New

  1. Cyrille Offermans: Dagboeknotities. Een iets beschuttere plek misschien
  2. Milkman by Anna Burns winner of the 50th Man Booker Prize
  3. Hans Hermans: Landscape (102)
  4. Diane di Prima: The Poetry Deal. San Francisco Poet Laureate Series No. 5
  5. Aslı Erdoğan: The Stone Building and Other Places
  6. Ton van Reen: Het diepste blauw (075). Een roman als feuilleton
  7. Hugo Ball: 1 Stern und 7 kazamogipuffel
  8. Marie Richeux: Climats de France. Roman
  9. Centre Pompidou: Le Cubisme
  10. Haruki Murakami: Killing Commendatore. A novel
  11. Gérard de Nerval: A Victor Hugo – Poéme
  12. Jo Nesbø: Macbeth. Blut wird mit Blut bezahlt (Thriller)
  13. Meena Alexander: Atmospheric Embroidery. Poems
  14. Biografie van Frans Kellendonk door Jaap Goedegebuure
  15. Die 70. Frankfurter Buchmesse von 10.-14. Oktober 2018
  16. Ton van Reen: Het diepste blauw (074). Een roman als feuilleton
  17. Frida Kahlo: Making Her Self Up in Victoria & Albert Museum London
  18. The Written World. The Power of Stories to Shape People, History and Civilization by Martin Puchner
  19. Bruges Triennial 2018: Liquid City
  20. Annet Schaap wint De Gouden Griffel 2018 met haar prozadebuut Lampje
  21. The Fix (Poetry) by Lisa Wells
  22. Jean D’Ormesson: Ik leef altijd
  23. Eye Level. Poems by Jenny Xie
  24. The Great Nadar. The Man Behind the Camera by Adam Begley
  25. Saki: Laura (short story)
  26. Dagboek A.J.H. Dautzenberg: Ik bestaat uit twee letters
  27. Banned Books Week 2018, the annual celebration of the freedom to read – Sept. 23 – 29, 2018
  28. Paul Muldoon: Selected Poems 1968–2014
  29. Ton van Reen: Het diepste blauw (073). Een roman als feuilleton
  30. Anagnorisis. Poems by Kyle Dargan
  31. Bert Bevers: In volle werking (gedicht)
  32. Gérard de Nerval: A Madame Sand
  33. Amélie Nothomb: Les Prénoms épicènes
  34. René Daniëls: Fragments from an Unfinished Novel
  35. Hans Hermans: Landscape (101)
  36. Ellebogen van Fatma Aydemir. Een roman als een mokerslag
  37. Hans Ebeling Koning: Appelboom
  38. DADA Poëziebal in Schouwburg De Lawei in Drachten met o.a. K. Schippers
  39. Jean Genet: The Thief’s Journal
  40. 36ste Nacht van de Poëzie. Het grootste poëziefeest van het jaar
  41. Saki: The Music on the Hill (short story)
  42. Kate Tempest: Running Upon The Wires (new poetry)
  43. Ton van Reen: Het diepste blauw (072). Een roman als feuilleton
  44. Luigi Zoja: Paranoïa. La folie qui fait l’histoire
  45. Europese Literatuurprijs naar ‘Max, Mischa & het Tet-offensief’ van de Noorse schrijver Johan Harstad
  46. Norah Lange: People in the Room. A novel
  47. Correspondence Pablo Picasso and Gertrude Stein
  48. Gertrude Stein: Susie Asado
  49. Mirjam Van Hengel: Een knipperend ogenblik. Biografie Remco Campert
  50. Ton van Reen: Het diepste blauw (071). Een roman als feuilleton

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Meena Alexander: Atmospheric Embroidery. Poems

In this haunting collection of poems we travel through zones of violence to reach the crystalline depths of words  – –

Meena Alexander writes `So landscape becomes us, / Also an interior space bristling with light`. At the heart of this book is the poem cycle ‘Indian Ocean Blues’, a sustained meditation on the journey of the poet as a young child from India to Sudan..There are poems inspired by the drawings of children from war torn Darfur and others set in New York City in the present. These sensual lyrics of body, memory and place evoke the fragile, shifting nature of dwelling in our times.

Meena Alexander is an award-winning author and scholar whose previous volumes of poetry include Birthplace with Buried Stones, Quickly Changing River, Raw Silk, and Illiterate Heart (winner of the PEN Open Book Award), all published by TriQuarterly/Northwestern. Her poetry has been translated into several languages and set to music. She is also the author of an acclaimed autobiography, Fault Lines, as well as two novels; an academic study, Women in Romanticism; and a collection of essays, Poetics of Dislocation. Alexander is Distinguished Professor of English at the City University of New York and teaches at Hunter College and the CUNY Graduate Center.

Atmospheric Embroidery
Poems by Meena Alexander
Trade Paper – $17.95
NorthwesternPress
ISBN 978-0-8101-3760-8
ISBN 978-0-8101-3761-5
Publication Date June 2018
Categories: Poetry
Page Count 112 pages

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Biografie van Frans Kellendonk door Jaap Goedegebuure

Frans Kellendonk (1951-1990) is een van de belangrijkste schrijvers van zijn generatie: geroemd om de stilistische kwaliteit van zijn werk, spraakmakend én omstreden vanwege zijn niet zelden controversiële thematiek.

Wat betekende het voor Kellendonk dat hij als telg uit een geslacht van ambachtslieden letteren en wijsbegeerte ging studeren? Hoe verging het hem nadat hij het katholieke Nijmegen achter zich had gelaten en in Amsterdam koos voor het ongebonden bestaan van schrijver en vertaler?

In deze biografie schetst Jaap Goedegebuure Kellendonks intellectuele ontwikkeling en laat hij zien hoe persoonlijke ervaringen werden omgevormd tot verhalen en romans met een algemenere geldigheid. Voor dit levensverhaal maakte hij gebruik van tot nu toe gesloten archieven en recentelijk opgedoken brieven en documenten. Ze werpen nieuw licht op een briljante stilist en een verbeten karakter.

Kellendonk
Een biografie
Auteur: Jaap Goedegebuure
Uitgeverij: Querido
NUR: 321
Hardcover
ISBN: 9789021409979
Publicatiedatum: 25-09-2018
1e druk
Taal: Nederlands
Bladzijden 552 pp.
Bindwijze: Hardcover
Genre: Biografieen literair
Publ. datum 25-9-2018
Prijs: € 29,99

# new biography
frans kellendonk
fleursdumal.nl magazine

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Die 70. Frankfurter Buchmesse von 10.-14. Oktober 2018

Universelle Menschenrechte, internationale Vielfalt, boomendes Lizenzgeschäft und ein Fest für Autoren

Ein Blick auf die Themen der 70. Frankfurter Buchmesse

Die 70. Frankfurter Buchmesse (10.-14. Oktober 2018) fällt in eine bewegte Zeit: Während die Idee eines geeinten Europas in die Defensive gerät, gewinnen populistische Gruppierungen in vielen demokratischen Ländern an Zulauf.

Das politische Klima in Deutschland ist aufgeheizt – nicht zuletzt wegen der bevorstehenden Landtagswahlen in Bayern und Hessen. Gleichzeitig verändern sich die wirtschaftlichen Voraussetzungen der Buch- und Verlagsbranche grundlegend: Immer weniger Menschen beziehen ihre Informationen aus etablierten Medien; „alternative Fakten“ sind längst Teil der Berichterstattung. Den demokratischen Meinungsbildungsprozess durch gut recherchierte Inhalte zu ermöglichen, hat für Branchenakteure oberste Priorität und ist mit Blick auf eine immer kleiner werdende Zahl von Lesern und Buchkäufern zugleich die größte Herausforderung.

„Angesichts der drängenden Themen, die unsere Gesellschaft heute beschäftigen, ist die Frankfurter Buchmesse eine wichtige öffentliche Plattform“, sagte Juergen Boos heute auf einer Pressekonferenz in Berlin. „Die internationalste Buchmesse steht seit ihrer Wiedereröffnung nach dem Zweiten Weltkrieg 1949 für Meinungs- und Publikationsfreiheit, für internationale Vernetzung und Dialog. Auch die 70. Frankfurter Buchmesse wird unter politischen Vorzeichen stattfinden. Und für uns, wie für alle anderen internationalen Buchmessen, gilt: Diskussionen zuzulassen – auch und gerade zu kontroversen Themen.
Polarisierende Autoren und Meinungen auszuhalten und argumentativ zu widerlegen, sind Errungenschaften einer demokratischen Gesellschaft. Diese Grundsätze sind Teil unserer DNA.“

An fünf Tagen im Oktober werden in Frankfurt Geschäfte gemacht, wirtschaftliche Tendenzen analysiert, gesellschaftliche Phänomene diskutiert und kulturelle Trends präsentiert. Die Frankfurter Buchmesse bezieht mit einem Veranstaltungsprogramm im Zentrum Weltempfang (Halle 4.1 B 81) und im neuen Frankfurt Pavilion selbst Stellung: Hier geht es um Kunst im Spannungsfeld von Macht und Moral, um Strategien gegen antidemokratische Tendenzen, um Grenzbereiche politischer Kommunikation. Auf der Eröffnungs-Pressekonferenz am Dienstag, 9. Oktober 2018, spricht die nigerianische Autorin Chimamanda Ngozi Adichie, deren Manifest „We Should All Be Feminists“ eine Diskussion über Feminismus ausgelöst hat. Hochrangige internationale Vertreter aus Politik und Gesellschaft haben ihr Kommen angekündigt, darunter Federica Mogherini, die Hohe Vertreterin der EU für Außen- und Sicherheitspolitik, Prof. Monika Grütters, Staatsministerin für Kultur und Medien, und Mamuka Bachtadse, Ministerpräsident Georgiens, dem Gastland der Frankfurter Buchmesse 2018.

Die Frankfurter Buchmesse ist mit über 7.300 Ausstellern aus 102 Ländern, rund 286.000 Besuchern, über 4.000 Veranstaltungen und rund 10.000 akkreditierten Journalisten und Bloggern die größte Fachmesse für das internationale Publishing.

Darüber hinaus ist sie ein branchenübergreifender Treffpunkt für Player aus den Bereichen Bildung, Filmwirtschaft, Games, Wissenschaft und Fachinformation. Einen inhaltlichen Schwerpunkt bildet seit 1976 der jährlich wechselnde Ehrengast, der dem Messepublikum auf vielfältige Weise seinen Buchmarkt, seine Literatur und Kultur präsentiert.

Die Frankfurter Buchmesse organisiert die Beteiligung deutscher Verlage an rund 20 internationalen Buchmessen und veranstaltet ganzjährig Fachveranstaltungen in den wichtigen internationalen Märkten.

Der Business Club, mit Premium Service, Networking-Formaten und Konferenzen wie THE MARKETS, ist ausschließlich zugänglich mit dem Business Ticket, der Premium-Option für B2B-Besucher.

Das 2016 entwickelte Format THE ARTS+ ist Messe, Business Festival und ein internationaler Treffpunkt der Kultur- und Kreativindustrie. Ziel ist es, die Potentiale der Digitalisierung für kreative Inhalte zu nutzen und neue Geschäftsfelder zu erschließen.

Frankfurt EDU, das internationale Bildungsformat der Frankfurter Buchmesse, präsentiert innovative Konzepte, Inhalte und Technologien für die Zukunft des Lernens.

Das Campus Weekend ist das Wochenende für Studierende auf der Frankfurter Buchmesse. Die Frankfurter Buchmesse ist ein Tochterunternehmen des Börsenvereins des Deutschen Buchhandels.

# website der Frankfurter Buchmesse

# more books
Frankfurter Buchmesse
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Ton van Reen: Het diepste blauw (074). Een roman als feuilleton

Mels herinnert zich nog goed dat meester Hajenius eindelijk was gestorven, aan de gele verf.

Buren die zijn vrouw hadden geholpen in de laatste weken dat hij ziek was, zeiden dat hij bijna oranje was, net als de eierdooiers van bruine kippen. De gele verf waarde rond in het dorp. Grootvader Bernhard had het er druk mee gehad. Drukker dan de dokters. Die hadden het makkelijk.

De mensen die plotseling stierven, kregen volgens hen een beslag, wat dat dan ook was. En niemand vroeg ernaar. Dood was dood. Dokters waren niet veel meer dan kwakzalvers. In die tijd zou Mels met zijn kwalen allang dood zijn geweest. Nu wordt zijn leven gerekt door nieuwe uitvindingen. Nieuwe medicijnen die een lijk tot leven kunnen brengen. Maar wat heeft hij eraan?

Hij leeft in een wereld die alleen de zijne is, maar waar niemand nog belangstelling voor heeft. Wat heeft het voor zin om de tijd te rekken als hij zijn verhalen aan niemand kwijt kan?

Ton van Reen: Het diepste blauw (074)
wordt vervolgd

fleursdumal.nl magazine

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Frida Kahlo: Making Her Self Up in Victoria & Albert Museum London

 

Exhibition On now until Sunday, 4 November 2018
Frida Kahlo: Making Her Self Up
Experience a fresh perspective on Kahlo’s compelling life story through her most intimate personal belongings

This exhibition presents an extraordinary collection of personal artefacts and clothing belonging to the iconic Mexican artist Frida Kahlo. Locked away for 50 years after her death, this collection has never before been exhibited outside Mexico.

Frida Kahlo: Making Her Self Up offers a fresh perspective on the life story of this extraordinary artist, whose charisma and powerful sense of style continue to captivate. Never before seen, specially commissioned photography, shot at the Casa Azul in Mexico City show her distinctive Mexican outfits along with her self-portraits, an unprecedented pairing that is enriched by iconic images of the artist.

Book: Frida Kahlo – Making Her Self Up – offers a fresh perspective on the life story of this extraordinary artist, whose charisma and powerful sense of style continue to captivate. Never before seen, specially commissioned photography, shot at the Casa Azul in Mexico City show her distinctive Mexican outfits along with her self-portraits, an unprecedented pairing that is enriched by iconic images of the artist.

♦Includes six inset booklets, containing photographs of Kahlo’s most intimate possessions
♦16 page section showcasing Kahlo’s wardrobe, specially conserved and mounted
♦Spectacular details of embellishments and textiles

About the authors C. Wilcox and C. Henestrosa
Claire Wilcox is Senior Curator of Fashion at the V&A and Professor in Fashion Curation at the London College of Fashion, University of the Arts London. She curated the exhibitions Vivienne Westwood (V&A, 2004), The Golden Age of Couture: Paris and London 1947–1957 (V&A, 2007) and Alexander McQueen: Savage Beauty (2015), and edited the accompanying catalogues. Circe Henestrosa is an independent curator and Head of the School of Fashion at LASALLE College of the Arts, Singapore. She curated the exhibition Appearances Can Be Deceiving: The Dresses of Frida Kahlo (Museo Frida Kahlo, Mexico City, 2012).

Format: Hardcover
ISBN 9781851779604
Dimensions 270 x 216 mm
Author: C.Wilcox and C.Henestrosa
Product code 153329
£30.00

Victoria and Albert Museum
Cromwell Road, London, SW7 2RL

# exhibition and publication
Frida Kahlo: Making Her Self Up
in Victoria and Albert Museum London

fleursdumal.nl magazine

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The Written World. The Power of Stories to Shape People, History and Civilization by Martin Puchner

The story of literature in sixteen acts—from Homer to Harry Potter, including The Tale of Genji, Don Quixote, The Communist Manifesto, and how they shaped world history

In this groundbreaking book, Martin Puchner leads us on a remarkable journey through time and around the globe to reveal the how stories and literature have created the world we have today. Through sixteen foundational texts selected from more than four thousand years of world literature, he shows us how writing has inspired the rise and fall of empires and nations, the spark of philosophical and political ideas, and the birth of religious beliefs.

We meet Murasaki, a lady from eleventh-century Japan who wrote the first novel, The Tale of Genji, and follow the adventures of Miguel de Cervantes as he battles pirates, both seafaring and literary. We watch Goethe discover world literature in Sicily, and follow the rise in influence of The Communist Manifesto. Puchner takes us to Troy, Pergamum, and China, speaks with Nobel laureates Derek Walcott in the Caribbean and Orhan Pamuk in Istanbul, and introduces us to the wordsmiths of the oral epic Sunjata in West Africa. This delightful narrative also chronicles the inventions—writing technologies, the printing press, the book itself—that have shaped people, commerce, and history. In a book that Elaine Scarry has praised as “unique and spellbinding,” Puchner shows how literature turned our planet into a written world.

Martin Puchner is the Byron and Anita Wien Professor of English and Comparative Literature at Harvard University. His prize-winning books range from philosophy to the arts, and his bestselling six-volume Norton Anthology of World Literature and HarvardX MOOC (massive open online course) have brought four thousand years of literature to students across the globe. He lives in Cambridge, Massachusetts.

Martin Puchner
The Written World
The Power of Stories to Shape People, History, and Civilization
Random House Trade Paperbacks
Paperback
Jul 24, 2018
464 Pages
$20.00
ISBN 9780812988277

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Bruges Triennial 2018: Liquid City

From May 5 until September 16, 2018, Bruges will be the setting for the second edition of the Triennial, an art route in the heart of the historic city.

With the central theme ‘Liquid City’, the Triennial wants to investigate the role of a city like Bruges in a globalized and changing world. With the artistic and architectural installations, the participants of Triennale Brugge 2018 | Liquid City create welcoming public spaces in the city center. Those temporary interventions on little known and iconic places in Bruges offer great opportunities for encounter, wonder and dialogue.

Triennial Bruges 2018 will feature works by Jarosław Kozakiewicz (PL), Wesley Meuris (BE), Renato Nicolodi (BE), NLÉ – Kunlé Adeyemi (NG-NL), OBBA (KR), Roxy Paine (US), John Powers (USA), raumlabor (DE), Rotor (BE), Ruimteveldwerk (BE), Tomás Saraceno (AR), Jose Selgas & Lucia Cano (ES), Monir Shahroudy Farmanfarmaian (IR), StudioKCA (US), Peter Van Driessche – Atelier4 (BE).

The Bruges Triennial 2018, themed Liquid City reaches back to 2015 edition, which was a reflection on the city as a megapolis: “What if the 5 million visitors to the city decided to stay?”

This edition takes a step further: how flexible, liquid and resilient can a historic city like Bruges be in an age when nothing seems to be certain any longer? None other than Zygmunt Bauman, prophet of the permanent crisis in the West, devoted his final book to this phenomenon, a year before his death in January 2017.

In Retrotopia, Bauman invites the reader to question the dynamics of our society, as well as the metaphor “liquid” itself, the contemporary era as a time of transition, which today stands in stark contrast with the institutional framework that once formed a safe environment for our (grand)parents. Each institution in turn, whether the government, the church, political parties, insurance companies or banks, have lost the public’s trust. This renders society particularly vulnerable to fear-mongers.

This world is changing rapidly. Established ways of thinking and forms of life are under pressure. What does the future hold?

The Bruges Triennial 2018 co-curators Tilll-Holger Borchert and Michel Dewilde invited international artists and architects to think about these issues. Many of them sought inspiration in the city that is literally crisscrossed and surrounded by water.

The waterways that once earned Bruges its international renown, become a metaphor for Liquid City. Works of art, installations and meeting places have been put up in the city centre.

They form a free hospitable route that brings people together in unexpected spots. That is one of the main objectives of the Bruges Triennial 2018: generating encounters, challenging people not only to view the artworks but also to experience them and to become part of the creative process.

Participating internationally renowned architects include Kunlé Adeyemi, (Nigeria/Netherlands, NLÉ Architects), who designed the third version of MFS – Minne Floating School for Bruges, selgascano (Spain) who created the new swimming pavilion for Brugians and visitors alike on the city canal, and OBBA (Korea) who worked together with Bruges-based Architectuuratelier Dertien12 to construct The Floating Island, a meandering walkway on the water. Climate change and environmental issues are addressed through the installation of the Bruges Whale by StudioKCA (US), INFINITI designed by Peter Van Driessche of Aterlier4 (Belgium) suggests tiny housing situated on the water whereas the Aerocene project by Tomás Saraceno (Argentina) invites us to look to the sky. A very different approach is offered by Brussels-based collective Rotor who presents a museum dedicated to the Chinese Mitten Crab in the Poortersloge and an exotic eatery at the beach in Zeebrugge. raumlabor (Germany) has been working with local youths on their House of Time, a continuous project of building, experimenting and hands-on experience and the Belgian collective Ruimteveldwerk have persuaded the inhabitants of one of the historic almshouse complexes to help create their G.O.D. project. Further installations along the arts trail are created by artists such as Wesley Meuris (Belgium), Renato Nicolodi (Belgium), John Powers (US), Jarosław Kozakiewicz (Poland) and Monir Shahroudy Farmanfarmaian (Iran).

Additional art works, designs, models and documentary materials of all the participants are presented in the free Liquid City exhibition in the Poortersloge, the central information point of the Bruges Triennial 2018.

A further exhibition is located in the Church of the Great Seminary. Architectures Liquides, curated by Abdelkader Damani, is a selection of impressive visionary architectural models from the FRAC-Centre collection in Orléans (France).

The bilingual catalogue (Dutch/English) with contributions by Till-Holger Borchert, Michel Dewilde, Abdelkader Damani, Tom Trevor, Anna Lowenhaupt Tsing, Marc Van den Bossche ea. and photography by Iwan Baan is available at the Triennial information points, arts bookshops and online.

Triënnale Brugge 2018
Liquid City / Vloeibare Stad
Till-Holger Borchert, Michel Dewilde
Photogr.: Misc.
Format: 27 x 20
Pages 160
Hardcover
Dutch, English
ISBN 9789058565990
€ 29,95

# more information on website Bruges Triennial 2018

Bruges Triennial 2018: Liquid City – Contemporary art and architecture trail in the historic heart of Bruges – is open daily until September 16. Opening hours for the exhibitions and some installations: 12–6pm – Free of charge

Triënnale Brugge 2018
fleursdumal.nl magazine

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Annet Schaap wint De Gouden Griffel 2018 met haar prozadebuut Lampje

De Gouden Griffel is gewonnen door Annet Schaap voor haar prozadebuut Lampje.

De bekendste kinderboekenprijs van Nederland en Vlaanderen is gisteren bekendgemaakt en uitgereikt op het Kinderboekenbal in Amsterdam.

Annet Schaap is geen onbekende in de Nederlandse kinderboekenwereld: velen kennen haar illustraties uit de Hoe overleef ik-reeks van Francine Oomen, de boeken van Janneke Schotveld en Jacques Vriens.

De Gouden Griffel is de derde prijs die zij wint voor Lampje (Querido): al eerder ontving zij de Nienke van Hichtum-prijs en de Woutertje Pieterse Prijs. De overige genomineerden waren Joukje Akveld, Annet Huizing, Pim Lammers, Joke van Leeuwen, Marit Törnqvist, Susanne Wouda, Bette Westera, Tjibbe Veldkamp en Edward van de Vendel.

Annet wilde altijd al tekenaar worden of schrijver of ontdekkingsreizigster. Ze studeerde aan twee kunstacademies en een schrijversschool. Sinds 1991 illustreerde ze bijna 200 kinderboeken en is in Nederland het meest bekend door haar tekeningen in de succesvolle kinderboeken van Francine Oomen, Janneke Schotveld en Jacques Vriens.

           

kinderboekenweek van 3 t/m 14 oktober 2018

De Gouden Griffel:  Annet Schaap – Lampje

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The Fix (Poetry) by Lisa Wells

Proceeding from Hélène Cixous’s charge to “kill the false woman who is preventing the live one from breathing,” The Fix forges that woman’s reckoning with her violent past, with her sexuality, and with a future unmoored from the trappings of domestic life.

These poems of lyric beauty and unflinching candor negotiate the terrain of contradictory desire—often to darkly comedic effect.

In encounters with strangers in dive bars and on highway shoulders, and through ekphrastic engagement with visionaries like William Blake, José Clemente Orozco, and the Talking Heads, this book seeks the real beneath the dissembling surface.

Here, nothing is fixed, but grace arrives by diving into the complicated past in order to find a way to live, now.

Often I am permitted to return to this kitchen
tipsy, pinned to the fridge, to the precise
instant the kiss smashed in.
When the jaws of night are grinding
and the double bed is half asleep
the snore beside me syncs
to the traffic light, pulsing red, ragged up
in the linen curtain.
(From “Woman Seated with Thighs Apart”)

Lisa Wells is a poet and nonfiction writer who lives in Tucson, Arizona. Her work has appeared in Best New Poets, the Believer, Denver Quarterly, Rumpus, Third Coast, and the Iowa Review.

Lisa Wells (Author)
The Fix
Publisher: University Of Iowa Press
1 edition (April 15, 2018)
Series: Iowa Poetry Prize
Language: English
Product Dimensions:
6 x 0.3 x 8 inches
ISBN-10: 1609385470
ISBN-13: 978-1609385477
Paperback
70 pages
$19.95

new poetry
lisa wells: the fix
fleursdumal.nl magazine

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Jean D’Ormesson: Ik leef altijd

Er bestaat slechts één roman, en daar zijn wij tegelijkertijd zowel de verteller als het onderwerp van: de Geschiedenis.

Al de rest is een schaamteloze kopie. Deze wereldroman vertelt de Geschiedenis eeuw na eeuw en laat ons de avonturen en ontdekkingen van de mensheid herbeleven.

De Geschiedenis is zowel oermens, Romein als Napoleons minnares; ze begroet de boekdrukkunst, de Nieuwe Wereld en de moderne wetenschappen en voelt zich thuis in Jeruzalem, Byzantium, Venetië en New York.

Ik leef altijd is een meesterwerk vol ironie en blijmoedigheid, en een intellectuele autobiografie van de auteur.

 

Jean d’Ormesson (1925 – 2017) was een groot Frans schrijver, filosoof, journalist en lid van de Académie Française. Hij schreef meer dan 40 boeken, fictie en essays. Drie dagen voor zijn overlijden finaliseerde hij zijn laatste boek, Ik leef altijd. Bij publicatie werd het meteen nummer 1 in Frankrijk.

Jean D’Ormesson:
Ik leef altijd
Auteur: Jean D’Ormesson
Vertaling: Johan op de Beeck
Taal: Nederlands
Paperback
Verschijningsdatum
6 september 2018
1e druk
Afmetingen 21 x 13,6 x 2,8 cm
288 pagina’s
ISBN: 9789492626875
Uitg. Horizon
€ 21.99

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Eye Level. Poems by Jenny Xie

Jenny Xie’s award-winning debut, Eye Level, takes us far and near, to Phnom Penh, Corfu, Hanoi, New York, and elsewhere, as we travel closer and closer to the acutely felt solitude that centers this searching, moving collection.

“Magnificent . . . [Jenny Xie] braids in the lonesomeness and sorrow of being unmoored and on your own.”—The Paris Review, Staff Picks

Animated by a restless inner questioning, these poems meditate on the forces that moor the self and set it in motion, from immigration to travel to estranging losses and departures. The sensual worlds here―colors, smells, tastes, and changing landscapes―bring to life questions about the self as seer and the self as seen.

As Xie writes, “Me? I’m just here in my traveler’s clothes, trying on each passing town for size.” Her taut, elusive poems exult in a life simultaneously crowded and quiet, caught in between things and places, and never quite entirely at home. Xie is a poet of extraordinary perception―both to the tangible world and to “all that is untouchable as far as the eye can reach.”

Jenny Xie was born in Hefei, China, and raised in New Jersey. She holds degrees from Princeton University and New York University, and has received fellowships and support from Kundiman, the Fine Arts Work Center in Provincetown, the Elizabeth George Foundation, and Poets & Writers. She is the recipient of the 2017 Walt Whitman Award of the Academy of American Poets for Eye Level and the 2016 Drinking Gourd Chapbook Prize for Nowhere to Arrive. Her poems have appeared in the American Poetry Review, Harvard Review, the New Republic, Tin House, and elsewhere. She teaches at New York University.

 

“For years now, I’ve been using the wrong palette.
Each year with its itchy blue, as the bruise of solitude reaches its expiration date.

Planes and buses, guesthouse to guesthouse.

I’ve gotten to where I am by dint of my poor eyesight,
my overreactive motion sickness.

9 p.m., Hanoi’s Old Quarter: duck porridge and plum wine.

Voices outside the door come to a soft boil.”

(from “Phnom Penh Diptych: Dry Season”)

 

Title Eye Level
Subtitle Poems
Author Jenny Xie
Publisher Graywolf Press
Format Paperback
ISBN-10 1555978029
ISBN-13 9781555978020
Publication Date 03 April 2018
Main content page count 80
$16.00

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The Great Nadar. The Man Behind the Camera by Adam Begley

A dazzling, stylish biography of a fabled Parisian photographer, adventurer, and pioneer.

A recent French biography begins, Who doesn’t know Nadar? In France, that’s a rhetorical question. Of all of the legendary figures who thrived in mid-19th-century Paris—a cohort that includes Victor Hugo, Baudelaire, Gustave Courbet, and Alexandre Dumas—Nadar was perhaps the most innovative, the most restless, the most modern.

The first great portrait photographer, a pioneering balloonist, the first person to take an aerial photograph, and the prime mover behind the first airmail service, Nadar was one of the original celebrity artist-entrepreneurs. A kind of 19th-century Andy Warhol, he knew everyone worth knowing and photographed them all, conferring on posterity psychologically compelling portraits of Manet, Sarah Bernhardt, Delacroix, Daumier and countless others—a priceless panorama of Parisian celebrity.

Born Gaspard-Félix Tournachon, he adopted the pseudonym Nadar as a young bohemian, when he was a budding writer and cartoonist. Later he affixed the name Nadar to the façade of his opulent photographic studio in giant script, the illuminated letters ten feet tall, the whole sign fifty feet long, a garish red beacon on the boulevard. Nadar became known to all of Europe and even across the Atlantic when he launched “The Giant,” a gas balloon the size of a twelve-story building, the largest of its time. With his daring exploits aboard his humongous balloon (including a catastrophic crash that made headlines around the world), he gave his friend Jules Verne the model for one of his most dynamic heroes.

The Great Nadar is a brilliant, lavishly illustrated biography of a larger-than-life figure, a visionary whose outsized talent and canny self-promotion put him way ahead of his time.

Adam Begley is the author of Updike. He was the books editor of The New York Observer for twelve years. He has been a Guggenheim fellow and a fellow at the Leon Levy Center for Biography. His writing has appeared in The New York Times, The Guardian, The Financial Times, The London Review of Books, and The Times Literary Supplement. He lives with his wife in Cambridgeshire.

“Irresistible. . . . A richly entertaining and thoughtful biography. . . . Begley seems wonderfully at home in the Second Empire, and shifts effortlessly between historical backgrounds, technical explanation, and close-up scenes, brilliantly recreating Nadar at work.” —Richard Holmes, The New York Review of Books

The Great Nadar
The Man Behind the Camera
By Adam Begley
Arts & Entertainment
Biographies & Memoirs
History
Paperback
Jul 10, 2018
256 Pages
$16.00
Published by Tim Duggan Books
ISBN 9781101902622

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