Or see the index
Love
Hush, hush, O wind!
Between the leaves jou creep.
You grope like something blind.
The tree tops as they sleep,
The standing spears of grass,
You’ll touch them when you pass.
Still, still, O love!
My need awaits your dower,
My foolish heart your power;
Though sorrow dawn anew
I may not strive with you.
Cromwell, Gladys
[1885-1919]
Love
(Poem)
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The Lion
I feel the lines of yellow sunli^t bum
My body, alternating with each bar
Of shadow. Captive in my cage, I yearn
For the large river where somnambular
I drank at twilight, listening lest some star
Betray me quenching the salt blood. But far
Is the cool river! Golden sun-streaks bum
Athwart my body, in between each bar
Of shadow. Now I range in circular
Pursuit of my own power, now taciturn,
I lie. My refluent sinews fetters are ;
And with reverberant fires, I lash, I spurn
This body which the yellow sun-streaks burn:
My passion mocks these lines of cinnabar.
Cromwell, Gladys
[1885-1919]
The Lion
(Poem)
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En 2018 s’est produit un phénomène que personne n’avait vu venir et qui restera dans l’histoire de la poésie française : un recueil a rencontré à la fois un succès critique et public.
Cécile Coulon avait alors 27 ans, elle était connue comme romancière depuis déjà plusieurs années, et son premier recueil, Les Ronces, suscita un intérêt et un engouement dépassant de loin le cercle « habituel » des lecteurs de poésie.
Son second recueil, Noir volcan, est tout aussi éruptif, celui d’une poésie affranchie, libératrice, terrienne. Il fait partie d’un étonnant renouveau de la poésie constaté par les libraires dont Alexandre Bord : « Des poétesses comme Cécile Coulon et Rupi Kaur, dont les textes ont pu être lus au préalable sur les réseaux sociaux, attirent en librairie des lecteurs qui n’avaient jamais acheté un recueil de poésie. » Il est évident à la lire, que Cécile Coulon ne peut vivre sans poésie.
Cécile Coulon est née en 1990 à Clermont-Ferrand. En quelques années, elle a fait une ascension fulgurante. Elle a publié sept romans dont Trois saisons d’orage (Viviane Hamy), prix des Libraires, et Une bête au paradis (L’Iconoclaste), prix littéraire du Monde. Son premier recueil de poésie, Les Ronces (Le Castor Astral), a reçu le prestigieux prix Apollinaire.
Noir volcan
de Cécile Coulon (Auteur)
Alexandre Bord (Préface)
Broché : 160 pages
Editeur : Le castor astral
6 février 2020
Collection : Poésie
Langue : Français
ISBN-13 : 979-1027802449
ASIN : B07Z76LM7B
Dimensions du produit:
14,1 x 1,5 x 20,5 cm
15,00 EUR
# new books
Cécile Coulon:
Noir volcan
Poésie
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The Inevitable
While I was fearing it, it came,
But came with less of fear,
Because that fearing it so long
Had almost made it dear.
There is a fitting a dismay,
A fitting a despair.
’Tis harder knowing it is due,
Than knowing it is here.
The trying on the utmost,
The morning it is new,
Is terribler than wearing it
A whole existence through.
Emily Dickinson
(1830-1886)
The Inevitable (Poem)
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Poet, writer, and dancer Tishani Doshi was born in Madras, India, to Welsh and Gujarati parents. She earned a BA from Queens College in North Carolina and an MA from the Writing Seminars from the Johns Hopkins University. After working in the fashion magazine industry in London, Doshi returned to India.
An unexpected meeting with one of Indian dance’s leading choreographers, Chandralekha, led Doshi to a career in dance. She currently performs internationally with the Chandralekha group. She is a freelance journalist, and her work has appeared in newspapers and journals such as the Guardian, the National, and the Hindu. She writes a regular column for New Indian Express and was a finalist in the Outlook/Picador India Non-Fiction Competition.
Doshi is widely acclaimed as a creative writer; her first book of poetry, Countries of the Body (2006), won a Forward Prize for Best First Collection. Her other collections include Everything Begins Elsewhere (2013), Dolce Marcescenza (Sweet Decay) (2015), and Girls Are Coming Out of the Woods (2018).
Doshi’s first novel, The Pleasure Seekers (2010), was shortlisted for the Hindu Best Fiction Award and has been translated into several languages. She is also the author of Fountainville: New Stories from the Mabinogion (2013), a retelling of the Mabinogion myth, as well as two books about place and home, Madras Then Chennai Now (2013) and The Adulterous Citizen (2015). Her latest novel is Small Days and Nights (W. W. Norton, 2020).
From “The River of Girls” by Tishani Doshi the poem:
i.m. India’s missing girls
This is not really myth or secret.
This murmur in the mouth
of the mountain where the sound
of rain is born.
( . . . . . )
This is the sound of ten million girls
singing of a time in the universe
when they were born with tigers
breathing between their thighs;
when they set out for battle
with all three eyes on fire,
their golden breasts held high
like weapons to the sky.
Tishani Doshi, “The River of Girls”. Copyright © 2013 by Tishani Doshi.
Source: Everything Begins Elsewhere (Copper Canyon Press, 2013)
Her honors and awards include an Eric Gregory Award and an All-India Poetry Prize. She lives in Tamil Nadu, India.
Small Days and Nights
A Novel
by Tishani Doshi (Author)
Hardcover
$25.95
272 pages
Publisher: W. W. Norton & Company
January 21, 2020
Language: English
ISBN-10: 1324005238
ISBN-13: 978-1324005230
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Paul Celan, der meistgedeutete deutschsprachige Dichter nach 1945, ist auch der Autor eines eminenten Briefwerks.
Mit dieser Ausgabe wird es nun erstmals als eigenes Werk sichtbar: in 691 Briefen, davon 330 bisher unpubliziert, an 252 Adressaten. Wer sind die Adressaten? Es sind die Mitglieder der Familie, geliebte Frauen, befreundete Autoren, sehr junge und begeisterte Leser, Übersetzerkollegen, französische Philosophen ebenso wie deutsche Germanisten und die Mitarbeiter vieler Verlage. Aus alledem entsteht in chronologischer Folge über vier Jahrzehnte ein Leben aus Briefen.
In ihnen zeigt sich Celan als herausragender Korrespondenzpartner mit einer enormen stilistischen Bandbreite, ausgeprägt in seiner Fähigkeit, auch auf Unbekannte einzugehen. Die Briefe offenbaren eine Vielzahl bisher verborgener biografischer Fakten, ermöglichen eine Präzisierung seiner Poetologie und zeigen ihn zugleich als Menschen in seinem ganz gewöhnlichen Alltag.
Das Jahr 2020 steht ganz im Zeichen von Paul Celan: Am 20. April jährte sich sein Todestag zum fünfzigsten Mal, und am 23. November 2020 wäre einer der wichtigsten deutschsprachigen Dichter nach 1945 einhundert Jahre alt geworden.
Paul Celan wurde als Paul Antschel am 23. November 1920 als einziger Sohn deutschsprachiger, jüdischer Eltern im damals rumänischen Czernowitz geboren. Nach dem Abitur 1938 begann Celan ein Medizinstudium in Frankreich, kehrte jedoch ein Jahr später nach Rumänien zurück, um dort Romanistik zu studieren. 1942 wurden Paul Celans Eltern deportiert. Im selben Herbst starb sein Vater in einem Lager an Typhus, seine Mutter wurde erschossen. Von 1942 bis 1944 musste Celan in verschiedenen rumänischen Arbeitslagern Zwangsarbeit leisten.
Von 1945 bis 1947 arbeitete er als Lektor und Übersetzer in Bukarest, wo auch erste Gedichte von Celan erschienen. Im Juli 1948 zog er von Wien aus nach Paris, wo der Dichter bis zu seinem Tod lebte. Dort lernte Celan 1951 die Künstlerin Gisèle de Lestrange kennen, die er ein Jahr später heiratete. Ihr gemeinsamer Sohn Eric kam 1955 zur Welt. Im Frühjahr 1970 nahm sich Celan in der Seine das Leben. (Suhrkamp Verlag)
“Dieses aus- und eindrucksvolle Mosaik ist die große Leistung der Herausgeberin Barbara Wiedemann, die schon so viele Publikationen zu Paul Celan verantwortet hat.” – Martin Oehlen, Frankfurter Rundschau
Paul Celan
“Etwas ganz und gar Persönliches”
Briefe 1934-1970
Herausgegeben und kommentiert von Barbara Wiedemann
Deutschsprachig
Leinen
Literatur
Suhrkamp Verlag
1286 Seiten
78,00 €
Erschienen: 14.12.2019
ISBN: 978-3-518-42888-7
# new books
Paul Celan
Briefe 1934-1970
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Enough
When all my words were said,
When all my songs were sung,
I thought to pass among
The unforgotten dead,
A Queen of ruth to reign
With her, who gathereth tears
From all the lands and years,
The Lesbian maid of pain;
That lovers, when they wove
The double myrtle-wreath,
Should sigh with mingled breath
Beneath the wings of Love:
‘How piteous were her wrongs,
Her words were falling dew,
All pleasant verse she knew,
But not the Song of songs.’
Yet now, O Love, that you
Have kissed my forehead, I
Have sung indeed, can die,
And be forgotten too.
Digby Mackworth Dolben
(1848 – 1867)
Enough
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Parting
My life closed twice before its close;
It yet remains to see
If Immortality unveil
A third event to me,
So huge, so hopeless to conceive,
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell.
Emily Dickinson
(1830-1886)
Parting
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After reading Homer
Happy the man, who on the mountain-side
Bending o’er fern and flowers his basket fills :
Yet he will never know the outline-power,
The awful Whole of the Eternal Hills.
So some there are, who never feel the strength
In thy blind eyes, majestic and complete,
Which conquers those, who motionlessly sit,
O dear divine old Giant, at thy feet.
Digby Mackworth Dolben
(1848 – 1867)
After reading Homer
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A Song
The world is young today:
Forget the gods are old,
Forget the years of gold
When all the months were May.
A little flower of Love
Is ours, without a root,
Without the end of fruit,
Yet ― take the scent thereof.
There may be hope above,
There may be rest beneath;
We see them not, but Death
Is palpable ― and Love.
Digby Mackworth Dolben
(1848 – 1867)
A Song
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The highly anticipated new biography of Sylvia Plath that focuses on her remarkable literary and intellectual achievements, while restoring the woman behind the long-held myths about her life and art.
With a wealth of never-before-accessed materials–including unpublished letters and manuscripts; court, police, and psychiatric records; and new interviews–Heather Clark brings to life the brilliant daughter of Wellesley, Massachusetts.
Sylvia Plath had poetic ambition from a very young age and was an accomplished, published writer of poems and stories even before she became a star English student at Smith College in the early 1950s. Determined not to read Plath’s work as if her every act, from childhood on, was a harbinger of her tragic fate, Clark here evokes a culture in transition, in the shadow of the atom bomb and the Holocaust, as she explores Plath’s world: her early relationships and determination not to become a conventional woman and wife; her conflicted ties to her well-meaning, widowed mother; her troubles at the hands of an unenlightened mental-health industry; her Cambridge years and thunderclap meeting with Ted Hughes, a marriage of true minds that would change the course of poetry in English; and much more.
Clark’s clear-eyed sympathy for Hughes, his lover Assia Wevill, and the other demonized players in the arena of Plath’s suicide promotes a deeper understanding of her final days, with their outpouring of first-rate poems. Along with illuminating readings of the poems themselves, Clark’s meticulous, compassionate research brings us closer than ever to the spirited woman and visionary artist who blazed a trail that still lights the way for women poets the world over.
Heather Clark earned her bachelor’s degree in English Literature from Harvard University and her doctorate in English from Oxford University. Her awards include a National Endowment for the Humanities Public Scholar Fellowship; a Leon Levy Biography Fellowship at the City University of New York; and a Visiting U.S. Fellowship at the Eccles Centre for American Studies, British Library. A former Visiting Scholar at the Oxford Centre for Life-Writing, she is the author of The Grief of Influence: Sylvia Plath and Ted Hughes and The Ulster Renaissance: Poetry in Belfast 1962-1972. Her work has appeared in publications including Harvard Review and The Times Literary Supplement, and she recently served as a consultant for the BBC documentary Sylvia Plath: Life Inside the Bell Jar. She divides her time between Chappaqua, New York, and Yorkshire, England, where she is Professor of Contemporary Poetry at the University of Huddersfield.
Red Comet
The Short Life and Blazing Art of Sylvia Plath
By Heather Clark
Hardcover
1152 Pages
$40.00
Oct 06, 2020
ISBN 9780307961167
Published by Knopf
$40.00
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From Sappho
Thou liest dead, lie on: of thee
No sweet remembrances shall be,
Who never plucked Pierian rose,
Who never chanced on Anteros.
Unknown, unnoticed, there below
Through Aides’ houses shalt thou go
Alone, for never a flitting ghost
Shall find in thee a lover lost.
Digby Mackworth Dolben
(1848 – 1867)
From Sappho
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