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«« Previous page · 85ste Boekenweek van zaterdag 7 t/m zondag 15 maart 2020 · Blandine Rinkel: Le nom secret des choses · La 23e édition de PARIS PHOTO: 7-10 nov. 2019 Grand Palais Paris · FRANKFURTER BUCHMESSE: 16 – 20 Oktober 2019 · Design van het Derde Rijk in Design Museum Den Bosch · The Brooklyn Book Festival 2019: September 16 – 23 · Das 19. internationale literaturfestival berlin · 10 Minutes 38 Seconds in this Strange World by Elif Shafak · Albert Hagenaars over de nieuwe dichtbundel ‘Nederzettingen’ van Bert Bevers · Lady Chatterley’s Lover: keep this important piece of literary and social history in the UK · SIGN NOW: Demand Charges be Dropped Against Three Saudi Writer-Activists · E. du Perronprijs 2018 voor Jan Leyers

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85ste Boekenweek van zaterdag 7 t/m zondag 15 maart 2020

 

 Rebellen en dwarsdenkers

De 85ste Boekenweek staat in het teken van hen die ons voorstellingsvermogen vergroten: de rebellen en dwarsdenkers. Het lezen van boeken zet namelijk aan tot nadenken, zodat lezers begrip ontwikkelen voor anderen en minder vasthouden aan vooroordelen (bron: KVB Boekwerk, De impact van het boek). Van de dromerige dwarsdenker die veilig thuis afreist naar een andere wereld tot de rebel die zijn messcherpe pen als wapen gebruikt tegen de status quo. In de literatuur is er ruimte voor al die geluiden. Het lef van schrijvers om taboes te doorbreken en een steen in de vijver te gooien is van levensbelang voor onze samenleving. Daarom koesteren we de vrijheid die door schrijvers genomen wordt om tegen de stroom in te werken, om dwars en vervelend te zijn, onaangepast en onafhankelijk.

 

 Een greep uit rebelse boeken en dwarse schrijvers

De rebellen van de literatuur hebben altijd ons denken beïnvloed: stoere, onorthodoxe, eigengereide auteurs als Multatuli, Annie M.G. Schmidt, Willem Frederik Hermans, Astrid Roemer, Dimitri Verhulst en Charlotte Mutsaers hebben werelden geopend. Rebelse personages en dwarse karakters zoals Don Quichot, Madame Bovary, Tommy Wieringa’s Joe Speedboot, Esther Gerritsens Roxy en Hava uit Aafke Romeijns Concept M houden een spiegel voor en laten ons nadenken over wie wij zijn. Schrijvers als Jan Cremer, Connie Palmen, Anna Blaman en Jan Wolkers zoeken grenzen van de literatuur op en verleggen ze. Boeken kunnen weerstand oproepen, kunnen verboden worden en verbrand, maar de kracht van de woorden laat zich niet temmen. Nabokovs Lolita, Houellebecqs Onderworpen of Erasmus’ Lof der zotheid hebben onder vuur gelegen, maar zijn inmiddels onmiskenbare oriëntatiepunten in het literaire landschap. Om de steeds veranderende wereld om ons heen te begrijpen, hebben we dwarsdenkers en ordescheppers nodig. Renate Rubinstein en Anton de Kom hebben ons bewust gemaakt van onze oogkleppen. Ook door non-fictie prikkelen, stimuleren en scherpen we onze geest. Het maatschappelijk debat op de meest uiteenlopende onderwerpen wordt bepaald door dappere en dwarse denkers: Dick Swaab en Rosanne Hertzberger, Rutger Bregman en Joris Luyendijk, Anousha Nzume en Paul Scheffer.

 

• De 85ste Boekenweek vindt plaats van zaterdag 7 t/m zondag 15 maart 2020

• Het boekenweekgeschenk is dit jaar geschreven door Annejet van der Zijl: Leon & Juliette. Een  liefdesgeschiedenis

• Özcan Akyol schrijft dit jaar het Boekenweekessay: Generaal zonder leger.

• Ellen Deckwitz schrijft Boekenweekgedicht 2020

#  Meer informatie op website Boekenweek

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Blandine Rinkel: Le nom secret des choses

Tu avais l’âge de quitter ton enfance, l’âge où on se sent libre et où, dans le train pour Paris, on s’assoit dans le sens de la marche.

Dès ton arrivée, tu t’es sentie obligée de devenir quelqu’un d’autre. Quelqu’un qui n’oserait plus dire « je ne sais pas ». C’était la ville qui t’imposait ça, dans ce qu’elle avait à tes yeux de violent et de désirable : sa culture .
Puis tu as rencontré Elsa.
Elle avait le goût des métamorphoses.

Blandine Rinkel (1991) est une journaliste, musicienne et écrivaine française.

Après des études de lettres et de philosophie, elle intègre la classe d’écriture de l’ENSATT et la quitte pour l’EHESS. En parallèle, elle écrit portraits et critiques littéraires pour la presse écrite (Le Matricule des Anges, Gonzai, Brain Magazine, Inferno, France Inter, Citizen K…) et imagine des fictions radiophoniques.

Blandine Rinkel a fait une entrée en littérature très remarquée avec L’abandon des prétentions , paru chez Fayard en 2017. Le nom secret des choses est son deuxième roman.

Le nom secret des choses
Blandine Rinkel
Editeur : Fayard
Collection : Littérature Française
Langue : Français
Paru le: 21 Août 2019
Format: 135 x 215 mm
Broché : 304 pages
ISBN-10 : 2213712905
Prix : 19.00 €

# new books
Le nom secret des choses
Blandine Rinkel

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La 23e édition de PARIS PHOTO: 7-10 nov. 2019 Grand Palais Paris

# Pour la 23 e édition de Paris Photo, 213 exposants en provenance de 31 pays seront réunis au Grand Palais selon 5 secteurs, offrant aux visiteurs le plus large panorama d’œuvres photographiques disponibles aujourd’hui sur le marché.

# 213 exposants # 180 galeries # 33 editeurs

7-10 nov. 2019
www.parisphoto.com

 

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FRANKFURTER BUCHMESSE: 16 – 20 Oktober 2019

Frankfurter Buchmesse is the international publishing industry’s biggest trade fair – with over 7,500 exhibitors from 109 countries, around 285,000 visitors, over 4,000 events and some 10,000 accredited journalists and bloggers in attendance.

It also brings together key players from the fields of technology education, film, games, STM, academic publishing, and business information. Frankfurter Buchmesse organises the participation of publishers at around 20 international book fairs and hosts trade events throughout the year in major international markets. Frankfurter Buchmesse is a subsidiary of the Börsenverein des Deutschen Buchhandels (German Publishers & Booksellers Association).

Norway is 2019 the Guest of Honour of Frankfurter Buchmesse – the land of big Literature: from the classics of Henrik Ibsen to the modern best-sellers of Jo Nesbø.

Frankfurter Buchmesse
16 – 20 Oktober 2019
# More information on website: https://www.buchmesse.de/en

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Design van het Derde Rijk in Design Museum Den Bosch

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Design Museum Den Bosch presenteert de eerste grote overzichtstentoonstelling van design van het Derde Rijk. De tentoonstelling Design van het Derde Rijk toont de enorme bijdrage van vormgeving aan de ontwikkeling van de kwaadaardige nazi-ideologie.

This image has an empty alt attribute; its file name is design-3erijk103.jpegMet de Volkswagen Kever, de Olympische Spelen in 1936, de swastika en de films van Leni Riefenstahl en andere belangrijke stukken uit Nederland en Duitsland. Design van het Derde Rijk: waarom in Design Museum Den Bosch?

Musea zijn gewend om de goede kant van cultuur te zien. Juist design wordt vaak gepresenteerd als een bijdrage aan een betere wereld.

De geschiedenis van vormgeving bestaat daarom uit steeds terugkerende onderwerpen die het moreel juiste vertegenwoordigen.

Maar design reflecteert de wereld, met al zijn goede én slechte kanten. In de tentoonstelling Design van het Derde Rijk is de vormgeving een instrument in de handen van het ultieme kwaad.

This image has an empty alt attribute; its file name is design-3erijk101.jpegDe nazi’s waren meesters in het inzetten van vormgeving om hun doel te bereiken; massa’s mensen wisten ze ermee aan hun kant te krijgen en te onderdrukken. Design Museum Den Bosch is een designmuseum nieuwe stijl met een kritische opstelling. Als je volmondig dit nooit weer wilt kunnen zeggen, moet je de moeite nemen te analyseren hoe de processen van beïnvloeding destijds werkten. Dat is wat deze tentoonstelling doet.

Het design van het Derde Rijk was in grondslag tegenstrijdig. De tentoonstelling Design van het Derde Rijk is daarom ingedeeld aan de  hand van verschillende tegenstellingen.

Zuiverheid stond centraal, wat betekende dat verschillende bevolkingsgroepen als Joden, homo’s en zigeuners dienden te worden vernietigd. Het nazisme bedacht en steunde op een eigen geschiedenis, maar was tegelijkertijd fanatiek gericht op de toekomst. Het was vervuld van romantiek, maar ook geobsedeerd door moderne technologie.

Naar buiten toe liet het nazisme een verleidelijk beeld zien van voorspoed en zorgeloos vertier, terwijl in 1933 al de eerste concentratiekampen werden opgezet. Samen laten deze paradoxen zien hoe het nazisme binnen twaalf jaar eerst tot een enorme ontwikkeling en vervolgens tot een daverende ineenstorting kwam. En op welke manier design in dat proces een doorslaggevende rol speelde.

De tegenstellingen die het nazisme kenmerken worden getoond aan de hand van een ruime selectie objecten uit Nederlandse en Duitse musea en verzamelingen. Zo zijn er architectuurelementen en meubels te zien uit het Haus der Deutschen Kunst en de Rijkskanselarij.

This image has an empty alt attribute; its file name is design-3erijk102.jpegDe ontwerpen tonen hoe de nazi’s teruggrepen op de classicistische vormgeving als machtsvertoon en symbool voor een nieuwe Duitse cultuur. De vele tijdschriften die opgenomen zijn in de tentoonstelling geven een beeld van het ver doorgevoerde doelgroepenbeleid van de nazi’s. Van moeders tot soldaten, van jonge meisjes tot internationale bezoekers, iedereen werd op een eigen manier aangesproken. Instructieboeken laten zien hoe precies ieder onderdeel van de beeldvorming rond de nazi’s werd ontworpen. Bij de massabijeenkomsten werd niets aan het toeval over gelaten.

De bruiklenen komen onder andere van het Deutsches Historisches Museum in Berlijn, het Münchner Stadtmuseum, het Haus der Kunst en het Institut für Zeitgeschichte in München, het Eyewitness Museum in Beek en het Nationaal Militair Museum in Soesterberg.

Bij de tentoonstelling is er een uitgebreid publieksprogramma, met activiteiten voor alle doelgroepen.

De tentoonstelling participeert in de herdenking 75 jaar vrijheid.

Design Museum Den Bosch presenteert
Design van het Derde Rijk
7 september 2019 t/m 19 januari 2020

Design Museum Den Bosch – De Mortel 4 – 5211 HV – ‘s-Hertogenbosch
# meer op website design museum: https://designmuseum.nl/

Design Museum Den Bosch:
Design van het Derde Rijk
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The Brooklyn Book Festival 2019: September 16 – 23

The Brooklyn Book Festival is one of America’s premier book festivals and the largest free literary event in New York City.

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Presenting an array of national and international literary stars and emerging authors including Alexander Chee, Ted Chiang, Susan Choi, Edwidge Danticat, Sarah Dessen, Akwaeke Emezi, Jonathan Safran Foer, Jenny Han, Aleksandar Hemon, Mira Jacob, Marlon James, N.K. Jemisin, Lucy Knisley, Laila Lalami, Jessica Lange, DeRay Mckesson, Bill McKibben, Mary Norris, Joyce Carol Oates, Ben Passmore, Matt Taibbi, Mo Willems, Meg Wolitzer, Nell Zink, and hundreds more.

The Festival includes a week of Bookend Events throughout New York City, a lively Children’s Day and a celebratory Festival Day with more than 300 authors plus 250 booksellers filling a vibrant outdoor Literary Marketplace. This hip, smart, diverse gathering attracts thousands of book lovers of all ages.

September 16 – 23
Brooklyn Book Festival 2019
Citywide Brooklyn – New York

# more on website brooklynbookfestival

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Das 19. internationale literaturfestival berlin

Das 19. internationale literaturfestival berlin findet vom 11. bis 21. September 2019 statt. Es ist eines der renommiertesten Literaturfestivals weltweit.

This image has an empty alt attribute; its file name is BERLIN-LITFEST19.pngRund 150 Autor*innen aus über 50 Ländern in den Genres Prosa, Lyrik, Nonfiction, Graphic Novel und Kinder- und Jugendliteratur sind auf dem 19.ilb zu Gast.

Drei Themenschwerpunkte prägen das Programm in diesem Jahr: »Decolonizing Worlds II«, »About:Sex« und »Automatic Writing 2.0« im Rahmen des Wissenschaftsjahres »Künstliche Intelligenz«.

Literatures of the World
Aciman, André [Egypt/ USA]
Adichie, Chimamanda Ngozi [Nigeria/ USA]
Adnan, Etel [Lebanon/ France] in absence
Agualusa, José Eduardo [Angola, Mozambique]
Akbar, Kaveh [Iran/ USA]
Al-Jarrah, Nouri [Syria/ UK]
Almadhoun, Ghayath [Syria/ Sweden]
Al Shahmani, Usama [Iraq/ Switzerland]
Aw, Tash [Malaysia/ UK]
Benyamin [India]
Biller, Maxim [D]
Bin Hamza, Hussein [Syria/ D]
Bossong, Nora [D]
Choi, Don Mee [Republic of Korea/ USA]
Diop, David [Senegal/ France]
Drakulić, Slavenka [Croatia/ Sweden]
Edugyan, Esi [Canada]
Énard, Mathias [France]
Esinencu, Nicoleta [Moldova]
Espedal,Tomas [Norway]
Faber, Michel [Netherlands/ UK]
Fatah, Sherko [D]
Gappah, Petina [Zimbabwe]
Gospodinov, Georgi [Bulgaria]
Illies, Florian [D]
Jónás, Tamás [Hungary]
Kames, Maren [D]
Kandasamy, Meena [India/ UK]
Khalifa, Mustafa [Syria/ France]
Kwon, R. O. [South Korea/ USA]
Mabanckou, Alain [Congo/ USA]
Macfarlane, Robert [UK]
Mathieu, Nicolas [France]
Mattes, Eva [D] reads Elena Ferrante [Italy]
Menasse, Eva [Austria/ D]
Myles, Eileen [USA]
Nguyen Phan, Que Mai [Vietnam/ Indonesia]
Nielsen, Madame [Denmark/D]
Nikolic, Jovan [Serbia/ D]
Onjerika, Makena [Kenya]
Onuzo, Chibundu [Nigeria/UK]
Orange, Tommy [USA]
Osang, Alexander [D]
Pauls, Alan [Argentina]
Pavlova, Vera [Russia/USA]
Piñeiro, Claudia [Argentina]
Pron, Patricio [Argentina/ Spain]
Ramírez, Sergio [Nicaragua/ Spain]
Rey Rosa, Rodrigo [Guatemala]
Rijneveld, Marieke Lucas [Netherlands]
Ruffato, Luiz [Brazil]
Ruschkowski, Klaudia [D]
Rushdie, Salman [India, USA]
Sainz Borgo, Karina [Venezuela/ Spain]
Sartorius, Joachim [D]
Schrott, Raoul [Austria]
Schweikert, Ruth [Switzerland]
Sievers, Frank [D]
Solstad, Dag [Norway]
Tharoor, Shashi [India/ USA]
Vilas, Manuel [Spain]
Vuong, Ocean [Vietnam/ USA]
Wegner, Frank [D]
Wray, John [USA]

Reflections
Al-Rasheed, Madawi [Frankreich/ UK]
Anderson, Perry [UK]
Basil, Priya [UK/ D]
Benyamin [India]
Bianconi, Vanni [Switzerland]
Brovot, Thomas [D]
Buch, Hans Christoph [D]
Cardoso, Rafael [Brazil/ D]
Eribon, Didier [France]
Fischer, Joschka [D]
Forgách, András [Hungary]
Gauß, Karl-Markus [Austria]
Guerriero, Leila [Argentina]
Guggenberger, Linus [D]
Habeck, Robert [D]
Hansen, Christian [D]
Hoegen, Saskia von [D]
Holtz, Jürgen [D]
Ihrig, Wilfried [D]
Iyer, Pico [UK/ USA/ Japan]
Janetzki, Ulrich [D]
Kamala Kaufmann, Sina [D]
Kleeberg, Michael [D]
Koelbl, Susanne [D]
Kubin, Wolfgang [D/China]
Lagasnerie, Geoffroy de [France]
Lai, Mo Yan-chi [China]
Louis, Édouard [France]
Maalouf, Amin [Lebanon/ France]
Magid, Magid [Somalia, UK]
Magris, Claudio [Italy]
Martin, Marko [D]
Martínez, Oscar [El Salvador]
Murgia, Michela [Italy]
Nobil Ahmad, Ali[Pakistan/D]
Oberender, Thomas [D]
Pauls, Alan [Argentina]
Pilar, Ulrike von [D]
Piñeiro, Claudia [Argentina]
Ramírez, Sergio [Nicaragua/ Spain]
Reinhardt, Dotschy [D]
Ribeiro, Djamila [Brazil]
Ruffato, Luiz [Brazil]
Sainz Borgo, Karina [Venezuela/ Spain]
Scheller, Bente [D]
Schmid, Thomas [D]
Steinberg, Guido [D]
Strauß, Simon [D]
Tiburi, Marcia [Brazil]
Tonus, Leonardo [Brazil, France]
Weidner, Stefan [D]
Wong, Ben King-fai [China]
Wong, Mary Shuk-han [China]
Yuen, Chi-him

Mapping Berlin/Damaskus
AlBitar Kalaji, Dima [Syria/ D]
Barakeh, Khaled [Syria/ D]
Gröschner, Annett [D]
Leiber, Svenja [D]
Nabi, Widad [Syria/D]
Namer, Guevara [Syria/ D]
Reich, Annika [D]

International Children ́s and Young Adult Literature
Acevedo, Elizabeth [USA]
Aciman, André [Egypt, USA]
Beauvais, Clémentine [France/ UK]
Entrada Kelly, Erin [USA]
Gappah, Pettina [Simbabwe]
Habeck, Robert [D]
Jonsberg, Barry [Australia]
Koens, Enne [The Netherlands]
Lai, Thanhha [Vietnam, USA]
Koens, Enne [The Netherlands]
Louis, Édouard [France]
Lagercrantz, Rose [Sweden]
Lawrence, Iain [Canada]
Liu, Xun [China]
Meschenmoser, Sebastian [D]
Ruffato, Luiz [Brazil]
Sandén, Mårten [Sweden]
Schrott, Raoul [Austria]
Steinfeld, Tobias [D]
Wheatle, Alex [D]
Yockteng, Rafael [Peru/ Colombia]

Spotlight Norway
Dahle, Gro [Norway]
Hagerup, Linde [Norway]
Horndal, Sissel [Norway]
Lian, Torun [Norway]
Moursund, Gry [Norway]
Nyhus, Svein [Norway]

THEO
Hataki, Shahzamir [Afghanistan/ D]
Möller, Henriette [D]
Spieler, Lotti [D]
Young Euro Classics
Iraki, Batul [D]
Münster, Lukas [D]
Zimmermann, Henny [D]
Science and the Humanities
Al Haj Saleh, Yassin [Syria/D]
Eilenberger, Wolfram [D]
Felsch, Philipp [D]
Khalifa, Mustafa [Syria/ France]
Kluge, Ulrike [D]
Ridder, Michael de [D]
Wagner, David [D]

Automatic Writing 2.0
Alanoca, Sacha [France/ Chile]
Awret, Uziel [Israel/ USA]
Beckett, Bernard [New Zealand]
Blanco, Noelia [Argentina/ France]
Burchardt, Aljoscha [D]
Cotten, Ann [USA/ D]
Danaher, John [Ireland]
Dotse, Jonathan [Ghana]
Dufour, Catherine [France]
Du Sautoy, Marcus [UK]
Haider, Thomas [D]
Ings, Simon [UK]
Krämer, Sybille [D]
Landgraf, Tim [D]
Lipski, Roman [Poland/D]
Lord, Karen [Barbados]
Mondal, Mimi [India/ USA]
Monett, Dagmar [D]Müggenburg, Jan [D]
Neuvel, Sylvain [Canada]
O’Connell, Mark [Ireland]
Oh, Temi [Nigeria/UK]
Older, Malka [USA/France]
Oslberg, Karl [D]
Passig, Kathrin [D]
Ritter, Petra [D]
Schönthaler, Philipp [D]
Tidbeck, Karin [Sweden]
Wilk, Elvia [USA/ D]

Specials
Special: About Sex
Aciman, André [Egypt/ USA]
Becker, Theodora [D]
Beier, Klaus M. [D]
Bruns, Claudia [D]
Danaher, John [Ireland]
Eribon, Didier [France]
Gien, Anna [D]
Govrin, Jule [D]
Kandasamy, Meena [India/ UK]
Katsch, Matthias [D]
Myles, Eilen [USA]
Neft, Anselm [D]
Pappel, Paulita [Spanien/ D]
Rosales, Caroline [D]
Şahin, Reyhan aka Dr. Bitch Ray [D]
Stark, Marlene [D]
Vogel, Saskia [USA/ D]
Vogl, Joseph [D]
Wennerscheid, Sophie [D]

Special: Decolonizing Worlds II
Agualusa, José Eduardo [Angola/Mozambique]
Appadurai, Arjun [India]
Aw, Tash [Malaysia/ UK]
Chakrabarty, Dipesh [India/ USA]
Diop, David [Senegal, France]
Edugyan, Esi [Canada]
Gappah, Petina [Simbabwe]
Gryseels, Guido [Belgium]
Hicks, Dan [UK]
Kaleck, Wolfgang [D]
Kilomba, Grada [Portugal/D]
Koch, Lars Christian [D]
Kübler, Heike [D]
Lord, Karen [Barbados]
Olinde, Wilbert Jr [USA/D]
Ribbat, Christoph [D]
Ruffato, Luiz [Brazil]
Snoep, Nanette [Netherlands/ D]
Strausfeld, Michi [D]
Tharoor, Shashi [India/ USA]
Touré, Abdoulayé [Senegal]
Vinke, Kira [D]

Special: New German Voices
Kühmel, Miku Sophie [D]
Maeß, Emanuel [D]

Special: Graphic Novel Day
Bacilieri, Paolo [Italy]
Evens, Brecht [Belgium/ France]Goblet, Dominique [Belgium]
Itagaki, Lina [Lithuania]
Janečić, Helena [Croatia]
Krančan, David [Slovenia]
Novák, Jan [Czech Republic/ USA]
Peidro, Jordi [Spain]
Pfeiffer, Kai [ D]
Suess, Franz [Austria]
Vilé, Jurga [Lithuania]

Special: Third Culture Kid Day
Akbar, Kaveh [Iran/ USA]
Faber, Michel [Netherlands/ UK]
Lai, Thanhha [Vietnam/USA]
Onuzo, Chibundu [Nigeria/ UK]

Speak, Memory
Mandelkow, Miriam [Netherlands, D], Tesfu Temye [D] and Deniz Utlu [D] on James Baldwin
Al-Jarrah, Nouri [Syria/ UK] and Hussein Bin Hamza [Syria/ D] on Nizar Qabbani
Hegemann, Helene [D], Charis Goer [D] and Matthias Penzel [D] on Jörg Fauser
Guggolz, Sebastian [D] and Olga Radetzkaja on Boris Poplawski
Rey Rosa, Rodrigo [Guatemala] and Michael Kleeberg [D] on Paul Bowles
Dalos, György [Hungary/D], Timea Tankó [Hungary/D] and Sebastian Guggolz [D] on Andor
Endre Gelléri
Sofri, Adriano [Italy] and Hans-Gerd Koch [D] on Franz Kafka

Artists
Beldi, Christian [Romania/ D]

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10 Minutes 38 Seconds in this Strange World by Elif Shafak

This image has an empty alt attribute; its file name is shafak-elif.jpegFor Leila, each minute after her death brings a sensuous memory: the taste of spiced goat stew, sacrificed by her father to celebrate the long-awaited birth of a son; the sight of bubbling vats of lemon and sugar which the women use to wax their legs while the men attend mosque; the scent of cardamom coffee that Leila shares with a handsome student in the brothel where she works.

Each memory, too, recalls the friends she made at each key moment in her life – friends who are now desperately trying to find her. . .

Elif Shafak is an award-winning British-Turkish novelist and the most widely read female author in Turkey.

She writes in both Turkish and English, and has published seventeen books, eleven of which are novels. Her work has been translated into fifty languages. Shafak holds a PhD in political science and she has taught at various universities in Turkey, the US and the UK, including St Anne’s College, Oxford University, where she is an honorary fellow. She is a member of World Economic Forum Global Agenda Council on Creative Economy and a founding member of the European Council on Foreign Relations (ECFR). An advocate for women’s rights, LGBT rights and freedom of speech, Shafak is an inspiring public speaker and twice a TED global speaker, each time receiving a standing ovation.

Shafak contributes to many major publications around the world and she has been awarded the title of Chevalier des Arts et des Lettres. In 2017 she was chosen by Politico as one of the twelve people who would make the world better. She has judged numerous literary prizes and is chairing the Wellcome Prize 2019.

She lives in London and can be found at www.elifshafak.com
Twitter @Elif_Safak; Instagram @shafakelif

10 Minutes 38 Seconds in this Strange World
Elif Shafak (Author)
Hardcover
6 Jun 2019
320 pages
Publisher: Viking
Language: English
ISBN-10: 0241293863
ISBN-13: 978-0241293867
Dimensions: 13.8 x 2.7 x 20.4 cm
RRP: £14.99

# new books
Elif Shafak
10 Minutes 38 Seconds in this Strange World

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Albert Hagenaars over de nieuwe dichtbundel ‘Nederzettingen’ van Bert Bevers

In De Verborgen Hoek besteedt recensent Albert Hagenaars uitgebreid aandacht aan de meest recente dichtbundel ‘Nederzettingen’ van Bert Bevers en de verhouding daarvan tot zijn eerdere werk.

This image has an empty alt attribute; its file name is nederzettingen400.jpg‘Nederzettingen’ verscheen bij uitgeverij Kleinood & Grootzeer. De bundel is verdeeld in drie reeksen: Nederzettingen, Uit de tijd en Gedichten uit een stadje in de heuvels en bevat dertig recente gedichten.

Bert Bevers is een dichter met een brede kijk op zijn onderwerpen en een onmiskenbaar eigen idioom.

Eerste druk 100 genummerde en door de auteur gesigneerde exemplaren. Boekje, 42 pagina’s, gelijmd 21 x 10,5 cm. ISBN/EAN 978-90-76644-91-2. Prijs € 18,-

Bert Bevers (Bergen op Zoom, 1954) woont en werkt in Antwerpen. Keuzes uit zijn gedichten verschenen in de verzamelbundels Afglans (1997) en Eigen terrein (2013). Werk van zijn hand verscheen in literaire tijdschriften als Ballustrada, Bzzlletin, Deus ex Machina, Dietsche Warande & Belfort, Digther, Fleurs du mal.nl, Gierik & Nieuw Vlaams Tijdschrift, Hollands Maandblad, Meander, Poëziekrant, De Tweede Ronde, TZUM en Versindaba alsmede in vele bloemlezingen.

Albert Hagenaars (Bergen op Zoom, 1955) is dichter en schrijver. De belangrijkste thema’s in zijn boeken zijn reizen, interculturele relaties, vervreemding en identiteit. Verder schrijft hij al jarenlang literaire recensies, meestal over poëzie.

# Albert Hagenaars: Kruisbestuivingen tussen tijd en plaats over Bert Bevers

# link naar literaire blog De Verborgen Hoek 

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Lady Chatterley’s Lover: keep this important piece of literary and social history in the UK

 

English PEN have launched a crowdfunding campaign to ensure that a hand-annotated copy of Lady Chatterley’s Lover used by the judge in its landmark obscenity trial can remain in the UK

During the trial, the presiding judge, the Hon. Sir Laurence Byrne, referred to a copy of the book which had been annotated by his wife. She had made notes of character names in the margins, underlined important sections, and had produced a list of page numbers relating to significant passages in the book (“love making”, “coarse”, etc).

Because of its unique crucial importance in British history, the arts minister, Michael Ellis, has determined that it should remain in the UK and has placed a temporary bar preventing its overseas export from being exported overseas if a UK-based bidder can match its price. English PEN have launched the GoFundMe campaign to raise the money required to keep the book in the UK.

Philippe Sands QC, President of English PEN, said:
DH Lawrence was an active member of English PEN and unique in the annals of English literary history. Lady Chatterley’s Lover was at the heart of the struggle for freedom of expression, in the courts and beyond. This rare copy of the book, used and marked up by the judge, must remain in the UK, accessible to the British public to help understand what is lost without freedom of expression. This unique text belongs here, a symbol of the continuing struggle to protect the rights of writers and readers at home and abroad.

Lady Chatterley’s Lover was published in Europe in 1928, but remained unpublished in the UK for thirty years following DH Lawrence’s death in 1930. Its narrative – of an aristocratic woman embarking on a passionate relationship with a groundskeeper outside of her sexless marriage – challenged establishment sensibilities, and publishers were unwilling to publish it through fear of prosecution.

The 1960 obscenity trial of Lady Chatterley’s Lover was one of the most important cases in British literary and social history, and led to a significant shift in the cultural landscape. The trial highlighted the distance between modern society and an out-of-touch establishment, shown in the opening remarks of Mervyn Griffith-Jones, the lead prosecutor:

Would you approve of your young sons, young daughters – because girls can read as well as boys – reading this book?

Is it a book that you would have lying around in your own house? Is it a book that you would even wish your wife or your servants to read?

However, it took the jury just three hours to reach a decision that the novel was not obscene, and, within a day, the book sold 200,000 copies, rising to more than 2 million copies in the next two years.

The verdict was a crucial step in ushering the permissive and liberal sixties and was an enormously important victory for freedom of expression.

We want to ensure this piece of our cultural history remains in the UK. Please support us and help spread the word.

# Support the campaign see website ENGLISH PEN

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SIGN NOW: Demand Charges be Dropped Against Three Saudi Writer-Activists

  

Saudi Arabia has long been considered one of the most restrictive countries in the world for human rights, and particularly for women.

The fleeting hope that generational transition in the Saudi leadership would open the door toward greater respect for individual rights and international law has collapsed entirely, with individuals paying the highest price as the government resorts to rank barbarism as a blunt means to suppress and deter dissent.

Through their writing and activism, Nouf Abdulaziz, Loujain Al-Hathloul, and Eman Al-Nafjan have challenged the Saudi government, demanding human rights, even in the face of intimidation and brutality.

These three courageous women—who are being honored this month with the 2019 PEN/Barbey Freedom to Write Award—have challenged one of the world’s most notoriously misogynist governments, inspiring the world with their demand to drive, to govern their own lives, and to liberate all Saudi women from a form of repression that has no place in the 21st century.

Sign the petition to call on the Saudi Arabian government to drop all charges against these courageous writer-activists and ensure that they and others have the right to speak and advocate freely and without fear of repercussions.

Nouf Abdulaziz, Loujain Al-Hathloul, Eman Al-Nafjan

To the Saudi Arabian government:
We are distressed to observe the continuation of systematic rights abuses in Saudi Arabia, and the brutal crackdown against critical voices whose peaceful efforts are aimed at encouraging their government to uphold the most basic standards of human rights and international law. We call on your government to drop all charges against Nouf Abdulaziz, Loujain Al-Hathloul, and Eman Al-Nafjan, and their fellow activists and ensure that they and others have the right to speak and advocate freely and without fear of repercussions.

# Take action – See website PEN America

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E. du Perronprijs 2018 voor Jan Leyers

De Vlaamse televisiemaker, muzikant en schrijver Jan Leyers (1958) is de winnaar van de E. du Perronprijs 2018.

De jury honoreert zijn boek Allah in Europa: reisverslag van een ongelovige. Volgens de jury een: ‘fascinerend boek waarin een veelheid aan ideeën en opinies aan de orde komt, waaraan de lezer zijn of haar eigen mening kan scherpen’.

De andere genomineerden voor de prijs waren Ilja Leonard Pfeijffer met Grand Hotel Europa en Jolande Withuis Raadselvader. 

Leyers krijgt 2500 euro voor de E. du Perronprijs, een initiatief van de gemeente Tilburg, de Tilburg School of Humanities & Digital Sciences van de Tilburgse universiteit en de organisatie Kunstloc Brabant.

E. du Perronprijs 2018 voor het boek Allah in Europa: reisverslag van een ongelovige van Jan Leyers

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