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Aftermath
When the summer fields are mown,
When the birds are fledged and flown,
And the dry leaves strew the path;
With the falling of the snow,
With the cawing of the crow,
Once again the fields we mow
And gather in the aftermath.
Not the sweet, new grass with flowers
Is this harvesting of ours;
Not the upland clover bloom;
But the rowen mixed with weeds,
Tangled tufts from marsh and meads,
Where the poppy drops its seeds
In the silence and the gloom.
Henry Wadsworth Longfellow
(1807–1882)
Aftermath
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Chaucer
An old man in a lodge within a park;
The chamber walls depicted all around
With portraitures of huntsman, hawk, and hound,
And the hurt deer. He listeneth to the lark,
Whose song comes with the sunshine through the dark
Of painted glass in leaden lattice bound;
He listeneth and he laugheth at the sound,
Then writeth in a book like any clerk.
He is the poet of the dawn, who wrote
The Canterbury Tales, and his old age
Made beautiful with song; and as I read
I hear the crowing cock, I hear the note
Of lark and linnet, and from every page
Rise odors of ploughed field or flowery mead.
Henry Wadsworth Longfellow
(1807–1882)
Chaucer
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freda kamphuis
ijsbloemen
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In this gorgeous third collection, Sandra Lim investigates desire, sexuality, and dream with sinewy intelligence and a startling freshness.
Truthful, sensuous, and intellectually relentless, the poems in The Curious Thing are compelling meditations on love, art making, solitude, female fate, and both the mundane and serious principles of life. Sandra Lim’s poetry displays stinging wit and a tough-minded approach to her own experiences: She speaks with Jean Rhys about beauty, encounters the dark loneliness that can exist inside a relationship, and discovers a coiled anger on a hot summer day.
An extended poem sequence slyly revolves the meanings of finding oneself astray in midlife. A steely strength courses through the volume’s myriad discoveries―Lim’s lucidity and tenderness form a striking complement to her remarkable metaphors and the emotional clamor of her material.
Animated by a sense of reckoning and a piercing inwardness, these anti-sentimental poems nevertheless celebrate the passionate and empathetic subjective life.
Sandra Lim was born in Seoul, South Korea. She is the author of three poetry collections, The Curious Thing, Loveliest Grotesque and The Wilderness, chosen by Louise Glück for the Barnard Women Poets Prize. She has received many honors for her work, including the Levis Reading Prize, an Award in Literature from the American Academy of Arts and Letters, and fellowships from MacDowell and the Getty Foundation. She is a Guggenheim Fellow in poetry and lives in Cambridge, Massachusetts.
Sandra Lim:
The Curious Thing.
Poems
Language: English
Publisher: W. W. Norton & Company
October 10, 2023
80 pages
Paperback
ISBN: 978-1-324-06618-7
Price $16.95
Hardcover
ISBN: 978-0-393-86789-3
Price $26.95
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Niels Landstra
Uit de schaduw naar het andere licht
gedichten
Verschijnt 30 november 2023
website: https://www.kijkgedichten.nl/
Niels Landstra (1966) is dichter, schrijver, muzikant, zanger, beeldend kunstenaar en theatermaker.
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freda kamphuis
friends
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“This book takes me right back to the Carnage Years―yours, too―sacrificed to love. If only I, you, had possessed Elaine Kahn’s wisdom and wit. These poems are lacerating, coy, bloody, and so true I wanted to memorize lines from them.”
Rachel Kushner, author of The Mars Room and The Flamethrowers
Romance or The End takes up the tools of romantic narrative in order to perform the rupture between self and story that occurs at the onset of trauma.
Using known and pathologized literary arcs, Elaine Kahn unspools the fundamental instability of truth, love, and language to create an experiential portrait of narrative’s power to both disfigure and restore.
This is a book about love.
And it is a book about lies.
Love can be a lie, but it is also always true.
This is a book about truth.
This is a book about story.
There is no such thing as a true story and so there are no stories in this book.
Without a story, there is separation.
This is a book about separation.
Everything is a story. Even the truth.
There is nothing truer in this world than the lie of love.
Elaine Kahn is the author of Women in Public (City Lights, 2015), as well as several chapbooks including I Told You I Was Sick: A Romance (After Hours, Ltd., 2017), A Voluptuous Dream During An Eclipse (Poor Claudia, 2012) and Customer (Ecstatic Peace! Library, 2010). Her writing has appeared in Frieze, Brooklyn Rail, Jubilat, Poetry Foundation, Art Papers, and elsewhere. She received an MFA from the Iowa Writers’ Workshop, and teaches at Pomona College and the Poetry Field School. She lives in Los Angeles, CA.
Romance or the End
By Elaine Kahn
Category: Poetry
Publisher: Soft Skull
February 2020
Language: English
Paperback
144 pages
ISBN-10: 1593765843
ISBN-13: 978-1593765842
Price: $16.00
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Beautiful in the Mouth was selected by Thomas Lux as winner of BOA’s A. Poulin, Jr., Poetry Prize and it debuted in the top ten on the Poetry Foundation bestseller list.
In it, Kuipers combines frank sensuality with sincere emotion, yielding poems that travel from New York City to the American West on a exploration of love and loss.
Set against both literal and figurative geography—the empty bedroom of a dead child, a clear-cut hillside outside a logging town—these poems examine how loss transforms our most unwilling landscapes.
Thomas Lux selected this debut collection as winner of BOA’s A. Poulin, Jr., Poetry Prize.
In his foreword he writes, “I was immediately struck by the boldness of imagination, the strange cadences, and wild music of these poems.
We should be glad that young poets like Keetje Kuipers are making their voices heard not by tearing up the old language but by making the old language new.”
Keetje Kuipers, a native of the Northwest, earned her BA at Swarthmore College and MFA at the University of Oregon. A Stegner Fellow at Stanford University, she divides her time between Stanford and Missoula, Montana.
Beautiful in the Mouth
(A. Poulin, Jr. New Poets of America)
by Keetje Kuipers (Author),
Thomas Lux (Foreword)
Paperback
2010
Publisher: BOA Editions Ltd.; First Edition (April 1, 2010)
Language: English
Paperback: 96 pages
ISBN-10: 1934414336
ISBN-13: 978-1934414330
$17.00
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One of Library Journal’s “Thirty Amazing Poetry Titles for Spring 2014,” The Keys to the Jail asks the question of who is to blame for all we’ve lost, calling us to reexamine the harsh words of failed love, the aging of a once-beautiful body, even our own voracious desires.
With daring leaps and unflinching observations, these richly textured lyrics travel from Montana’s great wildernesses to the ocean-fogged streets of San Francisco as they search out the heart that’s lost its way.
The Keys to the Jail asks the question of who is to blame for all we’ve lost, calling us to reexamine the harsh words of failed love, the aging of a once-beautiful body, even our own voracious desires.
Keetje Kuipers is a poet of daring leaps and unflinching observations, whose richly textured lyrics travel from Montana’s great wildernesses to the ocean-fogged streets of San Francisco as they search out the heart that’s lost its way.
(. . .) Shirtless
in the phosphorescent gloom of streetlamps,
they lie suspended. This is my one good
life—watching the exchange of embraces,
counting the faces assembled outside
the ice-cream shop, sweet tinge of urine by
the bridge above the tracks, broken bike lock
of the gay couple’s hands, desperate clapping
of dark pigeons—who will take it from me?
(. . .)
Dolores Park (fragment)
A former Wallace Stegner Fellow in Poetry, Keetje Kuipers’s debut collection, Beautiful in the Mouth, won the A. Poulin, Jr. Poetry Prize. She has been the Margery Davis Boyden Wilderness Writing Resident, and is currently an assistant professor at Auburn University.
Keetje Kuipers is a native of the Northwest. She earned her B.A. at Swarthmore College and her M.F.A. at the University of Oregon. She has been the recipient of a number of fellowships, including those from the Vermont Studio Center, Squaw Valley Community of Writers, and Oregon Literary Arts.
In 2007 Keetje completed her tenure as the Margery Davis Boyden Wilderness Writing Resident, which provided her with seven months of solitude in Oregon’s Rogue River Valley. She used her time there to complete work on her book, Beautiful in the Mouth, which was awarded the 2009 A. Poulin, Jr. Poetry Prize and was published in 2010 by BOA Editions. It contains poems previously published in Prairie Schooner, West Branch, Willow Springs, and AGNI, among others. You can also listen to her read her work—which has been nominated seven years in a row for the Pushcart Prize—at the online audio archive From the Fishouse. Keetje’s second book, The Keys to the Jail, is forthcoming from BOA Editions in the spring of 2014, and contains poems previously published in American Poetry Review, Jubilat, and the Indiana Review.
Keetje Kuipers was a Wallace Stegner Fellow at Stanford University from 2009-2011, and she was the Emerging Writing Lecturer at Gettysburg College from 2011-2012. Currently she is an Assistant Professor at Auburn University where she lives with her family and their dog, Bishop (named after Elizabeth, of course).
Keetje Kuipers
Title: The Keys to the Jail
Poems
Publisher: BOA Editions Ltd.
2014
Language: English
Paperback
96 pages
ISBN-10: 1938160266
ISBN-13: 978-1938160264
$17.00
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De poëzie van Ruth Lasters is aards, wil aards zijn.
In een weloverwogen syntaxis, met een voorkeur voor het onverwachte perspectief en een warm hart voor de zwakkeren, componeert ze versbeelden die afwijkend zijn en energiek, muzikaal en beeldend.
Tijgerbrood gaat over het verlangen om voor altijd toevlucht te kunnen zoeken, op te lossen in pure vorm, in woordenloosheid. De auteur is haar vroegere compartimenten kwijt.
De dichter, leerkracht, kindervrije vrouw, partner, pacifist, klimaattobber en kunstliefhebber werden samengekneed tot één wezen dat haar hoop, bekommernissen en angsten meer en meer durft te erkennen als die van iedereen.
Als brood leven is, zoals men zegt, is tijgerbrood een leven in camouflagevel om als observator ongehinderd de stem te kunnen opvangen van de hele maatschappij.
Auteur(s) : Ruth Lasters
Uitgeverij: Uitgeverij G.A. Van Oorschot
ISBN: 9789028231030
Taal: Nederlands
Uitvoering: Paperback
Aantal pagina’s: 80
Verschijningsdatum: februari 2023
Afmetingen: 220 x 140 x 10 mm.
Paperback 19.50
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The City of Sleep
Over the edge of the purple down,
Where the single lamplight gleams,
Know ye the road to the Merciful Town
That is hard by the Sea of Dreams –
Where the poor may lay their wrongs away,
And the sick may forget to weep?
But we – pity us! Oh, pity us!
We wakeful; ah, pity us! –
We must go back with Policeman Day –
Back from the City of Sleep!
Weary they turn from the scroll and crown,
Fetter and prayer and plough –
They that go up to the Merciful Town,
For her gates are closing now.
It is their right in the Baths of Night
Body and soul to steep,
But we – pity us! ah, pity us!
We wakeful; oh, pity us! –
We must go back with Policeman Day –
Back from the City of Sleep!
Over the edge of the purple down,
Ere the tender dreams begin,
Look – we may look – at the Merciful Town,
But we may not enter in!
Outcasts all, from her guarded wall
Back to our watch we creep:
We – pity us! ah, pity us!
We wakeful; ah, pity us! –
We that go back with Policeman Day –
Back from the City of Sleep!
Rudyard Kipling
(1865 – 1936)
The City of Sleep
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The Weather-Cock Points South
I put your leaves aside,
One by one:
The stiff, broad outer leaves;
The smaller ones,
Pleasant to touch, veined with purple;
The glazed inner leaves.
One by one
I parted you from your leaves,
Until you stood up like a white flower
Swaying slightly in the evening wind.
White flower,
Flower of wax, of jade, of unstreaked agate;
Flower with surfaces of ice,
With shadows faintly crimson.
Where in all the garden is there such a flower?
The stars crowd through the lilac leaves
To look at you.
The low moon brightens you with silver.
The bud is more than the calyx.
There is nothing to equal a white bud,
Of no colour, and of all,
Burnished by moonlight,
Thrust upon by a softly-winging wind.
Amy Lowell
(1874-1925)
The Weather-Cock Points South
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