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Vliegers die niet opgaan
Heus niet een ieder lijkt omzeilen van liegen
gegeven. Sommigen verhalen over waarheid
zo vaak dat ze vergeten wat zij wil. Hunkeren
naar klaarheid vergt uitleg, een introductie
op tomeloos mijmeren. Op varianten zonder
schroom. Nergens is begenadiging in zicht.
Bert Bevers
•bij het werk van Ron Scherpenisse
Uit: Varianten zonder schroom, Heren Met Hoeden, Bergen op Zoom, 2021
•fleursdumal.nl magazine
More in: Archive A-B, Art & Literature News, Bevers & Scherpenisse, Bevers, Bert, Illustrators, Illustration
Naoko Fujimoto translates her poems (that are written in English on flat paper) into words and images to create a contemporary picture scroll.
The picture scroll in Japanese is Emaki (eh-MA-kee) and the style has been popular since the 7-16th centuries in Japan. It is still a widely recognized art style in Japan and the rest of the world. Emaki is akin to a current graphic novel / poetry / comic. One of the most famous Emaki is the Tale of Genji, which is a fictional (perhaps gossip) story about a handsome son of the emperor.
The graphic poetry project is also meant for the viewer to transport their senses from the flat paper and bridge the gap between words and images that will connect with their physical counterparts. Like a historical Emaki, there are side stories hidden behind some of the main graphic narratives— be they comedic or serious— for audiences to interpret. All of the details (choice of words, origami paper, or styles) have a specific meaning to contribute to the whole.
In June, 2016, Naoko Fujimoto decided to take a year off to be a full-time poet and artist. People around her asked why she was leaving a stable job, and if she was going to be a starving artist. She wanted to find out how far she can succeed as a poet and artist. After all, if she gets lost, she can just come back to what worked before.
During the year, she had opportunities to not only read books, but also explore and live with classic and contemporary works, such as the Massachusetts Museum of Contemporary Art, Metropolitan Museum of Art, San Francisco Museum of Modern Art, Art Institute of Chicago, Tokugawa Museum, and Museum of Contemporary Art Tokyo. There, she revisited her idea of how she could create an effective melding of poetry and art; perhaps, words and images.
The following, entitled “The Duck’s Smile”, was her first attempt. She wrote an original poem for a project named, “Killing Sally McHill”, which was a protest against common violence hidden around the house, school, office, and society. “The Duck’s Smile” was specifically written about a hierarchy in a small community between the narrator and Sally. Her first graphic poem adapted a written poem into a graphic narrative. The poem started from the top left corner and progressed to the bottom right. It took a simple black and white art approach, but did not quite embody how she wanted it to be represented.
Naoko Fujimoto researched art works of inclusions of “word” and “image” such as László Moholy-Nagy, Hiroshige Utagawa, William Blake, Francisco Goya, and many other writers and artists. Then when she observed works by a German painter and sculptor, Anselm Kiefer, she understood that poetry must have explosions of creativity. Coincidentally, she had the chance to attend a workshop with Robin Coste Lewis, who critiqued the poems to be tight in structure, but reminded to forget about grammar and rules from time to time to experiment freely.
So she chose to adapt a traditional Japanese Emaki style (an illustrated narrative art). The original poem was carefully scattered specific phrases or implied images were selected, with the rest being ignored (like the poetry erasure technique). She traveled to find paper and objects, such as supermarket advertisements, birthday gift wrapping, postcards, origami, magazines, and other materials rich in color and texture. She wrote about relatable life conflicts, so using common objects in turn grounded her graphic poetry.
Naoko Fujimoto was born and raised in Nagoya, Japan. She studied at Nanzan Junior College and received BA and Master’s degrees from Indiana University. Recent work appears or is forthcoming in POETRY, Kenyon Review, Seattle Review, Quarterly West, North American Review, Hayden’s Ferry Review, Prairie Schooner, Crazyhorse, and The Arkansas International. She is the author of Glyph:Graphic Poetry=Trans. Sensory (Tupelo Press, 2021), Where I Was Born (Willow Publishing, 2019), and three chapbooks. She is an associate & outreach translation editor at RHINO Poetry. (naokofujimoto.com)
Glyph: Graphic Poetry=Trans. Sensory
by Naoko Fujimoto
Published: June 2021
ISBN: 978-1-946482-52-5
Publisher: Tupelo Pess
1st edition (June 1, 2021)
Language : English
Paperback
64 pages
ISBN-10 : 1946482528
ISBN-13 : 978-1946482525
$21.95
# new poetry
Naoko Fujimoto
Glyph: Graphic Poetry=Trans. Sensory
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More in: #Archive Concrete & Visual Poetry, *Concrete + Visual Poetry K-O, - Book News, Archive E-F, Archive E-F, Art & Literature News, AUDIO, CINEMA, RADIO & TV, MUSEUM OF LOST CONCEPTS - invisible poetry, conceptual writing, spurensicherung, Visual & Concrete Poetry
PARK is een kunstinitiatief opgericht in 2013 door Rob Moonen in samenwerking met een zestal andere Tilburgse kunstenaars. Op dit moment bestaat de PARK werkgroep uit Linda Arts, René Korten, Rob Moonen en Liza Voetman.
PARK ziet de noodzaak van een middenpodium dat zich positioneert tussen Kunstpodium T en Museum De Pont en zet zich daarvoor in door een tentoonstellingsprogramma in de voormalige Goretti-kapel aan het Wilhelminapark te Tilburg te realiseren.
PARK richt zich op actuele ontwikkelingen binnen de hedendaagse kunst én op kunstenaars met gedegen ervaring en bewezen kwaliteit. Er wordt plek geboden aan regionale collega’s maar ook aan landelijk of internationaal opererende kunstenaars, juist om een positieve bijdrage aan de discussie over actuele kunst tot stand te brengen.
De werkgroep ambieert het podium van belang te laten zijn op landelijk niveau, maar bij elk project wordt met nadruk gezocht naar een inhoudelijke koppeling met de stad. De werkgroep is er van overtuigd dat samenwerking met andere partijen de zichtbaarheid en functionaliteit van de plek zal versterken, maar ook dat de plek een waardevolle stimulans voor de beeldende kunst in de stad en de regio zal kunnen zijn.
PARK wil een bijdrage leveren aan de ontwikkeling van een gunstig productie- en vestigingsklimaat voor beeldend kunstenaars uit de regio door deze in contact te brengen met een nationaal en internationaal netwerk.
Per jaar worden er vier a vijf projecten en een zomerresidentie gerealiseerd met waar mogelijk een bijpassend raamprogramma in de vorm van lezingen, kunstenaarsgesprekken, muziek en film.
Nieuw boek over activiteiten PARK
PARK maakte een boek waarin alle tentoonstellingsprojecten, alle ongeveer 200 deelnemende kunstenaars en alle extra activiteiten in de periode 2018-2020 aan bod komen.
Het rijk-geïllustreerde full-colour boek, met teksten van Anneke van Wolfswinkel en Rob Moonen in Nederlands en Engels, is vormgegeven door Berry van Gerwen. Het telt ruim 200 pagina’s en verschijnt in een oplage van 600 stuks.
Het is de opvolger van de eerder verschenen boeken ‘PARK 2013-2015’ en ‘PARK 2016-2018’.
Het boek kost € 17,50 exclusief eventuele verzendkosten. Verzendkosten binnen Nederland bedragen € 5,- per exemplaar, binnen Europa € 10,- per exemplaar.
Alle tentoonstellingsprojecten, alle ongeveer 200 deelnemende kunstenaars en alle extra activiteiten in de periode 2018-2020 komen aan bod.
Het rijk-geïllustreerde full-colour boek, met teksten van Anneke van Wolfswinkel en Rob Moonen in Nederlands en Engels, is vormgegeven door Berry van Gerwen. Het boek telt ruim 200 pagina’s en verschijnt in een oplage van 600 stuks.
De normale verkoopprijs van één exemplaar is € 17,50 inclusief 9% BTW, exclusief verzendkosten.
Korting bij aanschaf van meerdere exemplaren:
Twee exemplaren voor € 30,-
Drie exemplaren voor € 40,-
Bestellen: zie adres website. Verzendkosten binnen Nederland bedragen € 5 per exemplaar. Voor verzendkosten naar het buitenland kunt u contact opnemen via de website. U kunt het boek ook ophalen tijdens de reguliere openingstijden.
Deelnemende kunstenaars / participating artists:
Piet Dieleman, Jan van der Ploeg, Beat Zoderer, Koen Delaere, Ide André, Toine Horvers, Niko de Wit, Marina Visic, Tineke Schuurmans, Paul van Rijswijk, Chantal Rens, Tyrell Kuipers, Stijn Kriele, Pim Kersten, Jasper van Aarle, Ien Lucas, Jochem Rotteveel, Jonathan van Doornum, Stefan Cammeraat, Bart Hess, Jenny Holzer, Mark Manders, Johan Tahon, Guus Voermans, Stan Wannet, Jenny Ymker, Bram van Helden, Nick Steur, Ienke Trinks, Wild Vlees, Thomas Swinkels, Ronald de Bloeme, Olaf Holzappel, Jonas Wijtenburg, Tom Claassen, Roland Sohier, Hans Klein Hofmeijer, Ronny Delrue, Florette Dijkstra, ArpaÏs De Bois, Heringa / Van Kalsbeek, Wiesje Peels / Steffen Maas, Lennart Lahuis, Lieven Segers, Koen Vermeulen, Renée van Trier, Bram Braam, Anneke Eussen, Astrid Abels, Hans van Asch, Linda Arts, Atelier La Machine, Niels Ballemans, Simon Benson, Fieke van Berkom, Tarek Beshta, Gam Bodenhausen, Claudia den Boer, Peter Bouwmans, Danielle van Broekhoven, Helmie Brugman, Aurelia van der Burght, Liesbeth Bijkerk, Ruud de Caluwe, Mark Cohen, Michiel Corten, Lennart Creutzburg, Steve Cromsigt, Michaela Davidova, Femke Dekkers, Cor van Dixhoorn, Vince Donders, Miek van Dongen, Paul van Dongen, David Engel, Jacomijn den Engelsen, Jesse Fischer, Kirsty Fletcher, Frans Franssen, Alexandra Fraser, Fred Geven, Eefje Goos, Nan Groot Antink, Vincent Hagnauer, Coen van Ham, Janine Hendriks, Caren van Herwaarden, Jola Hesselberth, Marianne van Hest, Jolijn van den Heuvel, Mark van den Heuvel, Menno Heijstek, Florence Husen, Wanda Janota, Bas Ketelaars, Gaston Klein, Hanneke Klinkum, Kees van der Knaap, Marja Koenraad, Guus Koenraads, Jordy Koevoets, Lucia Koevoets, René Korten, José Krijnen, Liedeke Kruk, Judith Kuijpers, Tyrell Kuipers, Marjolein Landman, Anna Lange, Ivo van Leeuwen & Sander Neijnens, Danielle Lemaire, Sarah Linde, Gijs van Lith, Margriet Luyten, Mainkunstenaars, Fons Manders, Saskia de Marée, Vincent McGourty, Janus Metsaars, Vera Meulendijks, Jolanda Moolenaar, Rob Moonen, Wiebo van Mulligen, Remy Neumann, Bertil Neijts, Toos Nijssen, Dineke van Oosten, Frits Peeters, Brigitte Picavet, Carola Popma, Har van der Put, Just Quist, Claudette van de Rakt, Anke Reevers, Chantal Rens, Stijn Rompa, Frans van Santvoort, Lilia Scheerder, Ro-Nalt Schrauwen, Ron Schöningh, Eef Schoolmeesters, Karin Schreppers, Lydia Scheurleer, Ies Schute, Lucas Silawanebessy, Ingrid Simons, Yda Sinay, Ian Skirvin, Roel Sloot, Rob Smulders, Joran van Soest, Ine van Son, Bo Stokkermans, Jos van der Sommen, Lise Sore, Francine Steegs, Nick J. Swarth, Asha Swillens, Anna Marie van Thiel de Vries, Hugo Tieleman, Sabina Timmermans, Renée van Trier, Lieke Tripaldelli, Mieke Van den Hende, Guus van der Velden, Leopold van de Ven, Nina van de Ven, Dieke Venema, Erik Vermeulen, Cecile Verwaaijen, Judith de Vet, Josine Vissers, Roos Vogels, Ruth de Vos, Roger Walschots, Marie-Louise Wasiela, Hanneke Wetzer, Tine van de Weyer, Bas Wiegmink, Yvonne Willemse, Hans de Wit, Emmy Zwagers.
• PARK 2018-2020
• nieuwe uitgave PARK Tilburg 2021
P A R K
Wilhelminapark 53, 5041 ED Tilburg
park(at)park013.nl
https://park013.nl/nl/contact
Twitter.com/ParkTilburg
Facebook.com/Park013
https://www.instagram.com/park_tilburg/
Tijdens tentoonstellingen geopend:
vrijdag 13.00 – 17.00 uur
zaterdag 13.00 – 17.00 uur
zondag 13.00 – 17.00 uur
Toegang is gratis
PARK ligt op 10 minuten loopafstand van het Centraal Station Tilburg in de nabijheid van Museum De Pont. Er is beperkt parkeergelegenheid voor de deur.
PARK
Rob Moonen, Linda Arts, René Korten, Liza Voetman
Graphic design: Berry van Gerwen, Breda
Supported by: Gemeente Tilburg, KunstLoc, provincie Noord Brabant, Mondriaan Fonds
• fleursdumal.nl magazine
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Aline Sitoé Diatta naît en 1920, au beau milieu des forêts luxuriantes de la Casamance, dans le sud du Sénégal.
Enfant déterminée, puis adolescente indépendante, solitaire et douce, elle quitte la brousse pour se rendre à Dakar afin d’y travailler comme gouvernante dans une famille de colons. C’est là qu’elle entend, pour la première fois, des voix qui lui ordonnent de rentrer chez elle pour libérer son peuple.
Prônant la désobéissance civile et la non-violence, Aline appelle les Sénégalais à lutter pour leurs terres et le respect qui leur reviennent de droit. S’entourant des anciens, comme le veut la tradition diola, écoutant les conseils de son sage ami Diacamoune, la jeune femme est vite érigée en icône de la résistance, magnétique et insoumise, et est sacrée reine.
Menaçant l’ordre établi et mettant à mal l’administration française, Aline, la « Jeanne d’Arc du Sénégal », devient l’ennemie à abattre, mettant, dès lors, sa jeune vie en danger. À travers Aline, Karine Silla renoue avec l’histoire de ses origines et fait entendre la musique de tout un pays grâce à son écriture aussi envoûtante et inspirante que la voix de cette femme de lutte et de coeur qui, plus jamais, ne nous quittera.
Karine Silla est dramaturge, réalisatrice et scénariste. Aline et les hommes de guerre est son quatrième roman. Née à Dakar, elle vit à Paris.
# new books
Aline et les hommes de guerre Broché
de Karine Silla (Auteur)
Livre grand format
Broché
2020
ASIN: B086L1HT7P
Éditeur: L’OBSERVATOIRE (19 août 2020)
Langue: Français
304 pages
ISBN-13: 979-1032908464
Dimensions: 14.1 x 2.7 x 20.1 cm
€ 20,00
• fleursdumal.nl magazine
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Franz Kafka (1883-1924) groeide op in Praag, waar hij deel uitmaakte van de Duitstalige Joodse gemeenschap en aan de rand van het getto woonde.
Hij bezocht het Duitse gymnasium en studeerde aan de universiteit van Praag. Daar ontmoette hij Max Brod, zijn vriend en latere biograaf.
Vanaf 1908 tot 1917 werkte hij als ambtenaar bij een bedrijf dat arbeidsongevallenverzekeringen verzorgde, een baan die hij als een noodzakelijk kwaad beschouwde om zich aan het schrijven te kunnen wijden. Zijn longtuberculose, die hem in 1924 fataal zou worden, deed zich in deze tijd gelden. Gedurende zijn leven had hij enkele korte maar intense relaties, waaronder drie verlovingen, zo blijkt uit enkele postuum uitgegeven brieven. De dames waar hij mee omging komen ook indirect terug in zijn werk. Hij leidde een teruggetrokken leven, maar discussieerde veel binnen de Praagse culturele elite, mede via zijn ‘ontdekker’ Brod.
Een reconstructie van Kafka’s leven en denken is mogelijk geworden door zijn nalatenschap in de vorm van dagboeken, die hij van 1910 tot 1923 bijhield. Kafka schreef voornamelijk proza, waarvan zijn romans Der Prozess (1925), Das Schloss (1926) en Amerika (1927) de bekendste zijn. Enkele prozavertellingen als Die Verwandlung (1915), Das Urteil (1913) en In der Strafkolonie (1919) hebben later ook hun weg naar het grote publiek gevonden.
Wat Kafka’s werk typeert zijn tegenstellingen als weten en onwetendheid, macht en machteloosheid, loyaliteit en verraad, menselijkheid en verontmenselijking. Hij schetst labyrinten waarin individuen wanhopig naar een uitweg zoeken. De werelden die hij creëert zijn absurd, kennen een heel eigen logica en worden in een droge, zakelijke stijl beschreven. Veel van zijn werk is tijdens zijn leven onvoltooid gebleven, waardoor veel discussie mogelijk is over de bedoelingen van de schrijver. Pas in de jaren dertig van de twintigste eeuw groeide de belangstelling voor zijn werk, dat mede dankzij Max Brod postuum verscheen.
In 2019 werd het Max Brod Archief in de Nationale Bibliotheek van Israël geopend. Tussen de opvallende archiefstukken bevonden zich tot dusver onbekende tekeningen die Franz Kafka maakte in de jaren 1901-1906. Hij tekende, al voor de ontwikkeling van zijn literaire talent, om zich artistiek uit te drukken.
Aan zijn verloofde Felice Bauer schreef hij in 1913: ‘Weet je, ik was ooit een groot tekenaar, maar toen ben ik bij een slechte schilderes schoolse tekenlessen gaan nemen en heb ik mijn hele talent verknoeid. Stel je dat eens voor! […] In die tekeningen heb ik indertijd, het is nu al jaren geleden, meer bevrediging gevonden dan in enige andere bezigheid.’
In Franz Kafka. De tekeningen worden voor het eerst meer dan 200 tekeningen, waarvan 140 nooit eerder zijn gepubliceerd, in een luxe kunstuitgave samengebracht. Deze is samengesteld en van begeleidende essays en een verantwoording voorzien door Andreas Kilcher, Pavel Schmidt en Judith Butler.
Franz Kafka. De tekeningen
Auteur: Franz Kafka
Taal: Nederlands
Vertaald door Willem van Toorn
Uitgever Athenaeum
Hardcover
EAN 9789025313609
1 oktober 2021
336 pagina’s
Illustraties
49,90
# new books
Franz Kafka.
De tekeningen
• fleursdumal.nl magazine
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Auschwitz. Hiroshima. Cambodia’s killing fields. The World Trade Center. The mass graves of Rwanda.
These places of violent death have become part of the recreational landscape of tourism, an industry that is otherwise dedicated to pleasure and escape. In dark places like concentration camps, prisons, battlegrounds, and the sites of natural disasters, how are memory and trauma mediated by thanotourism, or tourism of death?
In Death Tourism, Brigitte Sion brings together essays by some of the most trenchant voices in the field to look at the tensions created by the juxtaposition of human remains and food stands, political agendas and educational programs, economic development and architectural ambition.
How does a state redefine its national identity after catastrophic trauma?
And what is the role of this kind of tourism in defining their new identity?
A timely volume on an irresistible subject, this inquiry exposes the intersection of leisure with the inhumane, giving insight into how people respectfully share a public space that is both free and sacred, compelling and tragic.
Death Tourism.
Disaster Sites as Recreational Landscape
Edited by Brigitte Sion
Seagull Books
Publication Year: 2014
Format: Paperback
Pages: 356
illustrations
2014
ISBN: 9780857421074
$35
# new books
Death Tourism.
Disaster Sites as Recreational Landscape
by Brigitte Sion
• fleursdumal.nl magazine
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Like Richard Ellmann’s James Joyce, Richard Zenith’s Pessoa immortalizes the life of one of the twentieth century’s greatest writers.
Nearly a century after his wrenching death, the Portuguese poet Fernando Pessoa (1888–1935) remains one of our most enigmatic writers. Believing he could do “more in dreams than Napoleon,” yet haunted by the specter of hereditary madness, Pessoa invented dozens of alter egos, or “heteronyms,” under whose names he wrote in Portuguese, English, and French.
Unsurprisingly, this “most multifarious of writers” (Guardian) has long eluded a definitive biographer—but in renowned translator and Pessoa scholar Richard Zenith, he has met his match.
Relatively unknown in his lifetime, Pessoa was all but destined for literary oblivion when the arc of his afterlife bent, suddenly and improbably, toward greatness, with the discovery of some 25,000 unpublished papers left in a large, wooden trunk. Drawing on this vast archive of sources as well as on unpublished family letters, and skillfully setting the poet’s life against the nationalist currents of twentieth-century European history, Zenith at last reveals the true depths of Pessoa’s teeming imagination and literary genius.
Much as Nobel laureate José Saramago brought a single heteronym to life in The Year of the Death of Ricardo Reis, Zenith traces the backstories of virtually all of Pessoa’s imagined personalities, demonstrating how they were projections, spin-offs, or metamorphoses of Pessoa himself. A solitary man who had only one, ultimately platonic love affair, Pessoa used his and his heteronyms’ writings to explore questions of sexuality, to obsessively search after spiritual truth, and to try to chart a way forward for a benighted and politically agitated Portugal.
Although he preferred the world of his mind, Pessoa was nonetheless a man of the places he inhabited, including not only Lisbon but also turn-of-the-century Durban, South Africa, where he spent nine years as a child. Zenith re-creates the drama of Pessoa’s adolescence—when the first heteronyms emerged—and his bumbling attempts to survive as a translator and publisher.
Zenith introduces us, too, to Pessoa’s bohemian circle of friends, and to Ophelia Quieroz, with whom he exchanged numerous love letters.
Pessoa reveals in equal force the poet’s unwavering commitment to defending homosexual writers whose books had been banned, as well as his courageous opposition to Salazar, the Portuguese dictator, toward the end of his life. In stunning, magisterial prose, Zenith contextualizes Pessoa’s posthumous literary achievements—especially his most renowned work, The Book of Disquiet.
A modern literary masterpiece, Pessoa simultaneously immortalizes the life of a literary maestro and confirms the enduring power of Pessoa’s work to speak prophetically to the disconnectedness of our modern world.
Richard Zenith (1956, Washington, D.C.) is an American-Portuguese writer and translator, winner of Pessoa Prize in 2012.
Pessoa
A Biography
by Richard Zenith (Author)
Published by Liveright
July 20, 2021
Language : English
Hardcover : 1088 pages
ISBN-10 : 0871404710
ISBN-13 : 978-0871404718
$40.00
# new biography
Fernando Pessoa
Richard Zenith
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Last evening the T. S. Eliot Prize 2021 – Shortlist was announced.
It shows an eclectic mixture of established poets, none of whom has previously won the Prize, and relative newcomers.
Judges Glyn Maxwell (Chair), Caroline Bird and Zaffar Kunial have chosen the 2021 T. S. Eliot Prize shortlist from a record 177 poetry collections submitted by British and Irish publishers.
The list comprises one debut collection; work from six men and four women; one American; one poet from Ireland; as well as poets of mixed race ancestry, including Jamaican, Jamaican-Chinese and Zambian. Eight publishers are represented, with two titles from small presses.
Here are the ten poets who have been shortlisted by the judges:
Raymond Antrobus – All the Names Given (Picador)
Raymond Antrobus is the author of To Sweeten Bitter and The Perseverance (Penned in the Margins/Tin House) and All the Names Given (Picador 2021). In 2019 he became the first ever poet to be awarded the Rathbone Folio Prize. Other accolades include the Ted Hughes Award, PBS Winter Choice and Sunday Times Young Writer of the year award, as well as being shortlisted for the Griffin Prize and Forward Prize.
Kayo Chingonyi – A Blood Condition (Chatto & Windus)
Kayo Chingonyi is the author of two pamphlets. His first full-length collection, Kumukanda, (Chatto & Windus 2012) won the Dylan Thomas Prize and a Somerset Maugham Award and was shortlisted for the Costa Poetry Prize and the Seamus Heaney Centre First Poetry Collection Prize. His most recent collection is A Blood Condition (Chatto & Windus 2021).
Victoria Kennefick – Eat Or We Both Starve (Carcanet)
Victoria Kennefick’s pamphlet, White Whale (Southword Editions, 2015), won the Munster Literature Centre Fool for Poetry Chapbook Competition and the Saboteur Award for Best Poetry Pamphlet. Her work has appeared in Poetry, The Poetry Review, PN Review, Poetry Ireland Review, The Irish Times, Ambit and elsewhere. Her debut collection Eat Or We Both Starve was published by Carcanet in 2021.
Selima Hill – Men Who Feed Pigeons (Bloodaxe)
Selima Hill is a prodigiously prolific poet, who has produced nineteen books of poetry, all published by Bloodaxe. Her 1997 collection, Violet, was shortlisted for the Forward Poetry Prize, the T. S. Eliot Prize and the Whitbread Poetry Award. Bunny (2001), won the Whitbread Poetry Award, was a Poetry Book Society Choice and was shortlisted for the T. S. Eliot Prize. Her new collection is Men Who Feed Pigeons (Bloodaxe 2021).
Hannah Lowe – The Kids (Bloodaxe)
Hannah Lowe’s first poetry collection Chick (Bloodaxe 2013) won the Michael Murphy Memorial Award for Best First Collection, was shortlisted for the Forward Prize for Best First Collection and the Seamus Heaney Centre Prize for Poetry, and was selected for the Poetry Book Society’s Next Generation Poets 2014 promotion. Her second collection was Chan and her third collection, The Kids, (Bloodaxe 2021) was a Poetry Book Society Choice.
Michael Symmons Roberts – Ransom (Cape Poetry)
Michael Symmons Roberts’s eight poetry collections have all been published by Cape and include Corpus, which was the winner of the 2004 Whitbread Poetry Award, and was shortlisted for the T. S. Eliot Prize, the Forward Prize and the Griffin International Prize. Drysalter was the winner of the 2013 Forward Prize and the Costa Poetry Prize and was shortlisted for the T. S. Eliot Prize. His eighth poetry collection is Ransom (Cape Poetry, 2021).
Daniel Sluman – single window (Nine Arches Press)
Daniel Sluman co-edited the first major UK Disability poetry anthology, Stairs and Whispers: D/deaf and Disabled Poets Write Back, (2017) with Sandra Alland and Khairani Barokka. He has previously published two poetry collections, Absence has a weight of its own (2012) and the terrible (2015), both Nine Arches Press. His third poetry collection, single window, was published in 2021 by Nine Arches Press.
Joelle Taylor – C+nto & Othered Poems (The Westbourne Press)
Joelle Taylor has published four collections of poetry: Ska Tissue (2011, Mother Foucault Press), The Woman Who Was Not There (2014, Burning Eye Books) and Songs My Enemy Taught Me (2017, Out-Spoken Press). She founded SLAMbassadors for the Poetry Society in 2001 and is the host of London’s premier night of poetry and music Out-Spoken. C+not & Othered Poems was published in 2021 by The Westbourne Press.
Jack Underwood – A Year in the New Life (Faber)
Jack Underwood was a winner of the Eric Gregory Award in 2007 and his debut pamphlet was published by Faber as part of the first Faber New Poets series in 2009. His debut poetry collection, Happiness (Faber, 2015), won the Somerset Maugham Award. He is a senior lecturer in English and Creative Writing at Goldsmiths College, University of London. His second collection, A Year in the New Life, was published by Faber in 2021.
Kevin Young – Stones (Cape Poetry)
Kevin Young is the author of fifteen books of poetry and prose, including Brown; Blue Laws: Selected & Uncollected Poems 1995-2015; Book of Hours, Jelly Roll: a blues, Bunk and The Grey Album. He is the Andrew W. Mellon Director of the Smithsonian’s National Museum of African American History and Culture and the poetry editor of the New Yorker. Stones (Cape 2021) is the first of his poetry collections to be published in the UK.
The T. S. Eliot Prize is run by the T. S. Eliot Foundation. The T. S. Eliot Prize is the most valuable prize in British poetry – the winning poet will receive a cheque for £25,000 and the shortlisted poets will be presented with cheques for £1,500. It is the only major poetry prize which is judged purely by established poets. The 2021 judging panel are looking for the best new poetry collection written in English and published in 2021 in the UK or Ireland.
Chair Glyn Maxwell said:
‘Judging the T. S. Eliot Prize 2021, I am lucky enough to be joined by two of my favourite younger poets, Caroline Bird and Zaffar Kunial. We are delighted with our shortlist, while lamenting all the fine work we had to set aside. Poetry styles are as disparate as I’ve ever known them, and the wider world as threatened and bewildered as any of us can remember. Out of this we have chosen ten books that sound clear and compelling voices – of the moment, yet also below and beyond it. Older and younger, wiser and wilder, well-known and lesser-known, these are the ten voices we think should enter the stage and be heard in the spotlight, changing the story while there’s a story to be changed.’
The T. S. Eliot Prize Shortlist Readings will take place on Sunday 9th January 2022 in the Southbank Centre’s Royal Festival Hall in London as part of its literature programme. The shortlist readings are the largest annual poetry event in the UK and will be hosted once again by Ian McMillan.
Tickets for the Readings in the Royal Festival and the simultaneously streamed event are now on sale from the box office: 0203 879 9555 (Open from 10am – 2pm Monday to Friday). Website: www.southbankcentre.co.uk
The winner of the 2021 Prize will be announced at the Award Ceremony on Monday 10th January 2022, where the winner and the shortlisted poets will be presented with their cheques.
Last year’s winner was Bhanu Kapil’s How to Wash a Heart and the judges were Lavinia Greenlaw (chair), Mona Arshi and Andrew McMillan.
The T. S. Eliot Prize, which former Poet Laureate Andrew Motion has described as “the Prize most poets want to win”, is an annual prize for the best new poetry collection published in the UK or Ireland.
T. S. Eliot Prize 2021 – Shortlist Announced
# For more information click for the T S Eliot Prize website
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A revelatory new portrait of the courageous woman who saved Dostoyevsky’s life—and became a pioneer in Russian literary history
In the fall of 1866, a twenty-year-old stenographer named Anna Snitkina applied for a position with a writer she idolized: Fyodor Dostoyevsky. A self-described “emancipated girl of the sixties,” Snitkina had come of age during Russia’s first feminist movement, and Dostoyevsky—a notorious radical turned acclaimed novelist—had impressed the young woman with his enlightened and visionary fiction.
Yet in person she found the writer “terribly unhappy, broken, tormented,” weakened by epilepsy, and yoked to a ruinous gambling addiction. Alarmed by his condition, Anna became his trusted first reader and confidante, then his wife, and finally his business manager—launching one of literature’s most turbulent and fascinating marriages.
The Gambler Wife offers a fresh and captivating portrait of Anna Dostoyevskaya, who reversed the novelist’s freefall and cleared the way for two of the most notable careers in Russian letters—her husband’s and her own. Drawing on diaries, letters, and other little-known archival sources, Andrew Kaufman reveals how Anna warded off creditors, family members, and her greatest romantic rival, keeping the young family afloat through years of penury and exile.
In a series of dramatic set pieces, we watch as she navigates the writer’s self-destructive binges in the casinos of Europe—even hazarding an audacious turn at roulette herself—until his addiction is conquered. And, finally, we watch as Anna frees her husband from predatory contracts by founding her own publishing house, making Anna the first solo female publisher in Russian history.
The result is a story that challenges ideas of empowerment, sacrifice, and female agency in nineteenth-century Russia—and a welcome new appraisal of an indomitable woman whose legacy has been nearly lost to literary history.
Andrew D. Kaufman is an associate professor, General Faculty, lecturer in Slavic Languages and Literatures, and assistant director of the Center for Teaching Excellence at the University of Virginia. A PhD in Slavic languages and literatures from Stanford University, Kaufman is the author of Give War and Peace a Chance: Tolstoyan Wisdom for Troubled Times and Understanding Tolstoy, and a coauthor of Russian for Dummies. His work has been featured on Today, NPR, and PBS, and in The Washington Post, and he has served as a Russian literature expert for Oprah’s Book Club. Kaufman is the creator of Books Behind Bars, introducing incarcerated youth to the writings of Dostoyevsky and other authors.
The Gambler Wife:
A True Story of Love, Risk,
and the Woman Who Saved Dostoyevsky
by Andrew D. Kaufman
Publisher: Penguin Publishing Group
Publication date: 08/31/2021
Hardcover
Pages: 400
ISBN-13: 9780525537144
$30.00
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Master Suffering pendulates between yield and command; the bodies of this book are supplicant yet seething—they want nothing more than to survive.
But how does a woman survive?
One’s own healthy body helps, but illness is one of the masters of this book.
Faith can be a salve for the inscrutable ailments of the body, but God is unreliable in these poems.
The female bodies of Master Suffering want power; they want to control and to correct the suffering they witness and withstand.
CM Burroughs is Associate Professor of Poetry at Columbia College Chicago. She is the author of two collections: The Vital System (Tupelo Press, 2012) and Master Suffering (Tupelo Press, 2020.) Burroughs has been awarded fellowships and grants from Yaddo, the MacDowell Colony, Djerassi Foundation, Virginia Center for the Creative Arts, and Cave Canem Foundation. She has received commissions from the Studio Museum of Harlem and the Warhol Museum to create poetry in response to art installations. Burroughs’ poetry has appeared in many journals and anthologies.
Master Suffering
Poems
by CM Burroughs
Format: Paperback
Published: Jan. 2021
Tupelo Press, Inc.
ISBN: 978-1-946482-38-9
$18.95
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BANNED BOOKS WEEK
September 26 – October 2 for the 2021
celebration of the right to read!
Across the United States, divisive book bans and censorious threats have taken hold in schools, academia, and the public square, particularly in regards to books that center racism, history, and diversity. This has raised questions: Who is allowed to be heard? Who decides? This year, as we celebrate Banned Books Week, PEN America uplifts the books, authors, teachers, and writers who insist on telling stories and examining history with truth, honesty, and complexity.
In an effort to unpack these current challenges, PEN America is hosting a series of virtual and in-person events. These events will offer a clear-eyed view of the current assaults on the freedom to express, the freedom to read, and the freedom to learn.
Join PEN America Today
Defend free expression, support persecuted writers, and promote literary culture.
Read more about what PEN America is doing to fight back against book bans during 2021 Banned Books Week.
BANNED BOOKS WEEK
September 26 – October 2 for the 2021
celebration of the right to read!
Banned Books Week is the annual celebration of the freedom to read. The event is sponsored by a coalition of organizations dedicated to free expression, including American Booksellers Association; American Library Association; American Society of Journalists and Authors; Association of University Presses; Authors Guild; Comic Book Legal Defense Fund; Foundation for Individual Rights in Education (FIRE); Freedom to Read Foundation; Index on Censorship; National Coalition Against Censorship; National Council of Teachers of English; PEN America; People For the American Way Foundation; and Project Censored. It is endorsed by the Center for the Book in the Library of Congress. Banned Books Week also receives generous support from DKT Liberty Project and Penguin Random House.
Read more about the 2021 Banned Books Week.
→ https://bannedbooksweek.org/
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Ulrike Doszmann, Neeltje Drijfhout, HoiShan Mak, Kim Pattiruhu, Marianne Peijnenburg, Ellen Rijk, Jonaske de Ruiter, Milian van Stokkum, Ans Verdijk en Hanneke Wetzer:
100% FEMALE EXPO
100% MALE NUDE
‘Metropolitan Museum Tilburg’
Stedekestraat 15 – 5041DM Tilburg
vrijdag 17 september t/m zondag 14 november 2021
Een groep vrouwelijke kunstenaars onder de naam ‘Guerrilla Girls’ voert al decennia actie tegen de ondervertegenwoordiging van vrouwen in de grote musea van de Verenigde Staten, ook in onze dependance in New York, het ‘Metropolitan Museum of Art’. Hun telling: minder dan 5% exposerende vrouwen, terwijl het tentoongestelde naakt voor 85% vrouwelijk was.
Oef! Dit gaf te denken. Daar moest wat aan te doen zijn. Waarom niet omkeren? Vandaar deze expositie van alléén vrouwen met alléén mannelijk naakt. Ook dat mag gezien worden.
Hierbij een uitnodiging voor onze tentoonstelling ‘100% female expo – 100% male nude’ in de ramen van het ‘Metropolitan Museum – Tilburg’ van 17 september t/m 14 november 2021.
Ulrike Doszmann, Neeltje Drijfhout, HoiShan Mak, Kim Pattiruhu, Marianne Peijnenburg, Ellen Rijk, Jonaske de Ruiter, Milian van Stokkum, Ans Verdijk en Hanneke Wetzer laten hun licht schijnen op het verschijnsel man in al zijn glorie. Nu in Tilburg. U bent van harte welkom!
Het ‘Metropolitan Museum | Tilburg’, de raamtentoonstellingen aan de Stedekestraat 15 te Tilburg, is dagelijks dag en nacht geopend en de toegang is vrij.
‘100% FEMALE EXPO – 100% MALE NUDE’
Ulrike Doszmann, Neeltje Drijfhout, HoiShan Mak, Kim Pattiruhu, Marianne Peijnenburg, Ellen Rijk, Jonaske de Ruiter, Milian van Stokkum, Ans Verdijk
17 september t/m 14 november 2021
dagelijks, dag en nacht, toegang vrij
‘Metropolitan Museum Tilburg’
Stedekestraat 15, 5041DM Tilburg
telefoon: 013 5358041 / 06 20325030
email: post@metropolitanmuseum.nl
website: www.metropolitanmuseum.nl
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