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Origo, Julia

· 2e druk van Laatste Bedrijf van Jef van Kempen · Julia Origo: Portrait of E. & Observations · Julia Origo: Suicide & Witness · Julia Origo: Bad girl & Saints · Julia Origo poetry: Witness · Julia Origo poetry: Observations · Julia Origo: Portrait of E. · Julia Origo poetry: Suicide · Julia Origo: Bad girl · Julia Origo poetry: Saints

2e druk van Laatste Bedrijf van Jef van Kempen

laatstebedrijf 104a

2e druk

Jef van Kempen

Laatste Bedrijf.

Een keuze uit de gedichten 1962-2012

Uitgeverij Art Brut

ISBN: 978-90-76326-06-1

68 pag.

12,50 euro

Vormgeving Michiel Leenaars

Gedichten en illustraties van Jef van Kempen, J.A. Woolf, Monica Richter & Julia Origo

Op zondag 16 december 2012 vond in Boekhandel Livius in Tilburg de presentatie plaats van de nieuwe bundel van Jef van Kempen: Laatste bedrijf. Een keuze uit de gedichten 1962-2012. Op die bijeenkomst ontving Jef van Kempen uit handen van burgemeester Peter Noordanus de grote zilveren legpenning van de gemeente Tilburg voor zijn verdiensten op het gebied van literatuur en cultuur.

Verder las Ton van Reen zijn verhaal: ‘Jef van Kempen houdt van gedichten’ voor en droeg stadsdichter Esther Porcelijn enkele gedichten en prozateksten van Jef van Kempen voor.

De 2e druk van deze bundel ligt inmiddels in de winkel.

MEER INFORMATIE: magazine@fleursdumal.nl

DE PERS OVER LAATSTE BEDRIJF:  “Jef van Kempen is bekender als schrijver van verhalen (…) dan als dichter. Ten onrechte. In zijn rijke en fraai geïllustreerde bundel toont hij zijn veelzijdigheid en belezenheid. Grimmige poëzie, waarin de somberheid en woede alleen in toom worden gehouden door ironie.” (Brabants Dagblad, Miekse van Eck, 3 januari 2013)

laatstebedrijf 2edruk

2e druk

fleursdumal.nl magazine

More in: J.A. Woolf, Jef van Kempen Photos & Drawings, Kempen, Jef van, Monica Richter, Origo, Julia


Julia Origo: Portrait of E. & Observations

Julia Origo

(1965 – 2005)

 

Portrait of E.

The short and desperate life of E.

(the girl nobody noticed on November 4th 1990)

rubbing shoulders, smiling dreamily,

with a thought bubble above her head saying:

“I said I would NOT tear up”.


E. tied a ligature around her neck,

strangled herself in a similar fashion

as many times before.

Although on suicide watch,

in the short time she was unobserved

she did ENOUGH to starve herself of oxygen,

trigger brain damage.


In a vegetative state,

transferred to hospital,

she would not recover

A nightmare of guilt to follow.

A decision to switch her off

life support was made seven days later.


THE END

justifies the means.


(Suicide is the act of deliberately killing oneself. Risk factors for suicide include mental disorder, such as depression, personality disorder, alcohol dependence, or schizophrenia, and some physical illnesses, such as neurological disorders, cancer, and HIV infection. There are effective strategies and interventions for the prevention of suicide.)

(from: Escape, 1991)


Observations

Thoughts and observations on man and nature:

my mental temperament is highly developed,

if you were a gentleman you’d offer me a ride

and hear the satisfaction in my voice,

maybe I would blush, every now and then,

maybe not,

maybe I’ll write a poem.

 

(From: Transfusion, 1987)

 

Julia Origo poetry

kempis poetry magazine

More in: Origo, Julia


Julia Origo: Suicide & Witness

Julia Origo

(1965 –2005)

 

Suicide


Rage

in a flash

damaged

by misfortune and eager,

all the worst losses and woes of life,

examine her regrets.

 

just an attempt at genuine connection

(winters and summers)

at times, struggling to hear,

she leans forward,

face creasing with concentration,

eyes searching.


How Did It Come To This?


(From: Escape, 1991)

 


witness


s t a g e o n e


I have seen many eagles

in recent years

so different

like a date without desteny

 

s t a g e t w o


and when you give up

-perhaps that’s the deal-

like all that died before

you get old

at any age

 

s t a g e t h r e e


then this misunderstanding

full of promise of modern fable

of a missing link

between age and mind

between losing home

and losing time

 

between you

and him


(London 1985)

 

Julia Origo poetry

kempis poetry magazine

More in: Archive O-P, Origo, Julia


Julia Origo: Bad girl & Saints

Julia Origo

(1965 – 2005)

 

Bad girl

Pity those poor Italian men,

out of reach,

(oh, celibacy in despair!)

but they never look sorry

(why?)

I was invisible to the man on the street

I told him that I was really excited

(born one second after midnight

on New Year’s Day)

a self-absorbed, thumb-sucking bad girl,

beware your wildest dreams…


Rain fell like nails upon us,

I seduce his father who flirts with his seatmate

on a long plane flight.

I had always wanted a real man

(always the same face)

as I knew better than to offer him to pay

for he can watch his family from

beyond the grave

(sad news of the death, oh yes,

the theft of childhood and

the dangers to the young, oh yes)


delve deeper into Celebrating Possibility

and an engaging sense

of

pale

naked

PAIN.


It made no difference.

(From: Bad girl, 1985)



Saints

what

happened to Joan

of Arc? who disappeared

during the night maybe you saw

that brief controversy: The Red Death

The Red Death, The Final Blast,

Saint Joan, I remember

at least one

more

time.

(From: Transfusion, 1987)

 

Julia Origo poetry

kempis poetry magazine

More in: Archive O-P, Origo, Julia


Julia Origo poetry: Witness

J u l i a  O r i g o

(1965-2005)


w i t n e s s


s t a g e  o n e


I have seen many eagles

in recent years

so different

like a date without desteny

 

s t a g e  t w o


and when you give up

-perhaps that’s the deal-

like all that died before

you get old

at any age

 

s t a g e   t h r e e


then this misunderstanding

full of promise of modern fable

of a missing link

between age and mind

between losing home

and losing time


between you

and him

 

(London 1998)


kemp=mag poetry magazine

More in: Origo, Julia


Julia Origo poetry: Observations


 

Julia Origo (1965 – 2005)

Observations

Thoughts and observations on man and nature:
my mental temperament is highly developed,
if you were a gentleman you’d offer me a ride
and hear the satisfaction in my voice,
maybe I would blush, every now and then,
maybe not,
maybe I’ll write a poem.

(From: Transfusion, 1987)

kemp=mag poetry magazine

More in: Origo, Julia


Julia Origo: Portrait of E.

 

 

 Portrait of E.

The short and desperate life of E. 
(the girl nobody noticed on November 4, 1990)
rubbing shoulders, smiling dreamily,
with a thought bubble above her head saying:
“I said I would NOT tear up”.

E. tied a ligature around her neck,
strangled herself in a similar fashion
as many times before.
Although on suicide watch,
in the short time she was unobserved
she did ENOUGH to starve herself of oxygen,
trigger brain damage.

In a vegetative state,
transferred to hospital,
she would not recover
A nightmare of guilt to follow
A decision to switch her off 
life support was made seven days later.

THE END
justifies the means.


Julia Origo

(from: Escape, 1991)

 

More in: Origo, Julia


Julia Origo poetry: Suicide

 

Suicide

 

Rage

in a flash

damaged

by misfortune and eager,

all the worst losses and woes of life,

examine her regrets,

 

just an attempt at genuine connection

(winters and summers)

at times, struggling to hear,

she leans forward,

face creasing with concentration,

eyes searching.

 

How Did It Come To This?

 

Julia Origo

Verona 1965 – London 2005

(From: Bad girl, 1985)



kemp=mag poetry magazine

More in: Origo, Julia


Julia Origo: Bad girl

 

Bad girl

 

Pity those poor Italian men,

out of reach,

(oh, celibacy in despair!)

but they never look sorry

(why?)

I was invisible to the man on the street

I told him that I was really excited

(born one second after midnight

on New Year’s Day)

a self-absorbed, thumb-sucking bad girl,

beware your wildest dreams…

 

Rain fell like nails upon us,

I seduce his father who flirts with his seatmate

on a long plane flight.

I had always wanted a real man

(always the same face)

as I knew better than to offer him to pay

for he can watch his family from

beyond the grave

(sad news of the death, oh yes,

the theft of childhood and

the dangers to the young, oh yes)

 

delve deeper into Celebrating Possibility

and an engaging sense

of

pale

naked

PAIN.

 

It made no difference.

 

 

Julia Origo

Verona 1965 – London 2005

(From: Bad girl, 1985)

 

 

More in: Origo, Julia


Julia Origo poetry: Saints

 

Julia Origo (1965-2005) Poetry

 

 

 

origo

 

Saints

 

what

happened to Joan

of Arc? who disappeared

during the night maybe you saw

that brief controversy: The Red Death

The Red Death, The Final Blast,

Saint Joan, I remember

at least one

more

time.

 

From: Transfusion, 1987

 

kemp=mag poetry magazine

More in: Origo, Julia


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