Fleurs du Mal Magazine
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A Straggler of ‘15
by Arthur Conan Doyle
It was a dull October morning, and heavy, rolling fog-wreaths lay low over the wet grey roofs of the Woolwich houses. Down in the long, brick-lined streets all was sodden and greasy and cheerless. From the high dark buildings of the arsenal came the whirr of many wheels, the thudding of weights, and the buzz and babel of human toil. Beyond, the dwellings of the workingmen, smoke-stained and unlovely, radiated away in a lessening perspective of narrowing road and dwindling wall.
There were few folk in the streets, for the toilers had all been absorbed since break of day by the huge smoke-spouting monster, which sucked in the manhood of the town, to belch it forth weary and work-stained every night. Little groups of children straggled to school, or loitered to peep through the single, front windows at the big, gilt-edged Bibles, balanced upon small, three-legged tables, which were their usual adornment. Stout women, with thick, red arms and dirty aprons, stood upon the whitened doorsteps, leaning upon their brooms, and shrieking their morning greetings across the road. One stouter, redder, and dirtier than the rest, had gathered a small knot of cronies around her and was talking energetically, with little shrill titters from her audience to punctuate her remarks.
“Old enough to know better!” she cried, in answer to an exclamation from one of the listeners. “If he hain’t no sense now, I ‘specs he won’t learn much on this side o’ Jordan. Why, ‘ow old is he at all? Blessed if I could ever make out.”
“Well, it ain’t so hard to reckon,” said a sharp-featured pale-faced woman with watery blue eyes. “He’s been at the battle o’ Waterloo, and has the pension and medal to prove it.”
“That were a ter’ble long time agone,” remarked a third. “It were afore I were born.”
“It were fifteen year after the beginnin’ of the century,” cried a younger woman, who had stood leaning against the wall, with a smile of superior knowledge upon her face. “My Bill was a-saying so last Sabbath, when I spoke to him o’ old Daddy Brewster, here.”
“And suppose he spoke truth, Missus Simpson, ‘ow long agone do that make it?”
“It’s eighty-one now,” said the original speaker, checking off the years upon her coarse red fingers, “and that were fifteen. Ten and ten, and ten, and ten, and ten—why, it’s only sixty-and-six year, so he ain’t so old after all.”
“But he weren’t a newborn babe at the battle, silly!” cried the young woman with a chuckle. “S’pose he were only twenty, then he couldn’t be less than six-and-eighty now, at the lowest.”
“Aye, he’s that—every day of it,” cried several.
“I’ve had ‘bout enough of it,” remarked the large woman gloomily. “Unless his young niece, or grandniece, or whatever she is, come to-day, I’m off, and he can find some one else to do his work. Your own ‘ome first, says I.”
“Ain’t he quiet, then, Missus Simpson?” asked the youngest of the group.
“Listen to him now,” she answered, with her hand half raised and her head turned slantwise towards the open door. From the upper floor there came a shuffling, sliding sound with a sharp tapping of a stick. “There he go back and forrards, doing what he call his sentry go. ‘Arf the night through he’s at that game, the silly old juggins. At six o’clock this very mornin there he was beatin’ with a stick at my door. ‘Turn out, guard!’ he cried, and a lot more jargon that I could make nothing of. Then what with his coughin’ and ‘awkin’ and spittin’, there ain’t no gettin’ a wink o’ sleep. Hark to him now!”
“Missus Simpson, Missus Simpson!” cried a cracked and querulous voice from above.
“That’s him!” she cried, nodding her head with an air of triumph. “He do go on somethin’ scandalous. Yes, Mr. Brewster, sir.”
“I want my morning ration, Missus Simpson.”
“It’s just ready, Mr. Brewster, sir.”
“Blessed if he ain’t like a baby cryin’ for its pap,” said the young woman.
“I feel as if I could shake his old bones up sometimes!” cried Mrs. Simpson viciously. “But who’s for a ‘arf of fourpenny?”
The whole company were about to shuffle off to the public house, when a young girl stepped across the road and touched the housekeeper timidly upon the arm. “I think that is No. 56 Arsenal View,” she said. “Can you tell me if Mr. Brewster lives here?”
The housekeeper looked critically at the newcomer. She was a girl of about twenty, broad-faced and comely, with a turned-up nose and large, honest grey eyes. Her print dress, her straw hat, with its bunch of glaring poppies, and the bundle she carried, had all a smack of the country.
“You’re Norah Brewster, I s’pose,” said Mrs. Simpson, eyeing her up and down with no friendly gaze.
“Yes, I’ve come to look after my Granduncle Gregory.”
“And a good job too,” cried the housekeeper, with a toss of her head. “It’s about time that some of his own folk took a turn at it, for I’ve had enough of it. There you are, young woman! In you go and make yourself at home. There’s tea in the caddy and bacon on the dresser, and the old man will be about you if you don’t fetch him his breakfast. I’ll send for my things in the evenin’.” With a nod she strolled off with her attendant gossips in the direction of the public house.
Thus left to her own devices, the country girl walked into the front room and took off her hat and jacket. It was a low-roofed apartment with a sputtering fire upon which a small brass kettle was singing cheerily. A stained cloth lay over half the table, with an empty brown teapot, a loaf of bread, and some coarse crockery. Norah Brewster looked rapidly about her, and in an instant took over her new duties. Ere five minutes had passed the tea was made, two slices of bacon were frizzling on the pan, the table was rearranged, the antimacassars straightened over the sombre brown furniture, and the whole room had taken a new air of comfort and neatness. This done she looked round curiously at the prints upon the walls. Over the fireplace, in a small, square case, a brown medal caught her eye, hanging from a strip of purple ribbon. Beneath was a slip of newspaper cutting. She stood on her tiptoes, with her fingers on the edge of the mantelpiece, and craned her neck up to see it, glancing down from time to time at the bacon which simmered and hissed beneath her. The cutting was yellow with age, and ran in this way:
“On Tuesday an interesting ceremony was performed at the barracks of the Third Regiment of Guards, when, in the presence of the Prince Regent, Lord Hill, Lord Saltoun, and an assemblage which comprised beauty as well as valour, a special medal was presented to Corporal Gregory Brewster, of Captain Haldane’s flank company, in recognition of his gallantry in the recent great battle in the Lowlands. It appears that on the ever-memorable 18th of June four companies of the Third Guards and of the Coldstreams, under the command of Colonels Maitland and Byng, held the important farmhouse of Hougoumont at the right of the British position. At a critical point of the action these troops found themselves short of powder. Seeing that Generals Foy and Jerome Buonaparte were again massing their infantry for an attack on the position, Colonel Byng dispatched Corporal Brewster to the rear to hasten up the reserve ammunition. Brewster came upon two powder tumbrils of the Nassau division, and succeeded, after menacing the drivers with his musket, in inducing them to convey their powder to Hougoumont. In his absence, however, the hedges surrounding the position had been set on fire by a howitzer battery of the French, and the passage of the carts full of powder became a most hazardous matter. The first tumbril exploded, blowing the driver to fragments. Daunted by the fate of his comrade, the second driver turned his horses, but Corporal Brewster, springing upon his seat, hurled the man down, and urging the powder cart through the flames, succeeded in forcing his way to his companions. To this gallant deed may be directly attributed the success of the British arms, for without powder it would have been impossible to have held Hougoumont, and the Duke of Wellington had repeatedly declared that had Hougoumont fallen, as well as La Haye Sainte, he would have found it impossible to have held his ground. Long may the heroic Brewster live to treasure the medal which he has so bravely won, and to look back with pride to the day when, in the presence of his comrades, he received this tribute to his valour from the august hands of the first gentleman of the realm.”
The reading of this old cutting increased in the girl’s mind the veneration which she had always had for her warrior kinsman. From her infancy he had been her hero, and she remembered how her father used to speak of his courage and his strength, how he could strike down a bullock with a blow of his fist and carry a fat sheep under either arm. True, she had never seen him, but a rude painting at home which depicted a square-faced, clean shaven, stalwart man with a great bearskin cap, rose ever before her memory when she thought of him.
She was still gazing at the brown medal and wondering what the “Dulce et decorum est” might mean, which was inscribed upon the edge, when there came a sudden tapping and shuffling upon the stair, and there at the door was standing the very man who had been so often in her thoughts.
But could this indeed be he? Where was the martial air, the flashing eye, the warrior face which she had pictured? There, framed in the doorway, was a huge twisted old man, gaunt and puckered, with twitching hands and shuffling, purposeless feet. A cloud of fluffy white hair, a red-veined nose, two thick tufts of eyebrow and a pair of dimly questioning, watery blue eyes—these were what met her gaze. He leaned forward upon a stick, while his shoulders rose and fell with his crackling, rasping breathing.
“I want my morning rations,” he crooned, as he stumped forward to his chair. “The cold nips me without ’em. See to my fingers!” He held out his distorted hands, all blue at the tips, wrinkled and gnarled, with huge, projecting knuckles.
“It’s nigh ready,” answered the girl, gazing at him with wonder in her eyes. “Don’t you know who I am, granduncle? I am Norah Brewster from Witham.”
“Rum is warm,” mumbled the old man, rocking to and fro in his chair, “and schnapps is warm, and there’s ‘eat in soup, but it’s a dish o’ tea for me. What did you say your name was?”
“Norah Brewster.”
“You can speak out, lass. Seems to me folk’s voices isn’t as loud as they used.”
“I’m Norah Brewster, uncle. I’m your grandniece come down from Essex way to live with you.”
“You’ll be brother Jarge’s girl! Lor, to think o’ little Jarge having a girl!” He chuckled hoarsely to himself, and the long, stringy sinews of his throat jerked and quivered.
“I am the daughter of your brother George’s son,” said she, as she turned the bacon.
“Lor, but little Jarge was a rare un!” he continued. “Eh, by Jimini, there was no chousing Jarge. He’s got a bull pup o’ mine that I gave him when I took the bounty. You’ve heard him speak of it, likely?”
“Why, grandpa George has been dead this twenty year,” said she, pouring out the tea.
“Well, it was a bootiful pup—aye, a well-bred un, by Jimini! I’m cold for lack o’ my rations. Rum is good, and so is schnapps, but I’d as lief have tea as either.”
He breathed heavily while he devoured his food. “It’s a middlin’ goodish way you’ve come,” said he at last. “Likely the stage left yesternight.”
“The what, uncle?”
“The coach that brought you.”
“Nay, I came by the mornin’ train.”
“Lor, now, think o’ that! You ain’t afeard o’ those newfangled things! By Jimini, to think of you comin’ by railroad like that! What’s the world a-comin’ to!”
There was silence for some minutes while Norah sat stirring her tea and glancing sideways at the bluish lips and champing jaws of her companion.
“You must have seen a deal o’ life, uncle,” said she. “It must seem a long, long time to you!”
“Not so very long neither. I’m ninety, come Candlemas; but it don’t seem long since I took the bounty. And that battle, it might have been yesterday. Eh, but I get a power o’ good from my rations!” He did indeed look less worn and colourless than when she first saw him. His face was flushed and his back more erect.
“Have you read that?” he asked, jerking his head towards the cutting.
“Yes, uncle, and I’m sure you must be proud of it.”
“Ah, it was a great day for me! A great day! The Regent was there, and a fine body of a man too! ‘The ridgment is proud of you,’ says he. ‘And I’m proud of the ridgment,’ say I. ‘A damned good answer too!’ says he to Lord Hill, and they both bu’st out a-laughin’. But what be you a-peepin’ out o’ the window for?”
“Oh, uncle, here’s a regiment of soldiers coming down the street with the band playing in front of them.”
“A ridgment, eh? Where be my glasses? Lor, but I can hear the band, as plain as plain! Here’s the pioneers an’ the drum-major! What be their number, lass?” His eyes were shining and his bony yellow fingers, like the claws of some fierce old bird, dug into her shoulder.
“They don’t seem to have no number, uncle. They’ve something wrote on their shoulders. Oxfordshire, I think it be.”
“Ah, yes!” he growled. “I heard as they’d dropped the numbers and given them newfangled names. There they go, by Jimini! They’re young mostly, but they hain’t forgot how to march. They have the swing-aye, I’ll say that for them. They’ve got the swing.” He gazed after them until the last files had turned the corner and the measured tramp of their marching had died away in the distance.
He had just regained his chair when the door opened and a gentleman stepped in.
“Ah, Mr. Brewster! Better to-day?” he asked.
“Come in, doctor! Yes, I’m better. But there’s a deal o’ bubbling in my chest. It’s all them toobes. If I could but cut the phlegm, I’d be right. Can’t you give me something to cut the phlegm?”
The doctor, a grave-faced young man, put his fingers to the furrowed, blue-corded wrist.
“You must be careful,” he said. “You must take no liberties.” The thin tide of life seemed to thrill rather than to throb under his finger.
The old man chuckled.
“I’ve got brother Jarge’s girl to look after me now. She’ll see I don’t break barracks or do what I hadn’t ought to. Why, darn my skin, I knew something was amiss!
“With what?”
“Why, with them soldiers. You saw them pass, doctor—eh? They’d forgot their stocks. Not one on ’em had his stock on.” He croaked and chuckled for a long time over his discovery. “It wouldn’t ha’ done for the Dook!” he muttered. “No, by Jimini! the Dook would ha’ had a word there.”
The doctor smiled. “Well, you are doing very well,” said he. “I’ll look in once a week or so, and see how you are.” As Norah followed him to the door, he beckoned her outside.
“He is very weak,” he whispered. “If you find him failing you must send for me.”
“What ails him, doctor?”
“Ninety years ails him. His arteries are pipes of lime. His heart is shrunken and flabby. The man is worn out.”
Norah stood watching the brisk figure of the young doctor, and pondering over these new responsibilities which had come upon her. When she turned a tall, brown-faced artilleryman, with the three gold chevrons of sergeant upon his arm, was standing, carbine in hand, at her elbow.
“Good-morning, miss,” said he, raising one thick finger to his jaunty, yellow-banded cap. “I b’lieve there’s an old gentleman lives here of the name of Brewster, who was engaged in the battle o’ Waterloo?”
“It’s my granduncle, sir,” said Norah, casting down her eyes before the keen, critical gaze of the young soldier. “He is in the front parlour.”
“Could I have a word with him, miss? I’ll call again if it don’t chance to be convenient.”
“I am sure that he would be very glad to see you, sir. He’s in here, if you’ll step in. Uncle, here’s a gentleman who wants to speak with you.”
“Proud to see you, sir—proud and glad, sir,” cried the sergeant, taking three steps forward into the room, and grounding his carbine while he raised his hand, palm forwards, in a salute. Norah stood by the door, with her mouth and eyes open, wondering if her granduncle had ever, in his prime, looked like this magnificent creature, and whether he, in his turn, would ever come to resemble her granduncle.
The old man blinked up at his visitor, and shook his head slowly. “Sit ye down, sergeant,” said he, pointing with his stick to a chair. “You’re full young for the stripes. Lordy, it’s easier to get three now than one in my day. Gunners were old soldiers then and the grey hairs came quicker than the three stripes.”
“I am eight years’ service, sir,” cried the sergeant. “Macdonald is my name—Sergeant Macdonald, of H Battery, Southern Artillery Division. I have called as the spokesman of my mates at the gunner’s barracks to say that we are proud to have you in the town, sir.”
Old Brewster chuckled and rubbed his bony hands. “That were what the Regent said,” he cried. “‘The ridgment is proud of ye,’ says he. ‘And I am proud of the ridgment,’ says I. ‘And a damned good answer too,’ says he, and he and Lord Hill bu’st out a-laughin’.”
“The non-commissioned mess would be proud and honoured to see you, sir,” said Sergeant Macdonald; “and if you could step as far you’ll always find a pipe o’ baccy and a glass o’ grog a-waitin’ you.”
The old man laughed until he coughed. “Like to see me, would they? The dogs!” said he. “Well, well, when the warm weather comes again I’ll maybe drop in. Too grand for a canteen, eh? Got your mess just the same as the orficers. What’s the world a-comin’ to at all!”
“You was in the line, sir, was you not?” asked the sergeant respectfully.
“The line?” cried the old man, with shrill scorn. “Never wore a shako in my life. I am a guardsman, I am. Served in the Third Guards—the same they call now the Scots Guards. Lordy, but they have all marched away—every man of them—from old Colonel Byng down to the drummer boys, and here am I a straggler—that’s what I am, sergeant, a straggler! I’m here when I ought to be there. But it ain’t my fault neither, for I’m ready to fall in when the word comes.”
“We’ve all got to muster there,” answered the sergeant. “Won’t you try my baccy, sir?” handing over a sealskin pouch.
Old Brewster drew a blackened clay pipe from his pocket, and began to stuff the tobacco into the bowl. In an instant it slipped through his fingers, and was broken to pieces on the floor. His lip quivered, his nose puckered up, and he began crying with the long, helpless sobs of a child. “I’ve broke my pipe,” he cried.
“Don’t, uncle; oh, don’t!” cried Norah, bending over him, and patting his white head as one soothes a baby. “It don’t matter. We can easy get another.”
“Don’t you fret yourself, sir,” said the sergeant. “‘Ere’s a wooden pipe with an amber mouth, if you’ll do me the honour to accept it from me. I’d be real glad if you will take it.”
“Jimini!” cried he, his smiles breaking in an instant through his tears. “It’s a fine pipe. See to my new pipe, Norah. I lay that Jarge never had a pipe like that. You’ve got your firelock there, sergeant?”
“Yes, sir. I was on my way back from the butts when I looked in.”
“Let me have the feel of it. Lordy, but it seems like old times to have one’s hand on a musket. What’s the manual, sergeant, eh? Cock your firelock—look to your priming—present your firelock—eh, sergeant? Oh, Jimini, I’ve broke your musket in halves!”
“That’s all right, sir,” cried the gunner laughing. “You pressed on the lever and opened the breech-piece. That’s where we load ’em, you know.”
“Load ’em at the wrong end! Well, well, to think o’ that! And no ramrod neither! I’ve heard tell of it, but I never believed it afore. Ah! it won’t come up to brown Bess. When there’s work to be done, you mark my word and see if they don’t come back to brown Bess.”
“By the Lord, sir!” cried the sergeant hotly, “they need some change out in South Africa now. I see by this mornin’s paper that the Government has knuckled under to these Boers. They’re hot about it at the non-com. mess, I can tell you, sir.”
“Eh—eh,” croaked old Brewster. “By Jimini! it wouldn’t ha’ done for the Dook; the Dook would ha’ had a word to say over that.”
“Ah, that he would, sir!” cried the sergeant; “and God send us another like him. But I’ve wearied you enough for one sitting. I’ll look in again, and I’ll bring a comrade or two with me, if I may, for there isn’t one but would be proud to have speech with you.”
So, with another salute to the veteran and a gleam of white teeth at Norah, the big gunner withdrew, leaving a memory of blue cloth and of gold braid behind him. Many days had not passed, however, before he was back again, and during all the long winter he was a frequent visitor at Arsenal View. There came a time, at last, when it might be doubted to which of the two occupants his visits were directed, nor was it hard to say by which he was most anxiously awaited. He brought others with him; and soon, through all the lines, a pilgrimage to Daddy Brewster’s came to be looked upon as the proper thing to do. Gunners and sappers, linesmen and dragoons, came bowing and bobbing into the little parlour, with clatter of side arms and clink of spurs, stretching their long legs across the patchwork rug, and hunting in the front of their tunics for the screw of tobacco or paper of snuff which they had brought as a sign of their esteem.
It was a deadly cold winter, with six weeks on end of snow on the ground, and Norah had a hard task to keep the life in that time-worn body. There were times when his mind would leave him, and when, save an animal outcry when the hour of his meals came round, no word would fall from him. He was a white-haired child, with all a child’s troubles and emotions. As the warm weather came once more, however, and the green buds peeped forth again upon the trees, the blood thawed in his veins, and he would even drag himself as far as the door to bask in the life-giving sunshine.
“It do hearten me up so,” he said one morning, as he glowed in the hot May sun. “It’s a job to keep back the flies, though. They get owdacious in this weather, and they do plague me cruel.”
“I’ll keep them off you, uncle,” said Norah.
“Eh, but it’s fine! This sunshine makes me think o’ the glory to come. You might read me a bit o’ the Bible, lass. I find it wonderful soothing.”
“What part would you like, uncle?”
“Oh, them wars.”
“The wars?”
“Aye, keep to the wars! Give me the Old Testament for choice. There’s more taste to it, to my mind. When parson comes he wants to get off to something else; but it’s Joshua or nothing with me. Them Israelites was good soldiers—good growed soldiers, all of ’em.”
“But, uncle,” pleaded Norah, “it’s all peace in the next world.”
“No, it ain’t, gal.”
“Oh, yes, uncle, surely!”
The old corporal knocked his stick irritably upon the ground. “I tell ye it ain’t, gal. I asked parson.”
“Well, what did he say?”
“He said there was to be a last fight. He even gave it a name, he did. The battle of Arm—Arm——”
“Armageddon.”
“Aye, that’s the name parson said. I ‘specs the Third Guards’ll be there. And the Dook—the Dook’ll have a word to say.”
An elderly, grey-whiskered gentleman had been walking down the street, glancing up at the numbers of the houses. Now as his eyes fell upon the old man, he came straight for him.
“Hullo!” said he; “perhaps you are Gregory Brewster?”
“My name, sir,” answered the veteran.
“You are the same Brewster, as I understand, who is on the roll of the Scots Guards as having been present at the battle of Waterloo?”
“I am that man, sir, though we called it the Third Guards in those days. It was a fine ridgment, and they only need me to make up a full muster.”
“Tut, tut! they’ll have to wait years for that,” said the gentleman heartily. “But I am the colonel of the Scots Guards, and I thought I would like to have a word with you.”
Old Gregory Brewster was up in an instant, with his hand to his rabbit-skin cap. “God bless me!” he cried, “to think of it! to think of it!”
“Hadn’t the gentleman better come in?” suggested the practical Norah from behind the door.
“Surely, sir, surely; walk in, sir, if I may be so bold.” In his excitement he had forgotten his stick, and as he led the way into the parlour his knees tottered, and he threw out his hands. In an instant the colonel had caught him on one side and Norah on the other.
“Easy and steady,” said the colonel, as he led him to his armchair.
“Thank ye, sir; I was near gone that time. But, Lordy I why, I can scarce believe it. To think of me the corporal of the flank company and you the colonel of the battalion! How things come round, to be sure!”
“Why, we are very proud of you in London,” said the colonel. “And so you are actually one of the men who held Hougoumont.” He looked at the bony, trembling hands, with their huge, knotted knuckles, the stringy throat, and the heaving, rounded shoulders. Could this, indeed, be the last of that band of heroes? Then he glanced at the half-filled phials, the blue liniment bottles, the long-spouted kettle, and the sordid details of the sick room. “Better, surely, had he died under the blazing rafters of the Belgian farmhouse,” thought the colonel.
“I hope that you are pretty comfortable and happy,” he remarked after a pause.
“Thank ye, sir. I have a good deal o’ trouble with my toobes—a deal o’ trouble. You wouldn’t think the job it is to cut the phlegm. And I need my rations. I gets cold without ’em. And the flies! I ain’t strong enough to fight against them.”
“How’s the memory?” asked the colonel.
“Oh, there ain’t nothing amiss there. Why, sir, I could give you the name of every man in Captain Haldane’s flank company.”
“And the battle—you remember it?”
“Why, I sees it all afore me every time I shuts my eyes. Lordy, sir, you wouldn’t hardly believe how clear it is to me. There’s our line from the paregoric bottle right along to the snuff box. D’ye see? Well, then, the pill box is for Hougoumont on the right—where we was—and Norah’s thimble for La Haye Sainte. There it is, all right, sir; and here were our guns, and here behind the reserves and the Belgians. Ach, them Belgians!” He spat furiously into the fire. “Then here’s the French, where my pipe lies; and over here, where I put my baccy pouch, was the Proosians a-comin’ up on our left flank. Jimini, but it was a glad sight to see the smoke of their guns!”
“And what was it that struck you most now in connection with the whole affair?” asked the colonel.
“I lost three half-crowns over it, I did,” crooned old Brewster. “I shouldn’t wonder if I was never to get that money now. I lent ’em to Jabez Smith, my rear rank man, in Brussels. ‘Only till pay-day, Grig,’ says he. By Gosh! he was stuck by a lancer at Quatre Bras, and me with not so much as a slip o’ paper to prove the debt! Them three half-crowns is as good as lost to me.”
The colonel rose from his chair laughing. “The officers of the Guards want you to buy yourself some little trifle which may add to your comfort,” he said. “It is not from me, so you need not thank me.” He took up the old man’s tobacco pouch and slipped a crisp banknote inside it.
“Thank ye kindly, sir. But there’s one favour that I would like to ask you, colonel.”
“Yes, my man.”
“If I’m called, colonel, you won’t grudge me a flag and a firing party? I’m not a civilian; I’m a guardsman—I’m the last of the old Third Guards.”
“All right, my man, I’ll see to it,” said the colonel. “Good-bye; I hope to have nothing but good news from you.”
“A kind gentleman, Norah,” croaked old Brewster, as they saw him walk past the window; “but, Lordy, he ain’t fit to hold the stirrup o’ my Colonel Byng!”
It was on the very next day that the old corporal took a sudden change for the worse. Even the golden sunlight streaming through the window seemed unable to warm that withered frame. The doctor came and shook his head in silence. All day the man lay with only his puffing blue lips and the twitching of his scraggy neck to show that he still held the breath of life. Norah and Sergeant Macdonald had sat by him in the afternoon, but he had shown no consciousness of their presence. He lay peacefully, his eyes half closed, his hands under his cheek, as one who is very weary.
They had left him for an instant and were sitting in the front room, where Norah was preparing tea, when of a sudden they heard a shout that rang through the house. Loud and clear and swelling, it pealed in their ears—a voice full of strength and energy and fiery passion. “The Guards need powder!” it cried; and yet again, “The Guards need powder!”
The sergeant sprang from his chair and rushed in, followed by the trembling Norah. There was the old man standing up, his blue eyes sparkling, his white hair bristling, his whole figure towering and expanding, with eagle head and glance of fire. “The Guards need powder!” he thundered once again, “and, by God, they shall have it!” He threw up his long arms, and sank back with a groan into his chair. The sergeant stooped over him, and his face darkened.
“Oh, Archie, Archie,” sobbed the frightened girl, “what do you think of him?”
The sergeant turned away. “I think,” said he, “that the Third Guards have a full muster now.”
Sir Arthur Conan Doyle (1859 – 1930)
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(Chapter II: Preparing for the ordeal)
by Nellie Bly
BUT to return to my work and my mission. After receiving my instructions I returned to my boarding-house, and when evening came I began to practice the role in which I was to make my debut on the morrow. What a difficult task, I thought, to appear before a crowd of people and convince them that I was insane. I had never been near insane persons before in my life, and had not the faintest idea of what their actions were like. And then to be examined by a number of learned physicians who make insanity a specialty, and who daily come in contact with insane people! How could I hope to pass these doctors and convince them that I was crazy? I feared that they could not be deceived. I began to think my task a hopeless one; but it had to be done. So I flew to the mirror and examined my face. I remembered all I had read of the doings of crazy people, how first of all they have staring eyes, and so I opened mine as wide as possible and stared unblinkingly at my own reflection. I assure you the sight was not reassuring, even to myself, especially in the dead of night. I tried to turn the gas up higher in hopes that it would raise my courage. I succeeded only partially, but I consoled myself with the thought that in a few nights more I would not be there, but locked up in a cell with a lot of lunatics.
The weather was not cold; but, nevertheless, when I thought of what was to come, wintery chills ran races up and down my back in very mockery of the perspiration which was slowly but surely taking the curl out of my bangs. Between times, practicing before the mirror and picturing my future as a lunatic, I read snatches of improbable and impossible ghost stories, so that when the dawn came to chase away the night, I felt that I was in a fit mood for my mission, yet hungry enough to feel keenly that I wanted my breakfast. Slowly and sadly I took my morning bath and quietly bade farewell to a few of the most precious articles known to modern civilization. Tenderly I put my tooth-brush aside, and, when taking a final rub of the soap, I murmured, “It may be for days, and it may be–for longer.” Then I donned the old clothing I had selected for the occasion.
I was in the mood to look at everything through very serious glasses. It’s just as well to take a last “fond look,” I mused, for who could tell but that the strain of playing crazy, and being shut up with a crowd of mad people, might turn my own brain, and I would never get back. But not once did I think of shirking my mission. Calmly, outwardly at least, I went out to my crazy business.
I first thought it best to go to a boarding-house, and, after securing lodging, confidentially tell the landlady, or lord, whichever it might chance to be, that I was seeking work, and, in a few days after, apparently go insane. When I reconsidered the idea, I feared it would take too long to mature. Suddenly I thought how much easier it would be to go to a boarding-home for working women. I knew, if once I made a houseful of women believe me crazy, that they would never rest until I was out of their reach and in secure quarters.
From a directory I selected the Temporary Home for Females, No. 84 Second Avenue. As I walked down the avenue, I determined that, once inside the Home, I should do the best I could to get started on my journey to Blackwell’s Island and the Insane Asylum.
Ten Days in a Mad-House
(Chapter II: Preparing for the ordeal)
by Nellie Bly (1864 – 1922)
fleursdumal.nl magazine
More in: Archive A-B, Bly, Nellie, Nellie Bly, Psychiatric hospitals
NEW YORK: IAN L. MUNRO, PUBLISHER, 24 AND 26 VANDEWATER STREET
WHY ARE THE MADAME MORA’S CORSETS A MARVEL OF COMFORT AND ELEGANCE!?!
Try them and you will Find
WHY they need no breaking in, but feel easy at once.
WHY they are liked by Ladies of full figure.
WHY they do not break down over the hips, and
WHY the celebrated French curved band prevents any wrinkling or stretching at the sides.
WHY dressmakers delight in fitting dresses over them.
WHY merchants say they give better satisfaction than any others.
WHY they take pains to recommend them.
Their popularity has induced many imitations, which are frauds, high at any price. Buy only the genuine, stamped Madame Mora’s. Sold by all leading dealers with this GUARANTEE: that if not perfectly satisfactory upon trial the money will be refunded.
L. KRAUS & CO., Manufacturers, Birmingham, Conn.
INTRODUCTION
SINCE my experiences in Blackwell’s Island Insane Asylum were published in the World I have received hundreds of letters in regard to it. The edition containing my story long since ran out, and I have been prevailed upon to allow it to be published in book form, to satisfy the hundreds who are yet asking for copies.
I am happy to be able to state as a result of my visit to the asylum and the exposures consequent thereon, that the City of New York has appropriated $1,000,000 more per annum than ever before for the care of the insane. So I have at least the satisfaction of knowing that the poor unfortunates will be the better cared for because of my work.
Ten Days in a Mad-House
(Chapter 1: A delicate mission)
by Nellie Bly
On the 22d of September I was asked by the World if I could have myself committed to one of the asylums for the insane in New York, with a view to writing a plain and unvarnished narrative of the treatment of the patients therein and the methods of management, etc. Did I think I had the courage to go through such an ordeal as the mission would demand? Could I assume the characteristics of insanity to such a degree that I could pass the doctors, live for a week among the insane without the authorities there finding out that I was only a “chiel amang ’em takin’ notes?” I said I believed I could. I had some faith in my own ability as an actress and thought I could assume insanity long enough to accomplish any mission intrusted to me. Could I pass a week in the insane ward at Blackwell’s Island? I said I could and I would. And I did.
My instructions were simply to go on with my work as soon as I felt that I was ready. I was to chronicle faithfully the experiences I underwent, and when once within the walls of the asylum to find out and describe its inside workings, which are always, so effectually hidden by white-capped nurses, as well as by bolts and bars, from the knowledge of the public. “We do not ask you to go there for the purpose of making sensational revelations. Write up things as you find them, good or bad; give praise or blame as you think best, and the truth all the time. But I am afraid of that chronic smile of yours,” said the editor. “I will smile no more,” I said, and I went away to execute my delicate and, as I found out, difficult mission.
If I did get into the asylum, which I hardly hoped to do, I had no idea that my experiences would contain aught else than a simple tale of life in an asylum.
That such an institution could be mismanaged, and that cruelties could exist ‘neath its roof, I did not deem possible. I always had a desire to know asylum
life more thoroughly–a desire to be convinced that the most helpless of God’s creatures, the insane, were cared for kindly and properly. The many stories I
had read of abuses in such institutions I had regarded as wildly exaggerated or else romances, yet there was a latent desire to know positively.
I shuddered to think how completely the insane were in the power of their keepers, and how one could weep and plead for release, and all of no avail, if
the keepers were so minded. Eagerly I accepted the mission to learn the inside workings of the Blackwell Island Insane Asylum.
“How will you get me out,” I asked my editor, “after I once get in?”
“I do not know,” he replied, “but we will get you out if we have to tell who you are, and for what purpose you feigned insanity–only get in.”
I had little belief in my ability to deceive the insanity experts, and I think my editor had less.
All the preliminary preparations for my ordeal were left to be planned by myself. Only one thing was decided upon, namely, that I should pass under the pseudonym of Nellie Brown, the initials of which would agree with my own name and my linen, so that there would be no difficulty in keeping track of my
movements and assisting me out of any difficulties or dangers I might get into.
There were ways of getting into the insane ward, but I did not know them. I might adopt one of two courses. Either I could feign insanity at the house of friends, and get myself committed on the decision of two competent physicians, or I could go to my goal by way of the police courts.
Nellie practices insanity at home
On reflection I thought it wiser not to inflict myself upon my friends or to get any good-natured doctors to assist me in my purpose. Besides, to get to Blackwell’s Island my friends would have had to feign poverty, and, unfortunately for the end I had in view, my acquaintance with the struggling poor, except my own self, was only very superficial. So I determined upon the plan which led me to the successful accomplishment of my mission. I succeeded in getting committed to the insane ward at Blackwell’s Island, where I spent ten days and nights and had an experience which I shall never forget. I took upon myself to enact the part of a poor, unfortunate crazy girl, and felt it my duty not to shirk any of the disagreeable results that should follow. I became one of the city’s insane wards for that length of time, experienced much, and saw and heard more of the treatment accorded to this helpless class of our population, and when I had seen and heard enough, my release was promptly secured. I left the insane ward with pleasure and regret–pleasure that I was once more able to enjoy the free breath of heaven; regret that I could not have brought with me some of the unfortunate women who lived and suffered with me, and who, I am convinced, are just as sane as I was and am now myself.
But here let me say one thing: From the moment I entered the insane ward on the Island, I made no attempt to keep up the assumed role of insanity. I talked and acted just as I do in ordinary life. Yet strange to say, the more sanely I talked and acted the crazier I was thought to be by all except one physician, whose kindness and gentle ways I shall not soon forget.
Ten Days in a Mad-House
(Chapter 1: A delicate mission)
by Nellie Bly (1864 – 1922)
fleursdumal.nl magazine
More in: Archive A-B, Bly, Nellie, Nellie Bly, Psychiatric hospitals
His First Operation
by Arthur Conan Doyle
It was the first day of the winter session, and the third year’s man was walking with the first year’s man. Twelve o’clock was just booming out from the Tron Church.
“Let me see,” said the third year’s man. “You have never seen an operation?”
“Never.”
“Then this way, please. This is Rutherford’s historic bar. A glass of sherry, please, for this gentleman. You are rather sensitive, are you not?”
“My nerves are not very strong, I am afraid.”
“Hum! Another glass of sherry for this gentleman. We are going to an operation now, you know.”
The novice squared his shoulders and made a gallant attempt to look unconcerned.
“Nothing very bad—eh?”
“Well, yes—pretty bad.”
“An—an amputation?”
“No; it’s a bigger affair than that.”
“I think—I think they must be expecting me at home.”
“There’s no sense in funking. If you don’t go to-day, you must to-morrow. Better get it over at once. Feel pretty fit?”
“Oh, yes; all right!” The smile was not a success.
“One more glass of sherry, then. Now come on or we shall be late. I want you to be well in front.”
“Surely that is not necessary.”
“Oh, it is far better! What a drove of students! There are plenty of new men among them. You can tell them easily enough, can’t you? If they were going down to be operated upon themselves, they could not look whiter.”
“I don’t think I should look as white.”
“Well, I was just the same myself. But the feeling soon wears off. You see a fellow with a face like plaster, and before the week is out he is eating his lunch in the dissecting rooms. I’ll tell you all about the case when we get to the theatre.”
The students were pouring down the sloping street which led to the infirmary—each with his little sheaf of note-books in his hand. There were pale, frightened lads, fresh from the high schools, and callous old chronics, whose generation had passed on and left them. They swept in an unbroken, tumultuous stream from the university gate to the hospital. The figures and gait of the men were young, but there was little youth in most of their faces. Some looked as if they ate too little—a few as if they drank too much. Tall and short, tweed-coated and black, round-shouldered, bespectacled, and slim, they crowded with clatter of feet and rattle of sticks through the hospital gate. Now and again they thickened into two lines, as the carriage of a surgeon of the staff rolled over the cobblestones between.
“There’s going to be a crowd at Archer’s,” whispered the senior man with suppressed excitement. “It is grand to see him at work. I’ve seen him jab all round the aorta until it made me jumpy to watch him. This way, and mind the whitewash.”
They passed under an archway and down a long, stone-flagged corridor, with drab-coloured doors on either side, each marked with a number. Some of them were ajar, and the novice glanced into them with tingling nerves. He was reassured to catch a glimpse of cheery fires, lines of white-counterpaned beds, and a profusion of coloured texts upon the wall. The corridor opened upon a small hall, with a fringe of poorly clad people seated all round upon benches. A young man, with a pair of scissors stuck like a flower in his buttonhole and a note-book in his hand, was passing from one to the other, whispering and writing.
“Anything good?” asked the third year’s man.
“You should have been here yesterday,” said the out-patient clerk, glancing up. “We had a regular field day. A popliteal aneurism, a Colles’ fracture, a spina bifida, a tropical abscess, and an elephantiasis. How’s that for a single haul?”
“I’m sorry I missed it. But they’ll come again, I suppose. What’s up with the old gentleman?”
A broken workman was sitting in the shadow, rocking himself slowly to and fro, and groaning. A woman beside him was trying to console him, patting his shoulder with a hand which was spotted over with curious little white blisters.
“It’s a fine carbuncle,” said the clerk, with the air of a connoisseur who describes his orchids to one who can appreciate them. “It’s on his back and the passage is draughty, so we must not look at it, must we, daddy? Pemphigus,” he added carelessly, pointing to the woman’s disfigured hands. “Would you care to stop and take out a metacarpal?”
“No, thank you. We are due at Archer’s. Come on!” and they rejoined the throng which was hurrying to the theatre of the famous surgeon.
The tiers of horseshoe benches rising from the floor to the ceiling were already packed, and the novice as he entered saw vague curving lines of faces in front of him, and heard the deep buzz of a hundred voices, and sounds of laughter from somewhere up above him. His companion spied an opening on the second bench, and they both squeezed into it.
“This is grand!” the senior man whispered. “You’ll have a rare view of it all.”
Only a single row of heads intervened between them and the operating table. It was of unpainted deal, plain, strong, and scrupulously clean. A sheet of brown water-proofing covered half of it, and beneath stood a large tin tray full of sawdust. On the further side, in front of the window, there was a board which was strewed with glittering instruments—forceps, tenacula, saws, canulas, and trocars. A line of knives, with long, thin, delicate blades, lay at one side. Two young men lounged in front of this, one threading needles, the other doing something to a brass coffee-pot-like thing which hissed out puffs of steam.
“That’s Peterson,” whispered the senior, “the big, bald man in the front row. He’s the skin-grafting man, you know. And that’s Anthony Browne, who took a larynx out successfully last winter. And there’s Murphy, the pathologist, and Stoddart, the eye-man. You’ll come to know them all soon.”
“Who are the two men at the table?”
“Nobody—dressers. One has charge of the instruments and the other of the puffing Billy. It’s Lister’s antiseptic spray, you know, and Archer’s one of the carbolic-acid men. Hayes is the leader of the cleanliness-and-cold-water school, and they all hate each other like poison.”
A flutter of interest passed through the closely packed benches as a woman in petticoat and bodice was led in by two nurses. A red woolen shawl was draped over her head and round her neck. The face which looked out from it was that of a woman in the prime of her years, but drawn with suffering, and of a peculiar beeswax tint. Her head drooped as she walked, and one of the nurses, with her arm round her waist, was whispering consolation in her ear. She gave a quick side-glance at the instrument table as she passed, but the nurses turned her away from it.
“What ails her?” asked the novice.
“Cancer of the parotid. It’s the devil of a case; extends right away back behind the carotids. There’s hardly a man but Archer would dare to follow it. Ah, here he is himself!”
As he spoke, a small, brisk, iron-grey man came striding into the room, rubbing his hands together as he walked. He had a clean-shaven face, of the naval officer type, with large, bright eyes, and a firm, straight mouth. Behind him came his big house-surgeon, with his gleaming pince-nez, and a trail of dressers, who grouped themselves into the corners of the room.
“Gentlemen,” cried the surgeon in a voice as hard and brisk as his manner, “we have here an interesting case of tumour of the parotid, originally cartilaginous but now assuming malignant characteristics, and therefore requiring excision. On to the table, nurse! Thank you! Chloroform, clerk! Thank you! You can take the shawl off, nurse.”
The woman lay back upon the water-proofed pillow, and her murderous tumour lay revealed. In itself it was a pretty thing—ivory white, with a mesh of blue veins, and curving gently from jaw to chest. But the lean, yellow face and the stringy throat were in horrible contrast with the plumpness and sleekness of this monstrous growth. The surgeon placed a hand on each side of it and pressed it slowly backwards and forwards.
“Adherent at one place, gentlemen,” he cried. “The growth involves the carotids and jugulars, and passes behind the ramus of the jaw, whither we must be prepared to follow it. It is impossible to say how deep our dissection may carry us. Carbolic tray. Thank you! Dressings of carbolic gauze, if you please! Push the chloroform, Mr. Johnson. Have the small saw ready in case it is necessary to remove the jaw.”
The patient was moaning gently under the towel which had been placed over her face. She tried to raise her arms and to draw up her knees, but two dressers restrained her. The heavy air was full of the penetrating smells of carbolic acid and of chloroform. A muffled cry came from under the towel, and then a snatch of a song, sung in a high, quavering, monotonous voice:
“He says, says he,
If you fly with me
You’ll be mistress of the ice-cream van.
You’ll be mistress of the——”
It mumbled off into a drone and stopped. The surgeon came across, still rubbing his hands, and spoke to an elderly man in front of the novice.
“Narrow squeak for the Government,” he said.
“Oh, ten is enough.”
“They won’t have ten long. They’d do better to resign before they are driven to it.”
“Oh, I should fight it out.”
“What’s the use. They can’t get past the committee even if they got a vote in the House. I was talking to——”
“Patient’s ready, sir,” said the dresser.
“Talking to McDonald—but I’ll tell you about it presently.” He walked back to the patient, who was breathing in long, heavy gasps. “I propose,” said he, passing his hand over the tumour in an almost caressing fashion, “to make a free incision over the posterior border, and to take another forward at right angles to the lower end of it. Might I trouble you for a medium knife, Mr. Johnson?”
The novice, with eyes which were dilating with horror, saw the surgeon pick up the long, gleaming knife, dip it into a tin basin, and balance it in his fingers as an artist might his brush. Then he saw him pinch up the skin above the tumour with his left hand. At the sight his nerves, which had already been tried once or twice that day, gave way utterly. His head swain round, and he felt that in another instant he might faint. He dared not look at the patient. He dug his thumbs into his ears lest some scream should come to haunt him, and he fixed his eyes rigidly upon the wooden ledge in front of him. One glance, one cry, would, he knew, break down the shred of self-possession which he still retained. He tried to think of cricket, of green fields and rippling water, of his sisters at home—of anything rather than of what was going on so near him.
And yet somehow, even with his ears stopped up, sounds seemed to penetrate to him and to carry their own tale. He heard, or thought that he heard, the long hissing of the carbolic engine. Then he was conscious of some movement among the dressers. Were there groans, too, breaking in upon him, and some other sound, some fluid sound, which was more dreadfully suggestive still? His mind would keep building up every step of the operation, and fancy made it more ghastly than fact could have been. His nerves tingled and quivered. Minute by minute the giddiness grew more marked, the numb, sickly feeling at his heart more distressing. And then suddenly, with a groan, his head pitching forward, and his brow cracking sharply upon the narrow wooden shelf in front of him, he lay in a dead faint.
When he came to himself, he was lying in the empty theatre, with his collar and shirt undone. The third year’s man was dabbing a wet sponge over his face, and a couple of grinning dressers were looking on.
“All right,” cried the novice, sitting up and rubbing his eyes. “I’m sorry to have made an ass of myself.”
“Well, so I should think,” said his companion.
“What on earth did you faint about?”
“I couldn’t help it. It was that operation.”
“What operation?”
“Why, that cancer.”
There was a pause, and then the three students burst out laughing. “Why, you juggins!” cried the senior man, “there never was an operation at all! They found the patient didn’t stand the chloroform well, and so the whole thing was off. Archer has been giving us one of his racy lectures, and you fainted just in the middle of his favourite story.”
Sir Arthur Conan Doyle (1859 – 1930)
Round the Red Lamp: Being Facts and Fancies of Medical Life
His First Operation (#02)
fleursdumal.nl magazine
More in: Doyle, Arthur Conan, Doyle, Arthur Conan, DRUGS & DISEASE & MEDICINE & LITERATURE, Round the Red Lamp
Beat Generation
Until 3 October 2016
The Centre Pompidou is to present Beat Generation, a novel retrospective dedicated to the literary and artistic movement born in the late 1940s that would exert an ever-growing influence for the next two decades. The theme will be reflected in all the Centre’s activities, with a rich programme of events devised in collaboration with the Bibliothèque Public d’Information and Ircam: readings, concerts, discussions, film screenings, a colloquium, a young people’s programme at Studio 13/16, etc.
Foreshadowing the youth culture and the cultural and sexual liberation of the 1960s, the emergence of the Beat Generation in the years following the Second World War, just as the Cold War was setting in, scandalised a puritan and Mc Carthyite America. Then seen as subversive rebels, the Beats appear today as the representatives of one of the most important cultural movements of the 20th century – a movement the Centre Pompidou’s survey will examine in all its breadth and geographical amplitude, from New York to Los Angeles, from Paris to Tangier.
The Centre Pompidou’s exhibition maps both the shifting geographical focus of the movement and its ever-shifting contours. For the artistic practices of the Beat Generation – readings, performances, concerts and films – testify to a breaking down of artistic boundaries and a desire for interdisciplinary collaboration that puts the singularity of the artist into question. Alongside notable visual artists, mostly representative of the California scene (Wallace Berman, Bruce Conner, George Herms, Jay DeFeo, Jess…), an important place is given to the literary dimension of the movement, to spoken poetry in its relationship to jazz, and more particularly to the Black American poetry (LeRoi Jones, Bob Kaufman…) that remains largely unknown in Europe, like the magazines in which it circulated (Beatitude, Umbra…). Photography was also an important medium, represented here by the productions of Allen Ginsberg and William Burroughs – mostly portraits – and a substantial body of photographs by Robert Frank (Les Américains, From the Bus…), Fred McDarrah, and John Cohen, all taken during the shooting of Pull my Daisy, as well as work by Harold Chapman, who chronicled the life of the Beat Hotel in Paris between 1958 and 1963. The same was true of the films (Christopher MacLaine, Bruce Baillie, Stan Brakhage, Ron Rice…) that would both reflect and document the history and development of the movement.
Exhibition at the Centre Pompidou in Paris until October 3, 2016
New publication:
Beat generation – exhibition album
Movement of literary and artistic inspiration born in the United States in the 1950s, at the initiative of William Burroughs, Allen Ginsberg and Jack Kerouac, the Beat Generation has profoundly influenced contemporary creation.
The book displays the different artworks exhibited along with short explanatory essays. A clear and precise album suitable for a large audience.
Bilingual version French / English.
Binding: Softbound
Language: Bilingual French / English
EAN 9782844267467
Number of pages 60
Number of illustrations 60
Publication date 15/06/2016
Dimensions 27 x 27 cm
Author: Philippe-Alain Michaud
Publisher: Centre Pompidou
€9.50
# Information and schedule about the Beat Generation exhibition on website Centre Pompidou
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Round the Red Lamp: Being Facts and Fancies of Medical Life by Sir Arthur Conan Doyle
Table of Contents
The Preface
Behind the Times. (#01)
His First Operation. (#02)
A Straggler of ‘15. (#03)
The Third Generation. (#04)
A False Start. (#05)
The Curse of Eve. (#06)
Sweethearts. (#07)
A Physiologist’s Wife. (#08)
The Case of Lady Sannox. (#09)
A Question of Diplomacy. (#10)
A Medical Document. (#11)
Lot No. 249. (#12)
The Los Amigos Fiasco. (#13)
The Doctors of Hoyland. (#14)
The Surgeon Talks. (#15)
The Preface.
[Being an extract from a long and animated correspondence with a friend in America.]
I quite recognise the force of your objection that an invalid or a woman in weak health would get no good from stories which attempt to treat some features of medical life with a certain amount of realism. If you deal with this life at all, however, and if you are anxious to make your doctors something more than marionettes, it is quite essential that you should paint the darker side, since it is that which is principally presented to the surgeon or physician. He sees many beautiful things, it is true, fortitude and heroism, love and self-sacrifice; but they are all called forth (as our nobler qualities are always called forth) by bitter sorrow and trial. One cannot write of medical life and be merry over it.
Then why write of it, you may ask? If a subject is painful why treat it at all? I answer that it is the province of fiction to treat painful things as well as cheerful ones. The story which wiles away a weary hour fulfils an obviously good purpose, but not more so, I hold, than that which helps to emphasise the graver side of life. A tale which may startle the reader out of his usual grooves of thought, and shocks him into seriousness, plays the part of the alterative and tonic in medicine, bitter to the taste but bracing in the result. There are a few stories in this little collection which might have such an effect, and I have so far shared in your feeling that I have reserved them from serial publication. In book-form the reader can see that they are medical stories, and can, if he or she be so minded, avoid them.
Yours very truly,
A. CONAN DOYLE
P.S.—You ask about the Red Lamp. It is the usual sign of the general practitioner in England.
Behind the Times
by Arthur Conan Doyle
My first interview with Dr. James Winter was under dramatic circumstances. It occurred at two in the morning in the bedroom of an old country house. I kicked him twice on the white waistcoat and knocked off his gold spectacles, while he with the aid of a female accomplice stifled my angry cries in a flannel petticoat and thrust me into a warm bath. I am told that one of my parents, who happened to be present, remarked in a whisper that there was nothing the matter with my lungs. I cannot recall how Dr. Winter looked at the time, for I had other things to think of, but his description of my own appearance is far from flattering. A fluffy head, a body like a trussed goose, very bandy legs, and feet with the soles turned inwards—those are the main items which he can remember.
From this time onwards the epochs of my life were the periodical assaults which Dr. Winter made upon me. He vaccinated me; he cut me for an abscess; he blistered me for mumps. It was a world of peace and he the one dark cloud that threatened. But at last there came a time of real illness—a time when I lay for months together inside my wickerwork-basket bed, and then it was that I learned that that hard face could relax, that those country-made creaking boots could steal very gently to a bedside, and that that rough voice could thin into a whisper when it spoke to a sick child.
And now the child is himself a medical man, and yet Dr. Winter is the same as ever. I can see no change since first I can remember him, save that perhaps the brindled hair is a trifle whiter, and the huge shoulders a little more bowed. He is a very tall man, though he loses a couple of inches from his stoop. That big back of his has curved itself over sick beds until it has set in that shape. His face is of a walnut brown, and tells of long winter drives over bleak country roads, with the wind and the rain in his teeth. It looks smooth at a little distance, but as you approach him you see that it is shot with innumerable fine wrinkles like a last year’s apple. They are hardly to be seen when he is in repose; but when he laughs his face breaks like a starred glass, and you realise then that though he looks old, he must be older than he looks.
How old that is I could never discover. I have often tried to find out, and have struck his stream as high up as George IV and even the Regency, but without ever getting quite to the source. His mind must have been open to impressions very early, but it must also have closed early, for the politics of the day have little interest for him, while he is fiercely excited about questions which are entirely prehistoric. He shakes his head when he speaks of the first Reform Bill and expresses grave doubts as to its wisdom, and I have heard him, when he was warmed by a glass of wine, say bitter things about Robert Peel and his abandoning of the Corn Laws. The death of that statesman brought the history of England to a definite close, and Dr. Winter refers to everything which had happened since then as to an insignificant anticlimax.
But it was only when I had myself become a medical man that I was able to appreciate how entirely he is a survival of a past generation. He had learned his medicine under that obsolete and forgotten system by which a youth was apprenticed to a surgeon, in the days when the study of anatomy was often approached through a violated grave. His views upon his own profession are even more reactionary than in politics. Fifty years have brought him little and deprived him of less. Vaccination was well within the teaching of his youth, though I think he has a secret preference for inoculation. Bleeding he would practise freely but for public opinion. Chloroform he regards as a dangerous innovation, and he always clicks with his tongue when it is mentioned. He has even been known to say vain things about Laennec, and to refer to the stethoscope as “a new-fangled French toy.” He carries one in his hat out of deference to the expectations of his patients, but he is very hard of hearing, so that it makes little difference whether he uses it or not.
He reads, as a duty, his weekly medical paper, so that he has a general idea as to the advance of modern science. He always persists in looking upon it as a huge and rather ludicrous experiment. The germ theory of disease set him chuckling for a long time, and his favourite joke in the sick room was to say, “Shut the door or the germs will be getting in.” As to the Darwinian theory, it struck him as being the crowning joke of the century. “The children in the nursery and the ancestors in the stable,” he would cry, and laugh the tears out of his eyes.
He is so very much behind the day that occasionally, as things move round in their usual circle, he finds himself, to his bewilderment, in the front of the fashion. Dietetic treatment, for example, had been much in vogue in his youth, and he has more practical knowledge of it than any one whom I have met. Massage, too, was familiar to him when it was new to our generation. He had been trained also at a time when instruments were in a rudimentary state, and when men learned to trust more to their own fingers. He has a model surgical hand, muscular in the palm, tapering in the fingers, “with an eye at the end of each.” I shall not easily forget how Dr. Patterson and I cut Sir John Sirwell, the County Member, and were unable to find the stone. It was a horrible moment. Both our careers were at stake. And then it was that Dr. Winter, whom we had asked out of courtesy to be present, introduced into the wound a finger which seemed to our excited senses to be about nine inches long, and hooked out the stone at the end of it. “It’s always well to bring one in your waistcoat-pocket,” said he with a chuckle, “but I suppose you youngsters are above all that.”
We made him president of our branch of the British Medical Association, but he resigned after the first meeting. “The young men are too much for me,” he said. “I don’t understand what they are talking about.” Yet his patients do very well. He has the healing touch—that magnetic thing which defies explanation or analysis, but which is a very evident fact none the less. His mere presence leaves the patient with more hopefulness and vitality. The sight of disease affects him as dust does a careful housewife. It makes him angry and impatient. “Tut, tut, this will never do!” he cries, as he takes over a new case. He would shoo Death out of the room as though he were an intrusive hen. But when the intruder refuses to be dislodged, when the blood moves more slowly and the eyes grow dimmer, then it is that Dr. Winter is of more avail than all the drugs in his surgery. Dying folk cling to his hand as if the presence of his bulk and vigour gives them more courage to face the change; and that kindly, windbeaten face has been the last earthly impression which many a sufferer has carried into the unknown.
When Dr. Patterson and I—both of us young, energetic, and up-to-date—settled in the district, we were most cordially received by the old doctor, who would have been only too happy to be relieved of some of his patients. The patients themselves, however, followed their own inclinations—which is a reprehensible way that patients have—so that we remained neglected, with our modern instruments and our latest alkaloids, while he was serving out senna and calomel to all the countryside. We both of us loved the old fellow, but at the same time, in the privacy of our own intimate conversations, we could not help commenting upon this deplorable lack of judgment. “It’s all very well for the poorer people,” said Patterson. “But after all the educated classes have a right to expect that their medical man will know the difference between a mitral murmur and a bronchitic rale. It’s the judicial frame of mind, not the sympathetic, which is the essential one.”
I thoroughly agreed with Patterson in what he said. It happened, however, that very shortly afterwards the epidemic of influenza broke out, and we were all worked to death. One morning I met Patterson on my round, and found him looking rather pale and fagged out. He made the same remark about me. I was, in fact, feeling far from well, and I lay upon the sofa all the afternoon with a splitting headache and pains in every joint. As evening closed in, I could no longer disguise the fact that the scourge was upon me, and I felt that I should have medical advice without delay. It was of Patterson, naturally, that I thought, but somehow the idea of him had suddenly become repugnant to me. I thought of his cold, critical attitude, of his endless questions, of his tests and his tappings. I wanted something more soothing—something more genial.
“Mrs. Hudson,” said I to my housekeeper, “would you kindly run along to old Dr. Winter and tell him that I should be obliged to him if he would step round?”
She was back with an answer presently. “Dr. Winter will come round in an hour or so, sir; but he has just been called in to attend Dr. Patterson.”
Sir Arthur Conan Doyle (1859 – 1930)
Round the Red Lamp: Being Facts and Fancies of Medical Life
Behind the Times. (#01)
fleursdumal.nl magazine
More in: Doyle, Arthur Conan, Doyle, Arthur Conan, DRUGS & DISEASE & MEDICINE & LITERATURE, Round the Red Lamp
Ooit ’n volmaakt mens ontmoet? En. . . . . beviel ‘t?
Met deze slogan presenteert Het Dolhuys de tentoonstelling ‘De Maakbare Mens’.
Op eigenzinnige wijze stelt het museum de maakbaarheid ter discussie.
De Maakbare Mens
Tot 10 maart 2017
De expositie is ontworpen door Kossmann.dejong en door het hele gebouw te zien.
Veel Nederlanders willen vandaag de dag volmaakt zijn. We streven naar een gezonde geest, vlekkeloos gedrag en een perfect lichaam. Dagelijks posten we massaal selfies op Facebook, we scheppen een ideaal beeld van onszelf. Maar hoe lang kunnen we nog blijven voldoen aan deze hoge eisen? Mensen die dat niet kunnen, vallen buiten de boot.
De ‘onvolmaakten’ horen er niet bij, zijn gek, beperkt, eng, zielig of ziek. Maar om echt succesvol te zijn, denk aan beroemdheden, kunstenaars en wetenschappers, moet je dan juist niet afwijken van de norm?
Bij binnenkomst maakt de bezoeker een selfie en neemt gedurende de tentoonstelling zijn eigen ‘maakbaarheid’ onder de loep. Hij ontmoet een breed scala aan bijzondere, creatieve geesten, mensen die anders functioneren dan doorsnee. Denk aan de succesvolle schrijfster Myrthe van de Meer, de kunstenaars Edvard Munch, Vincent van Gogh, Willem van Genk en Anton Heijboer. Aan de hand van kunstwerken, films en fotografie krijgt het publiek een kijkje in hun geest. ,,Hoe gek het ook klinkt, die depressie had ik tenminste nog. Ook al was hij de vijand, ik kende hem tenminste. Maar wat zou er van mij overblijven als ze die weg zou halen?’’ aldus Myrthe van der Meer. Of, zoals Munch het formuleert: ,,Waarom was ik niet zoals alle anderen? Waarom ben ik geboren – iets waar ik niet om heb gevraagd? Dit noodlot en daar over na te denken zijn de basis van mijn kunst.’’ Ook voor Munch was gekte de bron van succes.
Voor het eerst in Nederland zijn er tekeningen en fotografie te zien van de internationale kunstenaars Michelle Sank, Bryan Saunders en Suzan Aldworth die tonen hoe ver je kunt gaan in de perfectie van lichaam en geest. Nieuw werk van de Nederlandse fotografe Sofie Knijff toont de schoonheid van mensen met een verstandelijke beperking. In samenwerking met het Liliane Fonds laten jonge, internationale talenten zien hoe zij geïnspireerd raken door hun beperking.
Een bezoek aan ‘De Maakbare Mens’ eindigt met een blik in de spiegel waar je ‘een selfie maakt van je geest’. Kijk je nu anders naar je zelf? Onvolmaakt is zo gek nog niet..
# meer info op website van museum het dolhuys
tot 10 maart 2017
het dolhuys
museum van de geest
schotersingel 2
2021 ge haarlem
023 5410670
fleursdumal.nl magazine
More in: Art & Literature News, DICTIONARY OF IDEAS, DRUGS & DISEASE & MEDICINE & LITERATURE, MONTAIGNE, Vincent van Gogh
Voorstelling: Ongerijmd
Op 13 mrt van 15:00 tot 16:15
Wanneer ben je niet meer verantwoordelijk voor wat je doet, zegt of schrijft?
Als je als ‘s Neerlands grootste dichter je eigen gedachten niet op een rijtje hebt, wat betekenen alle lofuitingen dan nog? Als je een moord pleegt, maar ontoerekeningsvatbaar wordt verklaard, kunnen we je gedichten dan nog wel serieus nemen?
‘Ongerijmd’ is een poëtisch onderzoek naar de betekenis van ontoerekeningsvatbaarheid, aan de hand van het tumultueuze leven van Gerrit Achterberg. Een chaotische poging om overzicht en structuur te scheppen.
Tekst
Frank Siera
Regie
Arjen Arnoldussen
Spel
Studententoneelvereniging Cuculum:
Jessica Angevare
Jaap Bierman
Sascha Bol
Ruben Bosch
Youri Gorissen
Nina Lak
Rick Snelderwaard
Michelle Verhey
Muzikale Begeleiding
Emma Rekers en Clara de Mik
Zondag 13 maart 15.00 uur in museum Het Dolhuys, Schotersingel 2, Haarlem
# meer info op website van museum het dolhuys
tot 10 maart 2017
het dolhuys
museum van de geest
schotersingel 2
2021 ge haarlem
023 5410670
fleursdumal.nl magazine
More in: Achterberg, Gerrit, Art & Literature News, DRUGS & DISEASE & MEDICINE & LITERATURE, THEATRE
William Ernest Henley
(1849 – 1903)
Suicide
Staring corpselike at the ceiling,
See his harsh, unrazored features,
Ghastly brown against the pillow,
And his throat—so strangely bandaged!
Lack of work and lack of victuals,
A debauch of smuggled whisky,
And his children in the workhouse
Made the world so black a riddle
That he plunged for a solution;
And, although his knife was edgeless,
He was sinking fast towards one,
When they came, and found, and saved him.
Stupid now with shame and sorrow,
In the night I hear him sobbing.
But sometimes he talks a little.
He has told me all his troubles.
In his broad face, tanned and bloodless,
White and wild his eyeballs glisten;
And his smile, occult and tragic,
Yet so slavish, makes you shudder!
William Ernest Henley poetry
fleursdumal.nl magazine
More in: Archive G-H, Archive G-H, CLASSIC POETRY, Henley, William Ernest, Suicide
Een indrukwekkend en tegelijkertijd confronterend tijdsdocument, waarin de pijnlijke gevolgen van de economische crisis, die sinds 2008 de wereld in zijn greep houdt, zijn opgetekend.
Door de ogen van grafisch ontwerper Richard Sluijs – bij aanvang nog een relatieve buitenstaander in een land dat de dans leek te ontspringen – wordt het persoonlijke leed dat velen trof op monumentale wijze in beeld gebracht. Een verzameling verhalen van mensen die hun ellende niet langer konden verdragen, en zelfmoord als enige uitweg uit hun problemen zagen.
Het boek is een in memoriam voor alle slachtoffers van de crisis, en tegelijkertijd vormt het een kritisch tegengeluid voor de boodschap die politici, bankiers en economen propageren dat het strenge bezuinigingsbeleid zijn vruchten begint af te werpen en alles weldra weer bij het oude zal zijn. Want dat voor vele nabestaanden het leven nooit meer hetzelfde zal zijn, werd helaas ook voor de schrijver de trieste realiteit toen het boek na 6 jaar research bijna gereed was.
THE COMPLETE LEXICON OF CRISIS RELATED SUICIDES 2008-2013 VOLUME 1
Auteur: Richard Sluijs
Jaartal: 2014-11-20
Afmetingen: 15,5 x 24,5 cm, 6 cm dik
Pagina’s: 712 pagina’s met witte bedrukking
ISBN: 978-94-91525-37-7
Uitvoering: Hardcover, rood linnen, genaaid gebrocheerd, zwart op snee, zwart leeslint
NUR: 740
34,- EURO
Uitgeverij: d’jonge Hond / Komma
fleursdumal.nl magazine
More in: - Book News, Art & Literature News, Galerie des Morts, Suicide
Bonnie Elizabeth Parker
(1910 – 1934)
The story of “Suicide Sal”
We each of us have a good “alibi”
For being down here in the “joint”
But few of them really are justified
If you get right down to the point.
You’ve heard of a woman’s glory
Being spent on a “downright cur”
Still you can’t always judge the story
As true, being told by her.
As long as I’ve stayed on this “island”
And heard “confidence tales” from each “gal”
Only one seemed interesting and truthful-
The story of “Suicide Sal”.
Now “Sal” was a gal of rare beauty,
Though her features were coarse and tough;
She never once faltered from duty
To play on the “up and up”.
“Sal” told me this tale on the evening
Before she was turned out “free”
And I’ll do my best to relate it
Just as she told it to me:
I was born on a ranch in Wyoming;
Not treated like Helen of Troy,
I was taught that “rods were rulers”
And “ranked” as a greasy cowboy.
Then I left my old home for the city
To play in its mad dizzy whirl,
Not knowing how little of pity
It holds for a country girl.
There I fell for “the line” of a “henchman”
A “professional killer” from “Chi”
I couldn’t help loving him madly,
For him even I would die.
One year we were desperately happy
Our “ill gotten gains” we spent free,
I was taught the ways of the “underworld”
Jack was just like a “god” to me.
I got on the “F.B.A.” payroll
To get the “inside lay” of the “job”
The bank was “turning big money”!
It looked like a “cinch for the mob”.
Eighty grand without even a “rumble”-
Jack was last with the “loot” in the door,
When the “teller” dead-aimed a revolver
From where they forced him to lie on the floor.
I knew I had only a moment-
He would surely get Jack as he ran,
So I “staged” a “big fade out” beside him
And knocked the forty-five out of his hand.
They “rapped me down big” at the station,
And informed me that I’d get the blame
For the “dramatic stunt” pulled on the “teller”
Looked to them, too much like a “game”.
The “police” called it a “frame-up”
Said it was an “inside job”
But I steadily denied any knowledge
Or dealings with “underworld mobs”.
The “gang” hired a couple of lawyers,
The best “fixers” in any mans town,
But it takes more than lawyers and money
When Uncle Sam starts “shaking you down”.
I was charged as a “scion of gangland”
And tried for my wages of sin,
The “dirty dozen” found me guilty-
From five to fifty years in the pen.
I took the “rap” like good people,
And never one “squawk” did I make
Jack “dropped himself” on the promise
That we make a “sensational break”.
Well, to shorten a sad lengthy story,
Five years have gone over my head
Without even so much as a letter-
At first I thought he was dead.
But not long ago I discovered;
From a gal in the joint named Lyle,
That Jack and his “moll” had “got over”
And were living in true “gangster style”.
If he had returned to me sometime,
Though he hadn’t a cent to give
I’d forget all the hell that he’s caused me,
And love him as long as I lived.
But there’s no chance of his ever coming,
For he and his moll have no fears
But that I will die in this prison,
Or “flatten” this fifty years.
Tommorow I’ll be on the “outside”
And I’ll “drop myself” on it today,
I’ll “bump ’em if they give me the “hotsquat”
On this island out here in the bay…
The iron doors swung wide next morning
For a gruesome woman of waste,
Who at last had a chance to “fix it”
Murder showed in her cynical face.
Not long ago I read in the paper
That a gal on the East Side got “hot”
And when the smoke finally retreated,
Two of gangdom were found “on the spot”.
It related the colorful story
Of a “jilted gangster gal”
Two days later, a “sub-gun” ended
The story of “Suicide Sal”.
Bonnie Elizabeth Parker (October 1, 1910 – May 23, 1934) and Clyde Chestnut Barrow (March 24, 1909 – May 23, 1934) were well-known (as Bonnie & Clyde) American outlaws and bankrobbers. They were both killed in a police ambush on May 23, 1934. Bonnie Parker wrote most of her poems, while in jail, in a little notebook she had obtained from The First National Bank of Burkburnett, Texas.
Bonnie Parker poetry
fleursdumal.nl magazine
More in: Archive O-P, Archive O-P, Bonnie and Clyde, Bonnie Parker, CRIME & PUNISHMENT, Suicide, Western Fiction
Van Gogh / Artaud. The Man Suicided by Society ♦ A few days before the opening of a van Gogh exhibition in Paris in 1947, gallery owner Pierre Loeb suggested that Antonin Artaud (1896-1948) write about the painter. Challenging the thesis of alienation, Artaud was determined to show how van Gogh’s exceptional lucidity made lesser minds uncomfortable.
Wishing to prevent him from uttering certain “intolerable truths”, those who were disturbed by his painting drove him to suicide.
Based on the categories and the unusual designations put forward by Artaud in Van Gogh, the Man Suicided by Society, the exhibition will comprise some forty paintings, a selection of van Gogh’s drawings and letters, together with graphic works by the poet-illustrator.
The title of the exhibition is based on the title of Antonin Artaud’s book, Van Gogh the Man Suicided by Society Editions Gallimard, 1974
Musée d’Orsay Paris – until 6 july 2014
Publication:
Vincent Van Gogh-Antonin Artaud :
le suicidé de la société
Number of pages 192 , €39.00
EAN 9782370740038
Dimensions 34 x 25 cm
Publisher Skira Flammarion
Museum Musée d’Orsay
Language French
fleursdumal.nl magazine for art & literature
More in: Antonin Artaud, Art & Literature News, Artaud, Antonin, Suicide, Vincent van Gogh, Vincent van Gogh
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