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«« Previous page · 52nd POETRY INTERNATIONAL FESTIVAL ROTTERDAM · Annie Ernaux: Le jeune homme · Auguries of a Minor God by Nidhi Zak/Aria Eipe · Annie Ernaux: L’atelier noir · A Dressed Man by George Orwell · Diana Anphimiadi: Why I No Longer Write Poems · The Opposite of Loneliness, Essays and Stories by Marina Keegan · Antonin Artaud: Poème Révolte contre la poésie · Our Minds Are Married, But We Are Too Young by George Orwell · Antonin Artaud: La rue · ‘Het nooit geschreven verhaal’ een nieuwe roman van Ton van Reen · BOEKENWEEK 2022 van 9 t/m 18 april

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52nd POETRY INTERNATIONAL FESTIVAL ROTTERDAM

52nd Poetry International Festival Rotterdam
From Friday 10 to Sunday 12 June 2022
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Annie Ernaux: Le jeune homme

En quelques pages, à la première personne, Annie Ernaux (1940) raconte une relation vécue avec un homme de trente ans de moins qu’elle.

 

Une expérience qui la fit redevenir, l’espace de plusieurs mois, la « fille scandaleuse » de sa jeunesse.

Un voyage dans le temps qui lui permit de franchir une étape décisive dans son écriture.

Ce texte est une clé pour lire l’œuvre d’Annie Ernaux — son rapport au temps et à l’écriture.

 

 

Annie Ernaux
Le jeune homme
Editions Gallimard
ISBN 9782072980090
Paru le 05 mai 2022
Collection Blanche, Gallimard
48 pages,
118 x 185 mm, sur Vélin pur fil
Genre : Romans et récits Époque : XXe-XXIe siècle
Prix : € 8,00

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Auguries of a Minor God by Nidhi Zak/Aria Eipe

The debut collection of poetry from a virtuosic, compassionate new voice.

Nidhi Zak/Aria Eipe is a poet, pacifist and fabulist.

Born in India, she grew up across the Middle East, Europe and North America before calling Ireland home.

Founder of the Play It Forward Fellowships, she serves as poetry editor at Skein Press and Fallow Media, contributing editor for The Stinging Fly and an advisory board member of Ledbury Poetry Critics Ireland.

She is the recipient of a Next Generation Artist Award in Literature from the Arts Council of Ireland and the inaugural Ireland Chair of Poetry Student Award.

Nidhi Zak/Aria Eipe’s spellbinding debut poetry collection explores love and the wounds it makes. Its first half is composed of five sections, corresponding to the five arrows of Kama, the Hindu God of Love, Desire and Memory. Each arrow has its own effect on some body – a very real, contemporary body – and its particular journey of love.

The second is a long narrative poem, ‘A is for [Arabs]’, which follows a different kind of journey: a family of refugees who have fled to the West from conflict in an unspecified Middle Eastern country. With an extraordinary structure, yoking abecedarian and Fibonacci sequences, it is a skillful and intimate account of migration and exile, of home and belonging.

Auguries of a Minor God
by Nidhi Zak/Aria Eipe
Publisher: ‎ Faber & Faber
September 7, 2021
Language: ‎ English
Paperback: ‎ 120 pages
ISBN-10‏ : ‎ 0571365566
ISBN-13: ‎ 978-0571365562
£10.99

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Annie Ernaux: L’atelier noir

Tous les livres que j’ai écrits ont été précédés d’une phase, souvent très longue, de réflexions et d’interrogations, d’incertitudes et de directions abandonnées.
À partir de 1982, j’ai pris l’habitude de noter ce travail d’exploration sur des feuilles, avec des dates, et j’ai continué de le faire jusqu’à présent. C’est un journal de peine, de perpétuelle irrésolution entre des projets, entre des désirs. Une sorte d’atelier sans lumière et sans issue, dans lequel je tourne en rond à la recherche des outils, et des seuls, qui conviennent au livre que j’entrevois, au loin, dans la clarté.
A. E.

Parallèlement à ses romans, Annie Ernaux tient un journal d’avant-écriture ; une sorte de livre de fouilles, rédigé année après année, qui offre une incursion rare de « l’autre côté » de l’œuvre.
Plongé au cœur même de l’acte d’écrire, le lecteur devient témoin du long dialogue de l’autrice avec elle-même : la pensée taillée au couteau, des idées en vrac, des infinitifs en mouvement ; des associations de mots, de morceaux de temps, et de confidences.

Pour la réédition de L’atelier noir, Annie Ernaux a souhaité augmenter l’ouvrage de pages inédites de son journal de Mémoire de fille.

Annie Ernaux
L’atelier noir
Édition augmentée
Collection L’Imaginaire (n° 733), Gallimard
Parution: 10-02-2022 – Poche 10 €
180 pages, sous couverture illustrée, 125 x 190 mm
Achevé d’imprimer : 01-01-2022
Genre : Mémoires et autobiographies Catégorie – Littérature
Époque : XXe-XXIe siècle
ISBN : 9782072958441

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A Dressed Man by George Orwell

 

A Dressed Man

A dressed man and a naked man
Stood by the kip-house fire,
Watching the sooty cooking-pots
That bubble on the wire;

And bidding tanners up and down,
Bargaining for a deal,
Naked skin for empty skin,
Clothes against a meal.

‘Ten bob it is,’ the dressed man said,
‘These boots cost near a pound,
This coat’s a blanket of itself.
When you kip on the frosty ground.’

‘One dollar,’ said the nakd man,
‘And that’s a hog too dear;
I’ve seen a man strip off his shirt
For a fag and a pot of beer.’

‘Eight and a tanner,’ the dressed man said,

George Orwell
(1903 – 1950)
A Dressed Man

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Diana Anphimiadi: Why I No Longer Write Poems

Diana Anphimiadi is a poet, publicist, linguist and teacher. She has published four collections of poetry in Georgian: Shokoladi (Chocolate, 2008), Konspecturi Mitologia (Resumé of Mythology, 2009), Alhlokhedvis Traektoria (Trajectory of the Short-Sighted, 2012) and Chrdilis Amoch’ra (Cutting the Shadow, 2015).

Her poetry has received prestigious awards, including first prize in the 2008 Tsero (Crane Award) and the Saba Prize for the best first collection in 2009. Her chapbook, Beginning to Speak, was published in 2018 by the Poetry Translation Centre, and Why I No Longer Write Poems, the first full-length Georgian-English selection of her poetry, is published by Bloodaxe Books with the Poetry Translation Centre in 2022, both titles translated by Natalia Bukia-Peters and Jean Sprackland.
Diana Anphimiadi lives in Tblisi with her son.

The poems in this selection have been collaboratively translated into English by the leading Georgian translator Natalia Bukia-Peters and award-winning British poet Jean Sprackland. A chapbook selection of their translations of Anphimiadi’s work, Beginning to Speak, was published in 2018 and praised by Adham Smart in Modern Poetry in Translation for capturing the ‘electricity of Anphimiadi’s language’ which ‘crackles from one poem to the next in Bukia-Peters and Sprackland’s fine translation’.

#new poetry
Diana Anphimiadi
Why I No Longer Write Poems
Translated by Jean Sprackland & Natalia Bukia-Peters
Publication Date : 24 Feb 2022
Winner English PEN Award
Paperback
Pages: 160
Size: 216 x 138mm
Bloodaxe Books Ltd
ISBN: 9781780375472
£12.99

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The Opposite of Loneliness, Essays and Stories by Marina Keegan

Marina Keegan (1989-2012) was an award-winning author, journalist, playwright, poet, actress, and activist.

Her nonfiction has been published in The New York Times; her fiction has been published on NewYorker.com, and read on NPR’s Selected Shorts; her musical, Independents, was a New York Times Critics’ Pick. Marina’s final essay for The Yale Daily News, “The Opposite of Loneliness”, became an instant global sensation, viewed by more than 1.4 million people from 98 countries.

‘A generation-defining collection published posthumously…Her voice is relevant, sharp, fresh, unfiltered and poetic, with a dry wit. You can dive in and out of her questioning and her musings and meanderings. So much promise’, Jenna Coleman, star of Doctor Who and Victoria.

Marina Keegan’s star was on the rise when she graduated from Yale in May 2012. She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash.

As her family, friends and classmates, deep in grief, joined to create a memorial service for Marina, her unforgettable last essay for the Yale Daily News, ‘The Opposite of Loneliness’, went viral, receiving more than 1.4 million hits.

She had struck a chord. Even though she was just 22 when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty and possibility of her generation. The Opposite of Loneliness is an assemblage of Marina’s essays and stories that articulates the universal struggle we all face as we work out what we aspire to be and how we can harness our talents to make an impact on the world.

The Opposite of Loneliness:
Essays and Stories
by Marina Keegan (Author),
Anne Fadiman (Introduction)
Publisher: ‎ Scribner,
Simon & Schuster Ltd
First Edition (April 8, 2014)
Language: ‎ English
240 pages
ISBN-10 ‏ : ‎ 147675361X
ISBN-13 ‏ : ‎ 978-1476753614
Price: Paperback € 19,99

Marina Keegan (1989-2012)
American author, playwright, journalist, actress and poet
Born: Marina Evelyn Keegan
October 25, 1989
Boston, Massachusetts
Died: May 26, 2012 (aged 22)
Cape Cod (USA)
Alma mater; Yale University
The Opposite of Loneliness:
Essays and Stories (2014)
American literature

For more information, visit:  TheOppositeofLoneliness.com

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Antonin Artaud: Poème Révolte contre la poésie

 

Poème Révolte contre la poésie

Nous n’avons jamais écrit qu’avec la mise en incarnation de l’âme,
mais elle était déjà faite, et pas par nous-mêmes,
quand nous sommes entrés dans la poésie.
Le poète qui écrit s’adresse au Verbe et le Verbe a ses lois.
Il est dans l’inconscient du poète de croire automatiquement à ces lois.
Il se croit libre et il ne l’est pas.

Antonin Artaud
(1896 – 1948)
Poème Révolte contre la poésie

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Our Minds Are Married, But We Are Too Young by George Orwell

 

Our Minds Are Married,
But We are Too Young

Our minds are married, but we are too young
For wedlock by the customs of this age
When parent homes pen each in separate cage
And only supper-earning songs are sung.
Times past, when medieval woods were green,
Babes were betrothed, and that betrothal brief.
Remember Romeo in love and grief—
Those star-crossed lovers—Juliet was fourteen.

Times past, the caveman by his new-found fire
Rested beside his mate in woodsmoke’s scent.
By our own fireside we shall rest content
Fifty years hence keep troth with hearts desire.

We shall remember, when our hair is white,
These clouded days revealed in radiant light.

George Orwell
(1903 – 1950)
Our Minds Are Married, But We are Too Young

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Antonin Artaud: La rue

 

La rue

La rue sexuelle s’anime
le long de faces mal venues,
les cafés pepiant de crimes
deracinent les avenues.

Des mains de sexe brûlent les poches
et les ventres bouent par-dessous;
toutes les pensees s’entrechoquent,
et les tetes moins que les trous.

Antonin Artaud
(1896 – 1948)
La rue

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‘Het nooit geschreven verhaal’ een nieuwe roman van Ton van Reen

Ton van Reen schreef onder meer romans, kinder- en jeugdboeken en journalistiek werk.

Bekend zijn de romans Het winterjaar, Roomse meisjes en Concert voor de Führer. Gestolen jeugd is het ware verhaal van jongens en mannen die aan het eind van de Tweede Wereldoorlog als dwangarbeiders naar Duitsland werden gevoerd. De lichtverkoper werpt licht op een donker tijdperk in de geschiedenis van de kinderarbeid in de negentiende eeuw. De verdwenen stad is de werdegang van een advocaat. Dochters is het levensverhaal van een journalist in Afrika. Katapult is een verhaal over gewone mensen in roerig Amsterdam in de vorige eeuw. De bende van de bokkenrijders werd verfilmd tot een veelbekroonde tv-serie. In Frankrijk spelen zijn boeken Vlucht uit Montaillou, Bevroren dromen, Landverbeuren en In het spoor van de camisards.

Ton van Reen over het ontstaan van zijn nieuwe roman:

“Zestig jaar geleden werkte ik als leerling-verpleger in Psychiatrisch Ziekenhuis Ursula in Wassenaar. Drie avonden in de week bezocht ik de avond-HBS in Den Haag. Bij thuiskomst kwam ik vaak, op eigen verzoek, in de nachtdienst terecht.

Vaak had ik lange gesprekken met patiënten die slecht sliepen. Er was een man die mij het verhaal vertelde over een misdaad die hij niet had begaan maar waarvoor hij de schuld op zich had genomen. Uit liefde. Daarna belandde hij lange jaren in de gevangenis.

Zijn verhaal bleef mijn leven lang in mijn hoofd hangen. Ik wilde het ooit opschrijven. Het kwam er nooit van.

Het drama had zich afgespeeld in een kloosterdorp, in Brabant of Limburg, zoals Velp bij Grave, of Steijl bij Tegelen. Tot ik opeens besefte dat er ook zo’n dorp met een psychiatrische inrichting bij mij in de buurt lag. Koningslust, een kerkdorp van de gemeente Helden waar zich een deel van mijn jeugd had afgespeeld. Een dorp dat mede ontstaan was door het klooster dat er in 1849 was gesticht door de Broeders van Sint Joseph.

Alles viel op zijn plek. Ik had een handvat om het verhaal waarvan ik alleen de kern kende, op te schrijven. Het verhaal had ik zestig jaar geleden gehoord en het speelde zestig jaar eerder, rond 1900. Ik besloot het in deze tijd te plaatsen. Het is immers een verhaal van alle tijden. De kern, over de man die zich opoffert uit liefde, blijft.”

Ton van Reen
Het nooit geschreven verhaal
Roman
Vormgeving omslag Carmen Arends
Gebrocheerd in omslag
240 blz.
Uitgeverij In de Knipscheer
ISBN 978-94-93214-68-2
Eerste uitgave maart 2022
€ 19,50

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BOEKENWEEK 2022 van 9 t/m 18 april

More in: - Book Lovers, - Book News, - Bookstores, AUDIO, CINEMA, RADIO & TV, Boekenweek


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