Fleurs du Mal Magazine
Or see the index
Lean Out of the Window
Lean out of the window,
Goldenhair,
I hear you singing
A merry air.
My book was closed,
I read no more,
Watching the fire dance
On the floor.
I have left my book,
I have left my room,
For I heard you singing
Through the gloom.
Singing and singing
A merry air,
Lean out of the window,
Goldenhair.
James Joyce
(1882-1941)
Lean Out of the Window
fleursdumal.nl magazine
More in: Archive I-J, Archive I-J, Joyce, James, Joyce, James
Drawing on draft manuscripts and other archival material, James Joyce and Absolute Music, explores Joyce’s deep engagement with musical structure, and his participation in the growing modernist discourse surrounding 19th-century musical forms.
Michelle Witen examines Joyce’s claim of having structured the “Sirens” episode of his masterpiece, Ulysses, as a fuga per canonem, and his changing musical project from his early works, such as Dubliners and A Portrait of the Artist as a Young Man.
Informed by a deep understanding of music theory and history, the book goes on to consider the “pure music” of Joyce’s final work, Finnegans Wake.
Demonstrating the importance of music to Joyce, this ground-breaking study reveals new depths to this enduring body of work.
Towards a Modernist Condition of Absolute Music – Joyce’s Early Use of Music – Joyce’s fuga per canonem: A Case of Structure – Joyce’s fuga per canonem: A Case of Effect – Voided Fugue in “Circe” – “It’s Pure Music”: Finnegans Wake
Michelle Witen is Postdoctoral Teaching and Research Fellow at the University of Basel, Switzerland.
Michelle Witen
James Joyce and Absolute Music
Published: 22-02-2018
Format: Hardback
Edition: 1st
Extent: 320 p.
ISBN: 9781350014220
Imprint: Bloomsbury Academic
Series: Historicizing Modernism
Illustrations: 9 bw illus
Dimensions: 234 x 156 mm
RRP: £85.00
literature and music
fleursdumal.nl magazine
More in: # Music Archive, Archive I-J, Archive I-J, Art & Literature News, Joyce, James, Joyce, James
I Would in That Sweet Bosom Be
I would in that sweet bosom be
(O sweet it is and fair it is!)
Where no rude wind might visit me.
Because of sad austerities
I would in that sweet bosom be.
I would be ever in that heart
(O soft I knock and soft entreat her!)
Where only peace might be my part.
Austerities were all the sweeter
So I were ever in that heart.
James Joyce
(1882-1941)
I Would in That Sweet Bosom Be
fleursdumal.nl magazine
More in: Archive I-J, Archive I-J, Joyce, James, Joyce, James
Het jaar 1968 behoort tot de iconische jaren van de twintigste eeuw. Het is een kanteljaar, waarin alles mogelijk lijkt. 1968 is het jaar van de Meirevolutie in Parijs, de Praagse Lente, het verzet tegen de oorlog in Vietnam, het bloedbad van My Lai, de moorden op Martin Luther King en Robert Kennedy, de Yippies bij de Democratische conventie in Chicago, de zwarte handschoenen bij de Olympische Spelen in Mexico en Amsterdam als ‘magies centrum’.
Over de hele wereld komen jongeren in opstand tegen de gevestigde orde. De protesten worden gevoed door het ideaal van een andere samenleving en het geloof in de nieuwe mens. Ze gaan gepaard met psychedelische experimenten, harde strijd en emancipatiebewegingen van zwarten en vrouwen. Bevrijding is het sleutelwoord.
Maar 1968 eindigt als een jaar van restauratie: de bestendiging van de regering van president De Gaulle in Frankrijk, de Sovjetinval in Tsjecho-Slowakije en de verkiezing van Richard Nixon in de Verenigde Staten. Desondanks hebben de culturele,maatschappelijke en politieke invloeden van 1968 nu, een halve eeuw later, niets aan betekenis ingeboet.
In dit enerverende, kleurrijke boek neemt Roel Janssen, die in mei 1968 naar Parijs trok om getuige te zijn van de studentenrevolte, de lezer mee op een wereldreis door het revolutiejaar. Het is een gedreven journalistiek verslag dat de gebeurtenissen van vijftig jaar geleden in perspectief plaatst en de herinneringen aan dat veelbewogen jaar levend houdt. ‘You say you want a revolution’, een verwijzing naar de hit van the Beatles in 1968, onderscheidt zich door een spannende verteltrant vol smakelijke details en oog voor de zelfoverschatting van de generatie van ’68.
Auteur: Roel Janssen
1968. You Say You Want a Revolution
Uitgeverij : Balans, Uitgeverij
ISBN : 9789460035586
Taal : Nederlands
Uitvoering : Paperback
Aantal pagina’s : 256
Verschijningsdatum : 22-01-2018
Afmetingen : 215 x 135 x 25 mm.
Gewicht : 381 gr.
20,00 euro
new books
fleursdumal.nl magazine
More in: - Book News, - Book Stories, Archive I-J, Art & Literature News, Protests of MAY 1968
Alone
The noon’s greygolden meshes make
All night a veil,
The shorelamps in the sleeping lake
Laburnum tendrils trail.
The sly reeds whisper to the night
A name– her name-
And all my soul is a delight,
A swoon of shame.
James Joyce
(1882-1941)
Alone
fleursdumal.nl magazine
More in: Archive I-J, Archive I-J, Joyce, James, Joyce, James
Love Came to Us
Love came to us in time gone by
When one at twilight shyly played
And one in fear was standing nigh — –
For Love at first is all afraid.
We were grave lovers. Love is past
That had his sweet hours many a one;
Welcome to us now at the last
The ways that we shall go upon.
James Joyce
(1882-1941)
Love Came to Us
fleursdumal.nl magazine
More in: Archive I-J, Archive I-J, Joyce, James, Joyce, James
In this magisterial study of the relationship between illness and art, the best-selling author of An Unquiet Mind, Kay Redfield Jamison, brings an entirely fresh understanding to the work and life of Robert Lowell (1917-1977), whose intense, complex, and personal verse left a lasting mark on the English language and changed the public discourse about private matters.
In his Pulitzer Prize-winning poetry, Robert Lowell put his manic-depressive illness (now known as bipolar disorder) into the public domain, creating a language for madness that was new and arresting. As Dr. Jamison brings her expertise in mood disorders to bear on Lowell’s story, she illuminates not only the relationships among mania, depression, and creativity but also the details of Lowell’s treatment and how illness and treatment influenced the great work that he produced (and often became its subject).
Lowell’s New England roots, early breakdowns, marriages to three eminent writers, friendships with other poets such as Elizabeth Bishop, his many hospitalizations, his vivid presence as both a teacher and a maker of poems—Jamison gives us the poet’s life through a lens that focuses our understanding of his intense discipline, courage, and commitment to his art. Jamison had unprecedented access to Lowell’s medical records, as well as to previously unpublished drafts and fragments of poems, and she is the first biographer to have spoken with his daughter, Harriet Lowell. With this new material and a psychologist’s deep insight, Jamison delivers a bold, sympathetic account of a poet who was—both despite and because of mental illness—a passionate, original observer of the human condition.
Kay Redfield Jamison is the Dalio Family Professor in Mood Disorders and a professor of psychiatry at the Johns Hopkins University School of Medicine, as well as an honorary professor of English at the University of St. Andrews in Scotland. She is the author of the national best sellers An Unquiet Mind, Night Falls Fast, and Touched with Fire, and is the coauthor of the standard medical text on bipolar disorder, Manic-Depressive Illness: Bipolar Disorders and Recurrent Depression. Dr. Jamison is a Fellow of the American Academy of Arts and Sciences and the Royal Society of Edinburgh and is a recipient of the Lewis Thomas Prize, the Sarnat International Prize in Mental Health from the National Academy of Medicine, and a John D. and Catherine T. MacArthur Fellowship. She is married to Thomas Traill, a cardiologist at the Johns Hopkins School of Medicine.
Robert Lowell, Setting the River on Fire
A Study of Genius, Mania, and Character
By Kay Redfield Jamison
Literary Figure Biographies & Memoirs
Paperback
Feb 06, 2018
560 Pages
$18.95
Published by Vintage
ISBN 9780307744616
new books
fleursdumal.nl magazine
More in: - Book News, Archive I-J, Archive K-L, Archive K-L, BIOGRAPHY, DRUGS & MEDICINE & LITERATURE, Robert Lowell
A look back at the cultural and political force of Pulitzer Prize–winning poet Gwendolyn Brooks, in celebration of her hundredth birthday
Pulitzer-Prize winning poet Gwendolyn Brooks is one of the great American literary icons of the twentieth century, a protégé of Langston Hughes and mentor to a generation of poets, including Sonia Sanchez, Nikki Giovanni, and Elizabeth Alexander.
Her poetry took inspiration from the complex portraits of black American life she observed growing up on Chicago’s Southside—a world of kitchenette apartments and vibrant streets. From the desk in her bedroom, as a child she filled countless notebooks with poetry, encouraged by the likes of Hughes and affirmed by Richard Wright, who called her work “raw and real.”
Over the next sixty years, Brooks’s poetry served as witness to the stark realities of urban life: the evils of lynching, the murders of Emmett Till and Malcolm X, the revolutionary effects of the civil rights movement, and the burgeoning power of the Black Arts Movement. Critical acclaim and the distinction in 1950 as the first black person ever awarded a Pulitzer Prize helped solidify Brooks as a unique and powerful voice.
Now, in A Surprised Queenhood in the New Black Sun, fellow Chicagoan and award-winning writer Angela Jackson delves deep into the rich fabric of Brooks’s work and world. Granted unprecedented access to Brooks’s family, personal papers, and writing community, Jackson traces the literary arc of this artist’s long career and gives context for the world in which Brooks wrote and published her work. It is a powerfully intimate look at a once-in-a-lifetime talent up close, using forty-three of Brooks’s most soul-stirring poems as a guide.
From trying to fit in at school (“Forgive and Forget”), to loving her physical self (“To Those of My Sisters Who Kept Their Naturals”), to marriage and motherhood (“Maud Martha”), to young men on her block (“We Real Cool”), to breaking history (“Medgar Evers”), to newfound acceptance from her community and her elevation to a “surprising queenhood” (“The Wall”), Brooks lived life through her work.
Jackson deftly unpacks it all for both longtime admirers of Brooks and newcomers curious about her interior life. A Surprised Queenhood in the New Black Sun is a commemoration of a writer who negotiated black womanhood and incomparable brilliance with a changing, restless world—an artistic maverick way ahead of her time.
What shall I give my children? who are poor,
Who are adjudged the leastwise of the land,
Who are my sweetest lepers, who demand
No velvet and no velvety velour;
But who have begged me for a brisk contour,
Crying that they are quasi, contraband
Because unfinished, graven by a hand
Less than angelic, admirable or sure.
from ‘The Children of the Poor’
Angela Jackson is an award-winning poet, playwright, and novelist. She is the author of numerous collections of poetry, including the National Book Award–nominated And All These Roads Be Luminous: Poems Selected and New. Her novel Where I Must Go won the American Book Award in 2009. Its sequel, Roads, Where There Are No Roads, was published in 2017. Additionally, Jackson was longlisted for the Pulitzer Prize and a longlist finalist for the PEN Open Book Award for her 2015 poetry collection, It Seems Like a Mighty Long Time. Other honors include a Pushcart Prize, Academy of American Poets Prize, TriQuarterly’s Daniel Curley Award, and the Poetry Society of America’s Shelley Memorial Award. Jackson lives in Chicago.
A Surprised Queenhood in the New Black Sun
The Life & Legacy of Gwendolyn Brooks
By Angela Jackson
Paperback – $18.00
ISBN 9780807059128
Published by Beacon Press
208 Pages
May 29, 2018
new books
fleursdumal.nl magazine
More in: - Book News, Archive A-B, Archive A-B, Archive I-J, Archive I-J, BIOGRAPHY, REPRESSION OF WRITERS, JOURNALISTS & ARTISTS
Sleep Now,
O Sleep Now
Sleep now, O sleep now,
O you unquiet heart!
A voice crying “Sleep now”
Is heard in my heart.
The voice of the winter
Is heard at the door.
O sleep, for the winter
Is crying “Sleep no more.”
My kiss will give peace now
And quiet to your heart — –
Sleep on in peace now,
O you unquiet heart!
James Joyce
(1882-1941)
Sleep Now, O Sleep Now
fleursdumal.nl magazine
More in: Archive I-J, Archive I-J, Joyce, James, Joyce, James
O Cool Is The Valley Now
O cool is the valley now
And there, love, will we go
For many a choir is singing now
Where Love did sometime go.
And hear you not the thrushes calling,
Calling us away?
O cool and pleasant is the valley
And there, love, will we stay.
James Joyce
(1882-1941)
O Cool Is The Valley Now
fleursdumal.nl magazine
More in: Archive I-J, Archive I-J, Joyce, James, Joyce, James
The Nobel Lecture in Literature, delivered by Kazuo Ishiguro (The Remains of the Day and When We Were Orphans) at the Swedish Academy in Stockholm, Sweden, on December 7, 2017, in an elegant, clothbound edition.
In their announcement of the 2017 Nobel Prize in Literature, the Swedish Academy recognized the emotional force of Kazuo Ishiguro’s fiction and his mastery at uncovering our illusory sense of connection with the world. In the eloquent and candid lecture he delivered upon accepting the award, Ishiguro reflects on the way he was shaped by his upbringing, and on the turning points in his career—“small scruffy moments . . . quiet, private sparks of revelation”—that made him the writer he is today.
With the same generous humanity that has graced his novels, Ishiguro here looks beyond himself, to the world that new generations of writers are taking on, and what it will mean—what it will demand of us—to make certain that literature remains not just alive, but essential.
An enduring work on writing and becoming a writer, by one of the most accomplished novelists of our generation.
My Twentieth Century Evening and
Other Small Breakthroughs
The Nobel Lecture
By Kazuo Ishiguro
Hardcover
Dec 12, 2017
64 Pages
$16.95
Published by Knopf
64 Pages
ISBN 9780525654957
new books
fleursdumal.nl magzine
More in: - Book News, Archive I-J, Awards & Prizes, Kazuo Ishiguro, Literary Events
Ernst Jandl (1925 – 2000) was een Oostenrijkse schrijver, dichter en vertaler. Hij maakte vooral naam met zijn experimentele lyriek.
# meer over zijn werk op website ernstjandl.com
Met de bundel Idyllen (1989), waaruit 33 gedichten werden vertaald door Erik de Smedt, rekent Jandl af met al wat er expliciet en impliciet van poëzie wordt verwacht, ook van die van hem.
ernst jandl
poëzieklysma
2017
vertaling: erik de smedt
oplage: 300
48 pagina’s
isbn 978 90 78627 38 8
€ 19,95
Uitgeverij Vleugels
van ’t hoffstraat 27
2665 jl bleiswijk
t 06 30 49 77 49
www.uitgeverijvleugels.nl
fleursdumal.nl magazine
More in: - Book News, Archive I-J, Archive I-J, Art & Literature News, Ernst Jandl, Jandl, Ernst, The Art of Reading
Thank you for reading Fleurs du Mal - magazine for art & literature