Fleurs du Mal Magazine
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Anna Achmatova
(1889 – 1966)
My breast grew helplessly cold
My breast grew helplessly cold,
But my steps were light.
I pulled the glove from my left hand
Mistakenly onto my right.
It seemed there were so many steps,
But I knew there were only three!
Amidst the maples an autumn whisper
Pleaded: “Die with me!
I’m led astray by evil
Fate, so black and so untrue.”
I answered: “I, too, dear one!
I, too, will die with you…”
This is a song of the final meeting.
I glanced at the house’s dark frame.
Only bedroom candles burning
With an indifferent yellow flame.
29 September 1911, Tsarskoe Selo
Так беспомощьно грудь холодела,
Но шаги мои были легки.
Я на правую руку надела
Перчатку с левой руки.
Показалось, что много ступеней,
А я знала – их только три!
Между кленов шепот осенний
Попросил: “Со мною умри!
Я обманут моей унылой,
Переменчивой, злой судьбой”.
Я ответила: “Милый, милый!
И я тоже. Умру с тобой…”
Эта песня последней встречи.
Я взглянула на темный дом.
Только в спальне горели свечи
Равнодушно-желтым огнем.
29 сентября 1911, Царское Село
Anna Andrejevna Achmatova poetry
(Анна Андреевна Ахматова)
fleursdumal.nl magazine
More in: Achmatova, Anna, Archive A-B
O s c a r W i l d e
(1854-1900)
From ‘The Garden Of Eros’
Nay, when Keats died the Muses still had left
One silver voice to sing his threnody,
But ah! too soon of it we were bereft
When on that riven night and stormy sea
Panthea claimed her singer as her own,
And slew the mouth that praised her; since which time we walk
alone,
Save for that fiery heart, that morning star
Of re-arisen England, whose clear eye
Saw from our tottering throne and waste of war
The grand Greek limbs of young Democracy
Rise mightily like Hesperus and bring
The great Republic! him at least thy love hath taught to sing,
And he hath been with thee at Thessaly,
And seen white Atalanta fleet of foot
In passionless and fierce virginity
Hunting the tusked boar, his honied lute
Hath pierced the cavern of the hollow hill,
And Venus laughs to know one knee will bow before her still.
And he hath kissed the lips of Proserpine,
And sung the Galilaean’s requiem,
That wounded forehead dashed with blood and wine
He hath discrowned, the Ancient Gods in him
Have found their last, most ardent worshipper,
And the new Sign grows grey and dim before its conqueror.
Spirit of Beauty! tarry with us still,
It is not quenched the torch of poesy,
The star that shook above the Eastern hill
Holds unassailed its argent armoury
From all the gathering gloom and fretful fight –
O tarry with us still! for through the long and common night,
Morris, our sweet and simple Chaucer’s child,
Dear heritor of Spenser’s tuneful reed,
With soft and sylvan pipe has oft beguiled
The weary soul of man in troublous need,
And from the far and flowerless fields of ice
Has brought fair flowers to make an earthly paradise.
We know them all, Gudrun the strong men’s bride,
Aslaug and Olafson we know them all,
How giant Grettir fought and Sigurd died,
And what enchantment held the king in thrall
When lonely Brynhild wrestled with the powers
That war against all passion, ah! how oft through summer hours,
Long listless summer hours when the noon
Being enamoured of a damask rose
Forgets to journey westward, till the moon
The pale usurper of its tribute grows
From a thin sickle to a silver shield
And chides its loitering car – how oft, in some cool grassy field
Far from the cricket-ground and noisy eight,
At Bagley, where the rustling bluebells come
Almost before the blackbird finds a mate
And overstay the swallow, and the hum
Of many murmuring bees flits through the leaves,
Have I lain poring on the dreamy tales his fancy weaves,
And through their unreal woes and mimic pain
Wept for myself, and so was purified,
And in their simple mirth grew glad again;
For as I sailed upon that pictured tide
The strength and splendour of the storm was mine
Without the storm’s red ruin, for the singer is divine;
The little laugh of water falling down
Is not so musical, the clammy gold
Close hoarded in the tiny waxen town
Has less of sweetness in it, and the old
Half-withered reeds that waved in Arcady
Touched by his lips break forth again to fresher harmony.
Spirit of Beauty, tarry yet awhile!
Although the cheating merchants of the mart
With iron roads profane our lovely isle,
And break on whirling wheels the limbs of Art,
Ay! though the crowded factories beget
The blindworm Ignorance that slays the soul, O tarry yet!
For One at least there is, – He bears his name
From Dante and the seraph Gabriel,
Whose double laurels burn with deathless flame
To light thine altar; He {4} too loves thee well,
Who saw old Merlin lured in Vivien’s snare,
And the white feet of angels coming down the golden stair,
Loves thee so well, that all the World for him
A gorgeous-coloured vestiture must wear,
And Sorrow take a purple diadem,
Or else be no more Sorrow, and Despair
Gild its own thorns, and Pain, like Adon, be
Even in anguish beautiful; – such is the empery
Which Painters hold, and such the heritage
This gentle solemn Spirit doth possess,
Being a better mirror of his age
In all his pity, love, and weariness,
Than those who can but copy common things,
And leave the Soul unpainted with its mighty questionings.
But they are few, and all romance has flown,
And men can prophesy about the sun,
And lecture on his arrows – how, alone,
Through a waste void the soulless atoms run,
How from each tree its weeping nymph has fled,
And that no more ‘mid English reeds a Naiad shows her head.
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(In his poem the author laments the growth of materialism in the nineteenth century. He hails Keats and Shelley and some of the poets and artists who were his contemporaries, although his seniors, as the torch-bearers of the intellectual life. Among these are Swinburne, William Morris, Rossetti, and Burne-Jones)
O s c a r W i l d e p o e t r y
k e m p i s p o e t r y m a g a z i n e
More in: Archive W-X, Wilde, Oscar
Jef van Kempen photos: Landscape 261
fleursdumal.nl magazine
More in: Camera Obscura, Jef van Kempen Photos & Drawings, Spurensicherung, ZERO art
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Multatuli
(1820-1887)
Ideën (7 delen, 1862-1877)
Idee Nr. 543
In den tyd toen allen nog aan alle spoken geloofden, vond men geleerden die over den aard en den werkkring van die spoken lange verhandelingen schreven, en nog heden-ten-dage bestaat ‘n zeer groot gedeelte onzer litteratuur, uit nasporing der eigenschappen van dingen die er niet zyn. Ik heb ‘n akademisch proefschrift gelezen van ‘n doktorandus in de rechten, waarin op medische gronden allerduidelykst werd aangetoond waarom ‘n heks geen kind kon ter-wereld brengen, dat den Duivel tot vader had. De strafbaarheid van zoodanige vrouw was daarom niet geringer, meende die denker – ze had zich met den Duivel niet zoo intiem moeten inlaten! – maar de vonnissen waren, wat de konsiderans aangaat, inkorrekt. (279) Dit prachtstuk van doktoreerende intelligentie was ongeveer honderd jaar oud, maar ik durf beweren dat veel verhandelingen uit ònzen tyd – over de ware natuur van ‘t een of ander – even zot zyn.
kempis poetry magazine
More in: DICTIONARY OF IDEAS, Multatuli, Multatuli
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