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Beauty abounds in Jericho Brown’s Pulitzer Prize-winning poetry collection, despite and inside of the evil that pollutes the everyday.
A National Book Award finalist, The Tradition questions why and how we’ve become accustomed to terror: in the bedroom, the classroom, the workplace, and the movie theater. From mass shootings to rape to the murder of unarmed people by police, Brown interrupts complacency by locating each emergency in the garden of the body, where living things grow and wither—or survive.
In the urgency born of real danger, Brown’s work is at its most innovative. His invention of the duplex—a combination of the sonnet, the ghazal, and the blues—is an all-out exhibition of formal skill, and his lyrics move through elegy and memory with a breathless cadence. Jericho Brown is a poet of eros: here he wields this power as never before, touching the very heart of our cultural crisis.
Jericho Brown is a Pulitzer Prize-winning poet and the recipient of fellowships from the Guggenheim Foundation, the Radcliffe Institute for Advanced Study at Harvard, and the National Endowment for the Arts, and he is the winner of a Whiting Award. Brown’s first book, Please (New Issues, 2008), won the American Book Award. His second book, The New Testament (Copper Canyon, 2014), won the Anisfield-Wolf Book Award. His third collection is The Tradition (Copper Canyon, 2019)—winner of the 2020 Pulitzer Prize in Poetry and a finalist for the 2019 National Book Award. His poems have appeared in Bennington Review, BuzzFeed, Fence, jubilat, The New Republic, The New York Times, The New Yorker, The Paris Review, TIME, and several volumes of The Best American Poetry. He is an associate professor and the director of the Creative Writing Program at Emory University.
The Tradition
poems by Jericho Brown
(Winner of the 2020 Pulitzer Prize in Poetry)
Format: Paperback
Paperback
110 pages
ISBN-10 : 1556594860
ISBN-13 : 978-1556594861
Publisher : Copper Canyon Press
2 April 2019
Product Dimensions : 22.35 x 14.99 x 1.27 cm
Language: English
$17.00 list price
Jericho Brown
Awards and Honors
Pulitzer Prize in Poetry, 2020
Whiting Writers Award
American Book Award
National Endowment for the Arts Literature Fellowship
Radcliffe Institute at Harvard University Fellowship
Bread Loaf Writers’ Conference Fellowship
Krakow Poetry Seminar Fellowship
John Simon Guggenheim Memorial Foundation Fellowship
Lambda Literary Trustee Award, 2020
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How do you begin a future that has essentially already ended, separated from your home, your language and yourself by a stretch of water? Kurt Schwitters is forty-nine years old when the Nazis force him to flee Germany. His success, work, possessions, parents, and wife Helma stay behind – and art gives way to the art of survival.
Schwitters’s second life in a foreign language begins in Norway, then takes him to London and finally to the Lake District. Wantee, the new woman at his side, keeps him on course and his head above water, even when the word artist falls silent. With his Merzbau installation, Schwitters has discovered a new way to capture sky and serenity, shimmering meadows and transparent air. He is ludicrously disciplined, to the point of exhaustion. As we watch him at work, we learn that art doesn’t interpret the world: It translates it into forms that move us.
In Schwitters in the Lakes, Ulrike Draesner follows the writer and artist Kurt Schwitters into exile, giving voice to Kurt, his wife, his son and his lover. Through a virtuoso blend of fact and fiction, she has created a panorama of a time when the struggle for freedom and art was renewed in the face of a world on fire.
A profound yet witty novel about the power of art in dark times.
Ulrike Draesner, born in 1962, is a lyricist, novelist and essayist. She studied English, German and philosophy and has worked as an academic, translator and editor. She has published poetry collections, short stories, and novels, and held posts at several renowned universities such as the Swiss Literature Institute in Biel. She was a Visiting Fellow at New College, Oxford and at the Oxford Research Centre in the Humanities and is professor for German Literature and Creative Writing at the Deutsche Literaturinstitut Leipzig. Ulrike Draesner has received numerous awards.
Ulrike Draesner
Schwitters in the Lakes
Hardcover with jacket
480 pages
13.5 x 21.5 cm
Publishing House: Penguin
ISBN: 978-3-328-60126-5
Date of publication: August 24, 2020
€ 25.00
# new novel
Schwitters in the Lakes
Kurt Schwitters (1887 – 1948)
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Going Down Grand, the first full-length anthology of Grand Canyon poetry, gathers the voices of cowboys, explorers, river-runners, hikers, artists, geologists, rangers, and others whose words bear witness to this complex and magnificent place.
For readers on the river, the trails, the rim, or beyond, the poems on these pages will make fine canyon company.
GOING DOWN GRAND, the first full length anthology of Grand Canyon poems, gathers the voices and thoughts of explorers, cowboys, river-runners, hikers, artists, geologists, rangers, and others whose words reveal and bear witness to this complex and magnificent place. For readers on the river, the trails, the rim, or beyond, the poems on these pages will make fine canyon company.
Co-editor Rick Kempa has been hiking in and writing about the Grand Canyon since 1974. He is also editor of the anthology ON FOOT: Grand Canyon Backpacking Stories (Vishnu Temple Press, 2014) and has authored two books of poems, Keeping the Quiet and Ten Thousand Voices.
Rick Kempa (M.F.A. U of Arizona) teaches writing and philosophy at Western Wyoming College. His work has appeared in Puerto del Sol, High Plains Literary Review, Teaching English in the Two-Year College and Tumblewords: Writers Reading the West (U of Nevada P, 1995).
Going Down Grand: Poems from the Canyon
Edited by Peter Anderson & Rick Kempa
2015
Publisher: Lithic Press
Product Number:9780988384651
ISBN0988384655
Binding: Paperback
Pages:148
Price: $ 17.00
# new books
Going Down Grand: Poems from the Canyon
Edited by Peter Anderson & Rick Kempa
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A Book
There is no frigate like a book
To take us lands away,
Nor any coursers like a page
Of prancing poetry.
This traverse may the poorest take
Without oppress of toll;
How frugal is the chariot
That bears a human soul!
Emily Dickinson
(1830-1886)
A Book
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An elegiac and moving meditation on the ways in which we witness “bodies” of grief and healing.
Poems and photographs collide in this intimate collection, challenging the invisible, indefinable ways mourning takes up residence in a body, both before and after life-altering loss.
In radiant poems—set against the evocative and desperate backdrop of contemporary events, pop culture, and politics—Rachel Eliza Griffiths reckons with her mother’s death, aging, authority, art, black womanhood, memory, and the American imagination. The poems take shape in the space where public and private mourning converge, finding there magic and music alongside brutality and trauma. Griffiths braids a moving narrative of identity and its possibilities for rebirth through image and through loss.
A photographer as well as a poet, Griffiths accompanies the fierce rhythm of her verses with a series of ghostly, imaginative self-portraits, blurring the body’s internal wilderness with landscapes alive with beauty and terror. The collision of text and imagery offers an associative autobiography, in which narratives of language, absence, and presence are at once saved, revised, and often erased. Seeing the Body dismantles personal and public masks of silence and self-destruction to visualize and celebrate the imperfect freedom of radical self-love.
Rachel Eliza Griffiths is the author of four previous collections of poetry, including Lighting the Shadow. Her literary and visual work has appeared in The New Yorker, the New York Times, Paris Review, and many other publications. She lives in New York City.
Seeing the Body
Poems
Rachel Eliza Giffiths
Title Seeing the Body
Subtitle Poems
Author Rachel Eliza Giffiths
Publisher W. W. Norton & Company
Title First Published 09 June 2020
Format Hardcover
ISBN-10 1324005661
ISBN-13 9781324005667
Available for Sale 06/09/2020!
Price $26.95
# more poetry
Rachel Eliza Giffiths
Seeing the Body
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Flèche (the French word for ‘arrow’) is an offensive technique commonly used in fencing, a sport of Mary Jean Chan’s young adult years, when she competed locally and internationally for her home city, Hong Kong.
This cross-linguistic pun presents the queer, non-white body as both vulnerable (‘flesh’) and weaponised (‘flèche’), and evokes the difficulties of reconciling one’s need for safety alongside the desire to shed one’s protective armour in order to fully embrace the world.
Central to the collection is the figure of the poet’s mother, whose fragmented memories of political turmoil in twentieth-century China are sensitively threaded through the book in an eight-part poetic sequence, combined with recollections from Chan’s childhood.
As complex themes of multilingualism, queerness, psychoanalysis and cultural history emerge, so too does a richly imagined personal, maternal and national biography.
The result is a series of poems that feel urgent and true, dazzling and devastating by turns.
Mary Jean Chan grew up in Hong Kong and studied at Swarthmore College, the University of Oxford and Royal Holloway, University of London. Her debut pamphlet, A Hurry of English, was selected as the 2018 Poetry Book Society Summer Pamphlet Choice. In 2017, Chan’s poem ‘//’ was shortlisted for the 2017 Forward Prize for Best Single Poem. She is a Ledbury Poetry Critic, editor of Oxford Poetry, advisory board member at the Poetry Translation Centre and member of the Folio Prize Academy. She is a Lecturer in Creative Writing (Poetry) at Oxford Brookes University and lives in London.
Flèche
Mary Jean Chan
Publisher: Faber & Faber
Series: Faber Poetry
Paperback
88 pages
Language: English
ISBN-10: 0571348041
ISBN-13: 978-0571348046
March 31, 2020
£10.99
# new poetry
Mary Jean Chan
Flèche
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Independent Bookstore Day
saturday august 29, 2020
• more on website indiebookstoreday
• https://www.indiebookstoreday.com/
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Here, the bodies of indigenous, Latinx, black and brown women are simultaneously the body politic and the body ecstatic, and portrayed with a glowing intimacy: the alphabet of a hand in the dark, the hips’ silvered percussion, a thigh’s red-gold geometry, the emerald tigers that leap in a throat.
Natalie Diaz was born and raised in the Fort Mojave Indian Village in Needles, California, on the banks of the Colorado River. She is Mojave and an enrolled member of the Gila River Indian Tribe.
Her first poetry collection, When My Brother Was an Aztec, won an American Book Award. She is a 2018 MacArthur Fellow, as well as a Lannan Literary Fellow and a Native Arts and Cultures Foundation Artist Fellow.
She was awarded the Holmes National Poetry Prize and a Hodder Fellowship from Princeton University. She is a member of the Board of Trustees for the United States Artists, where she is an alumna of the Ford Fellowship. Diaz is the Maxine and Jonathan Marshall Chair in Modern and Contemporary Poetry at Arizona State University.
Postcolonial Love Poem
Natalie Diaz
Paperback
128 pages
Publisher: Faber & Faber
Published: 16/07/2020
Language: English
ISBN-10: 0571359868
ISBN-13: 978-0571359868
£10.99
# new poetry
Postcolonial Love Poem
by Natalie Diaz
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Today, on Wednesday 26 August, The Discomfort of Evening, written by Marieke Lucas Rijneveld and translated from Dutch by Michele Hutchison, is announced as the winner of The 2020 International Booker Prize.
The £50,000 prize will be split between Marieke Lucas Rijneveld and Michele Hutchison, giving both the author and translator equal recognition.
The winner was announced by chair of the judges, Ted Hodgkinson, this evening, at a digital event which was livestreamed across The Booker Prizes Facebook and YouTube pages. The Dutch edition was a bestseller in the Netherlands, where it won the prestigious ANV Debut Prize.
The Discomfort of Evening was chosen from a shortlist of six books during a lengthy and rigorous judging process, by a panel of five judges, chaired by Ted Hodgkinson, Head of Literature and Spoken Word at Southbank Centre. The panel also includes: Lucie Campos, director of the Villa Gillet, France’s centre for international writing; Man Booker International Prize-winning translator and writer Jennifer Croft; Booker Prize longlisted author Valeria Luiselli and writer, poet and musician Jeet Thayil, whose novel Narcopolis was shortlisted for the Man Booker Prize in 2012.
Chair of the judges, Ted Hodgkinson says: ‘We set ourselves an immense task in selecting a winner from our superb shortlist, filled with fiction bold enough to upend mythic foundations and burst the banks of the novel itself. From this exceptional field, and against an extraordinary backdrop, we were looking for a book that goes beyond echoing our dystopian present and possesses a timeless charge. Combining a disarming new sensibility with a translation of singular sensitivity, The Discomfort of Evening is a tender and visceral evocation of a childhood caught between shame and salvation, and a deeply deserving winner of The 2020 International Booker Prize.’
Born in April 1991 in Nieuwendijk, Netherlands, Marieke Lucas Rijneveld, whose preferred pronouns are they/them, is the youngest author to win The International Booker Prize. The Dutch author grew up in a Reformed farming family in North Brabant before moving to Utrecht and, alongside their writing career, Rijneveld still works on a dairy farm. One of the most exciting new voices in Dutch literature, Rijneveld has already won awards for both their first poetry collection Calfskin and their debut novel The Discomfort of Evening.
Following a stint as an editor, Michele Hutchison became a literary translator from Dutch. Her translations include the bestselling An American Princess by Annejet van der Zijl, Mona in Three Acts by Griet op de Beeck and Seaweed by Miek Zwamborn. She is also co-author of The Happiest Kids in the World.
The Discomfort of Evening tells the story of Jas and her devout farming family in a strict Christian community in rural Netherlands. One winter’s day, her older brother joins an ice skating trip. Resentful at being left alone, she attempts to bargain with God pitting the life of her pet rabbit against that of her brother; he never returns. As grief overwhelms the farm, Jas succumbs to a vortex of increasingly disturbing fantasies, watching her family disintegrate into a darkness that threatens to derail them all.
The Guardian described The Discomfort of Evening as ‘an unflinching study of a family falling apart in the madness of grief, rendered all the more unnerving for the childishly plain, undramatic way their compulsive behaviours are reported’.
The Financial Times said ‘there is a bold beauty to the book… by using Jas’s everyday world as a metaphor for loneliness and fear, Rijneveld has created something exceptional.’
Megan Nolan for the New Statesman commented that the character of Jas ‘produces a truly haunting and savage loneliness, communicated by Rijneveld with an agile intensity I have rarely encountered.’
The International Booker Prize is awarded every year for a single book that is translated into English and published in the UK or Ireland. It aims to encourage more publishing and reading of quality fiction from all over the world and to promote the work of translators. Both novels and short-story collections are eligible. The contribution of both author and translator is given equal recognition, with the £50,000 prize split between them.
This year the judges considered 124 books, translated from 30 languages.
(Together, the two Booker Prizes reward the best fiction from around the globe that is published in English in the UK and Ireland. The Booker Prizes are sponsored by Crankstart, a charitable foundation.)
# More on website The Booker Prize
Selfportrait (Wikimedia)
Marieke Lucas Rijneveld
Dutch writer and poet (1991)
Novels
2018 – De avond is ongemak
2020 – Engels: The Discomfort of Evening, translation Michele Hutchison (Booker International Prize 2020)
Collections of poetry
2015 – Kalfsvlies (C. Buddingh’-prijs 2016) (Ida Gerhardt Poëzieprijs 2020)
2019 – Fantoommerrie
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Weird Westerns is an exploration of the hybrid western genre—an increasingly popular and visible form that mixes western themes, iconography, settings, and conventions with elements drawn from other genres, such as science fiction, horror, and fantasy.
Despite frequent declarations of the western’s death, the genre is now defined in part by its zombie-like ability to survive in American popular culture in weird, reanimated, and reassembled forms.
The essays in Weird Westerns analyze a wide range of texts, including those by Native American authors Stephen Graham Jones (Blackfeet) and William Sanders (Cherokee); the cult television series Firefly and The Walking Dead; the mainstream feature films Suicide Squad and Django Unchained; the avant-garde and bizarre fiction of Joe R. Lansdale; the tabletop roleplaying game Deadlands: The Weird West; and the comic book series Wynonna Earp.
The essays explore how these weird westerns challenge conventional representations by destabilizing or subverting the centrality of the heterosexual, white, male hero but also often surprisingly reinforce existing paradigms in their inability to imagine an existence outside of colonial frameworks.
Author Bio:
Kerry Fine is an instructor in the Department of English at Arizona State University. Michael K. Johnson is a professor of English at the University of Maine–Farmington. Rebecca M. Lush is an associate professor at California State University, San Marcos. Sara L. Spurgeon is a professor of American literature at Texas Tech University.
Postwestern Horizons:
Postwestern Horizons encourages scholarship which rethinks and reimagines traditional western scholarship by challenging predominant paradigms, including revisionist ones, and dislocating our sense of region. By moving past the West as a national place, process, and idea to more methodologically innovative, transnationally daring, and theoretically fertile horizons of scholarship, this series encourages new ways of conceiving cultural production and reception. Postwestern Horizons encompasses studies of visual culture, environmental studies, literature, history, film studies, and much more.
Weird Westerns
Race, Gender, Genre
Edited by Kerry Fine, Michael K. Johnson, Rebecca M. Lush, and Sara L. Spurgeon
Postwestern Horizons Series
468 pages
Index
Paperback
August 2020
978-1-4962-2178-0
$35.00
Hardcover
August 2020
978-1-4962-2116-2
$70.00
# new books
Weird Westerns.
Race, Gender, Genre
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Shortlisted for the International Booker Prize 2020, an enthralling Orwellian novel about the terrors of state surveillance from one of Japan’s greatest writers.
Finalist for the International Booker Prize and the National Book Award.
A haunting Orwellian novel about the terrors of state surveillance, from the acclaimed author of The Housekeeper and the Professor.
On an unnamed island, objects are disappearing: first hats, then ribbons, birds, roses. . . . Most of the inhabitants are oblivious to these changes, while those few able to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten.
When a young writer discovers that her editor is in danger, she concocts a plan to hide him beneath her floorboards, and together they cling to her writing as the last way of preserving the past.
A surreal, provocative fable about the power of memory and the trauma of loss, The Memory Police is a stunning new work from one of the most exciting contemporary authors writing in any language.
Yoko Ogawa has won every major Japanese literary award. Her fiction has appeared in The New Yorker, A Public Space, and Zoetrope: All-Story. Her works include The Diving Pool, a collection of three novellas; The Housekeeper and the Professor; Hotel Iris; and Revenge. She lives in Hyogo.
The Memory Police
Yoko Ogawa
Published by Pantheon
Aug 13, 2019
ISBN 9781101870600
Hardcover
$25.95
Published by Vintage
Jul 28, 2020
ISBN 9781101911815
Paperback
$16.00
# new novel
The Memory Police
by Yoko Ogawa
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The 2020 Virtual Brooklyn Book Festival will be the 15th anniversary of free literary programming!
This fall an array of national and international literary stars and emerging authors will participate as part of a Virtual Festival including Sigrid Nunez, Lee Child, Salman Rushdie, Mia Couto, Ngũgĩ wa Thiong’o, Joyce Carol Oates, Adrian Tomine, Emily St. John Mandel, Claudia Rankine, Edmund White, Marie Lu, Colson Whitehead, and more.
Plus independent publishers, literary magazines, and literary organizations will be showcased in our Virtual Literary Marketplace starting August 15.
Each year the Festival also includes a week of Bookend events — see them virtually this year from locations all over the city. This year we celebrate the 10th anniversary of Bookends!
At Children’s Day, more than 50 authors will participate in a full day of author readings and performances, workshops, activities, and book signings — all virtual.
Some of the children’s authors in 2020 are Max Brallier, Tami Charles, Ben Clanton, Chris Grabenstein, Carlos Hernandez, Oliver Jeffers, Varian Johnson, Meg Medina, and R.L. Stine.
About the Brooklyn Book Festival: The Brooklyn Book Festival was launched in 2006 to address the need for a major literary event that embraced the diverse constituencies of New York City. The Festival’s mission is to celebrate published literature and support the literary community through programming that connects New York City readers with local, national, and international authors, publishers, and booksellers. To this end the festival develops original programs that are hip, smart, and diverse and collaborates to present free and low-cost programming including the Festival Day, Bookend Events, YA Outloud, and the BKBF Children’s Day. BKBF is presented by the non-profit Brooklyn Book Festival, Inc. and the Brooklyn Book Festival Literary Council.
The Festival is proud of its roster of supporters including the Amazon Literary Partnership, the Baillie Gifford Non Fiction Prize, the Brooklyn Borough President’s Office, Brookfield Properties and J.P. Morgan Chase, Con Edison, Disney, Downtown Brooklyn Partnership, Kirby Family Foundation, Little A, the Mayor’s Office of Media & Entertainment, New York City Department of Cultural Affairs, New York City Council Speaker Corey Johnson and Council Members Brad Lander, Stephen Levin and Carlos Menchaca, NYC COVID-19 Response and Impact Fund in New York Community Trust, New York State Council on the Arts, Lit Tap, NYU. The Festival’s media sponsors include C-SPAN, Book TV, the New York Review of Books, and WNYC.
Be sure to visit www.old.brooklynbookfestival.org or check out the official Facebook page, follow the Festival on Instagram (@bkbookfest), on Twitter (@BKBF), and past Festival photos on Flickr.
2020 Brooklyn Book Festival
Sunday, October 4 = 10am — 8pm
Virtual Festival Day
Saturday, October 3 = 10am — 4pm
Virtual Children’s Day
Saturday, October 3 = 1pm — 6pm
Y.A. Out Loud
September 28 — October 5
Virtual Bookend Events
Confirmed Authors Festival 2020: Salar Abdohbv – Aria Aber – Ayad Akhtar – Becky Albertalli – Rochelle Alers – A. Andrews – Diannely Antigua – Zaina Arafat – Will Arbery – Derf Backderf – Brit Bennett – Carl Bergman – Marie-Helene Bertino – Mark Bibbins – Chelsea Bieker – Betsy Bird – Eula Biss – Max Brallier – Libba Bray – Bill Buford – Susannah Cahalan – Patrice Caldwell – Ada Calhoun – Kacen Callender – Maisy Card – Veronica Chambers – Ruth Chan – Tami Charles – Lee Child – Dave Chisholm – Ben Clanton – Brandy Colbert – Zoraida Córdova – Eduardo C. Corral – Mia Couto – Mike Curato – Angela Dominguez – Sophie Escabasse – Debbi Michiko Florence – Nick Flynn – Curdella Forbes – Carolyn Forché – Gilbert Ford – Kelli Jo Ford – Lauren Francis-Sharma – Marcial Gala – Matt Gallagher – Camryn Garrett – Sasha Geffen – Nelson George – Hafizah Geter – Julia Gfrörer – Paolo Giordano – Chris Grabenstein – Isabel Greenberg – Chris Grine – Kristen Gudsnuk – Romesh Gunesekera – Shawn Harris – Mike Hawthorne – Carlos Hernandez – Amy Herzog – Cathy Park Hong – Mark Honigsbaum – Kiku Hughes – Michael R. Jackson – Victoria James – Oliver Jeffers – N.K. Jemisin – Beverly Jenkins – Kim Johnson – Leah Johnson – Varian Johnson – Tayari Jones – Wayne Jordan – Stephanie Kelton – Jessica Kim – Lily King – Peter Kispert – Yusef Komunyakaa – Andrew Krivak – Ryan La Sala – Stephan Lee – Attica Locke – Marie Lu – Alain Mabanckou – Deborah Madison – Maureen Mahon – Kevin Noble Maillard – Ricardo Alberto Maldonado – Emily St. John Mandel – Ilana Masad – Janae Marks – Bernice L. McFadden – Karen McManus – Juana Medina – Meg Medina – Fernanda Melchor – Colin Meloy – Maaza Mengiste – Kate Messner – Adrienne Miller – Lydia Millet – Jonah Mixon-Webster – Marcus J. Moore – John Murillo – Daniel Nayeri – Emily Nemens – Andrés Neuman – Kevin Nguyen – Lynn Nottage – Sigrid Nunez – Joyce Carol Oates – Tracy O’Neill – Tochi Onyebuchi – Claribel Ortega – Carey Pietsch – Rory Power – Claudia Rankine – Raúl the Third – Calvin Reid – Kiley Reid – Jared Reinmuth – Justin A. Reynolds – Hallie Rubenhold – Salman Rushdie – Kate Elizabeth Russell – Joe Sacco – Aisha Saeed – Jerry Saltz – Maria Scrivan – Tariq Shah – Kevin Sherry – Adania Shibli – Curtis Sittenfeld – Bishakh Som – Mika Song – Leslie Stein – R.L. Stine – Emma Straub – Brandon Taylor – Emily Temple – Ngũgĩ wa Thiong’o – Héctor Tobar -Adrian Tomine – Laura van den Berg – Juan Pablo Villalobos – Ivan Vladislavić – Karolina Waclawiak – Kawai Strong Washburn – Jesse Wegman – Edmund White – Colson Whitehead – Rick Wilson – Alexis Wright – Shannon Wright – Yao Xiao – Bianca Xunise – Gene Luen Yang – Brigit Young – Lidia Yuknavitch – Kate Zambreno –
Brooklyn Book Festival Announces: 15th Anniversary Will Be An All-Virtual Festival
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