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EDITOR’S CHOICE

«« Previous page · Exhibition TATE MODERN LONDON: Yoko Ono Music of the Mind · An essential collection of James Tate’s extraordinary poems · Sara Teasdale: I Thought of You · Ulrich von Hutten: Den Geist? · P.C. Hooftprijs 2024 voor poëzie toegekend aan Astrid Lampe · The Curious Thing: Poems by Sandra Lim · Grands Corps Malade: nouveau CD “REFLETS” · Sarah Morgan Bryan Piatt: Hearing the Battle. (July 21, 1861) · Ark by Estill Pollock · Because I love you, I become war. Poems & Uncollected Poetics Prose by Eileen R. Tabios · Blood Snow by Dg Nanouk Okpik · To Star the Dark by Doireann Ní Ghríofa

»» there is more...

Exhibition TATE MODERN LONDON: Yoko Ono Music of the Mind

TATE MODERN LONDON
Yoko Ono Music of the Mind
15 February – 1 September 2024

Delve into the powerful, participatory work of artist and activist Yoko Ono

Yoko Ono (1933) is a leading figure in conceptual and performance art, experimental film and music. Developing her practice in America, Japan and the UK, she is renowned for her activism, work for world peace, and environmental campaigns. Ideas are central to her art, often expressed in poetic, humorous and radical ways.

Spanning more than seven decades, the exhibition focuses on key moments in Ono’s career, including her years in London from 1966 to 1971, where she met John Lennon (1940 – 1980).

The show explores some of Ono’s most talked about artworks and performances, from Cut Piece (1964), where people were invited to cut off her clothing, to her banned Film No.4 (Bottoms) (1966-67) which she created as a ‘petition for peace’.

Alongside her early performances, works on paper, objects, and music, audiences will discover a selection of her activist projects such as PEACE is POWER and Wish Tree, where visitors can contribute personal wishes for peace.

Through her instructions and event scores, Ono invites visitors to take part in both simple acts of the imagination and active encounters with her works.

The exhibition is organised by Tate Modern, London in collaboration with Kunstsammlung Nordrhein-Westfalen, Düsseldorf

              Y O K O   O N O   &   J O H N   L E N N O N

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An essential collection of James Tate’s extraordinary poems

Hell, I Love Everybody.

An essential collection of James Tate’s extraordinary poems that will captivate today’s readers, with a foreword by Terrance Hayes

Celebrating James Tate’s work as it transcends convention, time, and everything that tells us, “No, you can’t do that,” Hell, I Love Everybody gives us the poet at his best, his most intimate, hopeful, inventive, and brilliant. John Ashbery called Tate the “poet of possibilities,” and this collection records forays into possibilities for American poetry’s future. With a foreword by Terrance Hayes, it is sure to give readers new and old a lasting collection of favorites.

James Tate was born in 1943 in Kansas City, Missouri. He earned a BA from Kansas State College and an MFA from the Iowa Writers’ Workshop. He was the author of over 20 poetry collections, including the posthumously published The Government Lake (2018); The Ghost Soldiers (2008); Worshipful Company of Fletchers (1994), which won the National Book Award; Selected Poems (1991), which won the Pulitzer Prize and the William Carlos Williams Award; Distance from Loved Ones (1990); Constant Defender (1983); Viper Jazz (1976); and The Oblivion Ha-Ha (1970). Tate died in 2015, at the age of 71.

James Tate’s poems have been awarded the National Book Award, the Pulitzer Prize, the Wallace Stevens Award, the William Carlos Williams Award, the Yale Younger Poets Award, and the National Institute of Arts and Letters Award, and have been translated across the globe. Tate was a member of the American Academy of Arts and Letters; his many collections include The Lost Pilot, The Oblivion Ha-Ha, Absences, Distance from Loved Ones, Worshipful Company of Fletchers, and The Ghost Soldiers. Born in Kansas City, Missouri, he made his home in Pelham, Massachusetts.

Terrance Hayes is the author of Lighthead, winner of the 2010 National Book Award and finalist for the National Book Critics Circle Award. His other books are Wind in a Box, Hip Logic, Muscular Music, and How to Be Drawn, which was a finalist for the 2015 National Book Award and received the 2016 NAACP Image Award for Poetry. His honors include a National Endowment for the Arts Fellowship, a Guggenheim Fellowship, and a 2014 MacArthur Fellowship.

Hell, I love everybody
An essential collection of James Tate’’s extraordinary poems
hat will captivate today’s readers,
with an introduction by Terrance Hayes
Publisher: Ecco Press
Publish Date: November 07, 2023
Pages 112
Dimensions 5.3 X 7.1 X 0.3 inches
Language English
Type Paperback
EAN/UPC 9780063306073
Price $17.99

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Sara Teasdale: I Thought of You

I Thought of You

I thought of you and how you love this beauty,
⁠And walking up the long beach all alone
I heard the waves breaking in measured thunder
⁠As you and I once heard their monotone.

Around me were the echoing dunes, beyond me
⁠The cold and sparkling silver of the sea—
We two will pass through death and ages lengthen
⁠Before you hear that sound again with me.

Sara Teasdale
(1884-1933)
I Thought of You
from: Flame and Shadow

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Ulrich von Hutten: Den Geist?

Den Geist?

Den Geist?
Als ob es Weiber gäbe,
die ihn liebten.
Schöne Gestalt gefällt ihnen
und Reichtum.

 

Ulrich von Hutten
Ritter und Dichter
(* 21.04.1488, † 29.08.1523)
Den Geist?

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P.C. Hooftprijs 2024 voor poëzie toegekend aan Astrid Lampe

Astrid Lampe, dichter, acteur en regisseur, heeft de P.C. Hooftprijs 2024 voor poëzie toegekend gekregen. De uitreiking zal eind mei plaatsvinden.

De P.C. Hooft-prijs 2024 voor het oeuvre van Astrid Lampe is toegekend op voordracht van een jury bestaande uit Tsead Bruinja, Kiki Coumans, Maarten van der Graaff, Alfred Schaffer en Kila van der Starre (voorzitter).

‘Astrid Lampe dicht met een diabolische intensiteit over het moderne leven, in zinnelijke en ontembare taal die vraagt om herlezing en herbeluistering. Ze laat lyriek en gevonden taal in elkaar overlopen, waarbij ze geen enkel register onbenut laat. Het resultaat is een open tekst, taal die zich bewust is van zichzelf en van haar grenzen. Lampe’s oog – en vooral ook oor – voor de invloed van digitale technologie op economie, klimaat en genderverhoudingen vallen op in haar oeuvre (…). Ze heeft de poëzie beïnvloed van veel jongere dichters in het Nederlands taalgebied.’

De jury vindt dat Lampe al sinds haar debuutbundel Rib (1997) in haar gedichten prangende vragen stelt over klimaat, lichamelijkheid en digitalisering. Ze noemen haar een van de meest eigenzinnige en genereuze dichters van onze tijd.

Het oeuvre van Astrid Lampe is opvallend onconventioneel en meerstemmig en omvat dertien poëziebundels – inclusief een woord-en-beeld-samenwerking met Roland Sohier, een alternatief Poëzieweekgeschenk met poetry stills en een citybook over Utrecht. Ze put uit literaire bronnen en ontleent taal aan de wereld van marketing, internet, de kunsten en de politiek. Zelf omschrijft Lampe haar werk als radicaal lyrisch. Activistisch, dwars, energiek.

Astrid Lampe (Tilburg, 1955) woont en werkt in Utrecht.

Dichtbundels:
1997 – Rib
2000 – De sok weer aan
2002 – De memen van Lara
2005 – Spuit je ralkleur
2007 – Park Slope: K’NEX studies
2010 – Lil (zucht)
2013 – Rouw met diertjes
2015 – De taiga zwijntjes
2018 – Zusterstad 2.0
2021 – Tulpenwodka

Over de prijs:
De P.C. Hooft-prijs voor Letterkunde is de belangrijkste Nederlandse literatuurprijs voor een oeuvre. Deze staatsprijs wordt jaarlijks toegekend, afwisselend voor verhalend proza, beschouwend proza en poëzie. Het Literatuurmuseum verzorgt de toekenning en de uitreiking van deze prijs. De P.C. Hooft-prijs bedraagt 60.000 euro. Bij de geldprijs hoort een oorkonde en een bronzen beeldje van P.C. Hooft (1581–1647), een replica van een buste gemaakt door Frits Sieger, die in de Amsterdamse Jan Luijkenstraat staat. Recente laureaten in het genre poëzie zijn Alfred Schaffer (2021), H.C. ten Berge (2006), Judith Herzberg (1997) en J. Bernlef (1994).

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The Curious Thing: Poems by Sandra Lim

 

In this gorgeous third collection, Sandra Lim investigates desire, sexuality, and dream with sinewy intelligence and a startling freshness.

Truthful, sensuous, and intellectually relentless, the poems in The Curious Thing are compelling meditations on love, art making, solitude, female fate, and both the mundane and serious principles of life. Sandra Lim’s poetry displays stinging wit and a tough-minded approach to her own experiences: She speaks with Jean Rhys about beauty, encounters the dark loneliness that can exist inside a relationship, and discovers a coiled anger on a hot summer day.

An extended poem sequence slyly revolves the meanings of finding oneself astray in midlife. A steely strength courses through the volume’s myriad discoveries―Lim’s lucidity and tenderness form a striking complement to her remarkable metaphors and the emotional clamor of her material.

Animated by a sense of reckoning and a piercing inwardness, these anti-sentimental poems nevertheless celebrate the passionate and empathetic subjective life.

Sandra Lim was born in Seoul, South Korea. She is the author of three poetry collections, The Curious Thing, Loveliest Grotesque and The Wilderness, chosen by Louise Glück for the Barnard Women Poets Prize. She has received many honors for her work, including the Levis Reading Prize, an Award in Literature from the American Academy of Arts and Letters, and fellowships from MacDowell and the Getty Foundation. She is a Guggenheim Fellow in poetry and lives in Cambridge, Massachusetts.

Sandra Lim:
The Curious Thing.
Poems
Language: ‎English
Publisher: ‎W. W. Norton & Company
October 10, 2023
80 pages

Paperback
ISBN: 978-1-324-06618-7
Price $16.95

Hardcover
ISBN: 978-0-393-86789-3
Price $26.95

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Grands Corps Malade: nouveau CD “REFLETS”

Au départ, l’idée traversait l’esprit de Grand Corps Malade d’intituler l’album “Portraits” au pluriel.

Il envisageait que chaque chanson représente le portrait d’une personne, d’une chose, ou d’un lieu spécifique. Cependant, au fil du temps, cette notion a évolué, aboutissant finalement au choix du titre “REFLETS”. Ce titre représente pour lui une opportunité d’explorer la réflexion de la société, de capturer l’esprit d’une époque, de saisir les éléments qui nous entourent. Cette approche ouvre la porte à de nombreux…

Liste des titres
No Titre Durée
1. J’ai vu de la lumière 3:31
2. Reflets 2:52
3. Retiens les rêves 3:39
4. Le jour d’après 3:19
5. Autoreflet 4:49
6. Je serai là 3:05
7. Rue La Fayette 3:38
8. C’est aujourd’hui que ça se passe 2:47
9. 2083 3:47
10. La sagesse 3:04
11. Deauville 3:04
12. Paroles et musique 3:57

Reflets est le 8e album studio de Grand Corps Malade sorti le 20 octobre 2023.

Reflets
Album de Grand Corps Malade Sortie
20 octobre 2023
Genre CD, vinyle
Label Anouche Records

Grands Corps Malade
CD “REFLETS”
Prix de vente 15,00€
Main artists: Grand Corps Malade
Genre: Franse chansons

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Sarah Morgan Bryan Piatt: Hearing the Battle. (July 21, 1861)

 

Hearing the Battle

July 21, 1861

One day in the dreamy summer,
On the Sabbath hills, from afar
We heard the solemn echoes
Of the first fierce words of war.

Ah, tell me, thou veilèd Watcher
Of the storm and the calm to come,
How long by the sun or shadow
Till these noises again are dumb.

And soon in a hush and glimmer
We thought of the dark, strange fight,
Whose close in a ghastly quiet
Lay dim in the beautiful night.

Then we talk’d of coldness and pallor,
And of things with blinded eyes
That stared at the golden stillness
Of the moon in those lighted skies;

And of souls, at morning wrestling
In the dust with passion and moan,
So far away at evening
In the silence of worlds unknown.

But a delicate wind beside us
Was rustling the dusky hours,
As it gather’d the dewy odors
Of the snowy jessamine-flowers.

And I gave you a spray of the blossoms,
And said: “I shall never know
How the hearts in the land are breaking,
My dearest, unless you go.”

Sarah Morgan Bryan Piatt
(1836–1919)
Hearing the Battle.
(July 21, 1861)
Poem

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Ark by Estill Pollock

English poet Estill Pollock’s new collection is an ARK built to weather the flood of 21st century life.

“I have nothing left / To offer, except this poem,” Estill Pollock declares around the midpoint of his new collection ARK, and for anyone else this might seem an apology or lament; but Pollock’s poems encompass multitudes, and offer the reader entire worlds. His title of course suggests both a means of safety and sanctuary (the title of one section here), as well as a repository of sacred texts, and both are apt descriptions for this volume.

His hierophantic language demands much from the reader, but rewards in equal measure, and pleasure. His scope ranges over time and space, “in data streams / Of stars,” from “Neanderthals in Paris” to “AI execution codes” and “Cryptocurrency blockchain” carrying us over rising tides of (literal) water and war and all manner of floods that threaten to engulf us. A long account of “London in those times / Of empire” makes up much of the middle section; and even though it has been decades since he left his native America he devotes specific attention to its problematic history, and present. “Mason-Dixon” recounts the Original Sin of slavery, while more recently he observes how “American democracy eats / Its young—pockets emptied to Big Pharma / Big Banks, murder-cop trials, neo-Nazi podcast / Or demagogue variant QAnon.”

“Old worlds give up their dead,” he observes, “a skull / In tidal mud, looted barrows, souvenirs / Of species an archived fidelity, as though / We were disappearing from our own lives.” But Pollock’s ARK is here to preserve us. “This is about everything, and nothing” – in which respect it perfectly resembles life.

Estill Pollock’s publications include Constructing the Human (Poetry Salzburg, 2001) and the book cycle Relic Environments Trilogy (Cinnamon Press, Wales, 2012). His recent poetry collections, ENTROPY (2021) and TIME SIGNATURES (2022), are published by Broadstone Books. He lives in Norfolk, England.

Ark
by Estill Pollock
Pub Date: 8/15/2023
Publisher: Broadstone Books
ISBN 978-1-956782-43-1
Binding: PAPERBACK
Pages: 92
Price: $ 26.00

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Because I love you, I become war. Poems & Uncollected Poetics Prose by Eileen R. Tabios

The title poem, “Because I Love You, I Become War,” is a poem of feminist genius, deserving to be in the pantheon of all-time brilliant poems!

Sascha A. Akhtar, author of #LoveLikeBlood

Raw[ness] exudes from this collection of poems and poetics prose about love and war, both corporal and terrestrial. Whether speaking of “rose petals yawning like little girls, like the daughters I never bore,” or a California wildfire’s “yellowed skies” and “smoke taint,” even color is narrative in Eileen Tabios’ dexterous hands.

Eileen R. Tabios has released over 60 collections of poetry, fiction, essays, and experimental biographies from publishers in 11 countries and cyberspace. DOVELION: A FAIRY TALE FOR OUR TIMES (AC Books, 2021) is her first long- form novel. Her 2020 books include a short story collection, PAGPAG: The Dictator’s Aftermath in the Diaspora; a poetry collection, THE IN(TER)VENTION OF THE HAY(NA)KU (Marsh Hawk Press, 2019); and her third bilingual edition (English/Thai), INCULPATORY EVIDENCE: Covid-19 Poems.

Her award-winning body of work includes invention of the hay(na)ku, a 21st century diasporic poetic form, and the MDR Poetry Generator that can create poems totaling theoretical infinity, as well as a first poetry book, Beyond Life Sentences, which received the Philippines’ National Book Award for Poetry. Translated into 11 languages, she also has edited, co-edited or conceptualized 15 anthologies of poetry, fiction and essays. Her writing and editing works have received recognition through awards, grants and residencies.

Because I love you, I become war
Poems & Uncollected Poetics Prose
by Eileen R. Tabios
Pub Date: 5/30/2023
Publisher: Marsh Hawk Press, Inc.
ISBN-10 ‏ : ‎ 099865826X
ISBN-13 ‏ : ‎ 978-0998658261
Binding: Paperback
Pages: 332
Price: $ 22.00

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Blood Snow by Dg Nanouk Okpik

Finalist for the 2023 Pulitzer Prize Listed in The Boston Globe’s Best Poetry Books of 2022.

Longlisted for the PEN/Voelcker Award in PoetryAmerican Book Award-winning poet dg okpik’s second collection of poems, Blood Snow, tells a continuum story of a homeland under erasure, in an ethos of erosion, in a multitude of encroaching methane, ice floe, and rising temperatures.

Here, in a true Inupiaq voice, dg okpik’s relationship to language is an access point for understanding larger kinships between animals, peoples, traditions, histories, ancestries, and identities.

Through an animist process of transfiguration into a Shaman’s omniscient voice, we are greeted with a destabilizing grammar of selfhood. Okpik’s poems have a fraught relationship to her former home in Anchorage, Alaska, a place of unparalleled natural beauty and a traumatic site of devastation for Alaskan native nations and landscapes alike. In this way, okpik’s poetry speaks to the dualistic nature of reality and how one’s existence in the world simultaneously shapes and is shaped by its environs.

dg nanouk okpik was born and spent much of her life in Anchorage, Alaska. She graduated from Salish Kootenai College with an AFA in Liberal Arts and Liberal Studies, and later attended the Institute of American Indian Arts, graduating with an AFA and a BFA in Creative Writing before receiving her MFA in Creative Writing from Stonecoast College. okpik has won the Truman Capote Literary Award, the May Sarton Award, and an American Book Award for her first book, Corpse Whale (University of Arizona Press, 2012).

Blood Snow
by Dg Nanouk Okpik
Publisher: Wave Books
Publish Date: October 18, 2022
Pages 96
Language: English
Paperback
EAN/UPC: 9781950268634
BISAC Categories:
Native American
Women Authors
Price $18.00

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To Star the Dark by Doireann Ní Ghríofa

To Star the Dark is the first new collection of poems by Irish poet Doireann Ní Ghríofa, following her acclaimed prose bestseller A Ghost in the Throat

The poems in Doireann Ní Ghríofa’s much-anticipated new collection To Star the Dark take place in hospitals, in cellars, in Parisian parks and American laundromats, inside our screens and beyond them.

Poems of blood and birdsong, of rain and desire, of aftermath and ambivalence, each spoken by a voice, which – like the starlings – sings, at once, both past and present.

DOIREANN NÍ GHRÍOFA is a bilingual Irish poet and essayist, born in Galway in 1981, living in Cork for many years. She is author of six critically-acclaimed books of poetry, each a deepening exploration of birth, death, desire, and domesticity.

Ní Ghríofa’s first book in English, Clasp (Dedalus Press, 2015) won the Rooney Prize for Irish Literature, the Michael Hartnett Poetry Award, and was shortlisted for the Irish Times Poetry Award. A Book of the Year in both The Irish Times and The Irish Independent, Lies (Dedalus Press, 2018), draws on a decade of Ní Ghríofa’s Irish language poems, accompanied by her own translations.

Doireann Ní Ghríofa is also author of the prose bestseller A Ghost in the Throat (Tramp Press, 2020) which finds the eighteenth-century poet Eibhlín Dubh Ní Chonaill haunting the life of a contemporary young mother, prompting her to turn detective. Ní Ghríofa’s artistic practice encompasses cross-disciplinary collaborations, fusing poetry with film, dance, music, and visual art, and her work has been commissioned by institutions such as The Poetry Society (Britain), Poetry Ireland, The Embassy of Ireland in Britain, and the Department of Foreign Affairs.

Further awards for Ní Ghríofa’s work include a Lannan Literary Fellowship (USA), a Seamus Heaney Fellowship (Queen’s University), and the Ostana Prize (Italy), among others.

To Star the Dark (Poetry)
By Doireann Ní Ghríofa
70 pp.
2021
Dedalus Press
ISBN 9781910251874 (hardback)
ISBN 9781910251867 (paperback)
€20.00 hardback
€12.50 paperback

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