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Anna de Noailles
(1876-1933)
La nuit, lorsque je dors
La nuit, lorsque je dors et qu’un ciel inutile
Arrondit sur le monde une vaine beauté,
Quand les hautes maisons obscures de la ville
Ont la paix des tombeaux d’où le souffle est ôté,
Il n’est plus, morts dissous, d’inique différence
Entre mon front sans âme et vos corps abolis,
Et la même suprême et morne tolérance
Apparente au néant le silence des lits !
Anna de Noailles poetry
fleursdumal.nl magazine
More in: Archive M-N, Noailles, Anna de
Erik Satie
(1866 – 1925)
La Pêche
Murmures de l’eau dans un lit de rivière.
Venue d’un poisson
d’un autre
de deux autres.
« Qu’y a-t-il ? »
« C’est un pêcheur, un pauvre pêcheur. »
« Merci. »
Chacun retourne chez soi, même le pêcheur.
Murmures de l’eau dans un lit de rivière.
14 mars 1914
Erik Satie: La Pêche
fleursdumal.nl magazine
More in: Archive S-T, MUSIC, Satie, Erik
Eugène Marais
(1871–1936)
Die Naaistertjie
Sjuut! Sjuut! Loop nou sag op die tone,
en loer deur die steier van die hoogrankbone.
Maak g’n geluid, hou die asem in,
en kyk net mooi waar die kweek begin.
Wat sien jy daar? ‘n Fee so fyn
dat die son haar lyfie met goud deurskyn.
Sy het ‘n blaar gepluk met die kleur van wyn,
en sy naai haar ‘n rokkie met spinnerak fyn.
Sjuut! Sjuut! Kom maar weg deur die takkies dik,
ons moet die ou Kleintjie tog nie verskrik!
Eugène Marais poetry
fleursdumal.nl magazine
More in: Archive M-N, Eugène Marais, Marais, Eugène
The Sorrows of Young Werther (49) by J.W. von Goethe
NOVEMBER 3.
Witness, Heaven, how often I lie down in my bed with a wish, and even a
hope, that I may never awaken again. And in the morning, when I open my
eyes, I behold the sun once more, and am wretched. If I were whimsical,
I might blame the weather, or an acquaintance, or some personal
disappointment, for my discontented mind; and then this insupportable
load of trouble would not rest entirely upon myself. But, alas! I feel
it too sadly. I am alone the cause of my own woe, am I not? Truly,
my own bosom contains the source of all my sorrow, as it previously
contained the source of all my pleasure. Am I not the same being who
once enjoyed an excess of happiness, who, at every step, saw paradise
open before him, and whose heart was ever expanded toward the whole
world? And this heart is now dead, no sentiment can revive it; my eyes
are dry; and my senses, no more refreshed by the influence of soft
tears, wither and consume my brain. I suffer much, for I have lost
the only charm of life: that active, sacred power which created worlds
around me,–it is no more. When I look from my window at the distant
hills, and behold the morning sun breaking through the mists, and
illuminating the country around, which is still wrapped in silence,
whilst the soft stream winds gently through the willows, which have shed
their leaves; when glorious nature displays all her beauties before me,
and her wondrous prospects are ineffectual to extract one tear of joy
from my withered heart, I feel that in such a moment I stand like a
reprobate before heaven, hardened, insensible, and unmoved. Oftentimes
do I then bend my knee to the earth, and implore God for the blessing
of tears, as the desponding labourer in some scorching climate prays for
the dews of heaven to moisten his parched corn.
But I feel that God does not grant sunshine or rain to our importunate
entreaties. And oh, those bygone days, whose memory now torments me!
why were they so fortunate? Because I then waited with patience for
the blessings of the Eternal, and received his gifts with the grateful
feelings of a thankful heart.
The Sorrows of Young Werther (Die Leiden des jungen Werther) by J.W. von Goethe. Translated by R.D. Boylan.
To be continued
fleursdumal.nl magazine
More in: -Die Leiden des jungen Werther, Goethe, Johann Wolfgang von
Geparkeerd op een vluchtstrook
Opgedragen aan Sjors Pijnenburg, Kristy van den Schoor, Astrid Hornikx
en alle andere slachtoffers van vlucht MH 17
die uit de lucht geschoten werd.
Geen weerzien meer nooit meer vakantie
brokstukken liggen in een ander deel
van de wereld de resten van het toestel
liggen bedekt onder valse vlaggen en
complottheorieën we huilen om jullie
slachtoffers van een andere oorlog
we hadden je nog graag we wilden nog
jullie leefden nog zoveel dingen die we nog
konden doen vielen uit de lucht vervlogen
aan ons is het afscheid nemen
aan ons is het herinneren zodat
de dood wat minder definitief lijkt
aan ons is dan het wijzen in
de richting van een schuldige
en zelfs als ie het niet gedaan heeft
krijgt ie nog de schuld het is moeilijk
met zoveel verlies om te gaan het
blijft vreemd hoe de dood iets is geworden
dat gevierd of gewroken moet
dat mensen geliefden kwijt zijn
en nooit zullen weten waarom
op tv rijdt een zwart lint lijkwagens
rijdt van Eindhoven naar Hilversum
en de rest van het verkeer staat net
als de rest van het land voor even
geparkeerd op een vluchtstrook
applaus voor de doden een klein
zinloos monument een vlucht uit
de werkelijkheid.
Martin Beversluis
fleursdumal.nl magazine
More in: Archive A-B, Beversluis, Martin
Bonnie Elizabeth Parker
(1910 – 1934)
The Street Girl
You don’t want to marry me honey,
Though just to hear you ask me is sweet;
If you did you’d regret it tomorrow
For I’m only a girl of the street.
Time was when I’d gladly have listened,
Before I was tainted with shame,
But it wouldn’t be fair to you honey;
Men laugh when they mention my name.
Back there on the farm in Nebraska,
I might have said yes to you then,
But I thought the world was a playground;
Just teeming with Santa Claus men.
So I left the old home for the city,
To play in its mad, dirty whirl,
Never knowing how little of pity,
It holds for a slip of a girl.
You think I’m still good-looking honey!
But no I am faded and spent,
Even Helen of Troy would look seedy,
If she followed the pace I went.
But that day I came in from the country,
With my hair down my back in a curl;
Through the length and the breadth of the city,
There was never a prettier girl.
I soon got a job in the chorus,
With nothing but looks and a form,
I had a new man every evening,
And my kisses were thrilling and warm.
I might have sold them for a fortune,
To some old sugar daddy with dough,
But youth called to youth for its lover,
There was plenty that I didn’t know.
Then I fell for the ‘line’ of a ‘junker’,
A slim devotee of hop,
And those dreams in the juice of a poppy;
Had got me before I could stop.
But I didn’t care while he loved me,
Just to lie in his arms was a delight,
But his ardour grew cold and he left me;
In a Chinatown ‘hop-joint’ one night.
Well I didn’t care then what happened,
A Chink took me under his wing,
And down there in a hovel of hell —
I laboured for Hop and Ah-Sing
Oh no I’m no longer a ‘Junker’,
The police came and got me one day,
And I took the one cure that is certain,
That island out there in the bay.
Don’t spring that old gag of reforming,
A girl hardly ever goes back,
Too many are eager and waiting;
To guide her feet off of the track.
A man can break every commandment
And the world will still lend him a hand,
Yet a girl that has loved, but un-wisely
Is an outcast all over the land.
You see how it is don’t you honey,
I’d marry you now if I could,
I’d go with you back to the country,
But I know it won’t do any good,
For I’m only a poor branded woman
And I can’t get away from the past.
Good-bye and God bless you for asking
But I’ll stick out now till the last.
Bonnie (from Bonnie & Clyde) Parker poetry
fleursdumal.nl magazine
More in: Archive O-P, Archive O-P, Bonnie and Clyde, Bonnie Parker, CRIME & PUNISHMENT
Emma Lazarus
(1849 – 1887)
Regret
Thin summer rain on grass and bush and hedge,
Reddening the road and deepening the green
On wide, blurred lawn, and in close-tangled sedge;
Veiling in gray the landscape stretched between
These low broad meadows and the pale hills seen
But dimly on the far horizon’s edge.
In these transparent-clouded, gentle skies,
Wherethrough the moist beams of the soft June sun
Might any moment break, no sorrow lies,
No note of grief in swollen brooks that run,
No hint of woe in this subdued, calm tone
Of all the prospect unto dreamy eyes.
Only a tender, unnamed half-regret
For the lost beauty of the gracious morn;
A yearning aspiration, fainter yet,
For brighter suns in joyous days unborn,
Now while brief showers ruffle grass and corn,
And all the earth lies shadowed, grave, and wet;
Space for the happy soul to pause again
From pure content of all unbroken bliss,
To dream the future void of grief and pain,
And muse upon the past, in reveries
More sweet for knowledge that the present is
Not all complete, with mist and clouds and rain.
Emma Lazarus poetry
fleursdumal.nl magazine
More in: Archive K-L, Lazarus, Emma
Alan Seeger
(1888-1916)
Do You Remember Once . . .
I
Do you remember once, in Paris of glad faces,
The night we wandered off under the third moon’s rays
And, leaving far behind bright streets and busy places,
Stood where the Seine flowed down between its quiet quais?
The city’s voice was hushed; the placid, lustrous waters
Mirrored the walls across where orange windows burned.
Out of the starry south provoking rumors brought us
Far promise of the spring already northward turned.
And breast drew near to breast, and round its soft desire
My arm uncertain stole and clung there unrepelled.
I thought that nevermore my heart would hover nigher
To the last flower of bliss that Nature’s garden held.
There, in your beauty’s sweet abandonment to pleasure,
The mute, half-open lips and tender, wondering eyes,
I saw embodied first smile back on me the treasure
Long sought across the seas and back of summer skies.
Dear face, when courted Death shall claim my limbs and find them
Laid in some desert place, alone or where the tides
Of war’s tumultuous waves on the wet sands behind them
Leave rifts of gasping life when their red flood subsides,
Out of the past’s remote delirious abysses
Shine forth once more as then you shone,–beloved head,
Laid back in ecstasy between our blinding kisses,
Transfigured with the bliss of being so coveted.
And my sick arms will part, and though hot fever sear it,
My mouth will curve again with the old, tender flame.
And darkness will come down, still finding in my spirit
The dream of your brief love, and on my lips your name.
II
You loved me on that moonlit night long since.
You were my queen and I the charming prince
Elected from a world of mortal men.
You loved me once. . . . What pity was it, then,
You loved not Love. . . . Deep in the emerald west,
Like a returning caravel caressed
By breezes that load all the ambient airs
With clinging fragrance of the bales it bears
From harbors where the caravans come down,
I see over the roof-tops of the town
The new moon back again, but shall not see
The joy that once it had in store for me,
Nor know again the voice upon the stair,
The little studio in the candle-glare,
And all that makes in word and touch and glance
The bliss of the first nights of a romance
When will to love and be beloved casts out
The want to question or the will to doubt.
You loved me once. . . . Under the western seas
The pale moon settles and the Pleiades.
The firelight sinks; outside the night-winds moan —
The hour advances, and I sleep alone.
III
Farewell, dear heart, enough of vain despairing!
If I have erred I plead but one excuse —
The jewel were a lesser joy in wearing
That cost a lesser agony to lose.
I had not bid for beautifuller hours
Had I not found the door so near unsealed,
Nor hoped, had you not filled my arms with flowers,
For that one flower that bloomed too far afield.
If I have wept, it was because, forsaken,
I felt perhaps more poignantly than some
The blank eternity from which we waken
And all the blank eternity to come.
And I betrayed how sweet a thing and tender
(In the regret with which my lip was curled)
Seemed in its tragic, momentary splendor
My transit through the beauty of the world.
Alan Seeger poetry
fleursdumal.nl magazine
More in: Archive S-T, Seeger, Alan, WAR & PEACE
Anna de Noailles
(1876-1933)
Le coeur
Mon coeur tendu de lierre odorant et de treilles,
Vous êtes un jardin où les quatre saisons
Tenant du buis nouveau, des grappes de groseilles
Et des pommes de pin, dansent sur le gazon…
– Sous les poiriers noueux couverts de feuilles vives
Vous êtes le coteau qui regarde la mer,
Ivre d’ouïr chanter, quand le matin arrive,
La cigale collée au brin de menthe amer.
– Vous êtes un vallon escarpé ; la nature
Tapisse votre espace et votre profondeur
De mousse délicate et de fraîche verdure.
– Vous êtes dans votre humble et pastorale odeur
Le verger fleurissant et le gai pâturage
Où les joyeux troupeaux et les pigeons dolents
Broutent le chèvrefeuille ou lissent leur plumage.
– Et vous êtes aussi, coeur grave et violent,
La chaude, spacieuse et prudente demeure
Pleine de vins, de miel, de farine et de riz,
Ouverte au bon parfum des saisons et des heures,
Où la tendresse humaine habite et se nourrit…
Anna de Noailles poetry
fleursdumal.nl magazine
More in: Archive M-N, Noailles, Anna de
The Sorrows of Young Werther (48) by J.W. von Goethe
OCTOBER 27.
I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and, though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent.
OCTOBER 27:
Evening: I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing. OCTOBER 30. One hundred times have I been on the point of embracing her. Heavens! what a torment it is to see so much loveliness passing and repassing before us, and yet not dare to lay hold of it! And laying hold is the most natural of human instincts. Do not children touch everything they see? And I!
The Sorrows of Young Werther (Die Leiden des jungen Werther) by J.W. von Goethe. Translated by R.D. Boylan.
To be continued
fleursdumal.nl magazine
More in: -Die Leiden des jungen Werther, Goethe, Johann Wolfgang von
Elsa von Freytag-Loringhoven
(1874 – 1927)
ANCESTRY
ANCESTRY
DAD WAS CORKSCREW
BOTTLE FAIR MA —
CRIED SHE:
“GEE!
THY SPIRAL-LOFTY BRILLIANCY —
SLICK———”
“LET’S HAVE A CORKING TIME”
SNAPPED HE —
PULLED CORK ———
AND —DAMN HIS PRICK
I’VE GOT THAT TURN IN MEc .
E.V.F.L
Elsa von Freytag-Loringhoven poetry
fleursdumal.nl magazine
More in: Archive E-F, Dada, Freytag-Loringhoven, Elsa von
Guy de Maupassant
(1850-1893)
LÉGENDE DE LA CHAMBRE
DES DEMOISELLES À ÉTRETAT
Lentement le flot arrive
Sur la rive
Qu’il berce et flatte toujours.
C’est un triste chant d’automne
Monotone
Qui pleure après les beaux jours.
Sur la côte solitaire
Est une aire
Jetée au-dessus des eaux ;
Un étroit passage y mène,
Vrai domaine
Des mauves et des corbeaux.
C’est une grotte perdue,
Suspendue
Entre le ciel et les mers,
Une demeure ignorée
Séparée
Du reste de l’univers.
Jadis plus d’une gentille
Jeune fille
Y vint voir son amoureux ;
On dit que cette retraite
Si discrète
A caché bien des heureux.
On dit que le clair de lune
Vit plus d’une
Jouvencelle au coeur léger
Prendre le sentier rapide,
Intrépide
Insouciante au danger.
Mais comme un aigle tournoie
Sur sa proie,
Les guettait l’ange déchu,
Lui qui toujours laisse un crime
Où s’imprime
L’ongle de son pied fourchu.
Un soir près de la colline
Qui domine
Ce roc au front élancé,
Une fillette ingénue
Est venue
Attendant son fiancé.
Or celui qui perdit Eve,
Sur la grève
La suivit d’un pied joyeux ;
“Hymen, dit-il, vous invite,
“Venez vite,
“La belle fille aux doux yeux,
“Là-bas sur un lit de roses
“Tout écloses
“Vous attend le jeune Amour ;
“Pour accomplir ses mystères
“Solitaires
“Il a choisi cette tour.”
Elle était folle et légère,
L’étrangère,
Hélas, et n’entendit pas
Pleurer son ange fidèle,
Et près d’elle
Satan qui riait tout bas.
Car elle suivit son guide
Si perfide
Et par le sentier glissant.
Bat la rive
Mais lui, félon, de la cime,
Dans l’abîme
Il la jeta, – Dieu Puissant !
Son ombre pâle est restée
Tourmentée,
Veillant sur l’étroit chemin.
Sitôt que de cette roche
On approche
Elle étend sa blanche main.
Depuis qu’en ces lieux, maudite
Elle habite,
Aucun autre n’est tombé.
C’est ainsi qu’elle se venge
De l’archange
Auquel elle a succombé.
Allez la voir, Demoiselles,
Jouvencelles
Que mon récit attrista,
Car pour vous la renommée
L’a nommée
Cette grotte d’Étretat !
A son pied le flot arrive
Bat la rive
Qu’il berce et flatte toujours.
C’est un triste chant d’automne
Monotone
Qui pleure après les beaux jours.
Légende de la Chambre des Demoiselles à Étretat a paru dans le Mercure de France du 15 décembre 1922.
Guy de Maupassant poetry
fleursdumal.nl magazine
More in: Archive M-N, Guy de Maupassant, Maupassant, Guy de
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