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  1. Umberto Eco: Hoe herken ik een fascist
  2. Ode To Beauty by Ralph Waldo Emerson
  3. Lie-a-bed by Lesbia Harford
  4. Under a Future Sky poetry by Brynn Saito
  5. Bert Bevers: Regen
  6. The Snow-Storm by Ralph Waldo Emerson
  7. Eliza Cook: Song for the New Year
  8. D. H. Lawrence: New Year’s Eve
  9. Bert Bevers: Arbeiterstadt
  10. O. Henry (William Sydney Porter): The Gift of the Magi. A Christmas story
  11. Emily Pauline Johnson: A Cry from an Indian Wife
  12. Bluebird by Lesbia Harford
  13. Prix Goncourt du premier roman (2023) pour “L’Âge de détruire” van Pauline Peyrade
  14. W.B. Yeats: ‘Easter 1916’
  15. Paul Bezembinder: Nostalgie
  16. Anne Provoost: Decem. Ongelegenheidsgedichten voor asielverstrekkers
  17. J.H. Leopold: O, als ik dood zal zijn
  18. Paul Bezembinder: Na de dag
  19. ‘Il y a’ poème par Guillaume Apollinaire
  20. Eugene Field: At the Door
  21. J.H. Leopold: Ik ben een zwerver overal
  22. My window pane is broken by Lesbia Harford
  23. Van Gogh: Poets and Lovers in The National Gallery London
  24. Eugene Field: The Advertiser
  25. CROSSING BORDER – International Literature & Music Festival The Hague
  26. Expositie Adya en Otto van Rees in het Stedelijk Museum Schiedam
  27. Machinist’s Song by Lesbia Harford
  28. “Art says things that history cannot”: Beatriz González in De Pont Museum
  29. Georg Trakl: Nähe des Todes
  30. W.B. Yeats: Song of the Old Mother
  31. Bert Bevers: Großstadtstraße
  32. Lesbia Harford: I was sad
  33. I Shall not Care by Sara Teasdale
  34. Bert Bevers: Bahnhofshalle
  35. Guillaume Apollinaire: Aubade chantée à Laetare l’an passé

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Antony Kok: Trein

 

 Antony Kok: Trein (1921) 

 kemp=mag poetry magazine

© Erven Antony Kok

More in: *Concrete + Visual Poetry K-O, Kok, Antony, Visual & Concrete Poetry

Antony Kok: Nachtkroeg

 

Antony Kok

(1882-1969)

Dutch Poet

 

One of the founders of

DE STIJL (1917-1932)

 

 

 kemp=mag poetry magazine

© erven Antony Kok

More in: *Concrete + Visual Poetry K-O, Kok, Antony, Visual & Concrete Poetry

Jef van Kempen: Keesje

Jef van Kempen,

uit: Laatste bedrijf, gedichten 1966-2006

 

Keesje

Een kaft van gemarmerd papier

bewaart het geheim

van een onooglijk mens.

Dat is te zeggen:

vaak omarmd en gekoesterd

als het heertje van de straat

(heel schoon en goed van gezicht,

want daar zorgde jouw oma wel voor)

deed hij er toch nog toe.

In ieder geval even.

Maar nooit nodeloos lang

wacht de dood.

Dat was alles.

 

 

More in: Kempen, Jef van

De onvolkomenheden der volmaakte poëzie

de onvolkomenheden

der volmaakte

p o ë z i e

  

from: the book of invisible poetry by jef van kempen

KEMP=MAG POETRY MAGAZINE

More in: *Concrete + Visual Poetry K-O, Conceptual writing, FLUXUS LEGACY, Kempen, Jef van, Visual & Concrete Poetry

Messages


Holy Mother 2005

 

Messages,  from The book of invisible poetry

© jef van kempen

More in: Invisible poetry, Street Art

Lost concepts

So far, so good (kemp=mag 2007-2008)

jef van kempen photos

fleursdumal.nl magazine

More in: Invisible poetry, Jef van Kempen, Jef van Kempen Photos & Drawings, Kempen, Jef van

Unter

 

unter

oben

 c  o n c e p t u a l   w r i t i n g

monica richter 1988

visual & concrete poetry

 kemp=mag – kempis poetry magazine

More in: *Concrete + Visual Poetry P-T, Conceptual writing, FLUXUS LEGACY, Monica Richter, Richter, Monica, Visual & Concrete Poetry

Phrases no. 3

 

Phrases no. 3

jef van kempen
concrete & visual poetry
kempis poetry magazine

More in: *Concrete + Visual Poetry K-O, Conceptual writing, FLUXUS LEGACY, Kempen, Jef van, Visual & Concrete Poetry

Fata Morgana

 

 

  
 
 
Fata morgana
Museum of lost concepts
© jef van kempen
fleursdumal.nl magazine

More in: Invisible poetry, Jef van Kempen, Jef van Kempen Photos & Drawings, Kempen, Jef van

Phrases no. 117

 

Phrases from The book of invisible poetry

© jef van kempen

More in: Conceptual writing

William Shakespeare: Who will believe

 

   __________________________________________________

January 31, 2008

Who will believe my verse

in time to come

  Who will believe my verse in time to come

If it were filled with your most high deserts?

Though yet heaven knows it is but as a tomb

Which hides your life, and shows not half your parts:

If I could write the beauty of your eyes,

And in fresh numbers number all your graces,

The age to come would say, “This poet lies,

Such heavenly touches ne’er touched earthly faces.”

So should my papers, yellowed with their age,

Be scorned like old men of less truth than tongue,

And your true rights be termed a poet’s rage,

And stretchèd metre of an antique song.

But were some child of yours alive that time,

You should live twice, in it and in my rhyme.

William Shakespeare

(1564-1616)

Sonnet 17

More in: Archive S-T, Shakespeare, William

Jef van Kempen gedicht: Concept

Jef van Kempen,

uit: Laatste bedrijf, gedichten 1966-2006

 

Concept

Geen woord teveel

overdacht hij zijn daden,

ging stil voorbij

niet gezien en

niet gewogen.

Welk kind

werd niet verwekt

met de sombere schoonheid

van de dood voor ogen?

 

KEMP=MAG poetry magazine

More in: Kempen, Jef van

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