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De 65ste Kinderboekenweek vindt plaats van woensdag 2 t/m zondag 13 oktober 2019. Anna Woltz schrijft het Kinderboekenweekgeschenk. André Kuipers schrijft het Prentenboek van de Kinderboekenweek met illustraties van Natascha Stenvert.
# Meer informatie op website: https://www.kinderboekenweek.nl/
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To Mary Wollstonecraft
The lilly cheek, the “purple light of love,”
The liquid lustre of the melting eye,–
Mary! of these the Poet sung, for these
Did Woman triumph! with no angry frown
View this degrading conquest. At that age
No MAID OF ARC had snatch’d from coward man
The heaven-blest sword of Liberty; thy sex
Could boast no female ROLAND’S martyrdom;
No CORDE’S angel and avenging arm
Had sanctified again the Murderer’s name
As erst when Caesar perish’d: yet some strains
May even adorn this theme, befitting me
To offer, nor unworthy thy regard.
Robert Southey
(1774 – 1843)
To Mary Wollstonecraft
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More in: Archive S-T, Mary Shelley, Shelley, Mary
literature & poetry # spoken word & live literature # Fatima Bhutto: Bollywood, K-Pop and Beyond # Part of London Literature Festival # 17 – 27 Oct 2019
India’s Bollywood films, Turkish dizi soap opera and South Korean pop music: mass culture from the East is taking on Hollywood and finding a truly global audience.
Hear from acclaimed author Fatima Bhutto about the vast cultural movement emerging from beyond the Western world.
Drawing on her book New Kings of the World: Dispatches from Bollywood, Dizi, and K-Pop, Bhutto speaks on the arbiters behind these cultural movements.
She examines how they interweave traditional values into urbanised settings and how they appeal to many millions.
From behind the scenes of Magnificent Century, Turkey’s biggest TV show, watched by upwards of 200 million people across 43 countries, to South Korea to see how ‘Gangnam Style’ became the first YouTube video with one billion views, Bhutto charts the extraordinary rise and reach of these cultural phenomena.
Bhutto was born in Kabul, Afghanistan, in 1982. She grew up in Syria and Pakistan. She is the author of five previous books, including The Shadow of the Crescent Moon which was longlisted in 2014 for the Baileys Women’s Prize for Fiction and highly acclaimed novel The Runaways.
Fatima Bhutto
21 Oct 2019 7:15 pm
Approximate run time: 90 mins
Run times may vary, find out more
where?
Purcell Room in Southbank Centre London
Bringing new resonance to timeless narratives, Southbank Centre’s London Literature Festival returns for its 13th year with an exploration of fairy tales for our times with today’s leading writers, thinkers and cultural observers. 
Over 11 days of talks, readings, poetry and performance, the festival features Elizabeth Day, Armistead Maupin, Brett Anderson, Heather Morris, Lemn Sissay, Anthony Daniels (C-3PO), Nikki Giovanni, Fatima Bhutto and Jung Chang.
The festival once again opens with Poetry International, Southbank Centre’s longest running festival, founded by Ted Hughes, former poet laureate, in 1967. This year follows the theme of disruption.
The Purcell Room in Queen Elizabeth Hall reopened in April 2018 following almost three years of refurbishment. With new improved facilities and acoustics, this intimate wood-panelled auditorium provides a platform for music and performance events, a variety of talks and debates, plus readings of classical and modern literature.
The world-renowned venue has played host to some of the biggest names of the 20th century and beyond, including David Bowie, Daniel Barenboim, Marianne Faithfull and Radiohead’s Jonny Greenwood.
Purcell Room is located in Queen Elizabeth Hall.
London Literature Festival
17 – 27 Oct 2019
poetry – spoken word & live literature
# website Queen Elizabeth Hall / Purcell Room
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Daniil Charms die in werkelijkheid Daniil Ivanovic Juvacov heette, werd in 1905 in St. Petersburg geboren, waar hij in 1942 stierf.
In 1926 richtte hij met Aleksandr Vvdenski en Nikolaj Zabolotski de avantgardegroep Oberiu (Objeedinenije realnogo iskoesstva – ‘Vereniging van reële kunst’) op. Hun doel was een artistieke revolutie door te voeren, parallel aan de politieke revolutie.
Alhoewel ze het woord niet gebruikten pleitten ze voor absurde kunst. De doodsteek kwam toen ze in 1930 beschuldigd werden van protest tegen de dictatuur van het proletariaat. Charms werd in 1931 veroordeeld tot verbanning naar Koersk, waarvandaan hij in 1933 terugkeerde.
Hij legde zich toen, omdat zijn werk voor volwassenen niet-publicabel was geworden, toe op kinderliteratuur.
Uiteindelijk werd hij in 1941, tijdens het beleg van het Leningrad (tot 1924 Petersburg genoemd), weer gearresteerd en krankzinnig verklaard. Charms stierf begin 1942, vermoedelijk uitgehongerd, in de psychiatrische afdeling van de gevangenis Kresty in Leningrad. Hij heeft geen graf.
Na zijn dood werden zijn manuscripten teruggevonden. In de jaren zestig begonnen publicaties van dit onuitgegeven werk te verschijnen, aanvankelijk vooral in het Westen. Op grond hiervan kreeg Charms algauw de reputatie van Ruslands belangrijkste absurdistische auteur.
# meer informatie op website: https://www.uitgeverijvleugels.nl/
daniil charms
De dappere egel
2019
60 pagina’s
vertaling: jan paul hinrichs
isbn 978 90 78627 82 1
uitgeverij vleugels
€ 21,80
uitgeverij vleugels
van ’t hoffstraat 27
2665 jl bleiswijk
t 06 30 49 77 49
email: info@uitgeverijvleugels.nl
website: https://www.uitgeverijvleugels.nl/
# more books
daniil charms
De dappere egel
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The Philatelist*
(*A man who collects stamps cares for nothing else in the world.)
” O come,” said Music, “come with me ;
To Adelina Patti list;
Melt in her magic melody ” —
“I shan’t !” quoth the Philatelist.
“Come,” said the Gourmand, “come with me.
And try the varied Gatti-list;
I prithee, try Gastronomy” —
“I won’t!” quoth the Philatelist.
” Come,” said the Eightsman, ” come with me”,
And to the merry rattle list;
“Come, join our cheery crew, and we ” —
” Please go!” quoth the Philatelist.
” Come”, said the Farmer, ” come with me”.
And to my lowing cattle list :
“They’re’ slowly winding o’er the lea ” —
” Let them !” quoth the Philatelist.
“Come,” said the Mother, “come with me,
And to my cherub’s prattle list ;
Come, take the babe upon thy knee” —
“No, thanks!” quoth the Philatelist
“Come,” said the Warrior, “come with me,
And to the roar of battle list;
Come, join our valiant company” —
“Not me!” quoth the Philatelist.
“Come,” said Society, “with me,
And to my tittle-tattle list;
“Come, try the World, the Flesh, the D— “
“Get out!” quoth the Philatelist.
Montague Horatio Mostyn Turtle Pigott
(1865–1927)
The Philatelist (Poem)
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La nature
La terre est de granit, les ruisseaux sont de marbre ;
C’est l’hiver ; nous avons bien froid. Veux-tu, bon arbre,
Être dans mon foyer la bûche de Noël ?
— Bois, je viens de la terre, et, feu, je monte au ciel.
Frappe, bon bûcheron. Père, aïeul, homme, femme,
Chauffez au feu vos mains, chauffez à Dieu votre âme.
Aimez, vivez. — Veux-tu, bon arbre, être timon
De charrue ? — Oui, je veux creuser le noir limon,
Et tirer l’épi d’or de la terre profonde.
Quand le soc a passé, la plaine devient blonde,
La paix aux doux yeux sort du sillon entr’ouvert,
Et l’aube en pleurs sourit. — Veux-tu, bel arbre vert,
Arbre du hallier sombre où le chevreuil s’échappe,
De la maison de l’homme être le pilier ? — Frappe.
Je puis porter les toits, ayant porté les nids.
Ta demeure est sacrée, homme, et je la bénis ;
Là, dans l’ombre et l’amour, pensif, tu te recueilles ;
Et le bruit des enfants ressemble au bruit des feuilles.
— Veux-tu, dis-moi, bon arbre, être mât de vaisseau ?
— Frappe, bon charpentier. Je veux bien être oiseau.
Le navire est pour moi, dans l’immense mystère,
Ce qu’est pour vous la tombe ; il m’arrache à la terre,
Et, frissonnant, m’emporte à travers l’infini.
J’irai voir ces grands cieux d’où l’hiver est banni,
Et dont plus d’un essaim me parle en son passage.
Pas plus que le tombeau n’épouvante le sage,
Le profond Océan, d’obscurité vêtu,
Ne m’épouvante point : oui, frappe. — Arbre, veux-tu
Être gibet ? — Silence, homme ! va-t’en, cognée !
J’appartiens à la vie, à la vie indignée !
Va-t’en, bourreau ! va-t’en, juge ! fuyez, démons !
Je suis l’arbre des bois, je suis l’arbre des monts ;
Je porte les fruits mûrs, j’abrite les pervenches ;
Laissez-moi ma racine et laissez-moi mes branches !
Arrière ! homme, tuez, ouvriers du trépas,
Soyez sanglants, mauvais, durs ; mais ne venez pas,
Ne venez pas, traînants des cordes et des chaînes,
Vous chercher un complice au milieu des grands chênes !
Ne faites pas servir à vos crimes, vivants,
L’arbre mystérieux à qui parlent les vents !
Vos lois portent la nuit sur leurs ailes funèbres.
Je suis fils du soleil, soyez fils des ténèbres.
Allez-vous-en ! laissez l’arbre dans ses déserts.
A vos plaisirs, aux jeux, aux festins, aux concerts,
Accouplez l’échafaud et le supplice ; faites.
Soit. Vivez et tuez. Tuez, entre deux fêtes,
Le malheureux, chargé de fautes et de maux ;
Moi, je ne mêle pas de spectre à mes rameaux !
Janvier 1843.
Victor Hugo
(1802-1885)
La nature
(Poème)
Les Contemplations
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A smart and highly readable exploration of why we think and do bad things.
Dr Julia Shaw shows us that the same dispositions that make us capable of heinous crimes may also work to our advantage. And, if evil is within all of us, should it be said to exist at all?
In Making Evil, Shaw uses a compelling mix of science, popular culture and real life examples to break down timely and important issues. How similar is your brain to a psychopath’s? How many people have murder fantasies? Can A.I. be evil? Do your sexual proclivities make you a bad person? Who becomes a terrorist?
Dr Julia Shaw is a scientist in the Department of Psychology at University College London (UCL). Her academic work, teaching and role as an expert witness have focused on different ways of understanding criminal behaviour. Dr Shaw has consulted as an expert on criminal cases, delivered police-training and military workshops, and has evaluated offender diversion programs. She is also the co-founder of Spot, a start-up that helps employees report workplace harassment and discrimination, and employers take action. Her work has been featured in outlets such as CNN, the BBC, the New Yorker, WIRED, Forbes, the Guardian and Der Spiegel.
Making Evil: The Science Behind Humanity’s Dark Side
Dr Julia Shaw (Author)
Publisher: Canongate Books
Main edition (7 Feb. 2019)
Language: English
ISBN-10: 1786891301
ISBN-13: 978-1786891303
Hardcover: 320 pages
Feb 2019
Product Dimensions: 14.4 x 3 x 22 cm
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Making Evil
Dr Julia Shaw
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Robert Lundquist was one of the rising stars of the Santa Cruz renaissance. By the early 1970s he was published in the Paris Review, anthologized in Raymond Carver’s magazine Quarry West, and listed in Rolling Stone magazine’s ‘Best 100 American Poets.’ This is Lundquist’s first major work. Discover a lost genius in these pages.
These poems were written in bursts over five decades. From 1969 to 1973, from 1980 to 1985, and from 2014 to 2018. Lundquist has an extraordinarily sensitive voice deeply engaged with the works of García Lorca, César Vallejo, Paul Celan, James Wight, Wallace Stevens, and John Ashbery. He addresses themes of love, loss, alcoholism, and emotional pain. He meditates on death, romance, and beauty with wild formal experiments and a visceral, surreal vision that is all his own.
Central to his poetry is the changing spirit of Downtown L.A. The poet was raised and has lived his entire life there. His grandmother was a waitress in Union Station and his father an undercover policeman. Some darker chapters are inspired by a stint living next to skid row. The neighbourhoods of DTLA – the automobiles, diners, bars, porches, birds, and characters they contain – are evoked here with a noir melancholy and hallucinatory brilliance.
Until now most of this great work was available only in magazine archives, anthologies, and out-of-print chapbooks. Lundquist was previously led away from publishing by a rejection of the MFA culture that came to dominate American letters, struggles with addiction, the anxiety of influence, and a commitment to his psychoanalytic practice. A renewed interest in Lundquist’s work in recent years has resurrected his need to create, and we are all the better for it.
Robert Lundquist is a poet and practicing psychoanalyst in Los Angeles. Robert is also an avid blues harmonica player. His poems have appeared in such magazines as: The Nation, The Paris Review, Poetry Now, Kayak, and Quarry West. Robert was also one of five writers who taught poetry in the prison system in California, afterwards editing an anthology of prose and poetry by the writers in prison;, the anthology is entitled About Time II. When Robert is not with his wife, Nazare Magaz, or writing, he is seeing patients in his office above The Last Bookstore in Downtown Los Angeles. Robert knows a lot about the inner workings of Downtown Los Angeles as his Grandmother was a waitress at Union Station and his father was an under cover cop, chasing down heroin dealers when smack was coming through Flower Street. Included in his adventures in DTLA was entering Zen Center Los Angeles for two years when he was eighteen and in his adolescence taking harmonica lessons from George Smith in Watts. Robert began to write poetry at twenty and at twenty-one moved to Santa Cruz, California, to be a part of a literary renaissance in Santa Cruz where he was featured in the magazine Quarry West started by Ray Carver.
After Mozart (Heroin on 5th Street)
by Robert Lundquist (Author)
Language: English
ISBN-10: 199963103X
ISBN-13: 978-1999631031
Published: 2018
Format: Soft cover/Paperback
Publisher: New River Press Ltd
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Menschenmateriaal.
Het is
maar bloed.
Het is
maar been.
Is ‘t heusch
maar stof?
Is ‘t stof
alleen?
Men schendt
natuur.
Men schendt
den geest.
Men is
geen mensch.
Men is
geen beest!
Werp maar
den mensch
in ‘t vuur!
Ga voort!
Maar ‘t is
ùw ziel,
die wordt
vermoord!
Agnita Feis
(1881 – 1944)
Uit: Oorlog. Verzen in Staccato (1916).
Menschenmateriaal
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Mondschein
Bleich und müde
Schmieg und weich
Kater duften
Blüten graunen
Wasser schlecken
Winde schluchzen
Schein entblößt die zitzen Brüste
Fühlen stöhnt in meine Hand.
August Stramm
(1874-1915)
Mondschein, 1914
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In a tour-de-force that is both an homage to an immortal work of literature and a modern masterpiece about the quest for love and family, Booker Prize-winning, internationally bestselling author Salman Rushdie has created a dazzling Don Quixote for the modern age.
Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television, who falls in impossible love with the TV star Salman R. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where ‘Anything-Can-Happen’. Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own.
Just as Cervantes wrote Don Quixote to satirise the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse, with the kind of storytelling magic that is the hallmark of his work. The fully realised lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction.
Salman Rushdie is the author of thirteen previous novels – Grimus, Midnight’s Children (for which he won the Booker Prize and the Best of the Booker), Shame, The Satanic Verses, Haroun and the Sea of Stories, The Moor’s Last Sigh, The Ground Beneath Her Feet, Fury, Shalimar the Clown, The Enchantress of Florence, Luka and the Fire of Life, Two Years, Eight Months, and Twenty-Eight Nights, and The Golden House – and one collection of short stories: East, West.
He has also published four works of non-fiction – Joseph Anton, The Jaguar Smile, Imaginary Homelands, and Step Across This Line – and co-edited two anthologies, Mirrorwork and Best American Short Stories 2008.
He is a member of the American Academy of Arts and Letters and a Distinguished Writer in Residence at New York University. A former president of PEN American Center, Rushdie was knighted in 2007 for services to literature.
Quichotte
Salman Rushdie (Author)
Imprint: Jonathan Cape
Published: 29/08/2019
ISBN: 9781787331914
Length: 416 Pages
Dimensions: 240mm x 37mm x 162mm
RRP: £20.00
LONGLISTED FOR THE BOOKER PRIZE 2019
# new books
Quichotte
by Salman Rushdie
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The Brooklyn Book Festival is one of America’s premier book festivals and the largest free literary event in New York City.
Presenting an array of national and international literary stars and emerging authors including Alexander Chee, Ted Chiang, Susan Choi, Edwidge Danticat, Sarah Dessen, Akwaeke Emezi, Jonathan Safran Foer, Jenny Han, Aleksandar Hemon, Mira Jacob, Marlon James, N.K. Jemisin, Lucy Knisley, Laila Lalami, Jessica Lange, DeRay Mckesson, Bill McKibben, Mary Norris, Joyce Carol Oates, Ben Passmore, Matt Taibbi, Mo Willems, Meg Wolitzer, Nell Zink, and hundreds more.
The Festival includes a week of Bookend Events throughout New York City, a lively Children’s Day and a celebratory Festival Day with more than 300 authors plus 250 booksellers filling a vibrant outdoor Literary Marketplace. This hip, smart, diverse gathering attracts thousands of book lovers of all ages.
September 16 – 23
Brooklyn Book Festival 2019
Citywide Brooklyn – New York
# more on website brooklynbookfestival
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