Fleurs du Mal Magazine
Or see the index
Edith Södergran
1892-1923
Der Schmerz
Das Glück hat keine Lieder, das Glück hat keine Gedanken,
das Glück hat nichts.
Stoß an dein Glück, daß es zerbricht, denn das Glück ist boshaft.
Das Glück kommt sacht wie das Säuseln des Morgens in
das schlafende Gebüsch,
das Glück gleitet vorbei wie leichte Wolken über dunkelblaue Tiefen,
das Glück ist wie das Feld, das in der Mittagsglut schläft
wie die endlose Weite des Meeres in den heißen lotrechten Strahlen,
das Glück ist machtlos, es schläft und atmet und weiß
von nichts …
Kennst du den Schmerz? Er ist stark und groß mit
geballten Fäusten.
Kennst du den Schmerz? Er lächelt hoffnungsvoll mit
verweinten Augen.
Der Schmerz gibt uns alles, was wir brauchen.
er gibt uns die Schlüssel zum Reich des Todes,
er schiebt uns durch die Pforte, wenn wir noch zaudern.
Der Schmerz tauft das Kind und wacht mit der Mutter
und schmiedet all die goldenen Hochzeitsringe.
Der Schmerz herrscht über alle, er glättet die Stirn des Denkers,
er legt den Schmuck um den Hals der begehrten Frau,
er steht in der Tür, wenn der Mann von der Geliebten kommt …
Was ist es noch, was der Schmerz seinen Lieblingen gibt?
Ich weiß nichts mehr.
Er gibt Perlen und Blumen, er gibt Lieder und Träume,
er gibt tausend Küsse, die alle leer sind,
er gibt den einzigen Kuß, der wirklich ist.
Er gibt uns unsere sonderbaren Seelen und merkwürdigen Einfälle,
er gibt uns allen Lebens höchsten Gewinn:
Liebe, Einsamkeit und das Angesicht des Todes.
Edith Södergran poetry
fleursdumal.nl magazine
More in: Archive S-T, Södergran, Edith
.jpg)
Marcel Proust
(1871-1922)
Petit pastiche de Mme de Noailles
Mon coeur sage, fuyez l’odeur des térébinthes,
Voici que le matin frise comme un jet d’eau.
L’air est un écran d’or où des ailes sont peintes ;
Pourquoi partiriez-vous pour Nice ou pour Yeddo ?
Quel besoin avez-vous de la luisante Asie
Des monts de verre bleu qu’Hokusaï dessinait
Quand vous sentez si fort la belle frénésie
D’une averse dorant les toits du Vésinet !
Ah ! partir pour le Pecq, dont le nom semble étrange,
Voir avant de mourir le Mont Valérien
Quand le soigneux couchant se dispose et s’effrange
Entre la Grande Roue et le Puits artésien.
.jpg)
Marcel Proust poetry
fleursdumal.nl magazine
More in: Marcel Proust, Proust, Marcel
James Joyce
(1882-1941)
Counterparts
The bell rang furiously and, when Miss Parker went to the tube, a furious voice called out in a piercing North of Ireland accent:
“Send Farrington here!”
Miss Parker returned to her machine, saying to a man who was writing at a desk:
“Mr. Alleyne wants you upstairs.”
The man muttered “Blast him!” under his breath and pushed back his chair to stand up. When he stood up he was tall and of great bulk. He had a hanging face, dark wine-coloured, with fair eyebrows and moustache: his eyes bulged forward slightly and the whites of them were dirty. He lifted up the counter and, passing by the clients, went out of the office with a heavy step.
He went heavily upstairs until he came to the second landing, where a door bore a brass plate with the inscription Mr. Alleyne. Here he halted, puffing with labour and vexation, and knocked. The shrill voice cried:
“Come in!”
The man entered Mr. Alleyne’s room. Simultaneously Mr. Alleyne, a little man wearing gold-rimmed glasses on a cleanshaven face, shot his head up over a pile of documents. The head itself was so pink and hairless it seemed like a large egg reposing on the papers. Mr. Alleyne did not lose a moment:
“Farrington? What is the meaning of this? Why have I always to complain of you? May I ask you why you haven’t made a copy of that contract between Bodley and Kirwan? I told you it must be ready by four o’clock.”
“But Mr. Shelley said, sir—-“
“Mr. Shelley said, sir …. Kindly attend to what I say and not to what Mr. Shelley says, sir. You have always some excuse or another for shirking work. Let me tell you that if the contract is not copied before this evening I’ll lay the matter before Mr. Crosbie…. Do you hear me now?”
“Yes, sir.”
“Do you hear me now?… Ay and another little matter! I might as well be talking to the wall as talking to you. Understand once for all that you get a half an hour for your lunch and not an hour and a half. How many courses do you want, I’d like to know…. Do you mind me now?”
“Yes, sir.”
Mr. Alleyne bent his head again upon his pile of papers. The man stared fixedly at the polished skull which directed the affairs of Crosbie & Alleyne, gauging its fragility. A spasm of rage gripped his throat for a few moments and then passed, leaving after it a sharp sensation of thirst. The man recognised the sensation and felt that he must have a good night’s drinking. The middle of the month was passed and, if he could get the copy done in time, Mr. Alleyne might give him an order on the cashier. He stood still, gazing fixedly at the head upon the pile of papers. Suddenly Mr. Alleyne began to upset all the papers, searching for something. Then, as if he had been unaware of the man’s presence till that moment, he shot up his head again, saying:
“Eh? Are you going to stand there all day? Upon my word, Farrington, you take things easy!”
“I was waiting to see…”
“Very good, you needn’t wait to see. Go downstairs and do your work.”
The man walked heavily towards the door and, as he went out of the room, he heard Mr. Alleyne cry after him that if the contract was not copied by evening Mr. Crosbie would hear of the matter.
He returned to his desk in the lower office and counted the sheets which remained to be copied. He took up his pen and dipped it in the ink but he continued to stare stupidly at the last words he had written: In no case shall the said Bernard Bodley be… The evening was falling and in a few minutes they would be lighting the gas: then he could write. He felt that he must slake the thirst in his throat. He stood up from his desk and, lifting the counter as before, passed out of the office. As he was passing out the chief clerk looked at him inquiringly.
“It’s all right, Mr. Shelley,” said the man, pointing with his finger to indicate the objective of his journey.
The chief clerk glanced at the hat-rack, but, seeing the row complete, offered no remark. As soon as he was on the landing the man pulled a shepherd’s plaid cap out of his pocket, put it on his head and ran quickly down the rickety stairs. From the street door he walked on furtively on the inner side of the path towards the corner and all at once dived into a doorway. He was now safe in the dark snug of O’Neill’s shop, and filling up the little window that looked into the bar with his inflamed face, the colour of dark wine or dark meat, he called out:
“Here, Pat, give us a g.p.. like a good fellow.”
The curate brought him a glass of plain porter. The man drank it at a gulp and asked for a caraway seed. He put his penny on the counter and, leaving the curate to grope for it in the gloom, retreated out of the snug as furtively as he had entered it.
Darkness, accompanied by a thick fog, was gaining upon the dusk of February and the lamps in Eustace Street had been lit. The man went up by the houses until he reached the door of the office, wondering whether he could finish his copy in time. On the stairs a moist pungent odour of perfumes saluted his nose: evidently Miss Delacour had come while he was out in O’Neill’s. He crammed his cap back again into his pocket and re-entered the office, assuming an air of absentmindedness.
“Mr. Alleyne has been calling for you,” said the chief clerk severely. “Where were you?”
The man glanced at the two clients who were standing at the counter as if to intimate that their presence prevented him from answering. As the clients were both male the chief clerk allowed himself a laugh.
“I know that game,” he said. “Five times in one day is a little bit… Well, you better look sharp and get a copy of our correspondence in the Delacour case for Mr. Alleyne.”
This address in the presence of the public, his run upstairs and the porter he had gulped down so hastily confused the man and, as he sat down at his desk to get what was required, he realised how hopeless was the task of finishing his copy of the contract before half past five. The dark damp night was coming and he longed to spend it in the bars, drinking with his friends amid the glare of gas and the clatter of glasses. He got out the Delacour correspondence and passed out of the office. He hoped Mr. Alleyne would not discover that the last two letters were missing.
The moist pungent perfume lay all the way up to Mr. Alleyne’s room. Miss Delacour was a middle-aged woman of Jewish appearance. Mr. Alleyne was said to be sweet on her or on her money. She came to the office often and stayed a long time when she came. She was sitting beside his desk now in an aroma of perfumes, smoothing the handle of her umbrella and nodding the great black feather in her hat. Mr. Alleyne had swivelled his chair round to face her and thrown his right foot jauntily upon his left knee. The man put the correspondence on the desk and bowed respectfully but neither Mr. Alleyne nor Miss Delacour took any notice of his bow. Mr. Alleyne tapped a finger on the correspondence and then flicked it towards him as if to say: “That’s all right: you can go.”
The man returned to the lower office and sat down again at his desk. He stared intently at the incomplete phrase: In no case shall the said Bernard Bodley be… and thought how strange it was that the last three words began with the same letter. The chief clerk began to hurry Miss Parker, saying she would never have the letters typed in time for post. The man listened to the clicking of the machine for a few minutes and then set to work to finish his copy. But his head was not clear and his mind wandered away to the glare and rattle of the public-house. It was a night for hot punches. He struggled on with his copy, but when the clock struck five he had still fourteen pages to write. Blast it! He couldn’t finish it in time. He longed to execrate aloud, to bring his fist down on something violently. He was so enraged that he wrote Bernard Bernard instead of Bernard Bodley and had to begin again on a clean sheet.
He felt strong enough to clear out the whole office singlehanded. His body ached to do something, to rush out and revel in violence. All the indignities of his life enraged him…. Could he ask the cashier privately for an advance? No, the cashier was no good, no damn good: he wouldn’t give an advance…. He knew where he would meet the boys: Leonard and O’Halloran and Nosey Flynn. The barometer of his emotional nature was set for a spell of riot.
His imagination had so abstracted him that his name was called twice before he answered. Mr. Alleyne and Miss Delacour were standing outside the counter and all the clerks had turn round in anticipation of something. The man got up from his desk. Mr. Alleyne began a tirade of abuse, saying that two letters were missing. The man answered that he knew nothing about them, that he had made a faithful copy. The tirade continued: it was so bitter and violent that the man could hardly restrain his fist from descending upon the head of the manikin before him:
“I know nothing about any other two letters,” he said stupidly.
“You–know–nothing. Of course you know nothing,” said Mr. Alleyne. “Tell me,” he added, glancing first for approval to the lady beside him, “do you take me for a fool? Do you think me an utter fool?”
The man glanced from the lady’s face to the little egg-shaped head and back again; and, almost before he was aware of it, his tongue had found a felicitous moment:
“I don’t think, sir,” he said, “that that’s a fair question to put to me.”
There was a pause in the very breathing of the clerks. Everyone was astounded (the author of the witticism no less than his neighbours) and Miss Delacour, who was a stout amiable person, began to smile broadly. Mr. Alleyne flushed to the hue of a wild rose and his mouth twitched with a dwarf s passion. He shook his fist in the man’s face till it seemed to vibrate like the knob of some electric machine:
“You impertinent ruffian! You impertinent ruffian! I’ll make short work of you! Wait till you see! You’ll apologise to me for your impertinence or you’ll quit the office instanter! You’ll quit this, I’m telling you, or you’ll apologise to me!”
He stood in a doorway opposite the office watching to see if the cashier would come out alone. All the clerks passed out and finally the cashier came out with the chief clerk. It was no use trying to say a word to him when he was with the chief clerk. The man felt that his position was bad enough. He had been obliged to offer an abject apology to Mr. Alleyne for his impertinence but he knew what a hornet’s nest the office would be for him. He could remember the way in which Mr. Alleyne had hounded little Peake out of the office in order to make room for his own nephew. He felt savage and thirsty and revengeful, annoyed with himself and with everyone else. Mr. Alleyne would never give him an hour’s rest; his life would be a hell to him. He had made a proper fool of himself this time. Could he not keep his tongue in his cheek? But they had never pulled together from the first, he and Mr. Alleyne, ever since the day Mr. Alleyne had overheard him mimicking his North of Ireland accent to amuse Higgins and Miss Parker: that had been the beginning of it. He might have tried Higgins for the money, but sure Higgins never had anything for himself. A man with two establishments to keep up, of course he couldn’t….
He felt his great body again aching for the comfort of the public-house. The fog had begun to chill him and he wondered could he touch Pat in O’Neill’s. He could not touch him for more than a bob — and a bob was no use. Yet he must get money somewhere or other: he had spent his last penny for the g.p. and soon it would be too late for getting money anywhere. Suddenly, as he was fingering his watch-chain, he thought of Terry Kelly’s pawn-office in Fleet Street. That was the dart! Why didn’t he think of it sooner?
He went through the narrow alley of Temple Bar quickly, muttering to himself that they could all go to hell because he was going to have a good night of it. The clerk in Terry Kelly’s said A crown! but the consignor held out for six shillings; and in the end the six shillings was allowed him literally. He came out of the pawn-office joyfully, making a little cylinder, of the coins between his thumb and fingers. In Westmoreland Street the footpaths were crowded with young men and women returning from business and ragged urchins ran here and there yelling out the names of the evening editions. The man passed through the crowd, looking on the spectacle generally with proud satisfaction and staring masterfully at the office-girls. His head was full of the noises of tram- gongs and swishing trolleys and his nose already sniffed the curling fumes punch. As he walked on he preconsidered the terms in which he would narrate the incident to the boys:
“So, I just looked at him — coolly, you know, and looked at her. Then I looked back at him again — taking my time, you know. ‘I don’t think that that’s a fair question to put to me,’ says I.”
Nosey Flynn was sitting up in his usual corner of Davy Byrne’s and, when he heard the story, he stood Farrington a half-one, saying it was as smart a thing as ever he heard. Farrington stood a drink in his turn. After a while O’Halloran and Paddy Leonard came in and the story was repeated to them. O’Halloran stood tailors of malt, hot, all round and told the story of the retort he had made to the chief clerk when he was in Callan’s of Fownes’s Street; but, as the retort was after the manner of the liberal shepherds in the eclogues, he had to admit that it was not as clever as Farrington’s retort. At this Farrington told the boys to polish off that and have another.
Just as they were naming their poisons who should come in but Higgins! Of course he had to join in with the others. The men asked him to give his version of it, and he did so with great vivacity for the sight of five small hot whiskies was very exhilarating. Everyone roared laughing when he showed the way in which Mr. Alleyne shook his fist in Farrington’s face. Then he imitated Farrington, saying, “And here was my nabs, as cool as you please,” while Farrington looked at the company out of his heavy dirty eyes, smiling and at times drawing forth stray drops of liquor from his moustache with the aid of his lower lip.
When that round was over there was a pause. O’Halloran had money but neither of the other two seemed to have any; so the whole party left the shop somewhat regretfully. At the corner of Duke Street Higgins and Nosey Flynn bevelled off to the left while the other three turned back towards the city. Rain was drizzling down on the cold streets and, when they reached the Ballast Office, Farrington suggested the Scotch House. The bar was full of men and loud with the noise of tongues and glasses. The three men pushed past the whining matchsellers at the door and formed a little party at the corner of the counter. They began to exchange stories. Leonard introduced them to a young fellow named Weathers who was performing at the Tivoli as an acrobat and knockabout artiste. Farrington stood a drink all round. Weathers said he would take a small Irish and Apollinaris. Farrington, who had definite notions of what was what, asked the boys would they have an Apollinaris too; but the boys told Tim to make theirs hot. The talk became theatrical. O’Halloran stood a round and then Farrington stood another round, Weathers protesting that the hospitality was too Irish. He promised to get them in behind the scenes and introduce them to some nice girls. O’Halloran said that he and Leonard would go, but that Farrington wouldn’t go because he was a married man; and Farrington’s heavy dirty eyes leered at the company in token that he understood he was being chaffed. Weathers made them all have just one little tincture at his expense and promised to meet them later on at Mulligan’s in Poolbeg Street.
When the Scotch House closed they went round to Mulligan’s. They went into the parlour at the back and O’Halloran ordered small hot specials all round. They were all beginning to feel mellow. Farrington was just standing another round when Weathers came back. Much to Farrington’s relief he drank a glass of bitter this time. Funds were getting low but they had enough to keep them going. Presently two young women with big hats and a young man in a check suit came in and sat at a table close by. Weathers saluted them and told the company that they were out of the Tivoli. Farrington’s eyes wandered at every moment in the direction of one of the young women. There was something striking in her appearance. An immense scarf of peacock-blue muslin was wound round her hat and knotted in a great bow under her chin; and she wore bright yellow gloves, reaching to the elbow. Farrington gazed admiringly at the plump arm which she moved very often and with much grace; and when, after a little time, she answered his gaze he admired still more her large dark brown eyes. The oblique staring expression in them fascinated him. She glanced at him once or twice and, when the party was leaving the room, she brushed against his chair and said “O, pardon!” in a London accent. He watched her leave the room in the hope that she would look back at him, but he was disappointed. He cursed his want of money and cursed all the rounds he had stood, particularly all the whiskies and Apolinaris which he had stood to Weathers. If there was one thing that he hated it was a sponge. He was so angry that he lost count of the conversation of his friends.
When Paddy Leonard called him he found that they were talking about feats of strength. Weathers was showing his biceps muscle to the company and boasting so much that the other two had called on Farrington to uphold the national honour. Farrington pulled up his sleeve accordingly and showed his biceps muscle to the company. The two arms were examined and compared and finally it was agreed to have a trial of strength. The table was cleared and the two men rested their elbows on it, clasping hands. When Paddy Leonard said “Go!” each was to try to bring down the other’s hand on to the table. Farrington looked very serious and determined.
The trial began. After about thirty seconds Weathers brought his opponent’s hand slowly down on to the table. Farrington’s dark wine-coloured face flushed darker still with anger and humiliation at having been defeated by such a stripling.
“You’re not to put the weight of your body behind it. Play fair,” he said.
“Who’s not playing fair?” said the other.
“Come on again. The two best out of three.”
The trial began again. The veins stood out on Farrington’s forehead, and the pallor of Weathers’ complexion changed to peony. Their hands and arms trembled under the stress. After a long struggle Weathers again brought his opponent’s hand slowly on to the table. There was a murmur of applause from the spectators. The curate, who was standing beside the table, nodded his red head towards the victor and said with stupid familiarity:
“Ah! that’s the knack!”
“What the hell do you know about it?” said Farrington fiercely, turning on the man. “What do you put in your gab for?”
“Sh, sh!” said O’Halloran, observing the violent expression of Farrington’s face. “Pony up, boys. We’ll have just one little smahan more and then we’ll be off.”
A very sullen-faced man stood at the corner of O’Connell Bridge waiting for the little Sandymount tram to take him home. He was full of smouldering anger and revengefulness. He felt humiliated and discontented; he did not even feel drunk; and he had only twopence in his pocket. He cursed everything. He had done for himself in the office, pawned his watch, spent all his money; and he had not even got drunk. He began to feel thirsty again and he longed to be back again in the hot reeking public-house. He had lost his reputation as a strong man, having been defeated twice by a mere boy. His heart swelled with fury and, when he thought of the woman in the big hat who had brushed against him and said Pardon! his fury nearly choked him.
His tram let him down at Shelbourne Road and he steered his great body along in the shadow of the wall of the barracks. He loathed returning to his home. When he went in by the side- door he found the kitchen empty and the kitchen fire nearly out. He bawled upstairs:
“Ada! Ada!”
His wife was a little sharp-faced woman who bullied her husband when he was sober and was bullied by him when he was drunk. They had five children. A little boy came running down the stairs.
“Who is that?” said the man, peering through the darkness.
“Me, pa.”
“Who are you? Charlie?”
“No, pa. Tom.”
“Where’s your mother?”
“She’s out at the chapel.”
“That’s right…. Did she think of leaving any dinner for me?”
“Yes, pa. I –“
“Light the lamp. What do you mean by having the place in darkness? Are the other children in bed?”
The man sat down heavily on one of the chairs while the little boy lit the lamp. He began to mimic his son’s flat accent, saying half to himself: “At the chapel. At the chapel, if you please!” When the lamp was lit he banged his fist on the table and shouted:
“What’s for my dinner?”
“I’m going… to cook it, pa,” said the little boy.
The man jumped up furiously and pointed to the fire.
“On that fire! You let the fire out! By God, I’ll teach you to do that again!”
He took a step to the door and seized the walking-stick which was standing behind it.
“I’ll teach you to let the fire out!” he said, rolling up his sleeve in order to give his arm free play.
The little boy cried “O, pa!” and ran whimpering round the table, but the man followed him and caught him by the coat. The little boy looked about him wildly but, seeing no way of escape, fell upon his knees.
“Now, you’ll let the fire out the next time!” said the man striking at him vigorously with the stick. “Take that, you little whelp!”
The boy uttered a squeal of pain as the stick cut his thigh. He clasped his hands together in the air and his voice shook with fright.
“O, pa!” he cried. “Don’t beat me, pa! And I’ll… I’ll say a Hail Mary for you…. I’ll say a Hail Mary for you, pa, if you don’t beat me…. I’ll say a Hail Mary….”
James Joyce stories
fleursdumal.nl magazine
More in: Joyce, James, Joyce, James
.jpg)
Amy Levy
(1861-1889)
A Farewell
(After Heine.)
The sad rain falls from Heaven,
A sad bird pipes and sings ;
I am sitting here at my window
And watching the spires of “King’s.”
O fairest of all fair places,
Sweetest of all sweet towns!
With the birds, and the greyness and greenness,
And the men in caps and gowns.
All they that dwell within thee,
To leave are ever loth,
For one man gets friends, and another
Gets honour, and one gets both.
The sad rain falls from Heaven;
My heart is great with woe–
I have neither a friend nor honour,
Yet I am sorry to go.
Amy Levy poetry
fleursdumal.nl magazine
.jpg)
Novalis
(Friedrich von Hardenberg, 1772–1802)
Hymnen an die Nacht 4
Nun weiß ich, wenn der letzte Morgen seyn wird – wenn das Licht nicht mehr die Nacht und die Liebe scheucht – wenn der Schlummer ewig und nur Ein unerschöpflicher Traum seyn wird. Himmlische Müdigkeit fühl ich in mir. – Weit und ermüdend ward mir die Wallfahrt zum heiligen Grabe, drückend das Kreutz. Die krystallene Woge, die gemeinen Sinnen unvernehmlich, in des Hügels dunkeln Schooß quillt, an dessen Fuß die irdische Flut bricht, wer sie gekostet, wer oben stand auf dem Grenzgebürge der Welt, und hinübersah in das neue Land, in der Nacht Wohnsitz – warlich der kehrt nicht in das Treiben der Welt zurück, in das Land, wo das Licht in ewiger Unruh hauset.
Oben baut er sich Hütten, Hütten des Friedens, sehnt sich und liebt, schaut hinüber, bis die willkommenste aller Stunden hinunter ihn in den Brunnen der Quelle zieht – das Irdische schwimmt obenauf, wird von Stürmen zurückgeführt, aber was heilig durch der Liebe Berührung ward, rinnt aufgelöst in verborgenen Gängen auf das jenseitige Gebiet, wo es, wie Düfte, sich mit entschlummerten Lieben mischt.
Noch weckst du, muntres Licht den Müden zur Arbeit – flößest fröhliches Leben mir ein – aber du lockst mich von der Erinnerung moosigem Denkmal nicht. Gern will ich die fleißigen Hände rühren, überall umschaun, wo du mich brauchst – rühmen deines Glanzes volle Pracht – unverdroßen verfolgen deines künstlichen Werks schönen Zusammenhang – gern betrachten deiner gewaltigen, leuchtenden Uhr sinnvollen Gang – ergründen der Kräfte Ebenmaß und die Regeln des Wunderspiels unzähliger Räume und ihrer Zeiten. Aber getreu der Nacht bleibt mein geheimes Herz, und der schaffenden Liebe, ihrer Tochter. Kannst du mir zeigen ein ewig treues Herz? hat deine Sonne freundliche Augen, die mich erkennen? fassen deine Sterne meine verlangende Hand? Geben mir wieder den zärtlichen Druck und das kosende Wort? Hast du mit Farben und leichtem Umriß Sie geziert – oder war Sie es, die deinem Schmuck höhere, liebere Bedeutung gab? Welche Wollust, welchen Genuß bietet dein Leben, die aufwögen des Todes Entzückungen? Trägt nicht alles, was uns begeistert, die Farbe der Nacht? Sie trägt dich mütterlich und ihr verdankst du all deine Herrlichkeit. Du verflögst in dir selbst – in endlosen Raum zergingst du, wenn sie dich nicht hielte, dich nicht bände, daß du warm würdest und flammend die Welt zeugtest. Warlich ich war, eh du warst – die Mutter schickte mit meinen Geschwistern mich, zu bewohnen deine Welt, sie zu heiligen mit Liebe, daß sie ein ewig angeschautes Denkmal werde – zu bepflanzen sie mit unverwelklichen Blumen. Noch reiften sie nicht diese göttlichen Gedanken – Noch sind der Spuren unserer Offenbarung wenig – Einst zeigt deine Uhr das Ende der Zeit, wenn du wirst wie unser einer, und voll Sehnsucht und Inbrunst auslöschest und stirbst. In mir fühl ich deiner Geschäftigkeit Ende – himmlische Freyheit, selige Rückkehr. In wilden Schmerzen erkenn ich deine Entfernung von unsrer Heymath, deinen Widerstand gegen den alten, herrlichen Himmel. Deine Wuth und dein Toben ist vergebens. Unverbrennlich steht das Kreutz – eine Siegesfahne unsers Geschlechts.
Hinüber wall ich,
Und jede Pein
Wird einst ein Stachel
Der Wollust seyn.
Noch wenig Zeiten,
So bin ich los,
Und liege trunken
Der Lieb’ im Schooß.
Unendliches Leben
Wogt mächtig in mir
Ich schaue von oben
Herunter nach dir.
An jenem Hügel
Verlischt dein Glanz –
Ein Schatten bringet
Den kühlenden Kranz.
O! sauge, Geliebter,
Gewaltig mich an,
Daß ich entschlummern
Und lieben kann.
Ich fühle des Todes
Verjüngende Flut,
Zu Balsam und Aether
Verwandelt mein Blut –
Ich lebe bey Tage
Voll Glauben und Muth
Und sterbe die Nächte
In heiliger Glut.
.jpg){kind=small}
Novalis poetry
fleursdumal.nl magazine
Charlotte Brontë
(1816 -1855)
The Wife’s Will
Sit still–a word–a breath may break
(As light airs stir a sleeping lake)
The glassy calm that soothes my woes–
The sweet, the deep, the full repose.
O leave me not! for ever be
Thus, more than life itself to me!
Yes, close beside thee let me kneel–
Give me thy hand, that I may feel
The friend so true–so tried–so dear,
My heart’s own chosen–indeed is near;
And check me not–this hour divine
Belongs to me–is fully mine.
‘Tis thy own hearth thou sitt’st beside,
After long absence–wandering wide;
‘Tis thy own wife reads in thine eyes
A promise clear of stormless skies;
For faith and true love light the rays
Which shine responsive to her gaze.
Ay,–well that single tear may fall;
Ten thousand might mine eyes recall,
Which from their lids ran blinding fast,
In hours of grief, yet scarcely past;
Well mayst thou speak of love to me,
For, oh! most truly–I love thee!
Yet smile–for we are happy now.
Whence, then, that sadness on thy brow?
What sayst thou? “We muse once again,
Ere long, be severed by the main!”
I knew not this–I deemed no more
Thy step would err from Britain’s shore.
“Duty commands!” ‘Tis true–’tis just;
Thy slightest word I wholly trust,
Nor by request, nor faintest sigh,
Would I to turn thy purpose try;
But, William, hear my solemn vow–
Hear and confirm!–with thee I go.
“Distance and suffering,” didst thou say?
“Danger by night, and toil by day?”
Oh, idle words and vain are these;
Hear me! I cross with thee the seas.
Such risk as thou must meet and dare,
I–thy true wife–will duly share.
Passive, at home, I will not pine;
Thy toils, thy perils shall be mine;
Grant this–and be hereafter paid
By a warm heart’s devoted aid:
‘Tis granted–with that yielding kiss,
Entered my soul unmingled bliss.
Thanks, William, thanks! thy love has joy,
Pure, undefiled with base alloy;
‘Tis not a passion, false and blind,
Inspires, enchains, absorbs my mind;
Worthy, I feel, art thou to be
Loved with my perfect energy.
This evening now shall sweetly flow,
Lit by our clear fire’s happy glow;
And parting’s peace-embittering fear,
Is warned our hearts to come not near;
For fate admits my soul’s decree,
In bliss or bale–to go with thee!
.jpg)
Currer Bell (Charlotte Brontë) poetry
fleursdumal.nl magazine
More in: - Archive Tombeau de la jeunesse, Anne, Emily & Charlotte Brontë, Archive A-B, Brontë, Anne, Emily & Charlotte
Hendrik Marsman
(1899-1940)
Afscheid
Slaap met het donker, vrouw
slaap met de nacht
ons diepst omarmen
heeft de droom omgebracht
donker en zonder erbarmen
zijn bloed en geslacht
slaap met het donker, vrouw
slaap met de nacht.
Afscheid II
Ik ga op weg
en laat mijn huis
verdonkren
in het avondrood
– o, ga niet weg,
de nacht is groot.
Ik kan niet blijven
lieveling,
de dood ontbood mij
tot zijn kring;
vergeef mij
dat ik achterlaat
wat ik zozeer
heb liefgehad:
mijn huis, mijn stad,
mijn kleine straat
en u
mijn eigen hart,
ik hoor een lied
een grote stem.
– zijt gij dan niet
van mij?
. . . . . . van hem.
o, vrouw die
eenzaam achterblijft
in het verwaaiend
avondrood
o dood, o stem
de nacht is groot
en sterk de stem
die tussen slaap
en morgenrood
roept uit het
nieuw Jeruzalem.
.jpg)
Hendrik Marsman poetry
fleursdumal.nl magazine
More in: Archive M-N, Marsman, Hendrik
Gilbert Keith Chesterton
(1874-1936)
BY THE BABE UNBORN
If trees were tall and grasses short,
As in some crazy tale,
If here and there a sea were blue
Beyond the breaking pale,
If a fixed fire hung in the air
To warm me one day through,
If deep green hair grew on great hills,
I know what I should do.
In dark I lie: dreaming that there
Are great eyes cold or kind,
And twisted streets and silent doors,
And living men behind.
Let storm-clouds come: better an hour,
And leave to weep and fight,
Than all the ages I have ruled
The empires of the night.
I think that if they gave me leave
Within that world to stand,
I would be good through all the day
I spent in fairyland.
They should not hear a word from me
Of selfishness or scorn,
If only I could find the door,
If only I were born.
THE DONKEY
When fishes flew and forests walked
And figs grew upon thorn,
Some moment when the moon was blood
Then surely I was born;
With monstrous head and sickening cry
And ears like errant wings,
The devil’s walking parody
On all four-footed things.
The tattered outlaw of the earth,
Of ancient crooked will;
Starve, scourge, deride me: I am dumb,
I keep my secret still.
Fools! For I also had my hour;
One far fierce hour and sweet:
There was a shout about my ears,
And palms before my feet.
THE SONG OF THE CHILDREN
The World is ours till sunset,
Holly and fire and snow;
And the name of our dead brother
Who loved us long ago.
The grown folk mighty and cunning,
They write his name in gold;
But we can tell a little
Of the million tales he told.
He taught them laws and watchwords,
To preach and struggle and pray;
But he taught us deep in the hayfield
The games that the angels play.
Had he stayed here for ever,
Their world would be wise as ours–
And the king be cutting capers,
And the priest be picking flowers.
But the dark day came: they gathered:
On their faces we could see
They had taken and slain our brother,
And hanged him on a tree.
THOU SHALT NOT KILL
I had grown weary of him; of his breath
And hands and features I was sick to death.
Each day I heard the same dull voice and tread;
I did not hate him: but I wished him dead.
And he must with his blank face fill my life–
Then my brain blackened; and I snatched a knife.
But ere I struck, my soul’s grey deserts through
A voice cried, ‘Know at least what thing you do.’
‘This is a common man: knowest thou, O soul,
What this thing is? somewhere where seasons roll
There is some living thing for whom this man
Is as seven heavens girt into a span,
For some one soul you take the world away–
Now know you well your deed and purpose. Slay!’
Then I cast down the knife upon the ground
And saw that mean man for one moment crowned.
I turned and laughed: for there was no one by–
The man that I had sought to slay was I.
THE MIRROR OF MADMEN
I dreamed a dream of heaven, white as frost,
The splendid stillness of a living host;
Vast choirs of upturned faces, line o’er line.
Then my blood froze; for every face was mine.
Spirits with sunset plumage throng and pass,
Glassed darkly in the sea of gold and glass.
But still on every side, in every spot,
I saw a million selves, who saw me not.
I fled to quiet wastes, where on a stone,
Perchance, I found a saint, who sat alone;
I came behind: he turned with slow, sweet grace,
And faced me with my happy, hateful face.
I cowered like one that in a tower doth bide,
Shut in by mirrors upon every side;
Then I saw, islanded in skies alone
And silent, one that sat upon a throne.
His robe was bordered with rich rose and gold,
Green, purple, silver out of sunsets old;
But o’er his face a great cloud edged with fire,
Because it covereth the world’s desire.
But as I gazed, a silent worshipper,
Methought the cloud began to faintly stir;
Then I fell flat, and screamed with grovelling head,
‘If thou hast any lightning, strike me dead!
‘But spare a brow where the clean sunlight fell,
The crown of a new sin that sickens hell.
Let me not look aloft and see mine own
Feature and form upon the Judgment-throne.’
Then my dream snapped: and with a heart that leapt
I saw across the tavern where I slept,
The sight of all my life most full of grace,
A gin-damned drunkard’s wan half-witted face.
THE SKELETON
Chattering finch and water-fly
Are not merrier than I;
Here among the flowers I lie
Laughing everlastingly.
No: I may not tell the best;
Surely, friends, I might have guessed
Death was but the good King’s jest,
It was hid so carefully.
THE HAPPY MAN
To teach the grey earth like a child,
To bid the heavens repent,
I only ask from Fate the gift
Of one man well content.
Him will I find: though when in vain
I search the feast and mart,
The fading flowers of liberty,
The painted masks of art.
I only find him at the last,
On one old hill where nod
Golgotha’s ghastly trinity–
Three persons and one god.
A NOVELTY
Why should I care for the Ages
Because they are old and grey?
To me, like sudden laughter,
The stars are fresh and gay;
The world is a daring fancy,
And finished yesterday.
Why should I bow to the Ages
Because they were drear and dry?
Slow trees and ripening meadows
For me go roaring by,
A living charge, a struggle
To escalade the sky.
The eternal suns and systems,
Solid and silent all,
To me are stars of an instant,
Only the fires that fall
From God’s good rocket, rising
On this night of carnival.
g.k. chesterton poetry
fleursdumal.nl magazine
More in: Chesterton, Gilbert Keith, G.K. Chesterton
Karel van de Woestijne
1878-1929
Gij zijt de goede vrouw…
Gij zijt de goede vrouw ten drempel mijner dood, –
gij die me uw oogen als een zomer-nacht ontsloot
vol wondre lichten en vol rust’ge duisterheden;
gij die me uw leden als de rijkste herfsten bracht,
en, schooner dan een schemering, de zéekre kracht
van vredig leven en zich goed bemind te weten.
Want gij, die weet hoe iedre vreugde tanen moet,
gij mínt me; – en ‘lijk een god de dood der zon begroet
met stille liefde, al heeft hij vreugde-vol geschapen
die zon: zoo mint ge in mij wat ge in u-zelf voelt slapen
en dat in mij voor eeuw’gen slaap moe de oogen sloot,
ons moede liefde, o vrouw, ten drempel mijner dood.
karel van de woestijne poetry
fleursdumal.nl magazine
More in: Archive W-X, Woestijne, Karel van de
.jpg)
Cesar Vallejo
(1892 – 1938)
Tiempo, tiempo
Tiempo, tiempo
Mediodía estancado entre relentes.
Bomba aburrida del cuartel achica
tiempo tiempo tiempo tiempo.
Era Era.
Gallos cancionan escarbando en vano.
Boca del claro día que conjuga
era era era era.
Mañana Mañana.
El reposo caliente aun de ser.
Piensa el presente guárdame para
mañana mañana mañana mañana.
Nombre Nombre.
¿Qué se llama cuanto heriza nos?
Se llama Lomismo que padece
nombre nombre nombre nombre.
Cesar Vallejo poetry
fleursdumal.nl magazine
More in: Archive U-V, Vallejo, Cesar
Klimaat
De aarde draait rond
zeker weten
mijn hoofd in het vierkant
dikwijls, soms
het gevaar loert van alle kanten
eenvoudig lijkt het
het leven en de kunst
maar zintuigen sputteren tegen
gedachten weten beter
terug naar de kern
de grondvoorraden slinken
het klimaat warmt op
ozonlaag en natuurplagen
zuurtegraad en woedevlagen
we schreeuwen moord en brand
respect voor de natuur
in al haar vormen
andere denkwijze
gewoontes aanpassen
vijf voor twaalf
kleine inspanningen
grote stap in het behoud
van onze aarde
de kunst van bewust leven
nog niets verloren
Erica De Stercke
fleursdumal.nl magazine
More in: Archive C-D, De Stercke, Erika
Mireille Havet
(1898-1932)
À un très petit enfant
Pendant la Guerre
Le vent qui souffle ! Tu ne t’en occupes pas.
La guerre qui souffle ! Tu ne t’en occupes pas.
Peu à peu tu apprendras
que sur la terre il y a des orages
et la pluie drue pendant des jours.
Peu à peu tu apprendras
que la haine existe vivace et ardente :
Et le désir de tuer des hommes innocents
parfaitement inconnus de nom et de visage
…. qui auraient pu être des frères
si on avait voulu !
Ô Toi ! Né pendant la guerre
la plus folle ! la plus absolue.
Toi ! spectateur impassible et incompréhensif
qui ne jugeras que bien plus tard,
quand seront éteintes les flammes
et balayées les cendres.
Toi ! qui viens pour reconstruire
avec toute la tendresse de ton regard
bien disposé et sans méfiance,
avec tes mains si douces…. et roses
où peu à peu se dessineront
les grandes lignes de l’existence.
Te voici envoyé vers nous,
avec la perspective de ton enfance
inconsciente et échevelée,
pendant que se finira la guerre démente
et que nous planterons nos croix !
Tu ne viens, ni pour pleurer
ni pour souffrir
en quoi que ce soit, du malheur de notre année !
Tu viens, Promesse d’Avenir,
pour établir et contempler la paix !
Ô mon petit Enfant,
pour l’instant, dans le soleil,
tu joues avec le sable de cette terre
pour laquelle le sang coule
incompressible depuis des mois !
Et tout à l’heure, quand le soleil dormira
sur nos chantiers de morts,
tu souriras à la lumière de ta veilleuse
entre les voiles de ton berceau blanc.
Tu ne sais rien. Ton âme est close.
Tu es la chrysalide du lendemain.
Et je te regarde, affolée par tant d’innocence
et de certitude.
Ta tâche n’est pas la plus douce.
Constructeur parmi les décombres :
Il te faudra aller sans défaillance,
ne pas croire que la vie est mauvaise
parce que la mort fut un instant
la plus forte !
Tout reprendra avec tes soins.
Génération de vie laborieuse et fervente
après notre génération de sacrifices et de croix
— Efflorescence merveilleuse sur nos morts. —
Le soleil se refera d’une clarté éblouissante
et le blé sera haut dans les champs
avec des cigales dedans.
Des maisons blanches seront bâties
au bord des rivières :
au bord de la Meuse, de la Marne, du Rhin !
Et vous saurez être heureux encore
d’un bonheur neuf et vigoureux
comme votre sang d’enfants nés pendant la guerre.
Mais en ce moment : Tu dors,
ignorant la terre, le vent, la lutte ;
tes yeux fermés abritent le secret
de ton âme
qui est bien la plus forte…
avec son rôle à venir
et l’inconscience de son rêve actuel
où se mire l’éternité.
La Maison dans l’œil du chat
Paris, éditions Georges Crès & Cie, 1917
Mireille Havet poetry
fleursdumal.nl magazine
More in: Archive G-H, Havet, Mireille, Mireille Havet
Thank you for reading Fleurs du Mal - magazine for art & literature