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G e o r g e E l i o t
(Mary Ann Evans, 1819 – 1880)
Sweet Evenings Come and Go, Love
"La noche buena se viene,
La noche buena se va,
Y nosotros nos iremos
Y no volveremos mas."
— Old Villancico.
Sweet evenings come and go, love,
They came and went of yore:
This evening of our life, love,
Shall go and come no more.
When we have passed away, love,
All things will keep their name;
But yet no life on earth, love,
With ours will be the same.
The daisies will be there, love,
The stars in heaven will shine:
I shall not feel thy wish, love,
Nor thou my hand in thine.
A better time will come, love,
And better souls be born:
I would not be the best, love,
To leave thee now forlorn.
George Eliot poetry
kempis poetry magazine
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George Eliot
(Mary Ann Evans, 1819 – 1880)
Blue Wings
Warm whisp’ring through the slender olive leaves
Came to me a gentle sound,
Whis’pring of a secret found
In the clear sunshine ‘mid the golden sheaves:
Said it was sleeping for me in the morn,
Called it gladness, called it joy,
Drew me on "Come hither, boy."
To where the blue wings rested on the corn.
I thought the gentle sound had whispered true
Thought the little heaven mine,
Leaned to clutch the thing divine,
And saw the blue wings melt within the blue!
Bright, o bright Fedalma
Maiden crowned with glossy blackness,
Lithe as panther forest-roaming,
Long-armed Naiad when she dances
On a stream of ether floating,
Bright, o bright Fedalma!
Form all curves like softness drifted,
Wave-kissed marble roundly dimpling,
Far-off music slowly wingèd,
Gently rising, gently sinking,
Bright, o bright Fedalma!
Pure as rain-tear on a rose-leaf,
Cloud high born in noonday spotless
Sudden perfect like the dew-bead,
Gem of earth and sky begotten,
Bright, o bright Fedalma!
Beauty has no mortal father,
Holy light her form engendered,
Out of tremor yearning, gladness,
Presage sweet, and joy remembered,
Child of light! Child of light!
Child of light, Fedalma!
Came a pretty maid
Came a pretty maid
By the moon’s pure light . . .
Loved me well, she said,
Eyes with tears all bright,
A pretty maid.
But too late she strayed,
Moonlight pure was there . . .
She was nought but shade,
Hiding the more fair,
The heav’nly maid.
George Eliot poetry
kempis poetry magazine
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G e o r g e E l i o t
(Mary Ann Evans, 1819 – 1880)
Mid My Gold-Brown Curls
‘Mid my gold-brown curls
There twined a silver hair:
I plucked it idly out
And scarcely knew ’twas there.
Coiled in my velvet sleeve it lay
And like a serpent hissed:
"Me thou canst pluck & fling away,
One hair is lightly missed;
But how on that near day
When all the wintry army muster in array?"
Roses
You love the roses – so do I. I wish
The sky would rain down roses, as they rain
From off the shaken bush. Why will it not?
Then all the valley would be pink and white
And soft to tread on. They would fall as light
As feathers, smelling sweet; and it would be
Like sleeping and like waking, all at once!
George Eliot poetry
kempis poetry magazine
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G e o r g e E l i o t
(Mary Ann Evans, 1819 – 1880)
Brother and Sister
I.
I cannot choose but think upon the time
When our two lives grew like two buds that kiss
At lightest thrill from the bee’s swinging chime,
Because the one so near the other is.
He was the elder and a little man
Of forty inches, bound to show no dread,
And I the girl that puppy-like now ran,
Now lagged behind my brother’s larger tread.
I held him wise, and when he talked to me
Of snakes and birds, and which God loved the best,
I thought his knowledge marked the boundary
Where men grew blind, though angels knew the rest.
If he said "Hush!" I tried to hold my breath;
Wherever he said "Come!" I stepped in faith.
II.
Long years have left their writing on my brow,
But yet the freshness and the dew-fed beam
Of those young mornings are about me now,
When we two wandered toward the far-off stream
With rod and line. Our basket held a store
Baked for us only, and I thought with joy
That I should have my share, though he had more,
Because he was the elder and a boy.
The firmaments of daisies since to me
Have had those mornings in their opening eyes,
The bunchèd cowslip’s pale transparency
Carries that sunshine of sweet memories,
And wild-rose branches take their finest scent
From those blest hours of infantine content.
III.
Our mother bade us keep the trodden ways,
Stroked down my tippet, set my brother’s frill,
Then with the benediction of her gaze
Clung to us lessening, and pursued us still
Across the homestead to the rookery elms,
Whose tall old trunks had each a grassy mound,
So rich for us, we counted them as realms
With varied products: here were earth-nuts found,
And here the Lady-fingers in deep shade;
Here sloping toward the Moat the rushes grew,
The large to split for pith, the small to braid;
While over all the dark rooks cawing flew,
And made a happy strange solemnity,
A deep-toned chant from life unknown to me.
IV.
Our meadow-path had memorable spots:
One where it bridged a tiny rivulet,
Deep hid by tangled blue Forget-me-nots;
And all along the waving grasses met
My little palm, or nodded to my cheek,
When flowers with upturned faces gazing drew
My wonder downward, seeming all to speak
With eyes of souls that dumbly heard and knew.
Then came the copse, where wild things rushed unseen,
And black-scathed grass betrayed the past abode
Of mystic gypsies, who still lurked between
Me and each hidden distance of the road.
A gypsy once had startled me at play,
Blotting with her dark smile my sunny day.
V.
Thus rambling we were schooled in deepest lore,
And learned the meanings that give words a soul,
The fear, the love, the primal passionate store,
Whose shaping impulses make manhood whole.
Those hours were seed to all my after good;
My infant gladness, through eye, ear, and touch,
Took easily as warmth a various food
To nourish the sweet skill of loving much.
For who in age shall roam the earth and find
Reasons for loving that will strike out love
With sudden rod from the hard year-pressed mind?
Were reasons sown as thick as stars above,
‘Tis love must see them, as the eye sees light:
Day is but Number to the darkened sight.
VI.
Our brown canal was endless to my thought;
And on its banks I sat in dreamy peace,
Unknowing how the good I loved was wrought,
Untroubled by the fear that it would cease.
Slowly the barges floated into view
Rounding a grassy hill to me sublime
With some Unknown beyond it, whither flew
The parting cuckoo toward a fresh spring time.
The wide-arched bridge, the scented elder-flowers,
The wondrous watery rings that died too soon,
The echoes of the quarry, the still hours
With white robe sweeping-on the shadeless noon,
Were but my growing self, are part of me,
My present Past, my root of piety.
VII.
Those long days measured by my little feet
Had chronicles which yield me many a text;
Where irony still finds an image meet
Of full-grown judgments in this world perplext.
One day my brother left me in high charge,
To mind the rod, while he went seeking bait,
And bade me, when I saw a nearing barge,
Snatch out the line lest he should come too late.
Proud of the task, I watched with all my might
For one whole minute, till my eyes grew wide,
Till sky and earth took on a strange new light
And seemed a dream-world floating on some tide —
A fair pavilioned boat for me alone
Bearing me onward through the vast unknown.
VIII.
But sudden came the barge’s pitch-black prow,
Nearer and angrier came my brother’s cry,
And all my soul was quivering fear, when lo!
Upon the imperilled line, suspended high,
A silver perch! My guilt that won the prey,
Now turned to merit, had a guerdon rich
Of songs and praises, and made merry play,
Until my triumph reached its highest pitch
When all at home were told the wondrous feat,
And how the little sister had fished well.
In secret, though my fortune tasted sweet,
I wondered why this happiness befell.
"The little lass had luck," the gardener said:
And so I learned, luck was with glory wed.
IX.
We had the self-same world enlarged for each
By loving difference of girl and boy:
The fruit that hung on high beyond my reach
He plucked for me, and oft he must employ
A measuring glance to guide my tiny shoe
Where lay firm stepping-stones, or call to mind
"This thing I like my sister may not do,
For she is little, and I must be kind."
Thus boyish Will the nobler mastery learned
Where inward vision over impulse reigns,
Widening its life with separate life discerned,
A Like unlike, a Self that self restrains.
His years with others must the sweeter be
For those brief days he spent in loving me.
X.
His sorrow was my sorrow, and his joy
Sent little leaps and laughs through all my frame;
My doll seemed lifeless and no girlish toy
Had any reason when my brother came.
I knelt with him at marbles, marked his fling
Cut the ringed stem and make the apple drop,
Or watched him winding close the spiral string
That looped the orbits of the humming top.
Grasped by such fellowship my vagrant thought
Ceased with dream-fruit dream-wishes to fulfil;
My aëry-picturing fantasy was taught
Subjection to the harder, truer skill
That seeks with deeds to grave a thought-tracked line,
And by "What is," "What will be" to define.
XI.
School parted us; we never found again
That childish world where our two spirits mingled
Like scents from varying roses that remain
One sweetness, nor can evermore be singled.
Yet the twin habit of that early time
Lingered for long about the heart and tongue:
We had been natives of one happy clime
And its dear accent to our utterance clung.
Till the dire years whose awful name is Change
Had grasped our souls still yearning in divorce,
And pitiless shaped them in two forms that range
Two elements which sever their life’s course.
But were another childhood-world my share,
I would be born a little sister there.
George Eliot poetry
kempis poetry magazine
More in: Eliot, George
George Eliot (Mary Ann Evans)
(1819-1880)
MOTHER AND POET
Dead! one of them shot by the sea in the east,
And one of them shot in the west by the sea.
Dead! both my boys! When you sit at the feast
And are wanting a great song for Italy free,
Let none look at me!
Yet I was a poetess only last year,
And good at my art for a woman, men said,
But this woman, this, who is agonized here,
The east sea and west sea rhyme on in her head
Forever instead.
What art can woman be good at? Oh, vain!
What art is she good at, but hurting her breast
With the milk-teeth of babes, and a smile at the pain?
Ah, boys, how you hurt! you were strong as you pressed,
And I proud by that test.
What’s art for a woman? To hold on her knees
Both darlings! to feel all their arms round her throat
Cling, strangle a little! To sew by degrees,
And ‘broider the long clothes and neat little coat!
To dream and to dote.
To teach them . . . It stings there. I made them indeed
Speak plain the word ‘country.’ I taught them, no doubt,
That a country’s a thing men should die for at need.
I prated of liberty, rights, and about
The tyrant turned out.
And when their eyes flashed, oh, my beautiful eyes!
I exulted! nay, let them go forth at the wheels
Of the guns, and denied not. But then the surprise,
When one sits quite alone! Then one weeps, then one kneels!
–God! how the house feels.
At first happy news came, in gay letters moiled
With my kisses, of camp-life and glory, and how
They both loved me, and soon, coming home to be spoiled,
In return would fan off every fly from my brow
With their green laurel bough.
Then was triumph at Turin. ‘Ancona was free!’
And some one came out of the cheers in the street,
With a face pale as stone to say something to me.
My Guido was dead! I fell down at his feet
While they cheered in the street.
I bore it–friends soothed me: my grief looked sublime
As the ransom of Italy. One boy remained
To be leant on and walked with, recalling the time
When the first grew immortal, while both of us strained
To the height he had gained.
And letters still came–shorter, sadder, more strong,
Write now but in one hand. I was not to faint,
One loved me for two . . . would be with me ere long,
And ‘Viva Italia’ he died for, our saint,
Who forbids our complaint.
Dead! One of them shot by the sea in the east,
And one of them shot in the West by the sea: p2.jpg}
My Nanni would add, ‘he was safe and aware
Of a presence that turned off the balls . . . was imprest
It was Guido himself, who knew what I could bear,
And how ’twas impossible, quite dispossessed,
To live on for the rest.’
On which, without pause, up the telegraph line,
Swept smoothly the next news from Gaeta–Shot.
Tell his mother. Ah, ah! ‘his,’ ‘their’ mother: not ‘mine.’
No voice says ‘ my mother’ again to me. What!
You think Guido forgot?
Are souls straight so happy that, dizzy with Heaven,
They drop earth’s affection, conceive not of woe?
I think not. Themselves were too lately forgiven
Through that Love and Sorrow which reconciled so
The Above and Below.
O Christ of the seven wounds, who look’dst through the dark
To the face of thy mother! consider, I pray,
How we common mothers stand desolate, mark,
Whose sons, not being Christs, die with eyes turned away,
And no last word to say!
Both boys dead! but that’s out of nature. We all
Have been patriots, yet each house must always keep one.
‘Twere imbecile hewing out roads to a wall,
And when Italy’s made, for what end is it done
If we have not a son?
Ah! ah! ah! when Gaeta’s taken, what then?
When the fair, wicked queen sits no more at her sport
Of the fire-balls of death crashing souls out of men?
When your guns of Cavalli, with final retort,
Have cut the game short–
When Venice and Rome keep their new jubilee,
When your flag takes all Heaven for its white, green, and red,
When you have your country from mountain to sea,
When King Victor has Italy’s crown on his head,
(And I have my dead)
What then? Do not mock me! Ah, ring your bells low!
And burn your lights faintly. My country is there,
Above the star pricked by the last peak of snow.
My Italy’s there–with my brave civic Pair,
To disfranchise despair.
Forgive me. Some women bear children in strength,
And bite back the cry of their pain in self-scorn,
But the birth-pangs of nations will wring us at length
Into wail such as this! and we sit on forlorn
When the man-child is born.
Dead! one of them shot by the sea in the west!
And one of them shot in the east by the sea!
Both! both my boys! If, in keeping the feast,
You want a great song for your Italy free,
Let none look at me!
kempis poetry magazine
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