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WESTERN FICTION & NON-FICTION

· Chiquita a poem by Bret Harte · Maria Jastrzębska: The True Story of Cowboy Hat & Ingénue · ‘Seule la terre est éternelle’ documentary about writer and poet Jim Harrison (1937 – 2016) · Bayard Taylor: A Funeral Thought · Bayard Taylor: Legend of Old California · Karl May: Ave Maria (Gedicht) · Bayard Taylor: The Eagle Hunter · Mary Gardiner Horsford: Madeline. A Legend Of The Mohawk · Mary Gardiner Horsford: The Phantom Bride. – Indian Legends · GOING DOWN GRAND: Poems from the Canyon · Weird Westerns. Race, Gender, Genre · Pierre-Brice-Edition “Über Nacht war ich Winnetou!” von Hella Brice

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Chiquita a poem by Bret Harte

 

Chiquita

BEAUTIFUL! Sir, you may say so. Thar isn’t her match in the county;
Is thar, old gal,—Chiquita, my darling, my beauty?
Feel of that neck, sir,—thar ‘s velvet! Whoa! Steady,—ah, will you, you vixen!
Whoa! I say. Jack, trot her out; let the gentleman look at her paces.

Morgan!—She ain’t nothin’ else, and I ‘ve got the papers to prove it.
Sired by Chippewa Chief, and twelve hundred dollars won’t buy her.
Briggs of Tuolumne owned her. Did you know Briggs of Tuolumne?
Busted hisself in White Pine, and blew out his brains down in ‘Frisco?

Hedn’t no savey, hed Briggs. Thar, Jack! that ‘ll do, quit that foolin’!
Nothin’ to what she kin do, when she ‘s got her work cut out before her.
Hosses is hosses, you know, and likewise, too, jockeys is jockeys;
And ‘t ain’t ev’ry man as can ride as knows what a hoss has got in him.

Know the old ford on the Fork, that nearly got Flanigan’s leaders?
Nasty in daylight, you bet, and a mighty rough ford in low water!
Well, it ain’t six weeks ago that me and the Jedge and his nevey
Struck for that ford in the night, in the rain, and the water all around us;

Up to our flanks in the gulch, and Rattlesnake Creek just a bilin’,
Not a plank left in the dam, and nary a bridge on the river.
I had the gray, and the Jedge had his roan, and his nevey, Chiquita;
And after us trundled the rocks jest loosed from top of the cañon.

Lickity, lickity, switch, we came to the ford, and Chiquita
Buckled right down to her work, and, afore I could yell to her rider,
Took water jest at the ford; and there was the Jedge and me standing,
And twelve hundred dollars of hoss-flesh afloat, and a-driftin’ to thunder!

Would ye b’lieve it? That night, that hoss, that ar’ filly, Chiquita,
Walked herself into her stall, and stood there, all quiet and dripping:
Clean as a beaver or rat, with nary a buckle of harness,
Just as she swam the Fork,—that hoss, that ar’ filly, Chiquita.

That ‘s what I call a hoss! and—What did you say?—Oh! the nevey?
Drownded, I reckon,—leastways, he never kem back to deny it.
Ye see, the derned fool had no seat, ye could n’t have made him a rider;
And then, ye know, boys will be boys, and hosses—well, hosses is hosses!

1872

Bret Harte
(1836-1902)
Chiquita

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More in: # Classic Poetry Archive, Archive G-H, Archive G-H, Bret Harte, Western Fiction


Maria Jastrzębska: The True Story of Cowboy Hat & Ingénue

In a landscape scarred by conflict, two women begin a quest for a lost child and a lost world of peace.

Bound together by love and acceptance, their story and path interweave with fellow outcasts — people like the ever-suave Dame Blanche, Sister Asunta, martial artist and magician, Master Wu Wu, and the lost soul, Tulip — but whether peace is simply the end of war or something deeper is something they must discover for themselves.

A haunting tale, told in a series of visionary prose poems, The True Story of Cowboy Hat & Ingénue interweaves memory and yearning to ask questions that reflect on our past and, disturbingly, on our futures.

Maria Jastrzębska is a Polish-born poet, editor and translator. Her most recent collection was At The Library of Memories (Waterloo Press 2013) and her selected poems, The Cedars of Walpole Park, have been translated into Polish by Anna Błasiak, Paweł Gawroński and Wioletta Grzegorzewska and published bilingually (Stowarzyszenie ŻŻwych Poetów 2015). Old Knives is a selection of her work translated into Romanian by Lidia Vianu and published bilingually by Integral Contemporary Literature Press (2017). She was co-editor with Anthony Luvera of Queer in Brighton (New Writing South 2014). She co-translated Iztok Osojnik’s selected poems Elsewhere with Ana Jelnikar and her translations of Justyna Bargielska’s selected poems The Great Plan B are published by Smokestack Press (2017). Her work features in the British Library poetry and translation project Poetry Between Two Worlds. Dementia Diaries, her literary drama, toured nationally with Lewes Live Lit in 2011. Her poems have been much anthologized from The Virago Book of Wicked Verse (1992) to This Line Is Not For Turning — An Anthology of Contemporary British Prose Poetry (Cinnamon Press 2011) and Hallelujah for 50ft Women (Bloodaxe 2015). Maria lives in Brighton and you can discover more about her work on her website. (https://mariajastrzebska.wordpress.com/)

The True Story of Cowboy Hat & Ingénue
Maria Jastrzębska
Prose-poetry
Language: ‎English
Publisher: Cinnamon Press
2018
Paperback
70 pages
ISBN-10: 1911540033
ISBN-13:‎ 978-1911540038
Price: 14,27 euro

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More in: #Editors Choice Archiv, - Book News, - Bookstores, Archive I-J, Archive I-J, Cowboy Poetry


‘Seule la terre est éternelle’ documentary about writer and poet Jim Harrison (1937 – 2016)

A man returns home to the hearts of the great spaces.

He recounts his life, which he burned by both ends and which reveals another History of America. Also, through his own history and his characters, he tells his relationship to the world.

Through this spiritual and joyful testament, from Livingston MO to Patagonia AZ, he invites you to go back to basics and live in harmony with Nature.

This man is one of the greatest American writers and poets. His name is Jim Harrison.

Jim Harrison was born in 1937 in Grayling, Michigan, USA. He was a writer, poet and producer, known for Wolf (1994), Revenge (1990) and Legends of the Fall (1994). He died in 2016 in Patagonia, Arizona, USA.

‘Seule la terre est éternelle’
Documentary 2019
1h 56m
Directors: François Busnel & Adrien Soland
Writer: François Busnel
Stars: Jim Harrison, Louise Erdrich, Jim Fergus

François Busnel is a writer and producer, known for Seule la terre est éternelle (2019), Les Grands Mythes (2014) and Mythologies (2001).

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More in: Archive G-H, Archive G-H, AUDIO, CINEMA, RADIO & TV, Harrison, Jim, Jim Harrison, Western Fiction, Western Non-Fiction


Bayard Taylor: A Funeral Thought

 

A Funeral Thought

I
When the stern Genius, to whose hollow tramp
Echo the startled chambers of the soul.
Waves his inverted torch o’er that pale camp
Where the archangel’s final trumpets roll,
I would not meet him in the chamber dim,
Hushed, and pervaded with a name-less fear,
When the breath flutters and the senses swim,
And the dread hour is near.

II
Though Love’s dear arms might clasp me fondly then
As if to keep the Summoner at bay,
And woman’s woe and the calm grief of men
Hallow at last the chill, unbreathing clay —
These are Earth’s fetters, and the soul would shrink,
Thus bound, from Darkness and the dread Unknown,
Stretching its arms from Death’s eternal brink,
Which it must dare alone.

III
But in the awful silence of the sky,
Upon some mountain summit, yet untrod,
Through the blue ether would I climb, to die
Afar from mortals and alone with God!
To the pure keeping of the stainless air
Would I resign my faint and fluttering breath,
And with the rapture of an answered prayer
Receive the kiss of Death.

IV
Then to the elements my frame would turn;
No worms should riot on my coffined clay,
But the cold limbs, from that sepulchral urn,
In the slow storms of ages waste away.
Loud winds and thunder’s diapason high
Should be my requiem through the coming time,
And the white summit, fading in the sky,
My monument sublime.

Bayard Taylor
(1825 – 1878)
A Funeral Thought

• fleursdumal.nl magazine

More in: Archive S-T, Archive S-T, Het graf van de lezer, Tales of Mystery & Imagination, Western Fiction


Bayard Taylor: Legend of Old California

Legend of Old California

High on the summit,
Over the waters,
Fronting the sunset

Lingered the maid;
Below, through the flashing
Of blue billows dashing,
Glided the shallop

Storms had delayed I

Ere the white pebbles
On the keel grated,
Leaped the young boatman

Shoreward amain,
And in the blessing
Of love’s quick caressing,
Soon were forgotten

Peril and pain.

Bayard Taylor
(1825 – 1878)
Legend of Old California

fleursdumal.nl magazine

More in: Archive S-T, Archive S-T, Western Fiction


Karl May: Ave Maria (Gedicht)

Ave Maria

Es will das Licht des Tages scheiden;
Nun bricht die stille Nacht herein.
Ach, könnte doch des Herzens Leiden
So, wie der Tag vergangen sein!
Ich leg’ mein Flehen dir zu Füßen;
O, trag’s empor zu Gottes Thron,
Und laß, Madonna, laß dich grüßen
Mit des Gebetes frommem Ton:
Ave, ave Maria!

Es will das Licht des Glaubens scheiden;
Nun bricht des Zweifels Nacht herein.
Das Gottvertrau’n der Jugendzeiten,
Es soll mir abgestohlen sein.
Erhalt’, Madonna, mir im Alter
Der Kindheit frohe Zuversicht;
Schütz’ meine Harfe, meinen Psalter;
Du bist mein Heil, du bist mein Licht!
Ave, ave Maria!

Es will das Licht des Lebens scheiden;
Nun bricht des Todes Nacht herein.
Die Seele will die Schwingen breiten;
Es muß, es muß gestorben sein.
Madonna, ach, in deine Hände
Leg’ ich mein letztes, heißes Fleh’n:
Erbitte mir ein gläubig Ende
Und dann ein selig Aufersteh’n!
Ave, ave Maria!

Karl May
(1842-1912)
Ave Maria

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More in: Archive M-N, Archive M-N, Karl May


Bayard Taylor: The Eagle Hunter

 

The Eagle Hunter

On the mighty summit, heaten
By the wintry sleet, I wander,
For I seek the monarch eagle

In his eyrie of the rock;
And I shout in fierce exulting,
When his gray wing on the darkness
Of the cloud above me flashes,

Wheeling downward to the shock!

Nearer, with his keen eye burning,
And his hungry beak extended —
With a shriek of anger swooping

Comes the storm-defying bird :
Yet as steady and unswerving,
Upward flies the fatal arrow,
And his death-cry on the sweeping

Of the sounding winds is heard!

From his wing I rob the plumage,
And it crowns me like a chieftain.
And his talons stud my girdle

Like the scales of olden mail;
Never wears the wild ranchero
Such a trophy on the vega,
Or the fiery-eyed Navajo,

In the Colorado’s vale!

Bayard Taylor
(1825 – 1878)
The Eagle Hunter

fleursdumal.nl magazine

More in: Archive S-T, Archive S-T, Department of Birds of Prey, Western Fiction


Mary Gardiner Horsford: Madeline. A Legend Of The Mohawk

  

Madeline. A Legend Of The Mohawk

Where the waters of the Mohawk
Through a quiet valley glide,
From the brown church to her dwelling
She that morning passed a bride.
In the mild light of October
Beautiful the forest stood,
As the temple on Mount Zion
When God filled its solitude.

Very quietly the red leaves,
On the languid zephyr’s breath,
Fluttered to the mossy hillocks
Where their sisters slept in death:
And the white mist of the Autumn
Hung o’er mountain-top and dale,
Soft and filmy, as the foldings
Of the passing bridal veil.

From the field of Saratoga
At the last night’s eventide,
Rode the groom, – a gallant soldier
Flushed with victory and pride,
Seeking, as a priceless guerdon
From the dark-eyed Madeline,
Leave to lead her to the altar
When the morrow’s sun should shine.

All the children of the village,
Decked with garland’s white and red,
All the young men and the maidens,
Had been forth to see her wed;
And the aged people, seated
In the doorways ‘neath the vine,
Thought of their own youth and blessed her,
As she left the house divine.

Pale she was, but very lovely,
With a brow so calm and fair,
When she passed, the benediction
Seemed still falling on the air.
Strangers whispered they had never
Seen who could with her compare,
And the maidens looked with envy
On her wealth of raven hair.

In the glen beside the river
In the shadow of the wood,
With wide-open doors for welcome
Gamble-roofed the cottage stood;
Where the festal board was waiting,
For the bridal guests prepared,
Laden with a feast, the humblest
In the little village shared.

Every hour was winged with gladness
While the sun went down the west,
Till the chiming of the church-bell
Told to all the hour for rest:
Then the merry guests departed,
Some a camp’s rude couch to bide,
Some to bright homes, – each invoking
Blessings on the gentle bride.

Tranquilly the morning sunbeam
Over field and hamlet stole,
Wove a glory round each red leaf,
Then effaced the Frost-king’s scroll:
Eyes responded to its greeting
As a lake’s still waters shine,
Young hearts bounded, – and a gay group
Sought the home of Madeline.

Bird-like voices ‘neath the casement
Chanted in the hazy air,
A sweet orison for wakening, –
Half thanksgiving and half prayer.
But no white hand drew the curtain
From the vine-clad panes before,
No light form, with buoyant footstep,
Hastened to fling wide the door.

Moments numbered hours in passing
‘Mid that silence, till a fear
Of some unseen ill crept slowly
Through the trembling minstrels near,
Then with many a dark foreboding,
They, the threshold hastened o’er,
Paused not where a stain of crimson
Curdled on the oaken floor;

But sought out the bridal chamber.
God in Heaven! could it be
Madeline who knelt before them
In that trance of agony?
Cold, inanimate beside her,
By the ruthless Cow-boys slain
In the night-time whilst defenceless,
He she loved so well was lain;

O’er her bridal dress were scattered,
Stains of fearful, fearful dye,
And the soul’s light beamed no longer
From her tearless, vacant eye.
Round her slight form hung the tresses
Braided oft with pride and care,
Silvered by that night of madness
With its anguish and despair.

She lived on to see the roses
Of another summer wane,
But the light of reason never
Shone in her sweet eyes again.
Once where blue and sparkling waters
Through a quiet valley run,
Fertilizing field and garden,
Wandered I at set of sun;

Twilight as a silver shadow
O’er the softened landscape lay,
When amid a straggling village
Paused I in my rambling way.
Plain and brown the church before me
In the little graveyard stood,
And the laborer’s axe resounded
Faintly, from the neighboring wood.

Through the low, half-open wicket
Deeply worn, a pathway led:
Silently I paced its windings
Till I stood among the dead.
Passing by the grave memorials
Of departed worth and fame,
Long I paused before a record
That no pomp of words could claim:

Simple was the slab and lowly,
Shaded by a fragrant vine,
And the single name recorded,
Plainly writ, was “Madeline.”
But beneath it through the clusters
Of the jessamine I read,
“Spes,” engraved in bolder letters, –
This was all the marble said.

Mary Gardiner Horsford
(1824-1855)
Madeline. A Legend Of The Mohawk

•fleursdumal.nl magazine

More in: Archive G-H, Archive G-H, CLASSIC POETRY, Western Fiction


Mary Gardiner Horsford: The Phantom Bride. – Indian Legends

During the Revolutionary war, a young American lady was murdered, while dressed in her bridal robe, by a party of Indians, sent by her betrothed to conduct her to the village where he was encamped.

After the deed was done, they carried her long hair to her lover, who, urged by a frantic despair, hurried to the spot to assure himself of the truth of the tale, and shortly after threw himself, in battle, on the swords of his countrymen.

After this event, the Indians were never successful in their warfare, the spectre of their victim presenting itself continually between them and the enemy.

 

The Phantom Bride. – Indian Legends

The worn bird of Freedom had furled o’er our land
The shattered wings, pierced by the despot’s rude hand,
And stout hearts were vowing, ‘mid havoc and strife,
To Liberty, fortune, fame, honor, and life.

The red light of Morning had scarcely betrayed
The sweet summer blossoms that slept in the glade,
When a horseman rode forth from his camp in the wood,
And paused where a cottage in loneliness stood.
The ruthless marauder preceded him there,
For the green vines were torn from the trellis-work fair,
The flowers in the garden all hoof-trodden lay,
And the rafters were black with the smoke of the fray:
But the desolate building he heeded not long,
Was it echo, the wind, or the notes of a song?
One moment for doubt, and he stood by the side
Of the dark-eyed young maiden, his long-promised bride.
Few and short were their words, for the camp of the foe
Was but severed from them, by a stream’s narrow flow,
And her fair cheek grew pale at the forest bird’s start,
But he said, as he mounted his steed to depart,
“Nay, fear not, but trust to the chief for thy guide,
And the light of the morrow shall see thee my bride.”
Why faltered the words ere the sentence was o’er?
Why trembled each heart like the surf on the shore?
In a marvellous legend of old it is said,
That the cross where the Holy One suffered and bled
Was built of the aspen, whose pale silver leaf,
Has ever more quivered with horror and grief;
And e’er since the hour, when thy pinion of light
Was sullied in Eden, and doomed, through a night
Of Sin and of Sorrow, to struggle above,
Hast thou been a trembler, O beautiful Love!

‘T was the deep hush of midnight; the stars from the sky
Looked down with the glance of a seraph’s bright eye,
When it cleaveth in vision from Deity’s shrine
Through infinite space and creation divine,
As the maiden came forth for her bridal arrayed,
And was led by the red men through forest and shade,
Till they paused where a fountain gushed clear in its play,
And the tall pines rose dark and sublime o’er their way.
Alas for the visions that, joyous and pure,
Wove a vista of light through the Future’s obscure!
Contention waxed fierce ‘neath the evergreen boughs,
And the braves of the chieftain were false to his vows;
In vain knelt the Pale-Face to merciless wrath,
The tomahawk gleamed on her desolate path,
One prayer for her lover, one look towards the sky,
And the dark hand of Death closed the love-speaking eye.

They covered with dry leaves the cold corpse and fair,
And bore the long tresses of soft, golden hair,
In silence and fear, through the dense forest wide,
To the home that the lover had made for his bride.
He knew by their waving those tresses of gold,
Now damp with the life-blood that darkened each fold,
And, mounting his steed, pausing never for breath
Sought the spot where the huge trees stood sentries of Death;
Tore wildly the leaves from the loved form away,
And kissed the pale lips of inanimate clay.

But hark! through the green wood what sounded afar,
‘T was the trumpet’s loud peal–the alarum of war!
Again on his charger, through forest, o’er plain,
The soldier rode swift to his ranks ‘mid the slain:
They faltered, they wavered, half turning to fly
As their leader dashed frantic and fearlessly by,
The damp turf grew crimson wherever he trod,
Where his sword was uplifted a soul went to God.
But that brave arm alone might not conquer in strife,
The madness of grief was conflicting with Life;
His steed fell beneath him, the death-shot whizzed by,
And he rushed on the swords of the victors to die.

‘Neath the murmuring pine trees they laid side by side,
The gallant young soldier, the fair, murdered bride:
And never again from that traitorous night,
The red man dared stand in the battle’s fierce storm,
For ever before him a phantom of light,
Rose up in the white maiden’s beautiful form;
And when he would rush on the foe from his lair,
Those locks of pale gold floated past on the air.

Mary Gardiner Horsford
(1824-1855)
The Phantom Bride. – Indian Legends

• fleursdumal.nl magazine

More in: Archive G-H, Archive G-H, CLASSIC POETRY, Western Fiction


GOING DOWN GRAND: Poems from the Canyon

Going Down Grand, the first full-length anthology of Grand Canyon poetry, gathers the voices of cowboys, explorers, river-runners, hikers, artists, geologists, rangers, and others whose words bear witness to this complex and magnificent place.

For readers on the river, the trails, the rim, or beyond, the poems on these pages will make fine canyon company.

GOING DOWN GRAND, the first full length anthology of Grand Canyon poems, gathers the voices and thoughts of explorers, cowboys, river-runners, hikers, artists, geologists, rangers, and others whose words reveal and bear witness to this complex and magnificent place. For readers on the river, the trails, the rim, or beyond, the poems on these pages will make fine canyon company.

Co-editor Rick Kempa has been hiking in and writing about the Grand Canyon since 1974. He is also editor of the anthology ON FOOT: Grand Canyon Backpacking Stories (Vishnu Temple Press, 2014) and has authored two books of poems, Keeping the Quiet and Ten Thousand Voices.

Rick Kempa (M.F.A. U of Arizona) teaches writing and philosophy at Western Wyoming College. His work has appeared in Puerto del Sol, High Plains Literary Review, Teaching English in the Two-Year College and Tumblewords: Writers Reading the West (U of Nevada P, 1995).

Going Down Grand: Poems from the Canyon
Edited by Peter Anderson & Rick Kempa
2015
Publisher: Lithic Press
Product Number:9780988384651
ISBN0988384655
Binding: Paperback
Pages:148
Price: $ 17.00

# new books
Going Down Grand: Poems from the Canyon
Edited by Peter Anderson & Rick Kempa

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More in: #More Poetry Archives, - Book News, Archive K-L, Cowboy Poetry, Natural history, Western Fiction, Western Non-Fiction


Weird Westerns. Race, Gender, Genre

Weird Westerns is an exploration of the hybrid western genre—an increasingly popular and visible form that mixes western themes, iconography, settings, and conventions with elements drawn from other genres, such as science fiction, horror, and fantasy.

Despite frequent declarations of the western’s death, the genre is now defined in part by its zombie-like ability to survive in American popular culture in weird, reanimated, and reassembled forms.

The essays in Weird Westerns analyze a wide range of texts, including those by Native American authors Stephen Graham Jones (Blackfeet) and William Sanders (Cherokee); the cult television series Firefly and The Walking Dead; the mainstream feature films Suicide Squad and Django Unchained; the avant-garde and bizarre fiction of Joe R. Lansdale; the tabletop roleplaying game Deadlands: The Weird West; and the comic book series Wynonna Earp.

The essays explore how these weird westerns challenge conventional representations by destabilizing or subverting the centrality of the heterosexual, white, male hero but also often surprisingly reinforce existing paradigms in their inability to imagine an existence outside of colonial frameworks.

Author Bio:
Kerry Fine is an instructor in the Department of English at Arizona State University. Michael K. Johnson is a professor of English at the University of Maine–Farmington. Rebecca M. Lush is an associate professor at California State University, San Marcos. Sara L. Spurgeon is a professor of American literature at Texas Tech University.

Postwestern Horizons:
Postwestern Horizons encourages scholarship which rethinks and reimagines traditional western scholarship by challenging predominant paradigms, including revisionist ones, and dislocating our sense of region. By moving past the West as a national place, process, and idea to more methodologically innovative, transnationally daring, and theoretically fertile horizons of scholarship, this series encourages new ways of conceiving cultural production and reception. Postwestern Horizons encompasses studies of visual culture, environmental studies, literature, history, film studies, and much more.

Weird Westerns
Race, Gender, Genre
Edited by Kerry Fine, Michael K. Johnson, Rebecca M. Lush, and Sara L. Spurgeon
Postwestern Horizons Series
468 pages
Index

Paperback
August 2020
978-1-4962-2178-0
$35.00

Hardcover
August 2020
978-1-4962-2116-2
$70.00

# new books
Weird Westerns.
Race, Gender, Genre

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More in: - Book News, - Bookstores, Art & Literature News, AUDIO, CINEMA, RADIO & TV, NONFICTION: ESSAYS & STORIES, Western Non-Fiction


Pierre-Brice-Edition “Über Nacht war ich Winnetou!” von Hella Brice

“Über Nacht war ich Winnetou!” ist für alle Filmfans ein wahrer Schatz: Drei Jahre nach dem Tod ihres Mannes Pierre Brice zeigt seine Frau Hella das über 50 Jahre lang behütete und zum Großteil unveröffentlichte private Fotomaterial des Winnetou-Schauspielers, entstanden am Rande der Dreharbeiten zu den Winnetou-Filmen.

 

Ergänzt werden diese Aufnahmen neben zahlreichen weiteren Fotos aus den Winnetou-Filmen unter anderem durch persönliche Briefe, Postkarten, Verträge und Vereinbarungen.

Persönliche Dokumente Pierre Brice’ runden diese einzigartige Sammlung von Memorabilia über einen der beliebtesten und populärsten Schauspieler der letzten 55 Jahre ab.

 

 Pierre-Brice-Edition “Über Nacht war ich Winnetou!”
von Hella Brice
1960er Jahre – Dreharbeiten der Karl-May-Filme. ‘Pierre Brice-Edition’.
Fans von Pierre Brice, Karl May oder Filmen allgemein
Buch (gebunden)
223 Seiten
ISBN: 3780231018
EAN: 9783780231017
21, 4 cm / 30, 2 cm / 2, 0 cm ( B/H/T ).
Karl-May-Verlag
12. Oktober 2018
€ 39,00

# new books
Karl-May-Filme
Pierre Brice-Edition
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