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MUSIC

· One Hundred Lyrics and a Poem by Neil Tennant (Pet Shop Boys) · Joni Mitchell: New Critical Readings · Bert Bevers: Tilt. Gedicht bij de muziek van Scott Walker · Lord Byron: There be none of Beauty’s daughters. Stanzas for Music · Useless Magic: Lyrics and Poetry by Florence Welch · His Hands Were Gentle. Selected Lyrics of Victor Jara · Winternachten festival van 17 tot en met 20 januari 2019 in Den Haag · Kafka and Noise. The Discovery of Cinematic Sound in Literary Modernism by Kata Gellen · Music, stories, absinthe and more during ‘The Green Hour’ with Oscar Wilde · Wintertuinfestival Nijmegen van 20-25 november 2018 · Leonard Cohen: The Flame · 26ste editie Crossing Border festival Den Haag

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One Hundred Lyrics and a Poem by Neil Tennant (Pet Shop Boys)

Over a career that spans four decades and thirteen studio albums with Pet Shop Boys, Neil Tennant has consistently proved himself to be one of the most elegant and stylish of contemporary lyricists.

Arranged alphabetically, One Hundred Lyrics and a Poem presents an overview of his considerable achievement as a chronicler of modern life: the romance, the break-ups, the aspirations, the changing attitudes, the history, the politics, the pain.

The landscape of Tennant’s lyrics is recognisably British in character – restrained and preoccupied with the mundane, occasionally satirical, yet also yearning for escape and theatrical release.

Often surprisingly revealing, this volume is contextualised by a personal commentary on each lyric and an introduction by the author which gives a fascinating insight into the process and genesis of writing.

Flamboyant, understated, celebratory and elegiac, Neil Tennant’s lyrics are a document of our times.

Everything I’ve ever done
Everything I ever do
Every place I’ve ever been
Everywhere I’m going to

One Hundred Lyrics and a Poem
Neil Tennant
Hardback
272 pages
English
Poetry
Published 01/11/2018
ISBN13 9780571348909
Publisher Faber & Faber Inc.
18,99 euro

# new books
One Hundred Lyrics and a Poem
Neil Tennant

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Joni Mitchell: New Critical Readings

Joni Mitchell: New Critical Readings recognizes the importance and innovativeness of the musician and artist Joni Mitchell and the need for a collection that theorizes her work as musician, composer, cultural commentator and antagonist.

It showcases pieces by established and early career academics from the fields of popular music and literary studies on subjects such as Mitchell’s guitar technique, the politics of aging in her work, and her fractious relationship with feminism.

The collection features close readings of specific songs, albums, and performances while also paying keen attention to Mitchell’s wider cultural contributions and significance.

About the Author: Ruth Charnock is Senior Lecturer in English at the University of Lincoln, UK. She is the author of Anaïs Nin: Bad Sex, Shame and Contemporary Culture (forthcoming, 2019) and various articles and essays on Joni Mitchell, Marvin Gaye, Anaïs Nin, contemporary American literature, and popular culture.

Joni Mitchell
New Critical Readings
Editor: Ruth Charnock
Published: 24-01-2019
Format: Hardback
Edition: 1st
248 pages
Illustrations: 2 bw illus
Dimensions: 229 x 152 mm
Publisher: Bloomsbury Academic
Language: English
ISBN-10: 1501332090
ISBN-13: 978-1501332098
£86.40

# new books
joni mitchell
new critical readings

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Bert Bevers: Tilt. Gedicht bij de muziek van Scott Walker

 

Tilt

Bij de muziek van Scott Walker

I

Slagschaduw van hand met potlood
over de ontcijfering van wat hier klinkt:

links en rechts brandbaar geheimen rollen
in elkaar tot wat een steekspel wordt.

Hij

daar met die neiging, veraf en zo dichtbij
zoals ik hier nu jou reeds weet,

beweegt zich buigend en verlangend
zinvol tasten in. Op zoek naar evenwicht.

II

Deze kluizenaar vermoedt onder kousen sproetjes.
Bezweert binnensmonds nachtmerries en

helt zoals hij denkt in cirkelend
weerkaatsen – luidop maar ongezien,

liefst.

Cimbalen laat hij klateren als water.
Toch hangt van dit geluid zijn leven amper af.

O the Luzerner Zeitung never sold out,
never sold out

III

Over zinnen laat hij zilvergrijze sluiers vallen.
Niemand vraagt waarom. Zo is het dan ook goed.

Zingen is voor deze stem geen afdoend woord:
plofjes adem blijven hangen tussen microfoon en

oren.

Dan zweeft hij tussen fluisteren en fluiten door
op weg naar waterweegbree, webben en de lippen

van een meisje dat met open mond probeert
een mooie ronde o te neuriën

IV

Wereldvreemde man schept eigen logica.
Wie die niet volgen kan mag heel gewoon

een straatje om. Zie je hem dan de pijn niet lijden
van monsters in de nacht, van schaduwen in

regen?

De monnik wist verhalen uit, tegels almaar donkerder
rond de voeten. Hoofdvol galmen wonderen.

In geval van dij, in geval van dij. Hij kust gaten
voor de kogels in geval van dij.

V

Zie hoe het zeil spant. Onder de verse huif
telt hij de rimpels in zijn handen, met die

van zijn vader vol overeenkomsten, net
als de verse verdragen voor toekomst.

Nat

de lakzegel nog. Krullend van heimwee
naar een tijd van jagers stort hij zich

een aanval binnen. Vurig smeedt hij daarin
gulle plannen. Vurig.

Bert Bevers

 

Verschenen in Gierik & Nieuw Vlaams Tijdschrift, Antwerpen, 1998
In memoriam Scott Walker (born Noel Scott Engel; January 9, 1943 – March 22, 2019)
Photo: Scott Walker – Dutch TV programme Fenklup 1968 – Beeld en Geluid Wiki

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More in: Archive A-B, Archive W-X, Art & Literature News, Bevers, Bert, In Memoriam, Scott Walker


Lord Byron: There be none of Beauty’s daughters. Stanzas for Music

 

There be none of Beauty’s daughters
Stanzas for Music

There be none of Beauty’s daughters
With a magic like Thee;
And like music on the waters
Is thy sweet voice to me:
When, as if its sound were causing
The charméd ocean’s pausing,
The waves lie still and gleaming,
And the lull’d winds seem dreaming:
And the midnight moon is weaving
Her bright chain o’er the deep,
Whose breast is gently heaving
As an infant’s asleep:
So the spirit bows before thee
To listen and adore thee;
With a full but soft emotion,
Like the swell of Summer’s ocean.

George Gordon Byron
(1788 – 1824)
There be none of Beauty’s daughters
Stanzas for Music

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Useless Magic: Lyrics and Poetry by Florence Welch

Songs can be incredibly prophetic, like subconscious warnings or messages to myself, but I often don’t know what I’m trying to say till years later.

Or a prediction comes true and I couldn’t do anything to stop it, so it seems like a kind of useless magic.

The first book from songwriter and Florence + the Machine frontwoman Florence Welch, Useless Magic brings together 288 pages of lyrics, never-before-seen poetry and sketches.

Taken from Welch’s own scrapbook-style journals, the book offers an extraordinary chance to see inside the creative alchemy behind some of Florence + The Machine’s chart-topping anthems.

It also offers unique personal insights into Welch’s own life from her experiences of suffering with an eating disorder to her thoughts on love and what it means to live your life in the glare of the spotlight. .

Useless Magic:
Lyrics and Poetry
by Florence Welch
Publisher Penguin Books Ltd
Imprint Fig Tree
London, 5 July 2018
Number of pages: 288
Language English
ISBN-10: 0241347939
ISBN-13: 978-0241347935
€ 28,95

# New books
Florence Welch
Lyrics and Poetry

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His Hands Were Gentle. Selected Lyrics of Victor Jara

His Hands Were Gentle brings together, for the first time in both Spanish and English, the best of Víctor Jara’s lyrics, from early songs like ‘El arado’ to ‘Estadio Chile’ written in the hours before his execution there.

They reveal Jara as an ardent political poet, an eloquent advocate for the peasantry from which he arose, a socialist visionary and a poetic balladeer of the highest order.

Translations by Martín Espada, Eduardo Embry, John Green, Joan Jara and Adrian Mitchell.

Foreword by Joan Jara, Preface by Emma Thompson, Introduction by Martín Espada.

Víctor Jara (1932–73) was a legendary Chilean singer, songwriter, guitarist and theatre director. Between 1966 and 1973 he released eight albums, such as Canto libre and El derecho de vivir en paz. He was a member of the Communist Party of Chile, a prominent supporter of Salvador Allende’s Popular Unity government, and a leader of the New Song Movement during the cultural renaissance of the Allende years. In the days following the US–backed military coup of September 11, 1973, Jara was arrested, imprisoned and murdered. His recordings were banned for many years in Chile.

On my way to work
I think of you,
through the streets of the town
I think of you,
when I look at the faces
through steamy windows
not knowing who they are, where they go…
I think of you
my love, I think of you
of you, compañera of my life
and of the future
of the bitter hours and the happiness
of being able to live
working at the beginning of a story
without knowing the end.

(…)

When I come home
you are there
and we weave our dreams together…
Working at the beginning of a story
without knowing the end.

(From: On My Way to Work/ Cuando voy al trabajo.
Translated by Joan Jara)

His Hands Were Gentle brings together, for the first time in both Spanish and English, the best of V¡ctor Jara’s lyrics, from early songs like ‘El arado’ to ‘Estadio Chile’ written in the hours before his execution there. They reveal Jara as an ardent political poet, an eloquent advocate for the peasantry from which he arose, a socialist visionary and a poetic balladeer of the highest order. Translations by Martin Espada, Eduardo Embry, John Green, Joan Jara and Adrian Mitchell.

His Hands Were Gentle
Selected Lyrics of Victor Jara
Martin Espada (Editor)
Translations by Martín Espada, Eduardo Embry, John Green, Joan Jara and Adrian Mitchell.
Foreword by Joan Jara,
Preface by Emma Thompson,
Introduction by Martín Espada.
Paperback
84 pages
Publisher: Smokestack Books
Bilingual edition
2014
Language: English
ISBN-10: 0956814417
ISBN-13: 978-0956814418
Price: £8.95

# more poetry
His Hands Were Gentle
Selected Lyrics of Victor Jara

fleursdumal.nl magazine

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Winternachten festival van 17 tot en met 20 januari 2019 in Den Haag

  

Winternachten festival geeft het woord aan schrijvers en dichters over brandende kwesties van nu.

Van 17 tot en met 20 januari 2019 presenteert het internationale literatuurfestival gesprekken, proza, poëzie, spoken word en films op twaalf Haagse podia. Ruim 80 binnen- en buitenlandse auteurs komen naar Den Haag. De 24e festivaleditie staat onder het motto Who Wants to Live Forever? in het teken van onze toekomst.

Winternachten internationaal literatuurfestival Den Haag inspireert met vertellen, lezen, luisteren en denken. Tijdens vier sfeervolle winterse dagen nodigen gesprekken, voordrachten en films uit tot nadenken over de grote vragen van onze tijd.

Sinds de start in 1995 is het festival uitgegroeid tot het belangrijkste internationale literaire evenement van Nederland waar schrijvers en dichters zich uitspreken over actuele thema’s. Ook bezoekers – onder hen veel wijkbewoners, studenten en scholieren – dragen actief bij met eigen verhalen of gedichten.

‘Who Wants to Live Forever?’
Ieder Winternachten festival krijgt een actueel thema mee. Deze 24e editie staat in het teken van het oeroude verlangen van de mens naar eeuwig leven in het licht van de technologie van nu. Onder het motto Who Wants to Live Forever? spreken auteurs onder meer over de relatie tussen mens en robot, over de impact van technologische innovatie en over hoop en vrees rond de politieke toekomst.

De 24e editie van het festival Winternachten staat met het motto ‘Who Wants to Live Forever’ in het teken van onze toekomst.

Gesprekken, voordachten, muziek en film over de verhouding tussen mens en robot, over nieuwe maakbaarheid door technologische innovatie, over hoop en vrees voor de politieke toekomst en over het terugkerend verlangen naar eeuwig leven.

Het festival verwelkomt uit het buitenland onder anderen schrijvers Jennifer Nansubuga Makumbi uit Oeganda, Leni Zumas uit de VS, Basma Abdelaziz uit Egypte, Jennifer Clement uit Mexico, Ayelet Gundar-Goshen uit Israël, Mark O’Connell uit Ierland, David Van Reybrouck uit België, Ramayana-expert Arshia Sattar uit India en de Zuid-Afrikaanse rapper, spoken word-artiest en schrijver HemelBesem, Adam Zagajewski (Polen), Jennifer Nansubuga Makumbi (Oeganda), Mark O’Connell (Ierland), Leni Zumas (VS) en Basma Abdelaziz (Egypte).

Uit Nederland nemen tientallen schrijvers, dichters, denkers en performers deel, zoals Akwasi, Elfie Tromp, Youp van ‘t Hek, Ian Buruma, Nelleke Noordervliet, Radna Fabias, Dimitri Verhulst, Aafke Romeijn, Damiaan Denys, Derek Otte, Luuk van Middelaar, Auke Hulst, Hanna Bervoets, Simone van Saarloos, Rodaan Al Galidi, ASKO/Schönberg, Lounar en Vamba Sherif.

De grote festivalavonden Friday Night Unlimited (vrijdag 18 januari) en Saturday Night Unlimited (zaterdag 19 januari) vormen de kern van het festival. De bezoeker kiest per avond uit vijfentwintig programma’s op zes podia in Theater aan het Spui en Filmhuis Den Haag. Dit jaar is in samenwerking met Filmhuis Den Haag het filmprogramma uitgebreid.

Nieuw is ook de Winternachten-editie van het spoken-word programma ‘Woorden worden Zinnen’ in het popcentrum Paard. Daarnaast zijn er festivalprogramma’s in Theater Dakota, de Speakers’ Corner in de Haagse Hogeschool, de bibliotheken Schilderswijk en Nieuw Waldeck en het International Institute of Social Studies.

Graag tot ziens in Theater aan het Spui, Filmhuis Den Haag, Paard, Theater Dakota, International Institute of Social Studies en de andere festivallocaties van dit jaar!

   #  more informatie op website writersunlimited.nl   

Winternachten festival
17 tot en met 20 januari 2019
Den Haag

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Kafka and Noise. The Discovery of Cinematic Sound in Literary Modernism by Kata Gellen

A series of disruptive, unnerving sounds haunts the fictional writings of Franz Kafka.

These include the painful squeak in Gregor Samsa’s voice, the indeterminate whistling of Josefine the singer, the relentless noise in “The Burrow,” and telephonic disturbances in The Castle.

In Kafka and Noise, Kata Gellen applies concepts and vocabulary from film theory to Kafka’s works in order to account for these unsettling sounds. Rather than try to decode these noises, Gellen explores the complex role they play in Kafka’s larger project.

Kafka and Noise offers a method for pursuing intermedial research in the humanities—namely, via the productive “misapplication” of theoretical tools, which exposes the contours, conditions, and expressive possibilities of the media in question. This book will be of interest to scholars of modernism, literature, cinema, and sound, as well as to anyone wishing to explore how artistic and technological media shape our experience of the world and the possibilities for representing it.

Kata Gellen is an assistant professor in the Department of Germanic Languages and Literature at Duke University.

Kata Gellen (Author)
Kafka and Noise.
The Discovery of Cinematic Sound in Literary Modernism
272 pages
Northwestern University Press
Literary Criticism
Cloth Text – $99.95
ISBN 978-0-8101-3894-0
Paper Text – $34.95
ISBN 978-0-8101-3893-3
Publication Date: January 2019

# new books
The Discovery of Cinematic Sound in Literary Modernism
fleursdumal.nl magazine

More in: # Music Archive, #Archive A-Z Sound Poetry, #Archive Concrete & Visual Poetry, *Concrete + Visual Poetry K-O, - Book News, - Bookstores, Archive G-H, Archive K-L, Art & Literature News, Franz Kafka, Kafka, Franz, Kafka, Franz, Modernisme


Music, stories, absinthe and more during ‘The Green Hour’ with Oscar Wilde

Literary and music group Feest der Poëzie brings a theatrical lecture on the life and work of Oscar Wilde and one of his favorite beverages – absinthe. This Saturday at the Pianola Museum, 8.30 PM.

 

Immerse yourself in the story of one of the best-loved writers in the English language with prose, poetry, songs and drama by Oscar Wilde and his contemporaries, on a journey through his rise and fall.

Poet and absintheur David Kwa will demonstrate the absinthe ritual and read manifold roles, such as that of the dreaded Marquess of Queensberry.

Daan van de Velde (piano) and Susanne Winkler (soprano) will perform Irish and English art songs, as performing poet Simon Mulder takes on the roles of narrator and Oscar Wilde (indeed, wearing a contemporary pair of silk breeches) in the fascinating story of his life.

Also, Van de Velde and Mulder will bring the very special performance of a long lost work for piano and voice on Wilde’s ‘Ballad of Reading Gaol’ by early 20th century composer Henri Zagwijn.

The Poetry Bar will bring you carefully prepared absinthe, along with a decadent sonnet.

Saturday the 24th of November 2018
venue open: 8 PM
start: 8.30PM
(English spoken)
venue:
Pianola Museum
Westerstraat 116
Amsterdam
Tickets: € 15/12.50

www.feestderpoezie.nl
trailer: www.youtube.com/watch?v=-V6yx3X8rwg

Music, stories, absinthe and more during ‘The Green Hour’ with Oscar Wilde

fleursdumal.nl magazine

More in: # Music Archive, Archive M-N, Archive W-X, Art & Literature News, Literary Events, THEATRE, Wilde, Oscar, Wilde, Oscar


Wintertuinfestival Nijmegen van 20-25 november 2018

 

Het Wintertuinfestival, dat van 20 tot en met 25 november 2018 plaatsvindt in Nijmegen, gaat dit jaar over de vraag: Wat horen we als we luisteren? Tientallen schrijvers, dichters, wetenschappers, muzikanten en kunstenaars gaan in op dit thema. Zowel grote literaire namen als aanstormende talenten reizen af naar Nijmegen.

20 t/m 25 november: Wintertuinfestival Nijmegen

  # meer info wintertuinfestival  

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Leonard Cohen: The Flame

The final collection of poetry from Leonard Cohen’s body of work, introduced by son Adam Cohen. Plumbs the depths of humanity’s darkest questions with a sense of yearning. Illustrations and notes throughout

The Flame is a stunning collection of Leonard Cohen’s last poems, selected and ordered by the author in the final months of his life. Featuring lyrics, prose pieces and illustrations, the book also contains an extensive selection from Cohen’s notebooks, which he kept in poetic form throughout his life, and offers an unprecedentedly intimate look inside the life and mind of a singular artist and thinker.

An enormously powerful final chapter in Cohen’s storied literary career, The Flame showcases the full range of Leonard Cohen’s lyricism, from the exquisitely transcendent to the darkly funny. By turns devastatingly sad and winningly strange, these are the works of a poet and lyricist who has plumbed the depths of our darkest questions and come up wanting, yearning for more.

Leonard Cohen began his artistic career in 1956 with the publication of his first book of poetry, Let Us Compare Mythologies. He went on to publish 12 more books, including two celebrated novels and gained worldwide recognition as an iconic singer-songwriter.

He released 14 studio albums, including three in the last years of his life when he also became one of the most acclaimed arena performing artists in the world.

Among his numerous honours, he is the recipient of the Grammy Lifetime Achievement Award 2010, the Prince of Asturias Award for Literature 2011, the inaugural New England PEN Award for Excellence in Lyrics 2012, the 2016 Juno Awards for Song of the Year and Album of the Year, and he has been inducted into the Canadian Songwriters Hall of Fame, the Rock and Roll Hall of Fame and the US Songwriters Hall of Fame. He died in November 2016.

The Flame
by Leonard Cohen (Author),
Adam Cohen (Introduction)
Language: English
Available as Hardback,
eBook, Downloadable audio
288 pages
Publisher: Canongate Books
Main edition 2 Oct. 2018
ISBN-10: 9781786893130

# new books
Leonard Cohen: The Flame
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26ste editie Crossing Border festival Den Haag

 

Crossing Border heeft ook dit jaar weer vanuit de hele wereld een groot aantal vernieuwende auteurs en muzikanten uitgenodigd die een passie delen voor het gesproken woord, songteksten en taal.

Unieke optredens waar literatuur en muziek samenwerken én botsen. Dit jaar vindt de 26ste editie van het festival plaats.

Al sinds de eerste editie in 1993 zoekt Crossing Border de grenzen op van muziek en woord om er vervolgens een brug tussen te slaan. De afgelopen jaren is het festival uitgegroeid tot een van de meest progressieve internationale festivals op het gebied van literatuur en muziek in Europa.

Elk jaar komen meer dan 100 schrijvers, artiesten en muzikanten van over de hele wereld samen op het Crossing Border festival in Den Haag.

Grote namen en opkomend talent wisselen elkaar af. De 26ste editie beslaat een week, met zowel overdag als ‘s avonds programmering op meerdere podia in Theater aan het Spui, De Nieuwe Kerk, festivaltent Katrina, Filmhuis Den Haag en de Centrale Bibliotheek.

Michael Palin – Karrie Fransman – Murat Isik – Aminatta Forna – Sandro Veronesi – Sasha Marianna Salzmann – Oyinkan Braithwaite – Daniel Kehlmann – Tracyanne & Danny – St. Paul & the Broken Bones – Theo Loevendie – Joe Armon-Jones – Simone Atangana Bekono – Richard Powers – De Poezieboys – Patrick deWitt – Radna Fabias – Hannah Sullivan – Sharlene Teo – Radna Fabias – Cynan Jones – Rembrandt Frerichs Trio – Gary Grosby José Eduardo Agualusa – Xylouris White – Gavin Bryars – Ramón Esono Ebalé – Christian Vander- Moses Boyd-Exodus – Hossein Alizadeh – Alela Diane – Gavin Bryars – Melle Smets – Christian Vander – Benjamin Glorieux – Lewsberg- Pete Wu – Lana Lux – Alfred Birney – Daniel Blumberg – Eva Meijer – Byron Rich – Kris De Decker – Jack Underwood – Douglas Firs – Yonatan Gat – Bregje Hofstede – Rashif El Kaoui – Douglas Firs – Seward – Charlotte Mutsaers – Momtaza Mehri – Abdelkader Benali – The Addict – Sofie Lakmaker – Honey Harper – Paolo Giordano – Marente de Moor – Pitou – Fantastic Negrito- Ties Mellema – StringTing – Anthony Anaxagorou – Kees ‘t Hart – Maartje Wortel – Sarah Arnolds – Rachael Allen – Tommy Wieringa – Michael Fehr – Gabriel Royal – Steve Davis – Lina Wolff – Joost Pollmann – Kavus Torabi – Mauro Libertella – Michael Fehr – Saskia de Coster – Jeroen Janssen – Meg Baird en Mary Lattimore – Sabrina Mahfouz – Edoardo Albinati – Dean Bowen – Little Raven – Peter Buurman – Maarja Nuut & Ruum – Sunny Sjoerd – Johan Harstad- Emma-Jean Thackray – Skinny Pelembe

Theater aan het Spui
Bibliotheek Den Haag
Nieuwe Kerk
Festivaltent Katrina
Filmhuis Den Haag

26ste editie Crossing Border festival Den Haag
9 oct t/m 4 nov 2018

# meer informatie op website crossing border

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