Willem Bilderdijk: De Dood

W i l l e m B i l d e r d i j k

(1756-1831)

D e D o o d

O ’t is a fearful thing to be no more,
Of if to be, to wander after death!
To walk als spirits do, in brakes all day
And when the darkness comes, to glide in paths
That lead to graves; and in the silent vault,
Where lies your own pale shroud, to hover o’er it,
Striving to enter your forbidden corpse.
(D R Y D E N)

’t Is aaklig, ja! te niet, te niet te gaan, door ’t sterven,
Of wandlend na de dood als spooksel om te zwerven;
Verborgen by den dag, om onder ’t nachtgehuil,
Van dat de donker valt te wemlen om zijn kuil;
Langs ’t lange kerkhofgras, omhuld van ’t doodskistlaken
Te dwarlen over ’t graf, by eigen rif te waken,
Of ’t uitgeschudde lijf in rustlooze vlucht
Weêr na te bootsen in een nevelschim van lucht.

Zoo waart de booze Geest, en zoo zijn vloekgenooten,
Door heide en woesteny, uit ’s hemels throon gestooten,
En steigert tot het zwerk, en tuimelt om en om,
En zoekt in hart by hart zich-zelv’een eigendom.
ô Sterveling, waak en bid, en zet dat hart niet open!
Neen, heilig ’t uwen God eer ’t listig word beslopen,
Uw vijand woelt en gluipt. Nog eenmaal! waak en bid,
Hy loert op uw verderf, uw zielsroof is zijn wit.
Maar gy, ô Christen, gy, die de u geschonken dagen
(Genadig nam Hy ze aan) uw’ Heiland opgedragen,
Hem toegeheiligd hebt, en d’afgematten geest
Te rug zult geven in Zijn handen — hoe! gy vreest?
Gy durft het uur des doods niet moedig tegentreden?
U wekt de naam van ’t graf een siddring in de leden?
Neen ’t graf heeft rust voor u; en ’t afgelegd gewaad
Dat ge aan ’t gewormt’ ten prooi, aan ’t hof ten erfdeel laat,
Vergaa, als ’t graan, om eens ten Oogstdage op te rijzen!
Uw ziel verheft haar vlucht om ’t HEILIG AL te prijzen,
Die u aan ’t lijk onttrok, Zich heiligde, en de rij
Der Dienaars inlijft, van uw aardsche zwakheên vrij!

Van waar die schrik des doods, den mensch als ingeschapen?
Den kranke is ’t by de pijn verkwikkend, in te slapen;
Ja, dankbaar legt hy ’t hoofd op ’t peluwkussen neêr,
En strekt zich ’t lichaam uit, en voelt geen smarten meer,
Wy-allen, zijn wy dan geen afgekwijnde kranken,
En zoudt ge voor ’t geschenk dier sluimring Hem niet danken,
Die ze u ter heeling van uw zondekwalen schenkt,
En uit zaligheid genadig tegenwenkt!
Ja, ’t sterven was een vloek, op d’afval uitgesproken,
Maar JEZUS heeft den Dood zijn pijlspitse afgebroken:
Die vloek werd zegen voor verlosten door dat bloed,
Dat voor uw schulden, dat uw doemvloek, heeft geboet.
Geen eeuwge nacht zal u ’t verduisterd oog bezwaren:
Geen eeuwig zelfverwijt zal tintlen door uw aâren;
Geen eeuwigheid van wraak u volgen nat het Graf:
Hy nam die doemschuld weg, en droeg uw zondenstraf.
Geen aaklig niet (en ô wat denkbeeld!) zal de zielen,
Zal d’adem van Gods mond, zal wat Hy schiep, vernielen,
Neen, ’t ZIJN is Godlijk, niet verliesbaar, maar ’t houdt stand;
’t Is onontbindbaar; geen u ooit te ontvreemden pand.
Gy zult niet zwerven, neen, niet om de tomben zwieren,
Niet zuchten by ’t gewormt’ zich mestende aan uw spieren;
By ’t aaklig uilgeknap, in halfverbleekte maan,
De zwakke harten niet met huivrende ijzing slaan.
Niet zwerven, neen ô neen; gevestigd is uw woning,
Ze is aan uws Heilands voet! voor ’t aanschijn van uw Koning!
Daar wacht ze u, daar vebeidt u ’t heilig Englental.
Dat by de ontwaking u in d’arm omvangen zal.
Daar zult ge uw Heiland zien en smelten aan zijn voeten
In liefde en dankbaarheid; daar, al uw dierbren groeten
En weêr omhelzen, van geheiligd licht omstraald,
Met heel den welkomkreet des Hemels ingehaald.
Neen, Christen, vrees niet, neen: al is de doorgang donker,
Betrouw; en zoeke uw oog geen ijdel dwaalgeflonker!
Gods Bode leidt u, ja waar ’t bloedspoor van genâ
Zich heenstrekt; gan gerust en Godbetrouwend, ga!
Schud ’s warelds stof vrij van uw voeten by ’t verlaten
Des gruwelpoels van hun die God en Jezus haten!
Ga, in uws Heilands naam, en sterf dien naam ter eer:
Wy, Christnen, volgen u, en zien u juichend weêr.

1824.

Willem Bilderdijk gedichten

k e m p i s p o e t r y m a g a z i n e

Lola Ridge: Manhattan

Lola Ridge
(1873-1941)

Manhattan

Out of the night you burn, Manhattan,
In a vesture of gold –
Span of innumerable arcs,
Flaring and multiplying –
Gold at the uttermost circles fading
Into the tenderest hint of jade,
Or fusing in tremulous twilight blues,
Robing the far-flung offices,
Scintillant-storied, forking flame,
Or soaring to luminous amethyst
Over the steeples aureoled –

Diaphanous gold,
Veiling the Woolworth, argently
Rising slender and stark
Mellifluous-shrill as a vender’s cry,
And towers squatting graven and cold
On the velvet bales of the dark,
And the Singer’s appraising
Indolent idol’s eye,
And night like a purple cloth unrolled –

Nebulous gold
Throwing an ephemeral glory about life’s vanishing points,
Wherein you burn…
You of unknown voltage
Whirling on your axis…
Scrawling vermillion signatures
Over the night’s velvet hoarding…
Insolent, towering spherical
To apices ever shifting.

kempis poetry magazine

James Joyce: In the Dark Pine-Wood

James Joyce

(1882-1941)

In the Dark Pine-Wood

In the dark pine-wood
I would we lay,
In deep cool shadow
At noon of day.

How sweet to lie there,
Sweet to kiss,
Where the great pine-forest
Enaisled is!

Thy kiss descending
Sweeter were
With a soft tumult
Of thy hair.

O unto the pine-wood
At noon of day
Come with me now,
Sweet love, away.

James Joyce poetry

kempis poetry magazine

Georg Trakl: Abendland

Georg Trakl

(1887-1914)

Abendland

Else Lasker-Schüler in Verehrung

Mond, als träte ein Totes
Aus blauer Höhle,
Und es fallen der Bluten
Viele über den Felsenpfad.
Silbern weint ein Krankes
Am Abendweiher,
Auf schwarzem Kahn
Hinüberstarben Liebende.

Oder es läuten die Schritte
Elis’ durch den Hain
Den hyazinthenen
Wieder verhallend unter Eichen.
O des Knaben Gestalt
Geformt aus kristallenen Tränen,
Nächtigen Schatten.
Zackige Blitze erhellen die Schläfe
Die immerkühle,
Wenn am grünenden Hügel
Frühlingsgewitter ertönt.

So leise sind die grünen Wälder
Unsrer Heimat,
Die kristallene Woge
Hinsterbend an verfallner Mauer
Und wir haben im Schlaf geweint;
Wandern mit zögernden Schritten
An der dornigen Hecke hin Singende
im Abendsommer, In heiliger Ruh
Des fern verstrahlenden Weinbergs;
Schatten nun im kühlen Schoß
Der Nacht, trauernde Adler.
So leise schließt ein mondener Strahl
Die purpurnen Male der Schwermut.

Ihr großen Städte
Steinern aufgebaut
In der Ebene! So sprachlos folgt
Der Heimatlose
Mit dunbler Stirne dem Wind,
Kahlen Bäumen am Hügel.
Ihr weithin dämmernden Ströme!
Gewaltig ängstet
Schaurige Abendröte
Im Sturmgewölk.
Ihr sterbenden Völker!
Bleiche Woge
Zerschellend am Strande der Nacht,
Fallende Sterne.

Georg Trakl poetry

kempis poetry magazine

Mark Twain: The Celebrated Jumping Frog of Calaveras County

Mark Twain

(1835-1910)

The Celebrated Jumping Frog of Calaveras County

In compliance with the request of a friend of mine, who wrote me from the East, I called on good-natured, garrulous old Simon Wheeler, and inquired after my friend’s friend, Leonidas W. Smiley, as requested to do, and I hereunto append the result. I have a lurking suspicion that Leonidas W. Smiley is a myth; that my friend never knew such a personage; and that he only conjectured that, if I asked old Wheeler about him, it would remind him of his infamous Jim Smiley, and he would go to work and bore me nearly to death with some infernal reminiscence of him as long and tedious as it should be useless for me. If that was the design, it certainly succeeded.

I found Simon Wheeler dozing comfortably by the bar-room stove of the old, dilapidated tavern in the ancient mining camp of Angel’s, and I noticed that he was fat and bald-headed, and had an expression of winning gentleness and simplicity upon his tranquil countenance. He roused up and gave me good- day. I told him a friend of mine had commissioned me to make some inquiries about a cherished companion of his boyhood named Leonidas W. Smiley—Rev. Leonidas W. Smiley—a young minister of the Gospel, who he had heard was at one time a resident of Angel’s Camp. I added that, if Mr. Wheeler could tell me anything about this Rev. Leonidas W. Smiley, I would feel under many obligations to him.

Simon Wheeler backed me into a corner and blockaded me there with his chair, and then sat me down and reeled off the monotonous narrative which follows this paragraph. He never smiled, he never frowned, he never changed his voice from the gentle-flowing key to which he tuned the initial sentence, he never betrayed the slightest suspicion of enthusiasm; but all through the interminable narrative there ran a vein of impressive earnestness and sincerity, which showed me plainly that, so far from his imagining that there was anything ridiculous or funny about his story, he regarded it as a really important matter, and admired its two heroes as men of transcendent genius in finesse. To me the spectacle of a man drifting serenely along through such a queer yarn without ever smiling was exquisitely absurd. As I said before, I asked him to tell me what he knew of Rev. Leonidas W. Smiley, and he replied as follows. I let him go on in his own way, and never interrupted him once:

There was a feller here once by the name of Jim Smiley, in the winter of ’49—or may be it was the spring of ’50—I don’t recollect exactly, somehow, though what makes me think it was one or the other is because I remember the big flume wasn’t finished when he first came to the camp; but any way he was the curiosest man about, always betting on anything that turned up you ever see, if he could get anybody to bet on the other side; and if he couldn’t, he’d change sides. Any way that suited the other man would suit him—any way just so’s he got a bet, he was satisfied. But still he was lucky, uncommon lucky; he most always come out winner. He was always ready and laying for a chance; there couldn’t be no solitry thing mentioned but that feller’d offer to bet on it, and take any side you please, as I was just telling you. If there was a horse-race, you’d find him flush, or you’d find him busted at the end of it; if there was a dog-fight, he’d bet on it; if there was a cat-fight, he’d bet on it; if there was a chicken- fight, he’d bet on it; why, if there was two birds sitting on a fence, he would bet you which one would fly first; or if there was a camp-meeting, he would be there reg’lar, to bet on Parson Walker, which he judged to be the best exhorter about here, and so he was, too, and a good man. If he even seen a straddle-bug start to go anywheres, he would bet you how long it would take him to get wherever he was going to, and if you took him up, he would foller that straddle-bug to Mexico but what he would find out where he was bound for and how long he was on the road. Lots of the boys here has seen that Smiley, and can tell you about him. Why, it never made no difference to him—he would bet on any thing—the dangdest feller. Parson Walker’s wife laid very sick once, for a good while, and it seemed as if they warn’t going to save her; but one morning he come in, and Smiley asked how she was, and he said she was considerable better— thank the Lord for His inf’nit mercy—and coming on so smart that, with the blessing of Prov’dence, she’d get well yet; and Smiley, before he thought, says, “Well, I’ll risk two-and-a-half that she don’t, anyway.”

This-yer Smiley had a mare—the boys called her the fifteen-minute nag, but that was only in fun, you know, because, of course, she was faster than that—and he used to win money on that horse, for all she was so slow and always had the asthma, or the distemper, or the consumption, or something of that kind. They used to give her two or three hundred yards’ start, and then pass her under way; but always at the fag-end of the race she’d get excited and desperate-like, and come cavorting and straddling up, and scattering her legs around limber, sometimes in the air, and sometimes out to one side amongst the fences, and kicking up m-o-r-e dust, and raising m-o-r-e racket with her coughing and sneezing and blowing her nose—and always fetch up at the stand just about a neck ahead, as near as you could cipher it down.

And he had a little small bull pup, that to look at him you’d think he wan’t worth a cent, but to set around and look ornery, and lay for a chance to steal something. But as soon as the money was up on him, he was a different dog; his under-jaw’d begin to stick out like the fo’castle of a steamboat, and his teeth would uncover, and shine savage like the furnaces. And a dog might tackle him, and bully-rag him, and bite him, and throw him over his shoulder two or three times, and Andrew Jackson—which was the name of the pup— Andrew Jackson would never let on but what he was satisfied, and hadn’t expected nothing else—and the bets being doubled and doubled on the other side all the time, till the money was all up; and then all of a sudden he would grab that other dog jest by the j’int of his hind leg and freeze to it—not chaw, you understand, but only jest grip and hang on till they throwed up the sponge, if it was a year. Smiley always come out winner on that pup, till he harnessed a dog once that didn’t have no hind legs, because they’d been sawed off by a circular saw, and when the thing had gone along far enough, and the money was all up, and he come to make a snatch for his pet holt, he saw in a minute how he’d been imposed on, and how the other dog had him in the door, so to speak, and he ’peared surprised, and then he looked sorter discouraged-like, and didn’t try no more to win the fight, and so he got shucked out bad. He give Smiley a look, as much as to say his heart was broke, and it was his fault, for putting up a dog that hadn’t no hind legs for him to take holt of, which was his main dependence in a fight, and then he limped off a piece and laid down and died. It was a good pup, was that Andrew Jackson, and would have made a name for hisself if he’d lived, for the stuff was in him, and he had genius—I know it, because he hadn’t had no opportunities to speak of, and it don’t stand to reason that a dog could make such a fight as he could under them circumstances, if he hadn’t to talent. It always makes me feel sorry when I think of that last fight of his’n, and the way it turned out.

Well, this-yer Smiley had rat-tarriers, and chicken cocks, and tomcats, and all them kind of things, till you couldn’t rest, and you couldn’t fetch nothing for him to bet on but he’d match you. He ketched a frog one day, and took him home, and said he cal’klated to edercate him; and so he never done nothing for three months but set in his back yard and learn that frog to jump. And you bet you he did learn him, too. He’d give him a little punch behind, and the next minute you’d see that frog whirling in the air like a doughnut—see him turn one somerset, or may be a couple, if he got a good start, and come down flat- footed and all right, like a cat. He got him up so in the matter of catching flies, and kept him in practice so constant, that he’d nail a fly every time as far as he could see him. Smiley said all a frog wanted was education, and he could do most anything—and I believe him. Why, I’ve seen him set Dan’l Webster down here on this floor—Dan’l Webster was the name of the frog—and sing out, “Flies, Dan’l, flies!” and quicker’n you could wink, he’s spring straight up, and snake a fly off’n the counter there, and flop down on the floor again as solid as a gob of mud, and fall to scratching the side of his head with his hind foot as indifferent as if he hadn’t no idea he’d been doin’ any more’n any frog might do. You never see a frog so modest and straight for’ard as he was, for all he was so gifted. And when it come to fair and square jumping on a dead level, he could get over more ground at one straddle than any animal of his breed you ever see. Jumping on a dead level was his strong suit, you understand; and when it come to that, Smiley would ante up money on him as long as he had a red. Smiley was monstrous proud of his frog, and well he might be, for fellers that had travelled and been everywheres, all said he laid over any frog that ever they see.

Well, Smiley kept the beast in a little lattice box, and he used to fetch him down town sometimes and lay for a bet. One day a feller—a stranger in the camp, he was—come across him with his box, and says:

“What might it be that you’ve got in the box?”

And Smiley says, sorter indifferent like, “It might be a parrot, or it might be a canary, may be, but it ain’t—it’s only just a frog.”

And the feller took it, and looked at it careful, and turned it round this way and that, and says, “H’m, so ’tis. Well, what’s he good for?”

“Well,” Smiley says, easy and careless, “he’s good enough for one thing, I should judge—he can out- jump ary frog in Calaveras county.”

The feller took the box again, and took another long, particular look, and give it back to Smiley, and says, very deliberate, “Well, I don’t see no p’ints about that frog that’s any better’n any other frog.”

“May be you don’t,” Smiley says. “May be you understand frogs, and may be you don’t understand ’em; may be you’ve had experience, and may be you ain’t, only a amature, as it were. Any ways, I’ve got my opinion, and I’ll risk forty dollars that he can out-jump any frog in Calaveras county.”

And the feller studied a minute, and then says, kinder sad like, “Well, I’m only a stranger here, and I ain’t got no frog; but if I had a frog, I’d bet you.”

And then Smiley says, “That’s all right—that’s all right—if you’ll hold my box a minute, I’ll go and get you a frog.” And so the feller took the box, and put up his forty dollars along with Smiley’s and set down to wait.

So he set there a good while thinking and thinking to hisself, and then he got the frog out and prized his mouth open and took a tea-spoon and filled him full of quail shot—filled him pretty near up to his chin—and set him on the floor. Smiley he went to the swamp and slopped around in the mud for a long time, and finally be ketched a frog, and fetched him in, and give him to this feller, and says:

“Now, if you’re ready, set him alongside of Dan’l, with his fore-paws just even with Dan’l, and I’ll give the word.” Then he says, “One—two—three—jump!” and him and the feller touched up the frogs from behind, and the new frog hopped off, but Dan’l give a heave, and hysted up his shoulders—so—like a Frenchman, but it wan’t no use—he couldn’t budge; he was planted as solid as an anvil, and he couldn’t no more stir than if he was anchored out. Smiley was a good deal surprised, and he was disgusted too, but he didn’t have no idea what the matter was, of course.

The feller took the money and started away; and when he was going out at the door, he sorter jerked his thumb over his shoulders— this way—at Dan’l, and says again, very deliberate, “Well, I don’t see no p’ints about that frog that’s any better’n any other frog.”

Smiley he stood scratching his head and looking down at Dan’l a long time, and at last he says, “I do wonder what in the nation that frog throw’d off for—I wonder if there ain’t something the matter with him—he ’pears to look mightly baggy, somehow.” And he ketched Dan’l by the nap of the neck, and lifted him up and says, “Why, blame my cats, if he don’t weigh five pound!” and turned him upside down, and he belched out a double handful of shot. And then he see how it was, and he was the maddest man—he set the frog down and took out after that feller, but he never ketched him. And—

(Here Simon Wheeler heard his name called from the front yard, and got up to see what was wanted.) And turning to me as he moved away, he said: “Just set where you are, stranger, and rest easy—I an’t going to be gone a second.”

But, by your leave, I did not think that a continuation of the history of the enterprising vagabond Jim Smiley would be likely to afford me much information concerning the Rev. Leonidas W. Smiley, and so I started away.

At the door I met the sociable Wheeler returning, and he button-holed me and recommenced: “Well, this-yer Smiley had a yaller one-eyed cow that didn’t have no tail, only just a short stump like a bannanner, and—”

“Oh, hang Smiley and his afflicted cow!” I muttered good-naturedly, and bidding the old gentleman good- day, I departed.

Mark Twain short stories