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· O. Henry (William Sydney Porter): The Gift of the Magi. A Christmas story · 21% BTW EEN WAARDELOOS IDEE · 15 years fleursdumal.nl – magazine for art & literature · There She Was: The Secret History of Miss America by Amy Argetsinger · Banned Books Week: Defend free expression, support persecuted writers, and promote literary culture · Support PEN Belarus · READ BOOKS BUY LOCAL – support your local bookstore · Guillotine. Poems by Eduardo C. Corral · Free human rights lawyer and prisoner of conscience Nasrin Sotoudeh · Release imprisoned journalists worldwide · Russian activist and artist, Yulia Tsvetkova, is facing six year sentence for drawing the female body · Child refugee faces prison over Facebook posts

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O. Henry (William Sydney Porter): The Gift of the Magi. A Christmas story

O. Henry (William Sydney Porter):

The Gift of the Magi

A Christmas story

One dollar and eighty-seven cents. That was all. And sixty cents of it was in pennies. Pennies saved one and two at a time by bulldozing the grocer and the vegetable man and the butcher until one’s cheeks burned with the silent imputation of parsimony that such close dealing implied. Three times Della counted it. One dollar and eighty-seven cents. And the next day would be Christmas.

There was clearly nothing left to do but flop down on the shabby little couch and howl. So Della did it. Which instigates the moral reflection that life is made up of sobs, sniffles, and smiles, with sniffles predominating.

While the mistress of the home is gradually subsiding from the first stage to the second, take a look at the home. A furnished flat at $8 per week. It did not exactly beggar description, but it certainly had that word on the look-out for the mendicancy squad.

In the vestibule below was a letter-box into which no letter would go, and an electric button from which no mortal finger could coax a ring. Also appertaining thereunto was a card bearing the name “Mr. James Dillingham Young.”

The “Dillingham” had been flung to the breeze during a former period of prosperity when its possessor was being paid $30 per week. Now, when the income was shrunk to $20, the letters of “Dillingham” looked blurred, as though they were thinking seriously of contracting to a modest and unassuming D. But whenever Mr. James Dillingham Young came home and reached his flat above he was called “Jim” and greatly hugged by Mrs. James Dillingham Young, already introduced to you as Della. Which is all very good.

Della finished her cry and attended to her cheeks with the powder rag. She stood by the window and looked out dully at a grey cat walking a grey fence in a grey backyard. To-morrow would be Christmas Day, and she had only $1.87 with which to buy Jim a present. She had been saving every penny she could for months, with this result. Twenty dollars a week doesn’t go far. Expenses had been greater than she had calculated. They always are. Only $1.87 to buy a present for Jim. Her Jim. Many a happy hour she had spent planning for something nice for him. Something fine and rare and sterling–something just a little bit near to being worthy of the honour of being owned by Jim.

There was a pier-glass between the windows of the room. Perhaps you have seen a pier-glass in an $8 Bat. A very thin and very agile person may, by observing his reflection in a rapid sequence of longitudinal strips, obtain a fairly accurate conception of his looks. Della, being slender, had mastered the art.

Suddenly she whirled from the window and stood before the glass. Her eyes were shining brilliantly, but her face had lost its colour within twenty seconds. Rapidly she pulled down her hair and let it fall to its full length.

Now, there were two possessions of the James Dillingham Youngs in which they both took a mighty pride. One was Jim’s gold watch that had been his father’s and his grandfather’s. The other was Della’s hair. Had the Queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out of the window some day to dry just to depreciate Her Majesty’s jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him pluck at his beard from envy.

So now Della’s beautiful hair fell about her, rippling and shining like a cascade of brown waters. It reached below her knee and made itself almost a garment for her. And then she did it up again nervously and quickly. Once she faltered for a minute and stood still while a tear or two splashed on the worn red carpet.

On went her old brown jacket; on went her old brown hat. With a whirl of skirts and with the brilliant sparkle still in her eyes, she cluttered out of the door and down the stairs to the street.

Where she stopped the sign read: “Mme Sofronie. Hair Goods of All Kinds.” One Eight up Della ran, and collected herself, panting. Madame, large, too white, chilly, hardly looked the “Sofronie.”

“Will you buy my hair?” asked Della.

“I buy hair,” said Madame. “Take yer hat off and let’s have a sight at the looks of it.”

Down rippled the brown cascade.

“Twenty dollars,” said Madame, lifting the mass with a practised hand.

“Give it to me quick” said Della.

Oh, and the next two hours tripped by on rosy wings. Forget the hashed metaphor. She was ransacking the stores for Jim’s present.

She found it at last. It surely had been made for Jim and no one else. There was no other like it in any of the stores, and she had turned all of them inside out. It was a platinum fob chain simple and chaste in design, properly proclaiming its value by substance alone and not by meretricious ornamentation–as all good things should do. It was even worthy of The Watch. As soon as she saw it she knew that it must be Jim’s. It was like him. Quietness and value–the description applied to both. Twenty-one dollars they took from her for it, and she hurried home with the 78 cents. With that chain on his watch Jim might be properly anxious about the time in any company. Grand as the watch was, he sometimes looked at it on the sly on account of the old leather strap that he used in place of a chain.

When Della reached home her intoxication gave way a little to prudence and reason. She got out her curling irons and lighted the gas and went to work repairing the ravages made by generosity added to love. Which is always a tremendous task dear friends–a mammoth task.

Within forty minutes her head was covered with tiny, close-lying curls that made her look wonderfully like a truant schoolboy. She looked at her reflection in the mirror long, carefully, and critically.

“If Jim doesn’t kill me,” she said to herself, “before he takes a second look at me, he’ll say I look like a Coney Island chorus girl. But what could I do–oh! what could I do with a dollar and eighty-seven cents?”

At 7 o’clock the coffee was made and the frying-pan was on the back of the stove hot and ready to cook the chops.

Jim was never late. Della doubled the fob chain in her hand and sat on the corner of the table near the door that he always entered. Then she heard his step on the stair away down on the first flight, and she turned white for just a moment. She had a habit of saying little silent prayers about the simplest everyday things, and now she whispered: “Please, God, make him think I am still pretty.”

The door opened and Jim stepped in and closed it. He looked thin and very serious. Poor fellow, he was only twenty-two–and to be burdened with a family! He needed a new overcoat and he was with out gloves.

Jim stepped inside the door, as immovable as a setter at the scent of quail. His eyes were fixed upon Della, and there was an expression in them that she could not read, and it terrified her. It was not anger, nor surprise, nor disapproval, nor horror, nor any of the sentiments that she had been prepared for. He simply stared at her fixedly with that peculiar expression on his face.

Della wriggled off the table and went for him.

“Jim, darling,” she cried, “don’t look at me that way. I had my hair cut off and sold it because I couldn’t have lived through Christmas without giving you a present. It’ll grow out again–you won’t mind, will you? I just had to do it. My hair grows awfully fast. Say ‘Merry Christmas!’ Jim, and let’s be happy. You don’t know what a nice-what a beautiful, nice gift I’ve got for you.”

“You’ve cut off your hair?” asked Jim, laboriously, as if he had not arrived at that patent fact yet, even after the hardest mental labour.

“Cut it off and sold it,” said Della. “Don’t you like me just as well, anyhow? I’m me without my hair, ain’t I?”

Jim looked about the room curiously.

“You say your hair is gone?” he said, with an air almost of idiocy.

“You needn’t look for it,” said Della. “It’s sold, I tell you–sold and gone, too. It’s Christmas Eve, boy. Be good to me, for it went for you. Maybe the hairs of my head were numbered,” she went on with a sudden serious sweetness, “but nobody could ever count my love for you. Shall I put the chops on, Jim?”

Out of his trance Jim seemed quickly to wake. He enfolded his Della. For ten seconds let us regard with discreet scrutiny some inconsequential object in the other direction. Eight dollars a week or a million a year–what is the difference? A mathematician or a wit would give you the wrong answer. The magi brought valuable gifts, but that was not among them. This dark assertion will be illuminated later on.

Jim drew a package from his overcoat pocket and threw it upon the table.

“Don’t make any mistake, Dell,” he said, “about me. I don’t think there’s anything in the way of a haircut or a shave or a shampoo that could make me like my girl any less. But if you’ll unwrap that package you may see why you had me going a while at first.”

White fingers and nimble tore at the string and paper. And then an ecstatic scream of joy; and then, alas! a quick feminine change to hysterical tears and wails, necessitating the immediate employment of all the comforting powers of the lord of the flat.

For there lay The Combs–the set of combs, side and back, that Della had worshipped for long in a Broadway window. Beautiful combs, pure tortoise-shell, with jewelled rims–just the shade to wear in the beautiful vanished hair. They were expensive combs, she knew, and her heart had simply craved and yearned over them without the least hope of possession. And now, they were hers, but the tresses that should have adorned the coveted adornments were gone.

But she hugged them to her bosom, and at length she was able to look up with dim eyes and a smile and say: “My hair grows so fast, Jim!”

And then Della leaped up like a little singed cat and cried, “Oh, oh!”

Jim had not yet seen his beautiful present. She held it out to him eagerly upon her open palm. The dull precious metal seemed to flash with a reflection of her bright and ardent spirit.

“Isn’t it a dandy, Jim? I hunted all over town to find it. You’ll have to look at the time a hundred times a day now. Give me your watch. I want to see how it looks on it.”

Instead of obeying, Jim tumbled down on the couch and put his hands under the back of his head and smiled.

“Dell,” said he, “let’s put our Christmas presents away and keep ’em a while. They’re too nice to use just at present. I sold the watch to get the money to buy your combs. And now suppose you put the chops on.”

The magi, as you know, were wise men–wonderfully wise men-who brought gifts to the Babe in the manger. They invented the art of giving Christmas presents. Being wise, their gifts were no doubt wise ones, possibly bearing the privilege of exchange in case of duplication. And here I have lamely related to you the uneventful chronicle of two foolish children in a flat who most unwisely sacrificed for each other the greatest treasures of their house. But in a last word to the wise of these days let it be said that of all who give gifts these two were the wisest. Of all who give and receive gifts, such as they are wisest. Everywhere they are wisest. They are the magi.

O. Henry
(William Sydney Porter 1862 – 1910)

This story was originally published on Dec 10, 1905 in The New York Sunday World as “Gifts of the Magi.” It was subsequently published as The Gift of the Magi in O. Henry’s 1906 short story collection The Four Million.

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21% BTW EEN WAARDELOOS IDEE

21% BTW
EEN WAARDELOOS IDEE

NEW DUTCH GOVERNMENT
intends to raise tax on books
from 9 to 21%.

Readers and writers
will not accept this.

STICHTING CPNB: De voorgenomen hogere btw op (kinder)boeken zal leiden tot een forse prijsverhoging. Een slechte zaak, want het Nederlandse boek is dé basis van lees- en taalvaardigheid. We roepen daarom iedereen op de petitie te tekenen tegen het voornemen om de btw op boeken met 12% te verhogen.

Teken en verspreid de petitie en ga naar www.boekenpetitie.nl

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15 years fleursdumal.nl – magazine for art & literature

2007 – 2022 fleursdumal.nl • 15 years
Magazine for art & literature

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There She Was: The Secret History of Miss America by Amy Argetsinger

A Washington Post Style editor’s fascinating and irresistible look back on the Miss America pageant as it approaches its 100th anniversary.

The sash. The tears. The glittering crown. And of course, that soaring song. For all of its pomp and kitsch, the Miss America pageant is indelibly written into the American story of the past century.

From its giddy origins as a summer’s-end tourist draw in Prohibition-era Atlantic City, it blossomed into a televised extravaganza that drew tens of millions of viewers in its heyday and was once considered the highest honor that a young woman could achieve.

For two years, Washington Post reporter and editor Amy Argetsinger visited pageants and interviewed former winners and contestants to unveil the hidden world of this iconic institution.

There She Was spotlights how the pageant survived decades of social and cultural change, collided with a women’s liberation movement that sought to abolish it, and redefined itself alongside evolving ideas about feminism.

For its superstars—Phyllis George, Vanessa Williams, Gretchen Carlson—and for those who never became household names, Miss America was a platform for women to exercise their ambitions and learn brutal lessons about the culture of fame. Spirited and revelatory, There She Was charts the evolution of the American woman, from the Miss America catapulted into advocacy after she was exposed as a survivor of domestic violence to the one who used her crown to launch a congressional campaign; from a 1930s winner who ran away on the night of her crowning to a present-day rock guitarist carving out her place in this world. Argetsinger dissects the scandals and financial turmoil that have repeatedly threatened to kill the pageant—and highlights the unexpected sisterhood of Miss Americas fighting to keep it alive.

Amy Argetsinger is an editor and writer for The Washington Post. “There She Was” is her first book.

There She Was:
The Secret History of Miss America
by Amy Argetsinger
Publisher: ‎ Atria/One Signal Publishers
September 7, 2021
Language ‏ : ‎ English
Hardcover ‏ : ‎ 384 pages
ISBN-10 ‏ : ‎ 1982123397
ISBN-13 ‏ : ‎ 978-1982123390
$ 23.49

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Banned Books Week: Defend free expression, support persecuted writers, and promote literary culture

BANNED BOOKS WEEK
September 26 – October 2 for the 2021
celebration of the right to read!

Across the United States, divisive book bans and censorious threats have taken hold in schools, academia, and the public square, particularly in regards to books that center racism, history, and diversity. This has raised questions: Who is allowed to be heard? Who decides? This year, as we celebrate Banned Books Week, PEN America uplifts the books, authors, teachers, and writers who insist on telling stories and examining history with truth, honesty, and complexity.

In an effort to unpack these current challenges, PEN America is hosting a series of virtual and in-person events. These events will offer a clear-eyed view of the current assaults on the freedom to express, the freedom to read, and the freedom to learn.

Join PEN America Today
Defend free expression, support persecuted writers, and promote literary culture.

Read more about what PEN America is doing to fight back against book bans during 2021 Banned Books Week.

→  https://pen.org/

BANNED BOOKS WEEK
September 26 – October 2 for the 2021
celebration of the right to read!

Banned Books Week is the annual celebration of the freedom to read. The event is sponsored by a coalition of organizations dedicated to free expression, including American Booksellers Association; American Library Association; American Society of Journalists and Authors; Association of University Presses; Authors Guild; Comic Book Legal Defense Fund; Foundation for Individual Rights in Education (FIRE); Freedom to Read Foundation; Index on Censorship; National Coalition Against Censorship; National Council of Teachers of English; PEN America; People For the American Way Foundation; and Project Censored. It is endorsed by the Center for the Book in the Library of Congress. Banned Books Week also receives generous support from DKT Liberty Project and Penguin Random House.

Read more about the 2021 Banned Books Week.

→   https://bannedbooksweek.org/

 

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Support PEN Belarus

This week, the Ministry of Justice in Belarus sent a letter indicating they are seeking to liquidate our sister organization PEN Belarus, which for years has supported writers and free expression in the country. It comes as the country’s authoritarian leader Aleksandr Lukashenka continues to crack down on all those who dissent. Show our colleagues and friends at PEN Belarus that they are not alone—and that we rally to support the freedom to write wherever and whenever it comes under threat.

Please join us and take action

Click here:

https://actionnetwork.org/petitions/i-support-pen-belarus?source=email&

Show your support for PEN Belarus.
Thank You!

 

PEN America stands at the intersection of literature and human rights to protect free expression in the United States and worldwide. They champion the freedom to write, recognizing the power of the word to transform the world. Their mission is to unite writers and their allies to celebrate creative expression and defend the liberties that make it possible.

Founded in 1922, PEN America is the largest of the more than 100 centers worldwide that make up the PEN International network. PEN America works to ensure that people everywhere have the freedom to create literature, to convey information and ideas, to express their views, and to access the views, ideas, and literatures of others.

More information on PEN America, click here

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READ BOOKS BUY LOCAL – support your local bookstore

More in: - Book Lovers, - Book News, - Book Stories, - Bookstores, Art & Literature News, PRESS & PUBLISHING, The Art of Reading


Guillotine. Poems by Eduardo C. Corral

Guillotine traverses desert landscapes cut through by migrants, the grief of loss, betrayal’s lingering scars, the border itself—great distances in which violence and yearning find roots.

Through the voices of undocumented immigrants, border patrol agents, and scorned lovers, award-winning poet Eduardo C. Corral writes dramatic portraits of contradiction, survival, and a deeply human, relentless interiority. With extraordinary lyric imagination, these poems wonder about being unwanted or renounced. What do we do with unrequited love? Is it with or without it that we would waste away?

In the sequence “Testaments Scratched into a Water Station Barrel,” with Corral’s seamless integration of Spanish and English, poems curve around the surfaces upon which they are written, overlapping like graffiti left by those who may or may not have survived crossing the border. A harrowing second collection, Guillotine solidifies Corral’s place in the expanding ecosystem of American poetry.

The astonishing second collection by the author of Slow Lightning, winner of the Yale Younger Poets Prize

Eduardo C. Corral is the author of Slow Lightning, winner of the Yale Younger Poets Prize. He was a founding fellow of the CantoMundo Writers Conference, and recipient of a Whiting Award. He teaches at North Carolina State University.

Guillotine.
Poems
Eduardo C. Corral
ISBN: 978-1-64445-030-7
Format: Paperback
Publication Date: 8/4/20
Subject: Poetry
Pages 72
Graywolf Press, Minneapolis, Minnesota
Price $16.00

# new poetry
Guillotine.
Poems by
Eduardo C. Corral

 

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Free human rights lawyer and prisoner of conscience Nasrin Sotoudeh

Nasrin Sotoudeh and her son

In prisons across Iran, there have been people who have tested positive for COVID-19. This raises grave concerns for prisoners in Iran, including human rights lawyer and prisoner of conscience Nasrin Sotoudeh. Take action and demand she is released now.

After two grossly unfair trails, Nasrin Sotoudeh, a prominent Iranian human rights lawyer, was sentenced to 38 years and six months in prison and 148 lashes because of her work defending women’s rights and protesting against Iran’s discriminatory and degrading forced veiling laws. Nasrin has dedicated her life to peaceful human rights works.

Now, in prisons across Iran, there have been confirmed cases of COVID-19. This raises grave fears that prisoners, like Nasrin, are at risk of contracting the virus. Prisoners are at particular risk because they are unable to take the same social distancing and hygiene measures as those outside of prison to protect themselves.

Across Iran, prisoners have pleaded with officials to address overcrowded, unhygienic and unsanitary conditions that put them at greater risk of COVID-19 infections, raising alarms about the authorities’ failure to sufficiently protect prison populations from the spread of the virus. Some prisoners have been denied adequate medical care, leaving them at greater risk from the virus if contracted.

Nasrin is among the hundreds of prisoners of conscience jailed in Iran. No one should spend a single day in prison for peacefully exercising their rights.

Call on the Supreme Leader of Iran to release Nasrin Sotoudeh immediately and unconditionally and for her sentences to be quashed without delay.

Iran: Free Nasrin Sotoudeh
Link: action amnesty international

 

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Release imprisoned journalists worldwide

UN should demand release of jailed
journalists amid COVID-19 pandemic

CPJ is calling on several UN special mandate holders to join its effort to secure the release of all jailed journalists globally in the face of the COVID-19 pandemic. At least 250 journalists are behind bars for their work, according to CPJ’s most recent prison census.

• Committee to Protect Journalists (CPJ) – 11 April 2020

In the midst of the COVID-19 pandemic, the Committee to Protect Journalists calls on governments to release all journalists from their prisons. On behalf of more than 250 journalists behind bars, we call on authorities to free these political prisoners immediately and unconditionally.

For journalists jailed in countries affected by the virus, freedom is now a matter of life and death. Imprisoned journalists have no control over their surroundings, cannot choose to isolate, and are often denied necessary medical care.

The World Health Organization states that “People deprived of their liberty, and those living or working in enclosed environments in their close proximity, are likely to be more vulnerable to the COVID-19 disease than the general population.”

Global press freedom and human rights organizations are calling on world leaders to immediately release all imprisoned journalists. Add your voice to the call and sign our petition today!

The Committee to Protect Journalists submitted a call to several U.N. special mandate holders yesterday encouraging them to join CPJ’s effort to secure the release of all jailed journalists globally in the face of the coronavirus pandemic.

# See here website CPJ’s petition

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Russian activist and artist, Yulia Tsvetkova, is facing six year sentence for drawing the female body

 

Russian activist and artist, Yulia Tsvetkova, is facing prosecution and harassment for defending women’s and LGBTI rights.

She has been under house arrest since 22 November, under absurd charges of “production and dissemination of pornography” for her drawings of the female body. She is facing up to six years in prison if convicted. Yulia Tsvetkova is a prisoner of conscience and must be immediately and unconditionally released.

Yulia Tsvetkova is an LGBTI and women’s rights activist, artist and stage director, from Komsomolsk-on-Amur, the Russian Far East.

She was detained on 20 November 2019 and put on house arrest two days later, after being charged with the “production and dissemination of pornographic materials”, for making body positive drawings of the female body and sharing them on social media.

Her drawings included pictures of female reproductive organs, and she shared them online as part of her women’s empowerment campaign.

On the day of her arrest, police searched Yulia’s apartment and the children’s educational club where she worked previously. The police seized her electronic devices, documents, and brochures on gender issues. Yulia later said that during the search police officers referred to her as a “lesbian, sex trainer and propagandist leader”.

  

Yulia has been the target of an overtly homophobic campaign since March 2019, when she was forced to leave Merak, the amateur youth theatre company she worked at, after police launched an investigation into alleged “propaganda of non-traditional sexual relations among minors”.

The investigation was launched in reaction to Yulia’s anti-bullying, anti-discrimination play, Blue and Pink.

On 11 December 2019 Yulia was found guilty of “propaganda of non-traditional sexual relations among minors”, and fined 50,000 rubles (approximately 600 GBP), for serving as the administrator of two LGBTI online communities on the popular Russian social media site, VKontakte.

Both of the online communities were properly marked as “18+”, as required by Russian law. Even under the confines of the homophobic Russian “gay propaganda” legislation, the “offence” should only be valid if the “propaganda” material is targeted at people under the age of 18.

On 17 January, Yulia informed the media that new proceedings had been opened against her, under the same Article of the Code of Administrative Offences that she had previously been charged under. This time she was being prosecuted for posting a drawing she made depicting two same-sex couples with child on social media, alongside the statement, “Family is where love is. Support LGBT+ families”.

She published the drawing in support of a same-sex couple who were forced to flee Russia with their adopted children after authorities threatened to remove their children from their custody.

# visit Website Amnesty International UK for more information and urgent actions

# support amnesty international
# take urgent action now

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Child refugee faces prison over Facebook posts

 

Tujan al-Bukhaiti is a 17-year-old Yemeni refugee. She is being tried in Jordan on charges of ‘blasphemy’ and ‘insulting religious figures’ over her social media posts, including posts by her dad that she has shared. Stopped from going to school

On 11 December 2019 Tujan’s school threatened to expel her for sharing ‘beliefs that do not represent the school’ on her Facebook page. When she refused their ultimatum they banned her from attending classes.
A week later she was brought in by police for questioning and a statement was taken without her parents or lawyer there. This is illegal and violates her right to a fair trial.

When she was questioned she says that an officer went through her Facebook page insulting various members of her family.

Tujan has been made to go to court three times for her trial and each time the date has been postponed. She is facing potentially a month in prison and a lifetime criminal record just for expressing her views. If Jordan allows the trial to go ahead they will be breaking international law by violating her right to freedom of expression. This young woman should not be punished just for speaking her mind.

Tujan is just a teenager. As a refugee, she’s already been through so much. Jordan should drop this case immediately and let her get on with her studies.

Please send an email to Jordan’s Minister of Justice .

# More information on website of Amnesty International UK

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