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Karl May
(1842-1912)
Trost
Horch, klopfte es nicht an die Pforte?
Wer naht, von Himmelsduft umrauscht?
Woher des Trostes süße Worte,
Auf die mein Herz voll Andacht lauscht?
Wer neigt, wenn alle Sterne sanken,
Mit mildem Licht und stiller Huld
Sich zu dem Staub- und Erdenkranken?
Es ist der Engel der Geduld.
»O laß den Gram nicht mächtig werden,
Du tiefbetrübtes Menschenkind!
Wiß’, daß die Leiden dieser Erden
Des Himmels beste Gaben sind
Und daß, wenn Sorgen Dich umwogen
Und Dich umhüllt des Zweifels Nacht,
Dort an dem glanzumfloss’nen Bogen
Ein treues Vaterauge wacht!«
»O laß Dir nicht zu Herzen steigen
Die langverhaltne Thränenfluth!
Wiß, daß grad in den schmerzensreichen
Geschicken tiefe Weisheit ruht,
Und daß, wenn sonst Dir Nichts verbliebe,
Die Hoffnung doch Dir immer lacht,
Da über Dich in ew’ger Liebe
Ein treues Vaterauge wacht!«
»O wolle nie Dich einsam fühlen!
Obgleich kein Aug’ sie wandeln sah,
Die sorgenheiße Stirn zu kühlen
Sind Himmelsboten immer da.
Wer gern dem eignen Herzen glaubte,
Der kennt des Pulses heilige Macht.
Drum wiß, das über Deinem Haupte
Ein treues Vaterauge wacht!«
»Drum füge Dich in Gottes Walten
Und trag Dein Leid getrost und still.
Es muß im Dunkel sich gestalten,
Was er zum Lichte führen will.
Dann bringt der Glaube reichen Segen,
Ob ihn der Zweifler auch verlacht,
Daß über allen Deinen Wegen
Ein treues Vaterauge wacht!«
Karl May poetry
fleursdumal.nl magazine
More in: Archive M-N, Karl May
The Sorrows of Young Werther (16)
by J.W. von Goethe
JULY 6.
She is still with her dying friend, and is still the same bright, beautiful creature whose presence softens pain, and sheds happiness around whichever way she turns. She went out yesterday with her little sisters: I knew it, and went to meet them; and we walked together. In about an hour and a half we returned to the town. We stopped at the spring I am so fond of, and which is now a thousand times dearer to me than ever. Charlotte seated herself upon the low wall, and we gathered about her. I looked around, and recalled the time when my heart was unoccupied and free. “Dear fountain!” I said, “since that time I have no more come to enjoy cool repose by thy fresh stream: I have passed thee with careless steps, and scarcely bestowed a glance upon thee.” I looked down, and observed Charlotte’s little sister, Jane, coming up the steps with a glass of water. I turned toward Charlotte, and I felt her influence over me. Jane at the moment approached with the glass. Her sister, Marianne, wished to take it from her. “No!” cried the child, with the sweetest expression of face, “Charlotte must drink first.”
The affection and simplicity with which this was uttered so charmed me, that I sought to express my feelings by catching up the child and kissing her heartily. She was frightened, and began to cry. “You should not do that,” said Charlotte: I felt perplexed. “Come, Jane,” she continued, taking her hand, and leading her down the steps again, “it is no matter: wash yourself quickly in the fresh water.” I stood and watched them; and when I saw the little dear rubbing her cheeks with her wet hands, in full belief that all the impurities contracted from my ugly beard would be washed off by the miraculous water, and how, though Charlotte said it would do, she continued still to wash with all her might, as though she thought too much were better than too little, I assure you, Wilhelm, I never attended a baptism with greater reverence; and, when Charlotte came up from the well, I could have prostrated myself as before the prophet of an Eastern nation.
In the evening I would not resist telling the story to a person who, I thought, possessed some natural feeling, because he was a man of understanding. But what a mistake I made. He maintained it was very wrong of Charlotte, that we should not deceive children, that such things occasioned countless mistakes and superstitions, from which we were bound to protect the young. It occurred to me then, that this very man had been baptised only a week before; so I said nothing further, but maintained the justice of my own convictions. We should deal with children as God deals with us, we are happiest under the influence of innocent delusions.
The Sorrows of Young Werther (Die Leiden des jungen Werther) by J.W. von Goethe. Translated by R.D. Boylan.
To be continued
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Kate Tempest: Brand New Ancients On Film – Part 2
In association with the Brand New Ancients tour, Battersea Arts Centre in collaboration with director Joe Roberts, has produced three short films interpreting Kate Tempest’s spoken word through moving image.
Kate Tempest started out when she was 16, rapping at strangers on night busses and pestering mc’s to let her on the mic at raves. Ten years later she is a published playwright, poet and respected recording artist.
fleursdumal.nl magazine
More in: Archive S-T, Art & Literature News, AUDIO, CINEMA, RADIO & TV, Kate/Kae Tempest, Tempest, Kate/Kae
IJzerhard
Stalen glans op paars blad. Op hoge stelen wiegt
de ijzerhard. Middaguur in onze hortus botanicus
liegt niet: het land van gisteren is toe. Alles bloeit.
Ik hoor kinderen op een nabijgelegen schoolplein
driewerf hoera roepen. Er wordt traag gesproeid
door een man die graag bezorgd lijkt. Soms wil hij
de tuin uit hollen en het op een gillen zetten, maar
zijn bladeren houden niet van geluid. Het ruikt naar
zoethout. Een koolwitje laveert tegen wind in, en zand
wijkt zachtjes voor zaad. Wolkjes zijn licht en de goden
nabij. Laat alle mensen maar weten waar de verhalen
over gaan. Wie een grens trekt heeft een huis.
Bert Bevers
verschenen in Eigen terrein – Gedichten 1998-2013, Uitgeverij WEL, Bergen op Zoom, 2013
fleursdumal.nl magazine
More in: Archive A-B, Bevers, Bert
Friedrich Hebbel
(1813-1863)
Knabentod
Vom Berg, der Knab’,
Der zieht hinab
In heißen Sommertagen;
Im Tannenwald,
Da macht er Halt,
Er kann sich kaum noch tragen.
Den wilden Bach,
Er sieht ihn jach
In’s Thal herunter schäumen;
Ihn dürstet sehr,
Nun noch viel mehr:
Nur hin! Wer würde säumen!
Da ist die Flut!
O, in der Glut,
Was kann so köstlich blinken!
Er schöpft und trinkt,
Er stürzt und sinkt
Und trinkt noch im Versinken!
Das Lied ist aus,
Und macht’s dir Graus:
Wer wird’s im Winter singen!
Zur Sommerzeit
Bist du bereit,
Dem Knaben nachzuspringen.
Friedrich Hebbel poetry
fleursdumal.nl magazine
More in: Archive G-H, CLASSIC POETRY
The Sorrows of Young Werther (15)
by J.W. von Goethe
JULY 1.
The consolation Charlotte can bring to an invalid I experience from my own heart, which suffers more from her absence than many a poor creature lingering on a bed of sickness. She is gone to spend a few days in the town with a very worthy woman, who is given over by the physicians, and wishes to have Charlotte near her in her last moments. I accompanied her last week on a visit to the Vicar of S–, a small village in the mountains, about a league hence. We arrived about four o’clock: Charlotte had taken her little sister with her. When we entered the vicarage court, we found the good old man sitting on a bench before the door, under the shade of two large walnut-trees. At the sight of Charlotte he seemed to gain new life, rose, forgot his stick, and ventured to walk toward her. She ran to him, and made him sit down again; then, placing herself by his side, she gave him a number of messages from her father, and then caught up his youngest child, a dirty, ugly little thing, the joy of his old age, and kissed it. I wish you could have witnessed her attention to this old man,–how she raised her voice on account of his deafness; how she told him of healthy young people, who had been carried off when it was least expected; praised the virtues of Carlsbad, and commended his determination to spend the ensuing summer there; and assured him that he looked better and stronger than he did when she saw him last. I, in the meantime, paid attention to his good lady. The old man seemed quite in spirits; and as I could not help admiring the beauty of the walnut-trees, which formed such an agreeable shade over our heads, he began, though with some little difficulty, to tell us their history. “As to the oldest,” said he, “we do not know who planted it,–some say one clergyman, and some another: but the younger one, there behind us, is exactly the age of my wife, fifty years old next October; her father planted it in the morning, and in the evening she came into the world. My wife’s father was my predecessor here, and I cannot tell you how fond he was of that tree; and it is fully as dear to me. Under the shade of that very tree, upon a log of wood, my wife was seated knitting, when I, a poor student, came into this court for the first time, just seven and twenty years ago.”
Charlotte inquired for his daughter. He said she was gone with Herr Schmidt to the meadows, and was with the haymakers. The old man then resumed his story, and told us how his predecessor had taken a fancy to him, as had his daughter likewise; and how he had become first his curate, and subsequently his successor. He had scarcely finished his story when his daughter returned through the garden, accompanied by the above-mentioned Herr Schmidt. She welcomed Charlotte affectionately, and I confess I was much taken with her appearance. She was a lively-looking, good-humoured brunette, quite competent to amuse one for a short time in the country. Her lover (for such Herr Schmidt evidently appeared to be) was a polite, reserved personage, and would not join our conversation, notwithstanding all Charlotte’s endeavours to draw him out. I was much annoyed at observing, by his countenance, that his silence did not arise from want of talent, but from caprice and ill-humour. This subsequently became very evident, when we set out to take a walk, and Frederica joining Charlotte, with whom I was talking, the worthy gentleman’s face, which was naturally rather sombre, became so dark and angry that Charlotte was obliged to touch my arm, and remind me that I was talking too much to Frederica. Nothing distresses me more than to see men torment each other; particularly when in the flower of their age, in the very season of pleasure, they waste their few short days of sunshine in quarrels and disputes, and only perceive their error when it is too late to repair it. This thought dwelt upon my mind; and in the evening, when we returned to the vicar’s, and were sitting round the table with our bread end milk, the conversation turned on the joys and sorrows of the world, I could not resist the temptation to inveigh bitterly against ill-humour. “We are apt,” said I, “to complain, but–with very little cause, that our happy days are few, and our evil days many. If our hearts were always disposed to receive the benefits Heaven sends us, we should acquire strength to support evil when it comes.” “But,” observed the vicar’s wife, “we cannot always command our tempers, so much depends upon the constitution: when the body suffers, the mind is ill at ease.” “I acknowledge that,” I continued; “but we must consider such a disposition in the light of a disease, and inquire whether there is no remedy for it.”
“I should be glad to hear one,” said Charlotte: “at least, I think very much depends upon ourselves; I know it is so with me. When anything annoys me, and disturbs my temper, I hasten into the garden, hum a couple of country dances, and it is all right with me directly.” “That is what I meant,” I replied; “ill-humour resembles indolence: it is natural to us; but if once we have courage to exert ourselves, we find our work run fresh from our hands, and we experience in the activity from which we shrank a real enjoyment.” Frederica listened very attentively: and the young man objected, that we were not masters of ourselves, and still less so of our feelings. “The question is about a disagreeable feeling,” I added, “from which every one would willingly escape, but none know their own power without trial. Invalids are glad to consult physicians, and submit to the most scrupulous regimen, the most nauseous medicines, in order to recover their health.” I observed that the good old man inclined his head, and exerted himself to hear our discourse; so I raised my voice, and addressed myself directly to him. “We preach against a great many crimes,” I observed, “but I never remember a sermon delivered against ill-humour.” “That may do very well for your town clergymen,” said he: “country people are never ill-humoured; though, indeed, it might be useful, occasionally, to my wife for instance, and the judge.” We all laughed, as did he likewise very cordially, till he fell into a fit of coughing, which interrupted our conversation for a time. Herr Schmidt resumed the subject. “You call ill humour a crime,” he remarked, “but I think you use too strong a term.” “Not at all,” I replied, “if that deserves the name which is so pernicious to ourselves and our neighbours. Is it not enough that we want the power to make one another happy, must we deprive each other of the pleasure which we can all make for ourselves? Show me the man who has the courage to hide his ill-humour, who bears the whole burden himself, without disturbing the peace of those around him. No: ill-humour arises from an inward consciousness of our own want of merit, from a discontent which ever accompanies that envy which foolish vanity engenders. We see people happy, whom we have not made so, and cannot endure the sight.” Charlotte looked at me with a smile; she observed the emotion with which I spoke: and a tear in the eyes of Frederica stimulated me to proceed. “Woe unto those,” I said, “who use their power over a human heart to destroy the simple pleasures it would naturally enjoy! All the favours, all the attentions, in the world cannot compensate for the loss of that happiness which a cruel tyranny has destroyed.” My heart was full as I spoke. A recollection of many things which had happened pressed upon my mind, and filled my eyes with tears.
“We should daily repeat to ourselves,” I exclaimed, “that we should not interfere with our friends, unless to leave them in possession of their own joys, and increase their happiness by sharing it with them! But when their souls are tormented by a violent passion, or their hearts rent with grief, is it in your power to afford them the slightest consolation?
“And when the last fatal malady seizes the being whose untimely grave you have prepared, when she lies languid and exhausted before you, her dim eyes raised to heaven, and the damp of death upon her pallid brow, there you stand at her bedside like a condemned criminal, with the bitter feeling that your whole fortune could not save her; and the agonising thought wrings you, that all your efforts are powerless to impart even a moment’s strength to the departing soul, or quicken her with a transitory consolation.”
At these words the remembrance of a similar scene at which I had been once present fell with full force upon my heart. I buried my face in my handkerchief, and hastened from the room, and was only recalled to my recollection by Charlotte’s voice, who reminded me that it was time to return home. With what tenderness she chid me on the way for the too eager interest I took in everything! She declared it would do me injury, and that I ought to spare myself. Yes, my angel! I will do so for your sake.
The Sorrows of Young Werther (Die Leiden des jungen Werther) by J.W. von Goethe. Translated by R.D. Boylan.
To be continued
fleursdumal.nl magazine
More in: -Die Leiden des jungen Werther, Goethe, Johann Wolfgang von
Rob Stuart: Entropy
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Théophile Gautier
(1811-1872)
A deux beaux yeux
Vous avez un regard singulier et charmant ;
Comme la lune au fond du lac qui la reflète,
Votre prunelle, où brille une humide paillette,
Au coin de vos doux yeux roule languissamment ;
Ils semblent avoir pris ses feux au diamant ;
Ils sont de plus belle eau qu’une perle parfaite,
Et vos grands cils émus, de leur aile inquiète,
Ne voilent qu’à demi leur vif rayonnement.
Mille petits amours, à leur miroir de flamme,
Se viennent regarder et s’y trouvent plus beaux,
Et les désirs y vont rallumer leurs flambeaux.
Ils sont si transparents, qu’ils laissent voir votre âme,
Comme une fleur céleste au calice idéal
Que l’on apercevrait à travers un cristal.
Théophile Gautier poetry
fleursdumal.nl magazine
More in: Archive G-H, Gautier, Théophile
Passer domesticus
Zijn schroomvol hopen op een kleine holte
onder schuine dakpannen vergt steeds meer
tijd. Hij hunkert naar nabijheid van toonloos
dorre struiken, naar van kreupelhout de lege
grijste. Het vaakst zie ik hem nog in de Zoo.
Daar kronkelt in hoekjes hout dat hij graag
heeft, wordt hij door papegaaien bij het eten
in hun kooien als een kleine broer aanvaard.
Slapen zie ik hem nooit. Om het stoere snaveltje
glanst constant een vogeltjesglimlach. Hij hupt
en roetsjt met graagte in de buurt. Hij wil meer.
Hij wil u wel nabij zijn maar toch niet al te zeer.
Bert Bevers
eerder verschenen in Eigen terrein – Gedichten 1998-2013, Uitgeverij WEL, Bergen op Zoom, 2013
fleursdumal.nl magazine
More in: Archive A-B, Bevers, Bert, MUSEUM OF NATURAL HISTORY - department of ravens & crows, birds of prey, riding a zebra, spring, summer, autumn, winter
The Sorrows of Young Werther (14)
by J.W. von Goethe
JUNE 29.
The day before yesterday, the physician came from the town to pay a visit to the judge. He found me on the floor playing with Charlotte’s children. Some of them were scrambling over me, and others romped with me; and, as I caught and tickled them, they made a great noise. The doctor is a formal sort of personage: he adjusts the plaits of his ruffles, and continually settles his frill whilst he is talking to you; and he thought my conduct beneath the dignity of a sensible man. I could perceive this by his countenance. But I did not suffer myself to be disturbed. I allowed him to continue his wise conversation, whilst I rebuilt the children’s card houses for them as fast as they threw them down. He went about the town afterward, complaining that the judge’s children were spoiled enough before, but that now Werther was completely ruining them.
Yes, my dear Wilhelm, nothing on this earth affects my heart so much as children. When I look on at their doings; when I mark in the little creatures the seeds of all those virtues and qualities which they will one day find so indispensable; when I behold in the obstinate all the future firmness and constancy of a noble character; in the capricious, that levity and gaiety of temper which will carry them lightly over the dangers and troubles of life, their whole nature simple and unpolluted,–then I call to mind the golden words of the Great Teacher of mankind, “Unless ye become like one of these!” And now, my friend, these children, who are our equals, whom we ought to consider as our models, we treat them as though they were our subjects. They are allowed no will of their own. And have we, then, none ourselves? Whence comes our exclusive right? Is it because we are older and more experienced?
Great God! from the height of thy heaven thou beholdest great children and little children, and no others; and thy Son has long since declared which afford thee greatest pleasure. But they believe in him, and hear him not,–that, too, is an old story; and they train their children after their own image, etc.
Adieu, Wilhelm: I will not further bewilder myself with this subject.
The Sorrows of Young Werther (Die Leiden des jungen Werther) by J.W. von Goethe. Translated by R.D. Boylan.
To be continued
fleursdumal.nl magazine
More in: -Die Leiden des jungen Werther, Goethe, Johann Wolfgang von
Freda Kamphuis:
woordverduistering – collage – 2014
fleursdumal.nl magazine
More in: *Concrete + Visual Poetry K-O, Freda Kamphuis, Kamphuis, Freda
Kate Tempest started out when she was 16, rapping at strangers on night busses and pestering mc’s to let her on the mic at raves. Ten years later she is a published playwright, poet and respected recording artist.
Her theatre writing includes Wasted for Paines Plough, Brand New Ancients for the BAC, and Glasshouse for Cardboard Citizens.
She has written poetry for the Royal Shakespeare Company, Barnado’s, Channel 4 and the BBC. She has worked with Amnesty International to create a schools pack helping secondary school children write their own protest songs, and was invited to write and perform a new poem for Aung San Suu Kyi when she recieved the Ambassador of Conscience award in Dublin.
Kate released her debut album Balance with Sound of Rum in 2011. She has featured on songs with Sinead O Connor, Bastille, the King Blues, Damien Dempsey, Pink Punk, and Landslide. She has just finished recording a new solo album Everybody Down with acclaimed music producer Dan Carey. She’s toured extensively, supporting Billy Bragg on his UK tour, as well as supporting Scroobius Pip, Femi Kuti, Saul Williams and John Cooper Clarke. She is 2 x slam winner at the prestigious Nu-Yorican poetry cafe in New York. She’s played all the major UK and European music festivals either solo or with Sound of Rum. She’s headlined Latitude festival and her poetry has been featured on the BBC’s Glastonbury highlights. In 2012 she launched her first poetry book to a sell out crowd at the Old Vic theatre in London.
She’s led workshops in schools, colleges and youth groups across the UK and taught a creative writing class at Yale. She’s given lectures at Goldsmiths University and to newly qualified English teachers for the Prince’s Teaching Institute.
Her first spoken word release Broken Herd came out on Pure Groove in 2009. Her poetry book/CD/DVD package Everything Speaks in its Own Way was published on her own imprint Zingaro in 2012, and is available now from this site: # website kate tempest
A new collection of poetry will be out in 2014, published by Picador.
Kate Tempest: Brand New Ancients On Film – Part 1
In association with the Brand New Ancients tour, Battersea Arts Centre in collaboration with director Joe Roberts, has produced three short films interpreting Kate’s spoken word through moving image.
fleursdumal.nl magazine
More in: Archive S-T, Art & Literature News, AUDIO, CINEMA, RADIO & TV, Kate/Kae Tempest, Poetry Slam, Tempest, Kate/Kae
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