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In Other Words is a revelation. It is at heart a love story of a long and sometimes difficult courtship, and a passion that verges on obsession: that of a writer for another language.
For Jhumpa Lahiri, that love was for Italian, which first captivated and capsized her during a trip to Florence after college. Although Lahiri studied Italian for many years afterwards, true mastery had always eluded her.
Seeking full immersion, she decided to move to Rome with her family, for ‘a trial by fire, a sort of baptism’ into a new language and world. There, she began to read and to write – initially in her journal – solely in Italian. In Other Words, an autobiographical work written in Italian, investigates the process of learning to express oneself in another language, and describes the journey of a writer seeking a new voice.
Presented in a dual-language format, this is a wholly original book about exile, linguistic and otherwise, written with an intensity and clarity not seen since Vladimir Nabokov: a startling act of self-reflection and a provocative exploration of belonging and reinvention.
“A writer of formidable powers and great depth of feeling” – Observer
Jhumpa Lahiri was born in London and raised in Rhode Island. Her debut collection of stories, Interpreter of Maladies, was awarded the Pulitzer Prize, the PEN/Hemingway Award,The New Yorker Debut of the Year, and an Addison M. Metcalf Award from the American Academy of Arts and Letters. It was an international bestseller, translated into more than thirty languages. Her first novel, The Namesake, was a New York Times Notable Book, a Los Angeles TimesBook Prize finalist, and selected as one of the best books of the year by USA Today and Entertainment Weekly, among other publications. Her second collection, Unaccustomed Earth, was a New York Times Book Review,Washington Post, Los Angeles Times, Time, and People Magazine Best Book of the Year, a finalist for the Story Prize, and winner of the Frank O’Connor International Short Story Award. Her most recent book is her second novel,The Lowland (published September 2013).
A recipient of Guggenheim and National Endowment for the Arts Fellowships, she was inducted into the American Academy of Arts and Letters in 2012. She lives in Brooklyn, New York, with her husband and two children.
Jhumpa Lahiri writes: Essays & Journalism, Biography & Memoir, General Fiction, Short Stories
She is author of : In Other Words, The Clothing of Books, The Lowland, Only Goodness, Unaccustomed Earth
In Other Words
By Jhumpa Lahiri
Translator: Ann Goldstein
Publ.: 09-02-2017
Paperback
Edition: 1st
256 pag.
ISBN: 9781408866139
Imprint: Bloomsbury Paperbacks
Dim.: 198 x 129 mm
new books
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Global Discontents is a compelling set of interviews with Noam Chomsky, who identifies the “dry kindling” of discontent around the world that could soon catch fire.
In wide-ranging interviews with David Barsamian, his longtime interlocutor, Noam Chomsky asks us to consider “the world we are leaving to our grandchildren”: one imperiled by the escalation of climate change and the growing potential for nuclear war. If the current system is incapable of dealing with these threats, he argues, it’s up to us to radically change it.
These ten interviews, conducted from 2013 to 2016, examine the latest developments around the globe: the devastation of Syria, the reach of state surveillance, growing anger over economic inequality, the place of religion in American political culture, and the bitterly contested 2016 U.S. presidential election. In accompanying personal reflections on his Philadelphia childhood and his eighty-seventh birthday, Chomsky also describes his own intellectual journey and the development of his uncompromising stance as America’s premier dissident intellectual.
Noam Chomsky is the author of numerous bestselling political works, including Hegemony or Survival and Failed States. A professor emeritus of linguistics and philosophy at MIT, he is widely credited with having revolutionized modern linguistics. He lives outside Boston, Massachusetts.
David Barsamian, director of the award-winning and widely syndicated Alternative Radio, is a winner of the Lannan Foundation’s Cultural Freedom Fellowship and the ACLU’s Upton Sinclair Award for independent journalism. He lives in Boulder, Colorado.
Global Discontents
Conversations on the Rising Threats to Democracy
Noam Chomsky: Interviews with David Barsamian
Trade Paperback
$18.00
Metropolitan Books
Henry Holt and Co.
12/05/2017
ISBN: 9781250146182
240 Pages
new books
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Who was the model for Edouard Degas’s world renowned sculpture of a ballet dancer? Camille Laurens embarks on a meticulous and sensitive enquiry.
Degas’s “Little Ballerina” has always been a presence for Camille Laurens. Here the novelist tells the story of the sculpture which has been exhibited in Paris, London, New York, Washington, Chicago, Copenhage, Dresden… but few know the identity of the model.
She looks into the childhood of Marie Van Goethem, born to Belgian parents, with an older sister who ended up as a courtesan, a younger sister who became a ballet teacher and a mother who died on the very premises of the Paris Opera. Dancing and prostitution. Revolution and the art world. Quite unintentionally, Marie would become one of the most discussed models, and was described as a “monkey” at the 1881 Salon des Indépendants exhibition.
How did Degas dare to make something beautiful of such an ugly child? And what mysterious connection was there between Degas and his subject, given that he kept the wax sculpture in his studio his whole life and never exhibited it? This enquiry ultimately leads Camille Laurens to a more personal quest.
Novelist, essayist and academic Camille Laurens has published some twenty books. In 2000, Dans ces bras-là won the Prix Fémina and the Prix Renaudot des Lycéens, and was translated into thirty languages. Her latest novel Who You Think I Am (Gallimard, 2016 / Other Press 2017) sold 50,000 copies in France.
La petite danseuse de quatorze ans
Camille Laurens
(Degas’s little ballerina by Camille Laurens)
Collection: La Bleue
Éditions Stock Paris
Parution: 01/09/2017
176 pages
Format:140 x 216 mm
EAN: 9782234069282
Prix: €17.50
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In popular imagination, London is a city of fog. The classic London fogs, the thick yellow “pea-soupers,” were born in the industrial age of the early nineteenth century.
The first globally notorious instance of air pollution, they remained a constant feature of cold, windless winter days until clean air legislation in the 1960s brought about their demise. Christine L. Corton tells the story of these epic London fogs, their dangers and beauty, and their lasting effects on our culture and imagination.
As the city grew, smoke from millions of domestic fires, combined with industrial emissions and naturally occurring mists, seeped into homes, shops, and public buildings in dark yellow clouds of water droplets, soot, and sulphur dioxide. The fogs were sometimes so thick that people could not see their own feet.
By the time London’s fogs lifted in the second half of the twentieth century, they had changed urban life. Fogs had created worlds of anonymity that shaped social relations, providing a cover for crime, and blurring moral and social boundaries.
They had been a gift to writers, appearing famously in the works of Charles Dickens, Henry James, Oscar Wilde, Robert Louis Stevenson, Joseph Conrad, and T. S. Eliot. Whistler and Monet painted London fogs with a fascination other artists reserved for the clear light of the Mediterranean.
Corton combines historical and literary sensitivity with an eye for visual drama—generously illustrated here—to reveal London fog as one of the great urban spectacles of the industrial age.
Christine L. Corton is a Senior Member of Wolfson College, Cambridge, and a freelance writer. She worked for many years at publishing houses in London.
London Fog
The Biography
Christine L. Corton
Paperback – 2017
408 pages
28 color illustrations, 63 halftones
Belknap Press / Harvard University Press
ISBN 9780674979819
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Pigeonholed in popular memory as a Jazz Age epicurean, a playboy, and an emblem of the Lost Generation, F. Scott Fitzgerald was at heart a moralist struck by the nation’s shifting mood and manners after World War I.
In Paradise Lost, David Brown contends that Fitzgerald’s deepest allegiances were to a fading antebellum world he associated with his father’s Chesapeake Bay roots. Yet as a midwesterner, an Irish Catholic, and a perpetually in-debt author, he felt like an outsider in the haute bourgeoisie haunts of Lake Forest, Princeton, and Hollywood—places that left an indelible mark on his worldview.
In this comprehensive biography, Brown reexamines Fitzgerald’s childhood, first loves, and difficult marriage to Zelda Sayre. He looks at Fitzgerald’s friendship with Hemingway, the golden years that culminated with Gatsby, and his increasing alcohol abuse and declining fortunes which coincided with Zelda’s institutionalization and the nation’s economic collapse.
Placing Fitzgerald in the company of Progressive intellectuals such as Charles Beard, Randolph Bourne, and Thorstein Veblen, Brown reveals Fitzgerald as a writer with an encompassing historical imagination not suggested by his reputation as “the chronicler of the Jazz Age.” His best novels, stories, and essays take the measure of both the immediate moment and the more distant rhythms of capital accumulation, immigration, and sexual politics that were moving America further away from its Protestant agrarian moorings. Fitzgerald wrote powerfully about change in America, Brown shows, because he saw it as the dominant theme in his own family history and life.
David S. Brown is Raffensperger Professor of History at Elizabethtown College.
“[An] incisive biography.”—The New Yorker
“Paradise Lost accomplishes much in its aim to contextualize Fitzgerald within both American historical and literary historical parameters. This new biography manages to get past the trappings of Fitzgerald’s boozy flapper-era persona and to credit his talent for taking the pulse of the America in which he lived.”—Christina Hunt Mahoney, The Irish Times
Paradise Lost
A Life of F. Scott Fitzgerald
David S. Brown
424 pag. – 2017
Harvard University Press
Belknap Press
Isbn 9780674504820
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Lars Martin Johansson is a living legend. Cunning and perceptive, always one step ahead, he was known in the National Criminal Police as “the man who could see around corners.” But now Johansson is retired, living in the country, his police days behind him.
Or so he thinks.
After suffering a stroke, Johansson finds himself in the hospital. Tests show heart problems as well. And the only thing that can save him from despair is his doctor’s mention of an unsolved murder case from years before. The victim: an innocent nine-year-old girl.
Johansson is determined to solve the case, no matter his condition. With the help of his assistant, Matilda, an amateur detective, and Max, an orphan with a personal stake in the case, he launches an informal investigation from his hospital bed. Racing against time, he uncovers a web of connections that links sex tourism to a dead opera singer and a self-made millionaire. And as Johansson draws closer to solving the crime, he finds that he will have to confront not just a mystery but his own mortality as well.
Leif G.W. Persson’s previous novels include Backstrom: He Who Kills the Dragon, Between Summer’s Longing and Winter’s End, and Another Time, Another Life. He has served as an adviser to the Swedish ministry of justice and is Sweden’s most renowned psychological profiler. A professor at the Swedish National Police Board, he is considered the country’s foremost expert on crime.
The Dying Detective
A Mystery
By Leif GW Persson
Translated by Neil Smith
Category: Crime Mysteries
Paperback + Hardback
May 2017
432 Pages
Published by Transworld Publishers Ltd
ISBN10 085752089X
ISBN13 9780857520890
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Film by the Sea is hét festival voor film en literatuur en al sinds 1999 een begrip in Zeeland en ver daarbuiten.
Inmiddels kom er jaarlijks ruim 43.000 bezoekers naar de havenstad Vlissingen om zich tien dagen lang onder te dompelen in het beste wat film en boek te bieden hebben. Zo worden er bekende en minder bekende films en documentaires getoond, competities gehouden, lezingen, colleges en concerten gegeven en de gezelligste feestjes gebouwd. Ook vele acteurs, schrijvers en regisseurs van vakveteranen tot jonge talenten laten graag hun gezicht zien bij het festival. De unieke locatie aan zee en het bomvolle, steeds verrassende programma maken Film by the Sea van Openingsgala tot Slotfeest ieder jaar weer een feest. Dit jaar is de 19e editie van Film by the Sea en vindt plaats van 8 t/m 17 september.
Buiten het festival om is er het programma Film by the Sea door het Jaar, waarbinnen elke week een bijzondere film wordt vertoond.
Parel voor de Beste Boekverfilming
De GVR van Steven Spielberg, Dubbelspel van Ernest R. Dickerson, Julieta van Pedro Almodóvar, Nocturnal Animals van Tom Ford, The Handmaiden van Chan-wook Park, The Light Between Oceans van Derek Cianfrance en Tonio van Paula van der Oest dingen mee naar de Parel, de publieksprijs voor de Beste Boekverfilming.
Tot en met 14 september via besteboekverfilming.nl stemmen op zijn favoriet. Op 15 september wordt op Film by the Sea, het festival voor film en literatuur in Vlissingen, de Parel uitgereikt aan de film die de meeste stemmen heeft behaald.
De zeven nominaties zijn door een comité van een boekhandelaar, bibliothecaris en filmkenner gekozen uit het aanbod aan van boekverfilmingen die uitkwamen tussen 1 juli 2016 en 31 juli 2017. Vorig jaar ontving Publieke Werken van regisseur Joram Lürsen, gebaseerd op de gelijknamige roman van Thomas Rosenboom, de Parel voor de beste Boekverfilming. De zeven boekverfilmingen zijn te zien op het festival Film by the Sea, dat plaatsvindt van 8 t/m 17 september. Kijk voor meer informatie op www.filmbythesea.nl.
Boek en film gaan heel goed samen. Aan menig beroemde film gaat vaak een even beroemd boek vooraf. Denk aan klassiekers als Turks fruit, Doctor Zhivago, The English Patient en Harry Potter. Maar ook Het Diner, Sonny Boy, Life of Pi, Sophie’s Choice, etc.
De genomineerde films voor de Parel zijn gebaseerd op de volgende boeken, in dezelfde volgorde: De GVR van Roald Dahl (De Fontein), Dubbelspel van Frank Martinus Arion (De Bezige Bij), Stilte van Alice Munro (De Geus), Tony & Susan van Austin Wright (De Arbeiderspers), Vingervlug van Sarah Waters (Nijgh & Van Ditmar), Het licht van de zee van M.L. Stedman (Boekerij) en Tonio van A.F.Th van der Heijden (De Bezige Bij).
19de Festival Film by the Sea van 8 t/m 17 september 2017 in Vlissingen
# meer info op website Film by the Sea
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Willem Kloos was een briljant dichter, een scherp criticus en de onbetwiste leidsman van de Tachtigers. Tot in de jaren dertig werd hij aanbeden én verguisd – nu leeft hij voort in een aantal klassieke gedichten.
Kloos bracht het tijdschrift De Nieuwe Gids naar grote hoogtes en diepe dalen, verkeerde in een permanente staat van armoede en drankzucht, en dreef zijn kring van vrienden tot wanhoop. Later werd hij verzorgd door zijn vrouw en schoonzuster, met als enig houvast het tijdschrift, dat na zijn dood in de handen van fascisten roemloos ten onder ging.
In Willem Kloos (1859-1938). O God, waarom schynt de zon nog! beschrijven Peter Janzen en Frans Oerlemans het turbulente en vaak tragische leven aan de hand van talloze nieuwe feiten en vele, dikwijls niet eerder gepubliceerde foto’s. Ze rekenen af met de hardnekkige mythe dat Kloos de ontwerper was van zijn eigen grootheid en werpen een nieuw licht op zijn obsessieve verlatingsangst. Ook schenken ze uitgebreid aandacht aan zijn aftakeling in de jaren negentig en zijn opname in een psychiatrische kliniek, waar hij werd onderworpen aan elektrotherapie.
Historicus Peter Janzen en neerlandicus Frans Oerlemans publiceerden veelvuldig over de Beweging van Tachtig, onder andere in De Parelduiker. Zij promoveerden beiden op leven en werk van Willem Kloos.
Willem Kloos (1859-1938)
O God, waarom schynt de zon nog!
Auteur(s): Peter Janzen & Frans Oerlemans
Vormgever: Brigitte Slangen
ISBN 9789460043222,
gebonden, 16 x 24 cm,
rijk geïllustreerd, deels in kleur,
408 pagina’s, 2017
Uitgeverij Vantilt
€ 29,50
Samen met de biografie verschijnt een heruitgave van Kloos’ iconische Verzen uit 1894.
Deze zachtsgezegd opmerkelijke bundel begint met een lofzang op de liefde en eindigt met de beruchte scheldsonnetten, waarin Kloos zijn vrienden van het eerste uur tot op het bot fileert.
Verzen werd op slag voor een hele generatie een bijna heilig boek. Deze heruitgave van de eerste druk biedt de mogelijkheid om kennis te nemen van klassieke sonnetten waarvan de eerste regels deel uitmaken van ons collectief bewustzijn: ‘Ik ben een God in ’t diepst van mijn gedachten’, ‘De Zee, de Zee klotst voort in eindelooze deining’, ‘De boomen dorren in het laat seizoen’ en natuurlijk ‘Ik ween om bloemen in den knop gebroken’.
Willem Kloos
Verzen
Vormgever: Marc Vleugels
168 pagina’s
paperback – 2017
ISBN 978 94 6004 323 9
Uitgeverij Vantilt
€ 19.95
‘Het is de verfrissende afwezigheid van ironie, relativering en gelatenheid die ze nu nog authentiek maakt. Mooi uitgegeven, ook.’ Aleid Truijens, de Volkskrant
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Maria Callas was zonder twijfel de meest getalenteerde zangeres van de twintigste eeuw. Ze was een stijlicoon, maar bovenal een vrouw met een dramatisch leven vol uitersten.
Deze biografie brengt Callas briljant tot leven en toont haar transformatie van mollig, verlegen meisje tot de prachtige, gevierde sopraan met een larger-than-life-imago.
Met behulp van een schat aan materiaal en tal van interviews documenteert Arianna Huffington de eindeloze onenigheid tussen Callas en haar moeder, de geleidelijke ondergang van haar eerste huwelijk, haar gepassioneerde liefdesrelatie met Aristoteles Onassis, de pijn en vernedering toen hij haar verliet en haar geheime abortus.
Het resultaat is een overtuigend en ontroerend portret.
Arianna Stassinopoulos Huffington (1950) is een Grieks-Amerikaanse journalist, bestsellerauteur, columnist, actrice en medeoprichter van The Huffington Post.
Maria Callas
Arianna Huffington
€19,99
ISBN: 9789401607377
Uitg. Xander Amsterdam
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This Is Memorial Device, the debut novel by David Keenan, is a love letter to the small towns of Lanarkshire in the west of Scotland in the late 1970s and early 80s as they were temporarily transformed by the endless possibilities that came out of the freefall from punk rock.
It follows a cast of misfits, drop-outs, small town visionaries and would-be artists and musicians through a period of time where anything seemed possible, a moment where art and the demands it made were as serious as your life. At its core is the story of Memorial Device, a mythic post-punk group that could have gone all the way were it not for the visionary excess and uncompromising bloody-minded belief that served to confirm them as underground legends.
Written in a series of hallucinatory first-person eye-witness accounts that capture the prosaic madness of the time and place, heady with the magic of youth recalled, This Is Memorial Device combines the formal experimentation of David Foster Wallace at his peak circa Brief Interviews With Hideous Men with moments of delirious psychedelic modernism, laugh out loud bathos, and tender poignancy.
‘Beautifully believable and appallingly sad . . . One of the most acute, affecting and aphoristic novels of recent years . . . A hallucinatory and haunting vision.’ Guardian
David Keenan is the author of England’s Hidden Reverse: A Secret History of the Esoteric Underworld and a senior critic on The Wire.
David Keenan:
This Is Memorial Device
ISBN 9780571330836
Format Paperback
Published 02/02/2017
Length 304 pages, £14.99
Publisher: Faber & Faber
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De avond is ongemak is het schrijnende verhaal van een religieus boerengezin dat wordt getroffen door de dood van een kind.
Matthies komt op een dag niet meer terug van het schaatsen en laat zijn zusje Jas in totale verwarring achter. Door de ogen van de dertienjarige Jas zien we hoe de familieleden elk op hun eigen manier omgaan met het verlies. Vader en moeder zijn volledig verlamd door verdriet en zien niet hoe Jas en haar zusje Hanna en haar broer Obbe ondertussen langzaam ontsporen. Onder leiding van Obbe ondernemen ze morbide experimenten met dieren en Hanna en Jas dromen hartstochtelijk van een Redder, een man als Boudewijn de Groot, een man die hen mee kan nemen naar de Overkant en hen in kan wijden in de geheimen van hun seksualiteit.
Marieke Lucas Rijneveld romandebuut: De avond is ongemak
Dit boek wordt uitgeleverd vanaf 17 januari 2018.
Marieke Lucas Rijneveld (1991) geldt als een van de grootste talenten van de Nederlandse letteren. In 2015 debuteerde ze met de meermaals herdrukte dichtbundel Kalfsvlies, die werd bekroond met de C. Buddingh’ Prijs voor het beste poëziedebuut. In de Volkskrant werd ze vervolgens uitgeroepen tot literair talent van het jaar. Haar indrukwekkende voordracht was veelvuldig te horen op literaire podia als Crossing Border, De Jonge Schrijversavond en de Nacht van de Poëzie, en haar gedichten en verhalen verschenen in een groot aantal literaire tijdschriften, waaronder Hollands Maandblad, VPRO Gids en De Revisor. Rijneveld groeide op in een gereformeerd boerengezin in Noord-Brabant en woont tegenwoordig in Utrecht, de stad die haar in 2015 het C.C.S. Cronestipendium toekende. Naast haar bestaan als schrijver werkt ze op een melkveebedrijf.
Marieke Lucas Rijneveld:
De avond is ongemak
Uitgever: Atlas Contact
Pagina’s 256
Paperback – € 19,99
ISBN 9789025444112
Verschijningsdatum 17 jan. 2018
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A literary retrospective of a crucial period in modernism—the transition from Dada to Surrealism––via portraits and encounters with its literary lions, including Joyce, Proust, Reverdy, Apollinaire, Crevel and more by the co-founder of the Paris surrealist group.
Poet Alan Bernheimer provides a long overdue English translation of this French literary classic—Lost Profiles is a retrospective of a crucial period in modernism, written by co-founder of the Surrealist Movement.
Opening with a reminiscence of the international Dada movement in the late 1910s and its transformation into the beginnings of surrealism, Lost Profiles then proceeds to usher its readers into encounters with a variety of literary lions.
We meet an elegant Marcel Proust, renting five adjoining rooms at an expensive hotel to “contain” the silence needed to produce Remembrance of Things Past; an exhausted James Joyce putting himself through grueling translation sessions for Finnegans Wake; and an enigmatic Apollinaire in search of the ultimate objet trouvé.
Soupault sketches lively portraits of surrealist precursors like Pierre Reverdy and Blaise Cendrars, a moving account of his tragic fellow surrealist René Crevel, and the story of his unlikely friendship with right-wing anti-Vichy critic George Bernanos.
The collection ends with essays on two modernist forerunners, Charles Baudelaire and Henri Rousseau. With an afterword by Ron Padgett recounting his meeting with Soupault in the mid 70’s and a preface by André Breton biographer Mark Polizzotti, Lost Profiles confirms Soupault’s place in the vanguard of twentieth-century literature.
Philippe Soupault (1897-1990) served in the French army during WWI and subsequently joined the Dada movement. In 1919, he collaborated with André Breton on the automatic text Les Champs magnétiques, launching the surrealist movement. In the years that followed, he wrote novels and journalism, directed Radio Tunis in Tunisia, and worked for UNESCO.
Lost Profiles
Memoirs of Cubism, Dada, and Surrealism
Philippe Soupault
Translated by Alan Bernheimer
Foreword by Mark Polizzotti
Afterword by Ron Padgett
Paperback – $13.95
Pages:112 – 2016
City Lights Publishers
ISBN978-0-87286-727-7
“(…) a brief account by a perceptive writer who was on the scene when modernity was young.”, Robert Fulford
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