In this category:

Or see the index

All categories

  1. AFRICAN AMERICAN LITERATURE
  2. AUDIO, CINEMA, RADIO & TV
  3. DANCE & PERFORMANCE
  4. DICTIONARY OF IDEAS
  5. EXHIBITION – art, art history, photos, paintings, drawings, sculpture, ready-mades, video, performing arts, collages, gallery, etc.
  6. FICTION & NON-FICTION – books, booklovers, lit. history, biography, essays, translations, short stories, columns, literature: celtic, beat, travesty, war, dada & de stijl, drugs, dead poets
  7. FLEURSDUMAL POETRY LIBRARY – classic, modern, experimental & visual & sound poetry, poetry in translation, city poets, poetry archive, pre-raphaelites, editor's choice, etc.
  8. LITERARY NEWS & EVENTS – art & literature news, in memoriam, festivals, city-poets, writers in Residence
  9. MONTAIGNE
  10. MUSEUM OF LOST CONCEPTS – invisible poetry, conceptual writing, spurensicherung
  11. MUSEUM OF NATURAL HISTORY – department of ravens & crows, birds of prey, riding a zebra, spring, summer, autumn, winter
  12. MUSEUM OF PUBLIC PROTEST
  13. MUSIC
  14. PRESS & PUBLISHING
  15. REPRESSION OF WRITERS, JOURNALISTS & ARTISTS
  16. STORY ARCHIVE – olv van de veestraat, reading room, tales for fellow citizens
  17. STREET POETRY
  18. THEATRE
  19. TOMBEAU DE LA JEUNESSE – early death: writers, poets & artists who died young
  20. ULTIMATE LIBRARY – danse macabre, ex libris, grimm & co, fairy tales, art of reading, tales of mystery & imagination, sherlock holmes theatre, erotic poetry, ideal women
  21. WAR & PEACE
  22. ·




  1. Subscribe to new material: RSS

Archive A-B

· Bert Bevers: Houvast · Bert Bevers: Winters erfrecht · William Lisle Bowles: The Dying Slave · William Blake’s Universe · Michail Lermontov: Mijn dolk (Vertaling Paul Bezembinder) · Anne Bradstreet: To My Dear and Loving Husband · Paul Bezembinder: Na de dag · William Blake: To Winter · Robert Burns: Winter – A Dirge · Bert Bevers: 1963 · Bert Bevers: Hoe het kan gaan · Anne Bradstreet: Winter

»» there is more...

Bert Bevers: Houvast

 

Houvast

Kennen wij niets meer dan nagebootste
gebarentaal? Soms, soms is de waarheid
moeilijk. Bij een vraag als Spant de boog
de pees, of kromt de pees de boog? is ons

de grens van wetten te vaag. Er is geen
weerstand zonder tekenen aan de wand.
Van verbeelding geven zij misleidende
straling af, als fosforstronken in het woud.

Houvast: de cartografie van het geheugen,
het register van de weemoed. En natuurlijk,
sterk en zacht als gepolijst olijvenhout,
de eeuwigheid. Die eeuwigheid. ‘O’ zegt

de een er voor, en ‘Ach’ de ander….

Bert Bevers
Houvast
Verschenen in de uitgave ter herdenking van Erik Heyman (1960-2010),
Voorspel, Liedekerke/Aalst, 2010

• fleursdumal.nl magazine

More in: Archive A-B, Archive A-B, Bevers, Bert


Bert Bevers: Winters erfrecht

 

Winters erfrecht

Gesloten luiken, gezegende ogen.
Het mededogen van sneeuw
verrast zelfs kinderen.

Er gaat geen eeuw voorbij
als er niets gebeurt.

Geheugen van geuren
is legendarisch.

Bert Bevers
Winters erfrecht
Eigen terrein,
Uitgeverij WEL, Bergen op Zoom, 2013

• fleursdumal.nl magazine

More in: 4SEASONS#Winter, Archive A-B, Archive A-B, Bevers, Bert


William Lisle Bowles: The Dying Slave

The Dying Slave

Faint-gazing on the burning orb of day,
When Afric’s injured son expiring lay,
His forehead cold, his labouring bosom bare,
His dewy temples, and his sable hair,
His poor companions kissed, and cried aloud,
Rejoicing, whilst his head in peace he bowed:—
Now thy long, long task is done,
Swiftly, brother, wilt thou run,
Ere to-morrow’s golden beam
Glitter on thy parent stream,
Swiftly the delights to share,
The feast of joy that waits thee there.
Swiftly, brother, wilt thou ride
O’er the long and stormy tide,
Fleeter than the hurricane,
Till thou see’st those scenes again,
Where thy father’s hut was reared,
Where thy mother’s voice was heard;
Where thy infant brothers played
Beneath the fragrant citron shade;
Where through green savannahs wide
Cooling rivers silent glide,
Or the shrill cicalas sing
Ceaseless to their murmuring;
Where the dance, the festive song,
Of many a friend divided long,
Doomed through stranger lands to roam,
Shall bid thy spirit welcome home!
Fearless o’er the foaming tide
Again thy light canoe shall ride;
Fearless on the embattled plain
Thou shalt lift thy lance again;
Or, starting at the call of morn,
Wake the wild woods with thy horn;
Or, rushing down the mountain-slope,
O’ertake the nimble antelope;
Or lead the dance, ‘mid blissful bands,
On cool Andracte’s yellow sands;
Or, in the embowering orange-grove,
Tell to thy long-forsaken love
The wounds, the agony severe,
Thy patient spirit suffered here!
Fear not now the tyrant’s power,
Past is his insulting hour;
Mark no more the sullen trait
On slavery’s brow of scorn and hate;
Hear no more the long sigh borne
Murmuring on the gales of morn!
Go in peace; yet we remain
Far distant toiling on in pain;
Ere the great Sun fire the skies
To our work of woe we rise;
And see each night, without a friend,
The world’s great comforter descend!
Tell our brethren, where ye meet,
Thus we toil with weary feet;
Yet tell them that Love’s generous flame,
In joy, in wretchedness the same,
In distant worlds was ne’er forgot;
And tell them that we murmur not;
Tell them, though the pang will start,
And drain the life-blood from the heart,—
Tell them, generous shame forbids
The tear to stain our burning lids!
Tell them, in weariness and want,
For our native hills we pant,
Where soon, from shame and sorrow free,
We hope in death to follow thee!

William Lisle Bowles
(1762 – 1850)
The Dying Slave

• fleursdumal.nl magazine

More in: # Classic Poetry Archive, *Archive African American Literature, Archive A-B, Archive A-B, Black Lives Matter, Racism


William Blake’s Universe

William Blake’s Universe
until 19 May 2024

Discover William Blake’s universe and a constellation of European artists seeking spirituality in their lives and art in response to war, revolution and political turbulence.

Sometimes seen as an eccentric figure or lone genius, William Blake’s Universe is the first exhibition to explore Blake’s boundless imagination in the context of wider trends and themes in European art including romanticism, mysticism and ideas of spiritual regeneration.

This timely new exhibition brings together the largest-ever display of works by the radical British artist, printmaker and poet from our own collection, alongside artworks by his European contemporaries such as the German romantic painters Philipp Otto Runge and Caspar David Friedrich – many of which have never been displayed publicly in the UK until now.

Though these artists never met or connected in their lifetimes, Blake, Runge and Friedrich shared a strong sense of individuality and an unwavering belief in the power of art to redeem a society in crisis.

William Blake’s Universe
until 19 May 2024
University of Cambridge Museums
The Fitzwilliam Museum
Trumpington Street
Cambridge
CB2 1RB
Tel: +44 (0)1223 333 230
Email: tickets@museums.cam.ac.uk

• fleursdumal.nl magazine

 

More in: Archive A-B, Archive A-B, Art & Literature News, Blake, William, Literary Events


Michail Lermontov: Mijn dolk (Vertaling Paul Bezembinder)

 

Mijn dolk

Ik sloot jou in mijn hart, mijn maat, mijn dolk,
Sinds jaar en dag mijn onderkoelde kameraad,
Gesmeed werd jij door vrijgevochten ruitervolk,
Geslepen door een christenhart vervuld van haat.

Door lelieblanke hand wist jij jouw heft omvat,
Als aandenken aan wat – aan wíe – ik achterliet,
In plaats van bloed vergleed er langs jouw blad
Een opgewelde traan – een parel van verdriet.

Haar rokerige ogen vast op mijn persoon gericht,
Vervuld van onbenoembaar, onuitspreekbaar leed,
Verschoten, vlamden dan weer op, in haar gezicht,
Zoals jouw kling dat in het laaiend kampvuur deed.

Zij maakte jou mijn metgezel, haar liefdespand,
De vagebond in mij volgt steeds jouw wijze raad,
Ja, trouw ben ik haar, ik doe mijn woord gestand,
En jij, jij houdt mij bij de les, mijn kille kameraad!

Michail Lermontov,
Mijn dolk, Кинжал (1838)
(1814 – 1841)
Vertaling Paul Bezembinder

Paul Bezembinder studeerde theoretische natuurkunde in Nijmegen. In zijn poëzie zoekt hij vooral in klassieke versvormen en thema’s naar de balans tussen serieuze poëzie, pastiche en smartlap. Bij uitgeverij Leeuwenhof (Oostburg) verschenen de bundels Gedichten (2020), Parkzicht (2020) en Duizelingen (2022). Website: www.paulbezembinder.nl

• fleursdumal.nl magazine

More in: - Archive Tombeau de la jeunesse, Archive A-B, Archive A-B, Archive K-L, Archive K-L, Bezembinder, Paul, Lermontov, Lermontov, Mikhail


Anne Bradstreet: To My Dear and Loving Husband

 

To My Dear and Loving Husband

If ever two were one, then surely we.
If ever man were loved by wife, then thee;
If ever wife was happy in a man,
Compare with me, ye women, if you can.

I prize thy love more than whole mines of gold,
Or all the riches that the East doth hold.
My love is such that rivers cannot quench,
Nor ought but love from thee give recompence.

Thy love is such I can no way repay;
The heavens reward thee manifold, I pray.
Then while we live, in love let’s so persever[e],
That when we live no more, we may live ever.

Anne Bradstreet
(1612 – 1672)
To My Dear and Loving Husband

• fleursdumal.nl magazine

More in: # Classic Poetry Archive, Archive A-B, Archive A-B, Bradstreet, Anne


Paul Bezembinder: Na de dag

 

Na de dag

Het licht heeft je gezicht verweerd
en de marok wil met je aan de haal,
barok wordt rococo, de wijn creëert
de tralies voor de panter van de taal.

De wind steekt op, sirocco of simoem,
rhizomen worden schaars, de gentiaan
verdorst, de iris wordt een zonnebloem
en aan de hemel dient de maan zich aan.

Paul Bezembinder
Na de dag
Gedicht

Paul Bezembinder studeerde theoretische natuurkunde in Nijmegen. In zijn poëzie zoekt hij vooral in klassieke versvormen en thema’s naar de balans tussen serieuze poëzie, pastiche en smartlap. Bij uitgeverij Leeuwenhof (Oostburg) verschenen de bundels Gedichten (2020), Parkzicht (2020) en Duizelingen (2022). Website: www.paulbezembinder.nl.

• fleursdumal.nl magazine

More in: #Editors Choice Archiv, Archive A-B, Archive A-B, Bezembinder, Paul


William Blake: To Winter

 

To Winter

O Winter! bar thine adamantine doors:
The north is thine; there hast thou built thy dark
Deep-founded habitation. Shake not thy roofs
Nor bend thy pillars with thine iron car.

He hears me not, but o’er the yawning deep
Rides heavy; his storms are unchain’d, sheathed
In ribbed steel; I dare not lift mine eyes;
For he hath rear’d his scepter o’er the world.

Lo! now the direful monster, whose skin clings
To his strong bones, strides o’er the groaning rocks:
He withers all in silence, and in his hand
Unclothes the earth, and freezes up frail life.

He takes his seat upon the cliffs, the mariner
Cries in vain. Poor little wretch! that deal’st
With storms; till heaven smiles, and the monster
Is driven yelling to his caves beneath Mount Hecla.

William Blake
(1757 – 1827)
To Winter

• fleursdumal.nl magazine

More in: 4SEASONS#Winter, Archive A-B, Archive A-B, Blake, William, CLASSIC POETRY


Robert Burns: Winter – A Dirge

 

Winter – A Dirge

The wintry west extends his blast,
And hail and rain does blaw;
Or, the stormy north sends driving forth
The blinding sleet and snaw:
While, tumbling brown, the burn comes down,
And roars frae bank to brae;
And bird and beast in covert rest,
And pass the heartless day.

“The sweeping blast, the sky o’ercast,”
The joyless winter-day
Let others fear, to me more dear
Than all the pride of May:
The tempest’s howl, it soothes my soul,
My griefs it seems to join;
The leafless trees my fancy please,
Their fate resembles mine!

Thou Power Supreme whose mighty scheme
These woes of mine fulfil,
Here, firm, I rest; they must be best,
Because they are Thy will!
Then all I want—O do Thou grant
This one request of mine.—
Since to enjoy Thou dost deny,
Assist me to resign.

Robert Burns
(1759 – 1796)
Winter – A Dirge

• fleursdumal.nl magazine

More in: # Classic Poetry Archive, 4SEASONS#Winter, Archive A-B, Archive A-B, Burns, Robert


Bert Bevers: 1963

 

1963

Destijds woonde ik in een land waar mijn jonge
oren luisterden naar zwakgewortelde preken, en

de kapelaan ons aanried aan kleine zonden niet
al te zwaar te tillen. Het was in de dagen dat we

nog wel eens holden en niet dachten aan talmen,
dat de waarheid alleen maar een voordeur had.

Bert Bevers
1963
Uit Bedekte termen, Stabilitas loci, Antwerpen, 2023
Voor bundel zie:
♦ https://www.amazon.nl/dp/B0C8QW1G9N

•fleursdumal.nl magazine

More in: Archive A-B, Archive A-B, Bedekte Termen, Bevers, Bert


Bert Bevers: Hoe het kan gaan

 

Hoe het kan gaan

Ik hoor een man zeggen hoe hij vernomen had
dat zijn moeder begraven gaat worden en dat

hij in een stoffig album wel foto’s van haar zou
gaan bekijken. Erheen? Neen. Want zij. Toen

hij. Te lang. En daarna. Zijn smoesjes buitelen
over elkaar heen als lottoballetjes in de trommel.

Bert Bevers
Hoe het kan gaan
Gedicht

•fleursdumal.nl magazine

More in: Archive A-B, Archive A-B, Bevers, Bert


Anne Bradstreet: Winter

 

Winter

Cold, moist, young phlegmy winter now doth lie
In swaddling clouts, like new-born infancy;
Bound up with frosts, and fur’d with hail & snows,
And, like an infant, still it taller grows.
December is my first, and now the sun
To the southward Tropick his swift race doth run.
This month he’s hous’d in horned Capricorn,
From thence he ’gins to length the shortened morn,
Through Christendom with great festivity,
Now’s held (but guessed) for blest Nativity.
Cold, frozen January next comes in,
Chilling the blood, and shrinking up the skin.
In Aquarius now keeps the long-wish’d sun,
And northward his unwearied course doth run.
The day much longer than it was before,
The cold not lessened, but augmented more.
Now toes and ears, and fingers often freeze,
And travelers their noses sometimes leese.
Moist snowy February is my last,
I care not how the winter-time doth haste.
In Pisces now the golden sun doth shine,
And northward still approaches to the line.
The rivers ’gin to ope, the snows to melt,
And some warm glances from his face are felt;
Which is increased by the lengthen’d day,
Until by’s heat, he drive all cold away.
And thus the year in circle runneth round;
Where first it did begin, in th’ end its found.

Anne Bradstreet
(1612 – 1672)
Winter

• fleursdumal.nl magazine

More in: # Classic Poetry Archive, 4SEASONS#Winter, Archive A-B, Archive A-B, Bradstreet, Anne


Older Entries »

Thank you for reading Fleurs du Mal - magazine for art & literature