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A master of documentary poetry, Erika Meitner takes up the question of desire and intimacy in her latest collection of poems.
In her previous five collections of poetry, Erika Meitner has established herself as one of America’s most incisive observers, cherished for her remarkable ability to temper catastrophe with tenderness. In her newest collection Useful Junk, Meitner considers what it means to be a sexual being in a world that sees women as invisible—as mothers, customers, passengers, worshippers, wives.
These poems render our changing bodies as real and alive, shaped by the sense memories of long-lost lovers and the still thrilling touch of a spouse after years of parenthood, affirming that we are made of every intimate moment we have ever had.
Letter poems to a younger poet interspersed throughout the collection question desire itself and how new technologies—Uber, sexting, Instagram—are reframing self-image and shifting the ratios of risk and reward in erotic encounters.
With dauntless vulnerability, Meitner travels a world of strip malls, supermarkets, and subway platforms, remaining porous and open to the world, always returning to the intimacies rooted deep within the self as a shout against the dying earth.
Boldly affirming that pleasure is a vital form of knowledge, Useful Junk reminds us that our bodies are made real and beautiful by our embodied experiences and that our desire is what keeps us alive.
Erika Meitner is the author of five books of poems, including Ideal Cities (Harper Perennial, 2010), which was a 2009 National Poetry Series winner, Copia (BOA Editions, 2014), and Holy Moly Carry Me (BOA Editions, 2018). Her poems have appeared in The New York Times Magazine, Tin House, The New Republic, Virginia Quarterly Review, Oxford American, Best American Poetry, Ploughshares, and elsewhere. In 2015, she was the US-UK Fulbright Distinguished Scholar in Creative Writing at the Seamus Heaney Centre for Poetry at Queen’s University Belfast, and she has also received fellowships from The MacDowell Colony, the Virginia Center for Creative Arts, the Blue Mountain Center, and the Wisconsin Institute for Creative Writing. She is currently an associate professor of English at Virginia Tech, where she directs the MFA and undergraduate programs in Creative Writing.
# new poetry
Useful Junk
By: Erika Meitner
Regular price $ 17.00
Publisher: BOA Editions Ltd.
April 5, 2022
Language: English
Paperback: 104 pages
ISBN-10: 1950774538
ISBN-13: 978-1950774531
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The armed conflict in the east of Ukraine in 2017 brought about an emergence of a distinctive trend in contemporary Ukrainian poetry: the poetry of war.
Directly and indirectly, the poems collected in this volume engage with the events and experiences of war, reflecting on the themes of alienation, loss, dislocation, and disability; as well as justice, heroism, courage, resilience, generosity, and forgiveness.
In addressing these themes, the poems also raise questions about art, politics, citizenship, and moral responsibility. The anthology brings together some of the most compelling poetic voices from different regions of Ukraine. Young and old, female and male, somber and ironic, tragic and playful, filled with extraordinary terror and ordinary human delights, the voices recreate the human sounds of war in its tragic complexity.
Oksana Maksymchuk is an author of two award-winning books of poetry in the Ukrainian language, and a recipient of Richmond Lattimore and Joseph Brodsky-Stephen Spender translation prizes. She works on problems of cognition and motivation in Plato’s moral psychology. Maksymchuk teaches philosophy at the University of Arkansas.
Max Rosochinsky is a poet and translator from Simferopol, Crimea. His poems had been nominated for the PEN International New Voices Award in 2015. With Maksymchuk, he won first place in the 2014 Brodsky-Spender competition. His academic work focuses on twentieth century Russian poetry, especially Osip Mandelshtam and Marina Tsvetaeva.
Published by Academic Studies Press (Boston, MA) and Harvard Ukrainian Research Institute (Cambridge, MA), Words for War: New Poems from Ukraine is available in hardback, paperback, and digital ebook formats.
New Poems from Ukraine by:
Anastasia Afanasieva
Vasyl Holoborodko
Borys Humenyuk
Yuri Izdryk
Aleksandr Kabanov
Kateryna Kalytko
Lyudmyla Khersonska
Boris Khersonsky
Marianna Kiyanovska
Halyna Kruk
Oksana Lutsyshyna
Vasyl Makhno
Marjana Savka
Ostap Slyvynsky
Lyuba Yakimchuk
Serhiy Zhadan
# new poetry
Words for War: New Poems from Ukraine
Edited by Oksana Maksymchuk & Max Rosochinsky
with an introduction by Ilya Kaminsky and an afterword by Polina Barskova
Publisher: Academic Studies Press
Series: Ukrainian Studies
Pages: 242 pp.
16 illus. (color)
Publication Date: December 2017
English
ISBN: 9781618116666 (cloth) 32,99 euro
ISBN: 9781618118615 (paper) 24,99 euro
More information: https://www.wordsforwar.com/
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we will walk back, even with bare feet
if we don’t find our home in the place where we left it
we will build another one in an apricot tree
out of luscious clouds, out of azure ether
Apricots of Donbas—by award-winning contemporary Ukrainian poet Lyuba Yakimchuk—is the 7th book in the Lost Horse Press Contemporary Ukrainian Poetry Series. As are previous volumes in the Series, it has been released in a dual-language edition.
Born and raised in a small coal-mining town in Ukraine’s industrial east, Yakimchuk lost her family home in 2014, when the region was occupied by Russian-backed militants, and her parents and sister were forced to flee as refugees.
Reflecting the complex emotional experiences of a civilian witnessing a gradual disintegration of her familiar surroundings, Yakimchuk’s poetry is versatile, ranging from sumptuous verses about the urgency of erotic desire in a war-torn city to imitations of child-like babbling about the tools and toys of military combat.
Playfulness in the face of catastrophe is a distinctive feature of Yakimchuk’s voice, evoking the legacy of the Ukrainian Futurists of the 1920s. The poems’ artfulness goes hand in hand with their authenticity, offering intimate glimpses into the story of a woman affected by a life-altering situation beyond her control.
(…)
my friends are hostages
and I can’t reach them, I can’t do netsk
to pull them out of the basements
from under the rubble
yet here you are, writing poems
ideally slick poems
high-minded gilded poems
beautiful as embroidery
there’s no poetry about war
just decomposition
only letters remain
and they all make a single sound — rrr
(…)
Lyuba Yakimchuk from Decomposition,
translated from the Ukrainian by Oksana Maksymchuk and Max Rosochinsky
Lyuba Yakimchuk
is a poet, playwright, and screenwriter. Her two collections of poetry, Moda (2009) and Abrykosy Donbasu (2015) won prestigious awards, including the International Slavic Poetic Award (Ukraine) and the International Poetic Award of the Kovalev Foundation (USA). Since 2019, her play The Wall has been running at the Ivan Franko National Academic Drama Theater, the largest in Ukraine. She also authored the script for the film The Slovo House: An Unfinished Novel, reflecting on the literary life in the 1930’s Kharkiv. Born and raised in a small town near Luhansk, Yakimchuk now lives in Kyiv, Ukraine.
Born and raised in a small coal-mining town in Ukraine’s industrial east, Yakimchuk lost her family home in 2014 when the region was occupied by Russian-backed militants and her parents and sister were forced to flee as refugees. Reflecting her complex emotional experiences, Yakimchuk’s poetry is versatile, ranging from sumptuous verses about the urgency of erotic desire in a war-torn city to imitations of childlike babbling about the tools and toys of military combat. Playfulness in the face of catastrophe is a distinctive feature of Yakimchuk’s voice, evoking the legacy of the Ukrainian Futurists of the 1920s. The poems’ artfulness go hand in hand with their authenticity, offering intimate glimpses into the story of a woman affected by a life-altering situation beyond her control.
# new poetry
APRICOTS OF DONBAS
poems by Lyuba Yakimchuk
Translated by Oksana Maksymchuk,
Max Rosochinsky & Svetlana Lavochkina
Oktober 2021
Paperback
166 pp
ISBN 978-1-7364323-1-0
Lost Horse Press
$30.00
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Born in New Zealand in 1934, Fleur Adcock spent the war years in England, returning with her family to New Zealand in 1947.
She emigrated to Britain in 1963, working as a librarian in London until 1979. In 1977-78 Fleur Adcock was writer-in-residence at Charlotte Mason College of Education, Ambleside.
Fleur Adcock was Northern Arts Literary Fellow in 1979-81, living in Newcastle, becoming a freelance writer after her return to London.
She received an OBE in 1996, and the Queen’s Gold Medal for Poetry in 2006 for Poems 1960-2000 (Bloodaxe Books, 2000).
Fleur Adcock published three pamphlets with Bloodaxe: Below Loughrigg (1979), Hotspur (1986) and Meeting the Comet (1988), as well as her translations of medieval Latin lyrics, The Virgin & the Nightingale (1983).
She also published two translations of Romanian poets with Oxford University Press, Orient Express by Grete Tartler (1989) and Letters from Darkness by Daniela Crasnaru (1994).
All her other collections were published by Oxford University Press until they shut down their poetry list in 1999, after which Bloodaxe published her collected poems Poems 1960-2000 (2000), followed by Dragon Talk (2010), Glass Wings (2013), The Land Ballot (2015) and Hoard (2017).
The Mermaid’s Purse is due from Bloodaxe in 2021. Poems 1960-2000 and Hoard are Poetry Book Society Special Commendations while Glass Wings is a Poetry Book Society Recommendation. In October 2019 Fleur Adcock was presented with the New Zealand Prime Minister’s Award for Literary Achievement in Poetry 2019 by the Rt Hon Jacinda Ardern.
Fleur Adcock writes about men and women, childhood, identity, roots and rootlessness, memory and loss, animals and dreams, as well as our interactions with nature and place. Her poised, ironic poems are remarkable for their wry wit, conversational tone and psychological insight, unmasking the deceptions of love or unravelling family lives.
Fleur Adcock began writing the poems in this book when she was 82. The two chief settings are New Zealand, with its multi-coloured seas, and Britain, seen in various decades.
There are foreign travels, flirtations, family memories, deaths and conversations with the dead. Katherine Mansfield, incognito, dodges an academic conference; there’s a lesson in water divining as well as a rather unusual Christmas party.
We meet several varieties of small mammal, numerous birds, doomed or otherwise, and some sheep. The book ends with a sequence in memory of her friend, the poet Roy Fisher.
# new poetry
The Mermaid’s Purse
by Fleur Adcock
Publication Date : 25 Feb 2021
Pages: 80
Size: 234 x 156mm
ISBN: 9781780375700
Paperback
£10.99
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A timeless, visionary collection of poems from one of China’s most acclaimed poets-now available in English for the first time in a generation and featuring a foreword by his son, contemporary artist and activist Ai Weiwei
One of the most influential poets in Chinese history, Ai Qing is mostly unknown to Western readers, but his work has shaped the nature of poetry in China for decades. Born between the fall of imperial Manchurian rule and the establishment of the Communist People’s Republic, Ai Qing was at one time an intimate of Mao Zedong.
He would eventually fall out with the leader and be sentenced to hard labor during the Cultural Revolution, when he was exiled to the remote part of the country known as “Little Siberia” with his family, including his son, Ai Weiwei.
In his work, Ai Qing tells the story of a China convulsing in change, leaving behind a legacy of feudalism and imperialism but uncertain what the future will hold. Breaking with traditional forms of Chinese poetry, Ai Qing innovatively adapted free verse, writing with a simple sincerity in clear lines that could be understood by everyday readers.
Selected Poems of Ai Qing is an extraordinary collection that traces the powerful inner life of this influential poet who crafted poems of protest, who longed for a newer, happier age, and who wrote with a profound lyricism that reaches deep into the heart of the reader.
Selected Poems by Ai Qing (Author),
Ai Weiwei (Introduction), Robert Dorsett (Translator)
Ai Qing is regarded as one of the finest modern Chinese poets, whose free verse was influential in the development of new poetry in China.
Ai Weiwei is one of the world’s most important living artists. Born in 1957, he lives in Cambridge, UK.
Allan H. Barr is the author of a study in Chinese of a literary inquisition in the early Qing dynasty, Jiangnan yijie: Qing ren bixia de Zhuangshi shi’an, and the translator of several books by contemporary Chinese authors, including Yu Hua’s China in Ten Words and Han Han’s This Generation. He teaches Chinese at Pomona College in California.
# new poetry
Selected Poems by Ai Qing (Author),
Ai Weiwei (Introduction),
Robert Dorsett (Translator)
Publisher: Vintage Classics
2 Nov. 2021
Language: English
Hardcover
128 pages
ISBN-10: 1784877662
ISBN-13: 978-1784877668
£12.99
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Last evening the T. S. Eliot Prize 2021 – Shortlist was announced.
It shows an eclectic mixture of established poets, none of whom has previously won the Prize, and relative newcomers.
Judges Glyn Maxwell (Chair), Caroline Bird and Zaffar Kunial have chosen the 2021 T. S. Eliot Prize shortlist from a record 177 poetry collections submitted by British and Irish publishers.
The list comprises one debut collection; work from six men and four women; one American; one poet from Ireland; as well as poets of mixed race ancestry, including Jamaican, Jamaican-Chinese and Zambian. Eight publishers are represented, with two titles from small presses.
Here are the ten poets who have been shortlisted by the judges:
Raymond Antrobus – All the Names Given (Picador)
Raymond Antrobus is the author of To Sweeten Bitter and The Perseverance (Penned in the Margins/Tin House) and All the Names Given (Picador 2021). In 2019 he became the first ever poet to be awarded the Rathbone Folio Prize. Other accolades include the Ted Hughes Award, PBS Winter Choice and Sunday Times Young Writer of the year award, as well as being shortlisted for the Griffin Prize and Forward Prize.
Kayo Chingonyi – A Blood Condition (Chatto & Windus)
Kayo Chingonyi is the author of two pamphlets. His first full-length collection, Kumukanda, (Chatto & Windus 2012) won the Dylan Thomas Prize and a Somerset Maugham Award and was shortlisted for the Costa Poetry Prize and the Seamus Heaney Centre First Poetry Collection Prize. His most recent collection is A Blood Condition (Chatto & Windus 2021).
Victoria Kennefick – Eat Or We Both Starve (Carcanet)
Victoria Kennefick’s pamphlet, White Whale (Southword Editions, 2015), won the Munster Literature Centre Fool for Poetry Chapbook Competition and the Saboteur Award for Best Poetry Pamphlet. Her work has appeared in Poetry, The Poetry Review, PN Review, Poetry Ireland Review, The Irish Times, Ambit and elsewhere. Her debut collection Eat Or We Both Starve was published by Carcanet in 2021.
Selima Hill – Men Who Feed Pigeons (Bloodaxe)
Selima Hill is a prodigiously prolific poet, who has produced nineteen books of poetry, all published by Bloodaxe. Her 1997 collection, Violet, was shortlisted for the Forward Poetry Prize, the T. S. Eliot Prize and the Whitbread Poetry Award. Bunny (2001), won the Whitbread Poetry Award, was a Poetry Book Society Choice and was shortlisted for the T. S. Eliot Prize. Her new collection is Men Who Feed Pigeons (Bloodaxe 2021).
Hannah Lowe – The Kids (Bloodaxe)
Hannah Lowe’s first poetry collection Chick (Bloodaxe 2013) won the Michael Murphy Memorial Award for Best First Collection, was shortlisted for the Forward Prize for Best First Collection and the Seamus Heaney Centre Prize for Poetry, and was selected for the Poetry Book Society’s Next Generation Poets 2014 promotion. Her second collection was Chan and her third collection, The Kids, (Bloodaxe 2021) was a Poetry Book Society Choice.
Michael Symmons Roberts – Ransom (Cape Poetry)
Michael Symmons Roberts’s eight poetry collections have all been published by Cape and include Corpus, which was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T. S. Eliot Prize, the Forward Prize and the Griffin International Prize. Drysalter was the winner of the 2013 Forward Prize and the Costa Poetry Prize and was shortlisted for the T. S. Eliot Prize. His eighth poetry collection is Ransom (Cape Poetry, 2021).
Daniel Sluman – single window (Nine Arches Press)
Daniel Sluman co-edited the first major UK Disability poetry anthology, Stairs and Whispers: D/deaf and Disabled Poets Write Back, (2017) with Sandra Alland and Khairani Barokka. He has previously published two poetry collections, Absence has a weight of its own (2012) and the terrible (2015), both Nine Arches Press. His third poetry collection, single window, was published in 2021 by Nine Arches Press.
Joelle Taylor – C+nto & Othered Poems (The Westbourne Press)
Joelle Taylor has published four collections of poetry: Ska Tissue (2011, Mother Foucault Press), The Woman Who Was Not There (2014, Burning Eye Books) and Songs My Enemy Taught Me (2017, Out-Spoken Press). She founded SLAMbassadors for the Poetry Society in 2001 and is the host of London’s premier night of poetry and music Out-Spoken. C+not & Othered Poems was published in 2021 by The Westbourne Press.
Jack Underwood – A Year in the New Life (Faber)
Jack Underwood was a winner of the Eric Gregory Award in 2007 and his debut pamphlet was published by Faber as part of the first Faber New Poets series in 2009. His debut poetry collection, Happiness (Faber, 2015), won the Somerset Maugham Award. He is a senior lecturer in English and Creative Writing at Goldsmiths College, University of London. His second collection, A Year in the New Life, was published by Faber in 2021.
Kevin Young – Stones (Cape Poetry)
Kevin Young is the author of fifteen books of poetry and prose, including Brown; Blue Laws: Selected & Uncollected Poems 1995-2015; Book of Hours, Jelly Roll: a blues, Bunk and The Grey Album. He is the Andrew W. Mellon Director of the Smithsonian’s National Museum of African American History and Culture and the poetry editor of the New Yorker. Stones (Cape 2021) is the first of his poetry collections to be published in the UK.
The T. S. Eliot Prize is run by the T. S. Eliot Foundation. The T. S. Eliot Prize is the most valuable prize in British poetry – the winning poet will receive a cheque for £25,000 and the shortlisted poets will be presented with cheques for £1,500. It is the only major poetry prize which is judged purely by established poets. The 2021 judging panel are looking for the best new poetry collection written in English and published in 2021 in the UK or Ireland.
Chair Glyn Maxwell said:
‘Judging the T. S. Eliot Prize 2021, I am lucky enough to be joined by two of my favourite younger poets, Caroline Bird and Zaffar Kunial. We are delighted with our shortlist, while lamenting all the fine work we had to set aside. Poetry styles are as disparate as I’ve ever known them, and the wider world as threatened and bewildered as any of us can remember. Out of this we have chosen ten books that sound clear and compelling voices – of the moment, yet also below and beyond it. Older and younger, wiser and wilder, well-known and lesser-known, these are the ten voices we think should enter the stage and be heard in the spotlight, changing the story while there’s a story to be changed.’
The T. S. Eliot Prize Shortlist Readings will take place on Sunday 9th January 2022 in the Southbank Centre’s Royal Festival Hall in London as part of its literature programme. The shortlist readings are the largest annual poetry event in the UK and will be hosted once again by Ian McMillan.
Tickets for the Readings in the Royal Festival and the simultaneously streamed event are now on sale from the box office: 0203 879 9555 (Open from 10am – 2pm Monday to Friday). Website: www.southbankcentre.co.uk
The winner of the 2021 Prize will be announced at the Award Ceremony on Monday 10th January 2022, where the winner and the shortlisted poets will be presented with their cheques.
Last year’s winner was Bhanu Kapil’s How to Wash a Heart and the judges were Lavinia Greenlaw (chair), Mona Arshi and Andrew McMillan.
The T. S. Eliot Prize, which former Poet Laureate Andrew Motion has described as “the Prize most poets want to win”, is an annual prize for the best new poetry collection published in the UK or Ireland.
T. S. Eliot Prize 2021 – Shortlist Announced
# For more information click for the T S Eliot Prize website
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Soms humoristisch, soms zakelijk, maar altijd in een volstrekt eigen vorm. De poëzie van Alfred Schaffer wordt alom geroemd om haar meerstemmigheid en schakelt moeiteloos tussen engagement en absurditeit.
Schaffer ontving de P.C. Hooft-prijs 2021 en is daarmee een van de jongste laureaten ooit van Nederlands belangrijkste literaire oeuvreprijs. Sinds zijn debuutbundel Zijn opkomst in de voorstad (2000), die werd bekroond met de eerste Jo Peters Poëzieprijs, weet Schaffer zich constant te vernieuwen, met het vol lof onthaalde wie was ik. strafregels (2020) als meest recente uiting van zijn virtuoze dichterschap.
Zo heb ik u lief. alle gedichten tot nu toe brengt twintig jaar dichterschap en negen bundels samen in één band en laat zien dat Schaffer ontegenzeggelijk een van de beste hedendaagse dichters in het Nederlandse taalgebied is.
Alfred Schaffer (1973) is dichter, docent en vertaler. Hij studeerde Nederlandse Taal- en Letterkunde en Film- en Theaterwetenschappen alvorens in 1996 naar Zuid-Afrika te verhuizen, waar hij als docent verbonden was aan de Universiteit van Kaapstad. Tussen 2007 en 2010 was hij fondsredacteur van De Bezige Bij. In 2011 vertrok hij opnieuw naar Zuid-Afrika, waar hij doceert aan de Universiteit van Stellenbosch.
Nog niet verschenen. Reserveer het boek nu bij uw boekhandel. Het boek verschijnt rond 02-09-2021.
Zo heb ik u lief
Alle gedichten tot nu toe
Auteur: Alfred Schaffer
ISBN: 9789403141213
NUR: 306
Paperback
Aantal pagina’s: 736
Uitgever: De Bezige Bij
Verschijningsdatum: 02-09-2021
Prijs: 34,99
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Diane Seuss writes in this brilliant, candid work, her most personal collection to date.
These poems tell the story of a life at risk of spilling over the edge of the page, from Seuss’s working-class childhood in rural Michigan to the dangerous allures of New York City and back again.
With sheer virtuosity, Seuss moves nimbly across thought and time, poetry and punk, AIDS and addiction, Christ and motherhood, showing us what we can do, what we can do without, and what we offer to one another when we have nothing left to spare.
Like a series of cels on a filmstrip, frank: sonnets captures the magnitude of a life lived honestly, a restless search for some kind of “beauty or relief.” Seuss is at the height of her powers, devastatingly astute, austere, and―in a word―frank.
“The sonnet, like poverty, teaches you what you can do / without,”
# New Poetry
frank: sonnets
by Diane Seuss
Publisher: Graywolf Press
March 2, 2021
Language: English
Paperback
152 pages
ISBN-10: 1644450453
ISBN-13: 978-1644450451
$15.99
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Poetry International heeft 11 juni tijdens het Poetry International Festival de C. Buddingh’-prijs 2021 toegekend aan de Nederlandse dichter Wout Waanders, voor zijn poëziedebuut Parkplan, een uitgave van De Harmonie. In toegankelijke verzen komt het leven van alledag aan bod: soms grappig, dan weer keihard.
Per gedicht weet je niet wat je kan verwachten: of het start absurd, en dan gaat het over iets wezenlijks zoals ziek zijn en verdwijnen, of het begint heel serieus over hoe een relatie in de slop zit en wordt uiteindelijk weer licht.
Dit jaar vond de ontknoping van de C. Buddingh’-prijs zowel in de zaal in LantarenVenster in Rotterdam als online plaats.
Ook de dichters Schiavone, René Smeets en Dorien de Wit maakten met hun debuut kans op de prijs.
De jury bestond uit Ellen Deckwitz (voorzitter), Mylo Freeman en Ilke Froyen.
De jury: “Parkplan is een zeer consistente bundel die handelt over de worsteling die het bestaan is, en hoe we daar met onze dagelijkse kleine onderhandelingen toch een kloppend geheel van proberen te maken.” Wout Waanders draait de realiteit een kwartslag, maar net genoeg om er helemaal in mee te gaan. Je stapt naar binnen en alles lijkt volkomen vanzelfsprekend:
Op een onbewaakt ogenblik
was er een meisje in mijn
rabarberlimonade gesprongen.
34e C. Buddingh’-prijs 2021
Voor de 34ste editie van de C. Buddingh’-prijs werden 25 poëziedebuten ingezonden. De jury prees het gemiddeld hoge niveau van de poëzie-eerstelingen. “Er werd intelligent geënjambeerd, de slimme intertekstualiteiten vlogen je om de ogen en aan ieder detail, van titel tot vormgeving, van pagina-opmaak tot kleurstelling, was aandacht besteed”, aldus de jury. “Er was een aantal waaruit niet alleen technisch, maar ook empathisch vernuft sprak. De bereidwilligheid om alleen te willen plezieren, maar ook om een statement in te nemen van wat poëzie vermag. Deze overtuigden door de eigen stem, doordat ze het risico durfden te nemen de lezer voor het hoofd te stoten, buiten de gebaande paden van de dichtkunst te willen gaan.”
Met de jaarlijkse uitreiking van de C. Buddingh’-prijs beoogt Poetry International sinds 1988 meer aandacht te genereren voor de meest talentvolle nieuwe stemmen in de Nederlandstalige poëzie. Voor menig dichter van naam was de C. Buddingh’-prijs de eerste belangrijke trofee die in de wacht werd gesleept. Joke van Leeuwen, Ilja Leonard Pfeijffer en Anna Enquist, of recenter Lieke Marsman, Ellen Deckwitz, Marieke Lucas Rijneveld en Radna Fabias en Roberta Petzoldt wonnen de prijs. In 2020 ging de prijs naar de Vlaamse dichter Jens Meijen.
• Wout Waanders wint 34e C. Buddingh’-prijs 2021
• Parkplan beste poëziedebuut van het jaar
• 25 ingezonden debuutbundels
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