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  1. Fame is a bee by Emily Dickinson
  2. Ask me no more by Alfred Lord Tennyson
  3. Keith Douglas: How to Kill
  4. Christine de Pisan: Comme surpris
  5. Conrad Ferdinand Meyer: In der Sistina
  6. Emma Lazarus: Age and Death
  7. William Blake’s Universe
  8. Natalie Amiri & Düzen Tekkal: Nous n’avons pas peur. Le courage des femmes iraniennes
  9. Much Madness is divinest Sense by Emily Dickinson
  10. Death. A spirit sped by Stephen Crane
  11. Song: ‘Sweetest love, I do not go’ by John Donne
  12. Michail Lermontov: Mijn dolk (Vertaling Paul Bezembinder)
  13. Anne Bradstreet: To My Dear and Loving Husband
  14. Emmy Hennings: Ein Traum
  15. Emma Doude Van Troostwijk premier roman: ¨Ceux qui appartiennent au jour”
  16. Marriage Morning by Alfred Lord Tennyson
  17. Christine de Pisan: Belle, ce que j’ay requis
  18. Marina Abramović in Stedelijk Museum Amsterdam
  19. Spring by Christina Georgina Rossetti
  20. Kira Wuck: Koeiendagen (Gedichten)
  21. Paul Bezembinder: Na de dag
  22. Wound Is the Origin of Wonder by Maya C. Popa
  23. Woman’s Constancy by John Donne
  24. Willa Cather: I Sought the Wood in Winter
  25. Emma Lazarus: Work
  26. Sara Teasdale: Evening, New York
  27. Freda kamphuis: ontrecht
  28. Ulrich von Hutten: Ein Klag über den Lutherischen Brand zu Mentz
  29. Julia Malye: La Louisiane (Roman)
  30. Late, Late, so Late by Alfred, Lord Tennyson
  31. DEAR AWKWARDNESS tentoonstelling AVA NAVAS in PARK
  32. A Wintry Sonnet by Christina Georgina Rossetti
  33. Les oies sauvages par Guy de Maupassant
  34. Thomas Hardy: Snow in the Suburbs
  35. Claude McKay: To Winter

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  12. MUSEUM OF PUBLIC PROTEST
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Fame is a bee by Emily Dickinson

Fame is a bee

Fame is a bee.
It has a song—
It has a sting—
Ah, too, it has a wing.

Emily Dickinson
(1830-1886)
Fame is a bee (1788)

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More in: Archive C-D, Archive C-D, Dickinson, Emily

Ask me no more by Alfred Lord Tennyson

Ask me no more

Ask me no more: the moon may draw the sea;
The cloud may stoop from heaven and take the shape,
With fold to fold, of mountain or of cape;
But O too fond, when have I answer’d thee?
Ask me no more.

Ask me no more: what answer should I give?
I love not hollow cheek or faded eye:
Yet, O my friend, I will not have thee die!
Ask me no more, lest I should bid thee live;
Ask me no more.

Ask me no more: thy fate and mine are seal’d:
I strove against the stream and all in vain:
Let the great river take me to the main:
No more, dear love, for at a touch I yield;
Ask me no more.

Alfred Lord Tennyson
(1809-1892)
Ask me no more

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More in: Archive S-T, Archive S-T, Tennyson, Alfred Lord

Keith Douglas: How to Kill

How to Kill

Under the parabola of a ball,
a child turning into a man,
I looked into the air too long.
The ball fell in my hand, it sang
in the closed fist: Open Open
Behold a gift designed to kill.

Now in my dial of glass appears
the soldier who is going to die.
He smiles, and moves about in ways
his mother knows, habits of his.
The wires touch his face: I cry
NOW. Death, like a familiar, hears

and look, has made a man of dust
of a man of flesh. This sorcery
I do. Being damned, I am amused
to see the centre of love diffused
and the wave of love travel into vacancy.
How easy it is to make a ghost.

The weightless mosquito touches
her tiny shadow on the stone,
and with how like, how infinite
a lightness, man and shadow meet.
They fuse. A shadow is a man
when the mosquito death approaches.

Keith Douglas
(1920 – 1944)
How to Kill

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More in: Archive C-D, Archive C-D, Douglas, Keith, WAR & PEACE

Christine de Pisan: Comme surpris

Comme surpris

Comme surpris
Et entrepris
De vostre amour,
Je me rens pris
En vo pourpris,
Dame d’onnour.

Si ne mespris
Quant j’entrepris
Si haulte honnour
Comme surpris.

Mais en despris
Ne m’ait le pris
De vo valour;
Car j’ay apris
Les biens compris
En vo doulçour

Comme surpris.

Christine de Pisan
(1364/1365 – 1430)
Comme surpris
Rondeaux

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More in: # Classic Poetry Archive, Archive O-P, Archive O-P, Pisan, Christine de, The Ideal Woman

Conrad Ferdinand Meyer: In der Sistina

In der Sistina

In der Sistine dämmerhohem Raum,
Das Bibelbuch in seiner nerv’gen Hand,
Sitzt Michelangelo in wachem Traum,
Umhellt von einer kleinen Ampel Brand.

Laut spricht hinein er in die Mitternacht,
Als lauscht’ ein Gast ihm gegenüber hier,
Bald wie mit einer allgewalt’gen Macht,
Bald wieder wie mit seinesgleichen schier:

»Umfaßt, umgrenzt hab ich dich, ewig Sein,
Mit meinen großen Linien fünfmal dort!
Ich hüllte dich in lichte Mäntel ein
Und gab dir Leib, wie dieses Bibelwort.

Mit wehnden Haaren stürmst du feurigwild
Von Sonnen immer neuen Sonnen zu,
Für deinen Menschen bist in meinem Bild
Entgegenschwebend und barmherzig du!

So schuf ich dich mit meiner nicht’gen Kraft:
Damit ich nicht der größre Künstler sei,
Schaff mich – ich bin ein Knecht der Leidenschaft –
Nach deinem Bilde schaff mich rein und frei!

Den ersten Menschen formtest du aus Ton,
Ich werde schon von härterm Stoffe sein,
Da, Meister, brauchst du deinen Hammer schon,
Bildhauer Gott, schlag zu! Ich bin der Stein.«

Conrad Ferdinand Meyer
(1825 – 1898)
In der Sistina

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More in: # Classic Poetry Archive, Archive M-N, Archive M-N

Emma Lazarus: Age and Death

 

Age and Death

Come closer, kind, white, long-familiar friend,
Embrace me, fold me to thy broad, soft breast.
Life has grown strange and cold, but thou dost bend
Mild eyes of blessing wooing to my rest.
So often hast thou come, and from my side
So many hast thou lured, I only bide
Thy beck, to follow glad thy steps divine.
Thy world is peopled for me; this world’s bare.
Through all these years my couch thou didst prepare.
Thou art supreme Love—kiss me—I am thine!

Emma Lazarus
(1849 – 1887)
Age and Death
From: Selected Poems

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More in: Archive K-L, Archive K-L, Lazarus, Emma

William Blake’s Universe

William Blake’s Universe
until 19 May 2024

Discover William Blake’s universe and a constellation of European artists seeking spirituality in their lives and art in response to war, revolution and political turbulence.

Sometimes seen as an eccentric figure or lone genius, William Blake’s Universe is the first exhibition to explore Blake’s boundless imagination in the context of wider trends and themes in European art including romanticism, mysticism and ideas of spiritual regeneration.

This timely new exhibition brings together the largest-ever display of works by the radical British artist, printmaker and poet from our own collection, alongside artworks by his European contemporaries such as the German romantic painters Philipp Otto Runge and Caspar David Friedrich – many of which have never been displayed publicly in the UK until now.

Though these artists never met or connected in their lifetimes, Blake, Runge and Friedrich shared a strong sense of individuality and an unwavering belief in the power of art to redeem a society in crisis.

William Blake’s Universe
until 19 May 2024
University of Cambridge Museums
The Fitzwilliam Museum
Trumpington Street
Cambridge
CB2 1RB
Tel: +44 (0)1223 333 230
Email: tickets@museums.cam.ac.uk

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More in: Archive A-B, Archive A-B, Art & Literature News, Blake, William, Literary Events

Natalie Amiri & Düzen Tekkal: Nous n’avons pas peur. Le courage des femmes iraniennes

En écho au mouvement « Femme, Vie, Liberté », 16 femmes iraniennes livrent ici leurs témoignages.

Ces voix s’élèvent parfois depuis l’exil, parfois depuis des cellules de prison. Elles parlent d’une vie sans droits contrôlée par la police des mœurs, d’humiliations, de mise sous tutelle et de détresse économique.

Mais aussi d’une nouvelle génération, d’une révolution que plus rien ne pourra arrêter, de libertés qui se gagnent pas à pas et de l’incroyable résilience du peuple iranien. Leurs textes sont bouleversants, remplis de larmes et porteurs d’espoir. Leur bravoure est une leçon d’humanité.

Avec les témoignages de : Golshifteh Farahani, Ghazal Abdollahi, Parastou Forouhar, Shohreh Bayat, Shila Behjat, Ani, Nargess Eskandari-Grünberg, Fariba Balouch, Rita Jahanforuz, Jasmin Shakeri, Shirin Ebadi, Masih Alinejad, Narges Mohammadi, Nazanin Boniadi, Nasrin Sotoudeh, Leily.

Traduit de l’allemand par Mathilde Ramadier, sauf pour le témoignage de Golshifteh Farahani, recueilli par Sophie Caillat.

Nous n’avons pas peur
Le courage des femmes iraniennes
Natalie Amiri & Düzen Tekkal
Avec le témoignage de Golshifteh Farahani
Traduction : Mathilde Ramadier
Editions du Faubourg
ISBN : 9782493594686
Publié le 1 mars 2024
208 pages
140 x 190 mm
Acheter le livre en librairie au prix de € 18,-

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More in: #Editors Choice Archiv, - Book News, - Book Stories, - Bookstores, Archive A-B, Archive S-T, Banned Books, Feminism, Persian Art, REPRESSION OF WRITERS, JOURNALISTS & ARTISTS

Much Madness is divinest Sense by Emily Dickinson

Much Madness is divinest Sense

Much Madness is divinest Sense
To a discerning Eye –
Much Sense – the starkest Madness –
’Tis the Majority
In this, as all, prevail –
Assent – and you are sane –
Demur – you’re straightway dangerous –
And handled with a Chain –

Emily Dickinson
(1830-1886)
Much Madness is divinest Sense

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More in: Archive C-D, Archive C-D, Dickinson, Emily

Death. A spirit sped by Stephen Crane

Death

A spirit sped
Through spaces of night;
And as he sped, he called,
“God! God!”
He went through valleys
Of black death-slime,
Ever calling,
“God! God!”
Their echoes
From crevice and cavern
Mocked him:
“God! God! God!”
Fleetly into the plains of space
He went, ever calling,
“God! God!”
Eventually, then, he screamed,
Mad in denial,
“Ah, there is no God!”
A swift hand,
A sword from the sky,
Smote him,
And he was dead.

Stephen Crane
(1871 – 1900)
Death. A spirit sped

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More in: *War Poetry Archive, Archive C-D, Archive C-D, Stephen Crane

Song: ‘Sweetest love, I do not go’ by John Donne

 

Song:
Sweetest love, I do not go

Sweetest love, I do not go,
For weariness of thee,
Nor in hope the world can show
A fitter love for me;
But since that I
Must die at last, ’tis best
To use myself in jest
Thus by feign’d deaths to die.

Yesternight the sun went hence,
And yet is here today;
He hath no desire nor sense,
Nor half so short a way:
Then fear not me,
But believe that I shall make
Speedier journeys, since I take
More wings and spurs than he.

O how feeble is man’s power,
That if good fortune fall,
Cannot add another hour,
Nor a lost hour recall!
But come bad chance,
And we join to’it our strength,
And we teach it art and length,
Itself o’er us to’advance.

When thou sigh’st, thou sigh’st not wind,
But sigh’st my soul away;
When thou weep’st, unkindly kind,
My life’s blood doth decay.
It cannot be
That thou lov’st me, as thou say’st,
If in thine my life thou waste,
That art the best of me.

Let not thy divining heart
Forethink me any ill;
Destiny may take thy part,
And may thy fears fulfil;
But think that we
Are but turn’d aside to sleep;
They who one another keep
Alive, ne’er parted be.

John Donne
(1572–1631)
Song: Sweetest love, I do not go

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More in: Archive C-D, Archive C-D, Donne, John

Michail Lermontov: Mijn dolk (Vertaling Paul Bezembinder)

 

Mijn dolk

Ik sloot jou in mijn hart, mijn maat, mijn dolk,
Sinds jaar en dag mijn onderkoelde kameraad,
Gesmeed werd jij door vrijgevochten ruitervolk,
Geslepen door een christenhart vervuld van haat.

Door lelieblanke hand wist jij jouw heft omvat,
Als aandenken aan wat – aan wíe – ik achterliet,
In plaats van bloed vergleed er langs jouw blad
Een opgewelde traan – een parel van verdriet.

Haar rokerige ogen vast op mijn persoon gericht,
Vervuld van onbenoembaar, onuitspreekbaar leed,
Verschoten, vlamden dan weer op, in haar gezicht,
Zoals jouw kling dat in het laaiend kampvuur deed.

Zij maakte jou mijn metgezel, haar liefdespand,
De vagebond in mij volgt steeds jouw wijze raad,
Ja, trouw ben ik haar, ik doe mijn woord gestand,
En jij, jij houdt mij bij de les, mijn kille kameraad!

Michail Lermontov,
Mijn dolk, Кинжал (1838)
(1814 – 1841)
Vertaling Paul Bezembinder

Paul Bezembinder studeerde theoretische natuurkunde in Nijmegen. In zijn poëzie zoekt hij vooral in klassieke versvormen en thema’s naar de balans tussen serieuze poëzie, pastiche en smartlap. Bij uitgeverij Leeuwenhof (Oostburg) verschenen de bundels Gedichten (2020), Parkzicht (2020) en Duizelingen (2022). Website: www.paulbezembinder.nl

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More in: - Archive Tombeau de la jeunesse, Archive A-B, Archive A-B, Archive K-L, Archive K-L, Bezembinder, Paul, Lermontov, Lermontov, Mikhail

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