbero is een van de vooraanstaandste historici van Italië. Zijn werk wordt internationaal gepubliceerd. Hij doceert Middeleeuwse Geschiedenis aan de universiteit van Piedmont Orientale in Vercilli. Tot zijn bekendste werken behoren Waterloo en Het mooie leven en de oorlogen van anderen, waarvoor hij de Premio Strega ontving.

#new books
Dante
Alessandro Barbero
Vertaler: Etta Maris
Paperback
Ingenaaid
Nederlands
Uitgever Athenaeum
Druk 1
Verschenen sep. 2021
Bladzijden: 384
Genre: Biografieen literaire auteurs
EAN 9789025313432
Afmetingen 216 x 136 x 31 mm
€ 27,50

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More in: #Biography Archives, - Book News, Archive A-B, Archive C-D, Archive C-D, Dante Alighieri, MONTAIGNE, TOMBEAU DE LA JEUNESSE - early death: writers, poets & artists who died young


Tishani Doshi: A God at the Door

“We are homesick everywhere,” writes Tishani Doshi, “even when we’re home.”

With aching empathy, righteous anger, and rebellious humor, A God at the Door calls on the extraordinary minutiae of nature and humanity to redefine belonging and unveil injustice.

From a microscopic cell to flightless birds, to a sumo wrestler and the tree of life, Doshi interrupts the news cycle to pause in grief or delight, to restore power to language. A God at the Door invites the reader on a pilgrimage―one that leads us back to the sacred temple of ourselves. This is an exquisite, generous collection from a poet at the peak of her powers.

In an era of pandemic lockdown and brutal politics, these poems make vital space for what must come next―the return of wonder and free movement, and a profound sense of connection to what matters most. A GOD AT THE DOOR by TISHANI DOSHI invites the reader on a pilgrimage―one that leads us back to the sacred temple of ourselves. This is an exquisite, generous collection from a poet at the peak of her powers.

Tishani Doshi is an award-winning writer and dancer of Welsh-Gujarati descent. Born in Madras, India, in 1975, she received a masters in writing from the Johns Hopkins University, and worked in London in advertising before returning to India in 2001, where a chance encounter with the choreographer Chandralekha led her to an unexpected career in dance. She has published seven books of fiction and poetry, the most recent of which are Girls Are Coming Out of the Woods, shortlisted for the Ted Hughes Poetry Award and a Firecracker Award; and a novel, Small Days and Nights, shortlisted for the RSL Ondaatje Prize, the Tata Best Fiction Award, and The New York Times Bestsellers Editor’s Choice. She has interviewed over a hundred writers about the craft of writing, and has published essays in The Hindu, Granta, The National, The New York Times, The Guardian, Lithub and Corriere della Sera. She is a Visiting Professor of Creative Writing at New York University Abu Dhabi, and otherwise, lives on a beach in Tamil Nadu, India.

 

(. . . . .)

What if god on the other side of the wall
was equally alone and in need of company
What if we replaced god with home
What if I was ready to become nothing
What if I understood there was no me

Would you carry me to this divinity

 

A God at the Door
by Tishani Doshi
Format: Paperback
88 pages
ISBN: 9781556594526
2021 Copper Canyon Press
$16.00 list price

♦Forthcoming 9 November 2021

# new poetry
Tishani Doshi

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Four Quartets: Poetry in the Pandemic by Kristina Marie Darling & Jeffrey Levine

Four Quartets: Poetry in the Pandemic by Jeffrey Levine (Author, Editor), Kristina Marie Darling (Author, Editor). Praised as “an extraordinary bardic chant and threnody for humanity,” Four Quartets is a transcendent and ultimately transformative book of poetry written through the COVID-19 pandemic.

In this timely anthology, established and emerging poets bear powerful witness to the COVID-19 pandemic in writing that reels from collective grief and uncertainty. This volume consists of sixteen separate chapbooks, and a collection of pandemic-era photography, which are unified by a shared narrative: public and private experiences of quarantine, and the impulse toward creation during a time of enormous upheaval, injustice, and protest.

Each voice brings with it a deeply personal account of this globally historic moment, and in doing so, conveys the urgency of introspection, of isolation, and of revolution.

These pieces feature B. A. Van Sise, Jimmy Santiago Baca, Yusef Komunyakaa, Laren McClung, Stephanie Strickland, Mary Jo Bang, Shane McCrae, Ken Chen, J. Mae Barizo, Dora Malech, Jon Davis, Lee Young-Ju, Jae Kim, Rachel Eliza Griffiths, A. Van Jordan, Maggie Queeney, Traci Brimhall, Brynn Saito, Denise Duhamel, and Rick Barot.

Kristina Marie Darling is the author of over twenty books of poetry. Her awards include two Yaddo residencies and a Hawthornden Castle Fellowship, as well as grants from the Whiting Foundation and Harvard University’s Kittredge Fund. She has twice been appointed as a Visiting Artist at the American Academy in Rome. Her poems and essays appear in The Gettysburg Review, New American Writing, The Mid-American Review, Third Coast, The Columbia Poetry Review, Verse Daily, and elsewhere.

Four Quartets: Poetry in the Pandemic
by Kristina Marie Darling & Jeffrey Levine
Publisher‏: ‎ Tupelo Press (November 25, 2020)
Language: ‎ English
296 pages
ISBN-10‏: ‎ 1946482455
ISBN-13: ‎ 978-1946482457
Paperback $25.95
Hardcover $39.95

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Alice De Chambrier: Évolutions

 

Évolutions

Où sont-ils disparus, les Peuples innombrables,
Autrefois échappés des gouffres du néant.
Pareils aux légions dévorées par les sables
Que la vague dépose au bord de l’Océan ?

Un jour, ils sont venus en conquérants superbes,
Ils ont soumis le globe, ils ont régné sur lui ;
Puis un seul coup de faux qui tranchait le champ d’herbes
Les a plongés soudain dans l’éternelle nuit.

On a vu s’écrouler, leurs pouvoirs séculaires,
Babylone, Ninive, et Thèbes et Memphis ;
Ces cités n’ont laissé que débris éphémères,
Témoins inanimés, argile enseveli.

Dans ces lieux aujourd’hui, vastes déserts stériles,
S’étalaient les splendeurs d’un luxe raffiné.
Et le peuple joyeux qui remplissait les villes
A l’immortalité se croyait destiné.

Il n’a fallu qu’un jour et peut-être qu’une heure
Pour renverser leurs murs, leurs temples et leurs dieux,
Pour faire des palais somptueux la demeure
Des serpents du désert et des oiseaux des cieux.

D’autres ont succédé, rescapés des naufrages ;
D’autres ont recueilli leurs vestiges divers.
Ruines disséminées sur l’Océan des âges,
Épaves d’un vaisseau gisant au fond des mers.

Alors, Art et Science ont entr’ouvert leurs ailes
Comme un aigle superbe au vol capricieux ;
Ils se sont envolés dans des contrées nouvelles
Pour y refaire un nid sous l’éclat d’autres cieux.

Ce fut d’abord l’Asie où l’histoire du monde
Naît sous les verts bosquets de la terre d’Éden,
L’Asie, astre éclatant perçant la nuit profonde
Tel le soleil levant dans l’ombre du matin.

Avec elle l’Afrique et la fertile Égypte
Où le Nil apparaît comme un dieu bienfaisant,
Thèbes et sa nécropole énorme, sombre crypte
D’où les morts assemblés regardaient le présent.

Ils choisirent après, l’Europe, l’Italie,
Ce pays mollement bercé par les flots bleus,
Où, dans le vague écho d’une plainte affaiblie,
L’onde vient expirer sur le sable onduleux.

L’Italie, où semblable à quelque pierre fine
Enchâssée au milieu d’un écrin précieux,
Rome, que soutenait la volonté divine,
Des peuples étonnés éblouissait les yeux.

Elle-même à son tour fut prise et renversée ;
Elle a vu se ternir sa gloire et sa splendeur ;
Ce qu’il reste en ce jour de sa beauté passée
N’est qu’un lointain reflet de sa vieille grandeur.

Puis ce fut tout le Nord de l’Europe ignorée
Qui devint le séjour du savoir et des arts ;
C’est elle maintenant la première contrée,
Et les hommes sur elle attachent leurs regards.

Jusqu’à quand ? — Nul ne sait. Il est un Nouveau Monde
Au-delà des grands flots qui s’accroît jour par jour ;
Sa frontière est immense et sa terre est féconde,
L’Amérique, peut-être, aura demain son tour.

Puis elle passera. — Quelle terre lointaine
Recevra le dépôt par d’autres égaré ?
Dans quelle région, chez quelle race humaine
Luiront encor les feux de ce flambeau sacré ?

Oui ! dans quelque mille ans, dans moins longtemps peut-être,
Où seront nos palais, nos empires, nos lois ? —
Le Temps, ce niveleur farouche, ce grand maître,
Aura tout transformé pour la centième fois.

Et nos belles cités dont nous nous faisons gloire,
Où devaient à toujours se succéder nos fils,
Ne seront plus qu’un rêve à la triste mémoire,
Comme vous, ô Ninive, ô Thèbes, ô Memphis !

Bevaix, 28 août 1882

Alice De Chambrier
(1861-1882)
Évolutions

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Violet Bent Backwards over the Grass by Lana Del Rey

Lana Del Rey follows in the same musician/poet footsteps as Joni Mitchell, Leonard Cohen, Jewel and Lou Reed.

Lana’s music and lyrics evoke images of a saturated Kodachrome photograph, so it would stand to reason that she’d now add “poet” to her artist’s kit. Even without music, her words work their way around you, pulling you into a world that’s not unlike a David Lynch movie.

The New York Times bestselling debut book of poetry from Lana Del Rey, Violet Bent Backwards Over the Grass.

Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic.” —Lana Del Rey

Lana’s breathtaking first book solidifies her further as “the essential writer of her times” (The Atlantic). The collection features more than thirty poems, many exclusive to the book: Never to Heaven, The Land of 1,000 Fires, Past the Bushes Cypress Thriving, LA Who Am I to Love You?, Tessa DiPietro, Happy, Paradise Is Very Fragile, Bare Feet on Linoleum, and many more. This beautiful hardcover edition showcases Lana’s typewritten manuscript pages alongside her original photography. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator.

Violet Bent Backwards Over the Grass is also brought to life in an unprecedented spoken word audiobook which features Lana Del Rey reading fourteen select poems from the book accompanied by music from Grammy Award–winning musician Jack Antonoff.

Lana Del Rey is an American singer, songwriter, artist, and poet. Violet Bent Backwards Over the Grass is her first book.

Violet Bent Backwards over the Grass
by Lana Del Rey
Poetry
English language
Publisher: Simon & Schuster
Publication date: 09/29/2020
ISBN-13: 9781982167288
Pages: 128
Hardcover
$24.99

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Maxime Garcia Diaz: Het is warm in de hivemind (Poëzie)

Een nieuwe ster aan het poëtisch firmament

Leeft een lichaam nog als het alleen maar naar een beeldscherm staart? Wat glinstert er tussen de ruïnes van de eenentwintigste eeuw? Dat onderzoekt Maxime Garcia Diaz in deze spetterende debuutbundel.

Haar associatieve gedichten kronkelen, bedwelmen, ontregelen, en wortelen diep in het digitale, het feminiene en het hedendaagse. Flarden van nieuwsberichten vermengen zich met academische theorie en uitgestorven webpagina’s uit de jaren nul. In haar poëzie worden grenzen poreus – tussen lichamen, talen, stemmen – en is alles onzuiver. Het is warm in de hivemind is als een analoog internet, een papieren web, een bloederige rotzooi van popcultuur, ondode URL’s en meisjeslichamen. Een bruisend poëtisch debuut waarin de taal welig tiert, over fantasie, gekte, woede, angst, en een spookachtige revolutie. Deze meerstemmige, meertalige maelstrom lijkt nog het meest op het internet zelf: grillig, gevaarlijk en vol van een duistere en vreugdevolle overvloed.

live through this w/ me

(. . .)
voor nu heb ik geen honger meer
ik heb de hele middag in een bushokje
gezeten (neorexisch koninkrijk)
met euroshopper & amnesia haze
en een amerikaanse tiener
opgekruld in een hoekje als een
suburban spook, zielige zieke ideeën
& een meisje (girl of the geist)
that promised to live through this
with me
(. . .)

Maxime Garcia Diaz (1993) studeerde Cultural Analysis aan de Universiteit van Amsterdam. In 2019 won ze het NK Poetry Slam. Haar werk is eerder gepubliceerd door De Internet Gids, Samplekanon, Yes The Void, Deus Ex Machina en De Optimist. In 2020 kwam haar chapbook Artificielle uit bij het label Marktcorruptie en werkte ze met andere jonge schrijvers aan de voorstelling Poetic Resistance. Garcia Diaz is Nederlands en Uruguayaans en woont in Amsterdam.

Het is warm in de hivemind
Maxime Garcia Diaz
Gedichten
ISBN: 9789403120614
NUR: 306
Type: Paperback
Aantal pagina’s: 112
Uitgever: De Bezige Bij
Verschijningsdatum: 15-07-2021
Prijs: 22,99 euro

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