Joep Eijkens Photos: Mariëlle Videler & Tinder Touch
M a r i ë l l e V i d e l e r
T I N D E R T O U C H
Mariëlle Videler about her work:
Situations: models for life
The perishablility I prefer, that’s why in the course of years I concentrated myself more and more on temporary works and life art. I create situations, temporary actions in a given, chosen or created space in which rituals, cultivated or instinctive behaviour, and the active participation of others plays an important role.
In my work I try to unite intuition and concept. I collect images, text and experiences out of life, culture, social systems and art history. These form an archive that I use partly direct and conscious to create a work, while other works are started in a more intuitive way. While spontaneous working, drawing for example, I see connections with a more conceptual framework. This can help me to make certain decisions for material, shape or colour and I can decide to implement a motif from my archive that is connected to the concept. The participants in my work can be divided in two groups. People that I invite to participate in the actions, to co-create a work and people who at a later stage get involved in or view the situation. I use codes and biological / cultural manners to approach people and on an intuitive level activate and involve / engage them in the work. Therefore I research conceptual structures like a game or a sport, more intuitive social structures as riding with a boom-car through the streets and systems within different cultures for example the Turkish seasonal fest Hidrellez. I search for connections between my intuition and concepts.
Art is my way of creating models for life: situations. By making special surroundings, situations, I try to intensify the moment of contact between people. I obsessively compose the situation for the other to direct.
M o r e o n w e b s i t e M a r i ë l l e V i d e l e r
Joep Eijkens Photos: Mariëlle Videler & Tinder Touch
fleursdumal.nl magazine – magazine for art & literature
© J. Eijkens 2007 (eerder gepubliceerd op www.cubra.nl)
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